1
100
20
-
http://art-collections.museum.ucsb.edu/files/original/3c7f5330d07b768e68e54ddaba264be7.jpg
f8ad480fbf3596c4b7897b1dbe36b390
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Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Title
A name given to the resource
<p><strong>Bellini</strong>, Giovanni (Attributed to)</p>
<h2></h2>
Description
An account of the resource
<p><em>Virgin and Child Before a Landscape, </em>15th C.</p>
<p><br /><br />Oil on panel, 39 1/8 x 30 3/4 x 7 3/4" </p>
<p> Oil on panel painting enclosed within a raised altar. The Virgin Mary is clothed in a blue-green robe looking over the baby Jesus positioned on a red sofa-like structure. Sky and mountains in background.</p>
Creator
An entity primarily responsible for making the resource
<p><strong>BELLINI</strong>, Giovanni (Attributed to)</p>
<p>b. Italy, ca. 1430-1500</p>
Identifier
An unambiguous reference to the resource within a given context
<p>1960.1</p>
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
15th c.
-
http://art-collections.museum.ucsb.edu/files/original/5d621fcd42b40f45a233b629fd93def6.jpg
f8eed5b8ef55d1904f3e01c9d0f38025
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Title
A name given to the resource
<p><strong>Da Treviso The Elder</strong>, Girolamo (Attributed to)</p>
<h2></h2>
Description
An account of the resource
<p><em>Virgin and Child with Two Saints,</em> 2nd half 15th C.</p>
<p><br />Oil on panel,</p>
<p> </p>
<p>41 3/4 x 30 1/2 x 7 5/8" </p>
<p> </p>
<p>The lattice structure seen on the back of this painting is known as a cradle. It is made of slats of wood adhered to the back of the panel in the direction of the wood grain, with sliding members inserted at right angles. Cradling was a common practice of restoration for centuries and was used to correct and stabilize damage caused by cracking, warping, and even insect infestation, all of which can be seen here. This method of straightening was carried out by first thinning the wood, one result of which is that the tunnels made by worms are exposed. Impressions of the nails, which were used to secure the cradle, are visible in the corners and sides. Though these restoration techniques were common at one point , conservators today take a less invasive approach in their measures to ensure longevity.</p>
Creator
An entity primarily responsible for making the resource
<p><strong>Da Treviso The Elder</strong>, Girolamo (Attributed to)</p>
<p>active Treviso, 1455 - 1497</p>
Identifier
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<strong>1960.2</strong>
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2nd half of 15th c.
-
http://art-collections.museum.ucsb.edu/files/original/58150f386c1315d1952d64276e6db55a.jpg
32c0511d03b620d0ca8480b5bc485f33
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Title
A name given to the resource
<p><strong>Master of the Investiture of St. Ildefonso<br /></strong></p>
<h2></h2>
Description
An account of the resource
<p><em>Adoration of the Magi, late 15th c.</em></p>
<p><br />Oil on panel, 22 5/8 x 18 3/4 x 2"</p>
<p></p>
<p> Oil on panel painting of the Adoration of the Magi which includes three kings (Magi) presenting gifts of gold, frankincense, and myrrh to the baby jesus whom they found by following a star.</p>
Creator
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<p>MASTER OF THE INVESTITURE OF ST. ILDEFONSO</p>
<p>b. Netherlands, late 15th Century</p>
Identifier
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<p><strong>1960.3</strong></p>
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
late 15th c.
-
http://art-collections.museum.ucsb.edu/files/original/64bfff1df36b9c51616b0d58aa82b0c5.jpg
a96cf7cb53bb260145218bb34a91289a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Title
A name given to the resource
<p><strong>DAVID, </strong>Gerard, Studio of </p>
<h2></h2>
Description
An account of the resource
<p><em>Lamentation</em>, late 15th C./early 16th C.</p>
<p><br />Oil on panel, 19 1/2 x 47 3/4 x 2 3/8"</p>
<p>Oil on panel painting of the Lamentation which is a very common subject in Christian art from the High Middle Ages to the Baroque. After Jesus was crucified, his body was removed from the cross and his friends mourned over his body.</p>
Creator
An entity primarily responsible for making the resource
<p><strong>DAVID,</strong> Gerard, Studio of <br /><br />b. The Netherlands, ca. 1450 - 1523</p>
<p></p>
Identifier
An unambiguous reference to the resource within a given context
<p><strong>1960.4</strong></p>
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
late 15th C./early 16th C.
-
http://art-collections.museum.ucsb.edu/files/original/430a8ac37b05b0c3aca825f8e5388805.jpg
0b1891fa5d7a709499f97102b2641204
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p><strong>PSEUDO PIER FRANCESCO FIORENTINO</strong></p>
<h2></h2>
Description
An account of the resource
<p><em>Virgin and Child</em>, mid 15th c.</p>
<p><br /><br />Tempera on panel, 39 1/2 x 29 3/4 x 5 1/2" </p>
<p> The inscriptions on the backs of paintings can be deceptive. The handwritten notation in ink on the verso of this painting cites the date, 1460, and attributes the painting to Andrea Verrocchio. The inscription further indicates that Andrea Verrocchio (1435-1488) was the master of Pietro Perugino (1446-1523) in Florence, who himself was the master of Raphael (1483-1520). We know now, however, that Raphael entered Perugino’s studio about thirty-five years after 1460. Therefore, the commentary here was added some time after the painting was made. The exposed worm tunnels on the sides support this conclusion as well because they are evidence that the panel was thinned, and a layer of gesso and paint were added at the same time as the inscription. Inclusion of this inscription appears to be an attempt to construct a more favorable artistic lineage for the painting.</p>
Creator
An entity primarily responsible for making the resource
<p><strong>PSEUDO PIER FRANCESCO FIORENTINO<br /></strong>b. Italy, Florence mid 15th C.<br /><br /><strong><br /></strong></p>
Identifier
An unambiguous reference to the resource within a given context
<p><strong>1960.5</strong></p>
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
mid 15th c.
-
http://art-collections.museum.ucsb.edu/files/original/386a8802d4c8dd022954f5764e1f06ee.jpg
22ad6b25e1b3bd6ab9a1affdc8b243d4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Identifier
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<strong>1960.6</strong>
Title
A name given to the resource
<strong>MASTER OF THE FORTIES</strong>
<p></p>
Description
An account of the resource
<p><em>Portrait of a member of the Antwerp family De Deckere, aged 62</em><br /><br />Oil on panel, 28 7/16 x 25 x 2 3/4"<br /><br />This artist is called Master of the ‘40s because most of his paintings are dated to the 1540’s such as this work dated to 1544. He worked mainly in Antwerp, painting portraits of wealthy, middle-class men and women; at upper right is the inscription AETATIS SVAE/62 which was used to notate age.<br /><br /><br /></p>
Creator
An entity primarily responsible for making the resource
<p><strong>MASTER OF THE FORTIES</strong></p>
<p>b. The Netherlands ca. 1540's<br /><br /><br /></p>
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
1544
-
http://art-collections.museum.ucsb.edu/files/original/1c3bd4eb1be2d85cb0b79924b47ca823.jpg
021688ec5acff4030fc4fbbd2e1f28df
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Identifier
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<strong>1960.7</strong>
Title
A name given to the resource
<p><strong>FLANDES,</strong> Juan de</p>
<h2></h2>
Description
An account of the resource
<p><em>Portrait of an Infanta</em>, 15th C.</p>
<p><br />Oil on panel, 18 1/4 x 15 1/2 x 1 3/4"<br /> <br />The labels affixed to this work provide a history of where the painting was displayed. The red starburst label indicates that this painting was available for purchase at the American Art Galleries at Madison Square South, New York, as part of the sale of the William M. Laffan Collection on January 20, 1911. The auction catalogue for that sale specifies that the painting, then misidentified as a Spanish Saint Dorothea, was purchased by Robert S. Minturn for $800. Later, it turned up in the collection of Robert B. Minturn. The three labels--at top center, bottom left and bottom right–- attached to both the frame and the panel reveal that this painting was exhibited at the Fogg Art Museum at Harvard University, where it was lent by Robert B. Minturn, Francis M. Sedgwick’s uncle, in 1934.</p>
Creator
An entity primarily responsible for making the resource
<p><strong>FLANDES</strong>, Juan de</p>
<p>d. 1516, Spain</p>
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
15th c.
-
http://art-collections.museum.ucsb.edu/files/original/18ce207e699532a841413d870262c0a8.jpg
0ab45abf68b1afa8a3ba9b7e157a2cc1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Identifier
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<strong>1960.8</strong>
Title
A name given to the resource
<p><strong>BRUYN THE ELDER, </strong>Barthel </p>
Description
An account of the resource
<p><em>Portrait of an Elderly Woman</em>, 1544<br /><br />Oil on panel, 15 5/8 x 11 3/4 x 1 1/2" </p>
<p> Oil on panel painting of an elderly woman. She is wearing traditional dress including a veiled cap and is holding rosary beads.</p>
Creator
An entity primarily responsible for making the resource
<strong>BRUYN THE ELDER, Barthel</strong><br /><strong>b. Germany, 1493 - 1555<br /><br /></strong>
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
1544
-
http://art-collections.museum.ucsb.edu/files/original/c4fef2edb23402133241eab783ca4d56.jpg
ff2a045e30cc513db8c1ee9538f74850
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Identifier
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<strong>1960.9</strong>
Title
A name given to the resource
<p><strong>Follower of Perugino<br /></strong></p>
<h2></h2>
Description
An account of the resource
<p><em>Scenes From the Life of Nicholas Tolentino,</em>15th C.</p>
<p><br />Oil on panel, 19 1/2 x 47 3/4 x 2 3/8"</p>
<p> Nicholas Tolentino was a 13th century Italian priest who was canonized in 1446 by Pope Eugene IV. Known for his eloquence, he was believed to have performed several miracles during his lifetime. Here, from left to right, we see him freeing a prisoner, supporting a man who was unjustly hanged until he could be let down, reviving a dead person, rescuing a ship from distress, and preaching.</p>
Creator
An entity primarily responsible for making the resource
<p><strong>Follower of Perugino, b. Italy</strong></p>
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
15TH c.
-
http://art-collections.museum.ucsb.edu/files/original/ad16fcf31acec2e0fdf5dbcdad32499b.jpg
8c7287422101173c5ac0abbc7364b7ef
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
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<p><strong>1960.10</strong></p>
Title
A name given to the resource
<p><strong>MAHU, </strong>Cornelis</p>
<h2></h2>
Description
An account of the resource
<p><em>Still Life with Fruit and Insects</em>, 1649</p>
<p><br />Oil on panel, 18 1/4 x 23 5/8 x 2 3/8"</p>
<p> Flemish oil painting of a still life with fruit and insects; butterflies at upper left with seeded fruit and nuts in foreground.</p>
Creator
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<h5><strong>MAHU, Cornelius. b. The Netherlands, 1613 - 1689<br /><br /><br /></strong></h5>
Source
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<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
1649
-
http://art-collections.museum.ucsb.edu/files/original/4a269a112f80a4002620e111257409ff.jpg
2df7d1b00900bfc989596c6220877df9
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Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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<p><strong>MAHU</strong>, Cornelis</p>
<h2></h2>
Creator
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<p><strong>MAHU, </strong>Cornelius, b. The Netherlands, 1613 - 1689<br /><br /><br /></p>
Description
An account of the resource
<p><em>Still live with Fruit and Insects</em>, 1649</p>
<p><br />Oil on panel, 18 1/4 x 23 5/8 x 2 3/8"</p>
<p>Flemish oil painting of a still life with fruit and insects; butterflies at upper left with seeded fruit and nuts in foreground.</p>
Identifier
An unambiguous reference to the resource within a given context
<strong>1960.11</strong>
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
1649
-
http://art-collections.museum.ucsb.edu/files/original/883a0f40a2042fafda255ff03098c29f.jpg
24224abf2aff0be372a9df197bfdb262
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Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Title
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<p><strong>German </strong>or<strong> Flemish<br /></strong></p>
Description
An account of the resource
<p><em>Portrait of a Woman</em>, 16th C.</p>
<p><br /><br />Oil on panel, 18 7/8 x 15 3/4 x 2 5/8"</p>
<p>German or Flemish oil painting of a fully clothed female clasping her hands in front. Her dress reflects layering of an undergament with outer dress and the wearing of a black hood over a linen undercap. These hoods became more complex and structured over time.</p>
Identifier
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<strong>1960.12</strong>
Creator
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Dutch and Flemish Renaissance painting represents the 16th-century response to Italian Renaissance art in the Low Countries. These artists, who span from the Antwerp Mannerists and Hieronymus Bosch at the start of the 16th century to the late Northern Mannerists such as Hendrik Goltzius and Joachim Wtewael at the end, drew on both the recent innovations of Italian painting and the local traditions of the Early Netherlandish artists. In demand in courts all over Europe for his reliable portraits in a style that combined Netherlandish precision with the lessons of Titian and other Italian painters. A meticulous handling of jewellery and sumptuous fabrics are typical Flemish characteristics sought after by courtly sitters. As Renaissance art styles moved through Northern Europe, they changed and were adapted to local customs. In England and the northern Netherlands the Protestant Reformation brought religious painting almost completely to an end. As in Italy, the decline of feudalism opened the way for the cultural, social, and economic changes associated with the Renaissance in Europe. The golden age of painting in the Netherlands was aided by the wealth of the region at this time as well as the presence of King Philip and the Burgundian court, which allowed court artists to flourish. The influence of art of the Netherlands on the European scene grew significantly at this point, with many of its masters gaining the respect and following of numerous Italian artists. The growth of the status of ‘artist’ in the Netherlands is demonstrated by an increase in artists who sign their name and paint self-portraits. Despite several very talented artists of the Tudor Court in England, portrait painting was slow to spread from the elite.
Date
A point or period of time associated with an event in the lifecycle of the resource
16th c.
-
http://art-collections.museum.ucsb.edu/files/original/7817090e891ff05dc1e020206499547b.jpg
7f889971047ff1dfa81bce88f0a5a626
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Title
A name given to the resource
<p><strong>German</strong></p>
<h2></h2>
Description
An account of the resource
<p><em>Portrait of a Man</em>, mid 16th C.</p>
<p><br />Oil on panel, 18 7/8 x 16 1/8 x 2 5/8" </p>
<p>The backs of paintings may often disclose information about a work’s provenance, or history of ownership. Here, the labels show that this painting by an unknown German artist, possibly in the school of Hans Holbein (1497-1543), was once in the collection of George P. Boyce, Esq. The label at top right denotes that the work was exhibited in The Tudor Exhibition at the New Gallery in 1890, while the one at lower left provides a faithful description of the subject. Research about this particular exhibition, and others to which the owner lent this painting, indicates that in 1890 it was exhibited in the West Hall of the New Gallery on Regent Street, London, alongside 136 other portraits of the royal family, nobility, and gentry, made during the time of Henry VIII (1509-1547). However, inscriptions can also be specious. At the end of the 19th century, this painting was thought to be a portrait of Henry Grey, Duke of Suffolk. Decades of scholarship since leave this figure unidentified and simply referred to now as, Portrait of a Man</p>
Creator
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<p><strong>German</strong>, mid 16th C.<br /><br /><br /></p>
Identifier
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<strong>1960.13</strong>
Source
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<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
mid 16th c.
-
http://art-collections.museum.ucsb.edu/files/original/fd1e373120f7ce614142d4d8fd6c8805.jpg
09205c383db3af24ec1cc2ed888f4c80
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Title
A name given to the resource
<p><strong>Italian </strong>or<strong> French </strong></p>
Description
An account of the resource
<p><strong><em>Portrai</em></strong><em>t of Christiana, Grand Duchess of Tuscany</em>, ca. 1589</p>
<p><br />Oil on panel, 34 3/4 x 29 x 4 5/8</p>
<p>Oil on panel painting of the Portrait of Christina, Grand Duchess of Tuscany. She is wearing traditional Elizabethan dress embellished with gold buttons, pearls and a lace ruff; painting is framed in an ornate gold.</p>
Creator
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<p><strong>Italian or French<br /><br /><br /></strong></p>
Identifier
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<strong>1960.14</strong>
Source
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<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
-
http://art-collections.museum.ucsb.edu/files/original/8fe0b2ae26026d3e21904af156070a4a.jpg
798d1aa136134d3691618d28033fb720
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Title
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<p><strong>WOUWERMAN</strong>, <em>Phillips </em></p>
Description
An account of the resource
<p><em>Landscape with Soldiers before a Market</em>, mid 17th C.</p>
<p><br />Oil on panel, 21 x 23 1/4 x 2"</p>
<p>Oil on panel painting of an open air market; soldiers fill the image with horses parked at center.</p>
Creator
An entity primarily responsible for making the resource
<p><strong>WOUWERMAN, Phillips </strong></p>
<p>b.The Netherlands, 1619 - 1668</p>
Identifier
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1960.16
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
17th c.
-
http://art-collections.museum.ucsb.edu/files/original/cd03f1fad1787aa40c56972f18b8f642.jpg
c8a047321e73ea09ae357ef702f7cef3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Title
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<p><strong>DUJARDIN</strong>, Karel (Attributed to)</p>
<h2></h2>
Description
An account of the resource
<p><em>Landscape with Horsemen</em>, 17th C.</p>
<p><br />Oil on panel, 24 x 23 1/2 x 2 3/4"</p>
<p>Oil on panel painting of a landscape with a horseman positioned on top of a small hill overlooking a river; rolling hills in background.</p>
Identifier
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<strong>1960.17</strong>
Creator
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<p><strong>DUJARDIN, </strong>Karel (Attributed to)</p>
<p>b. The Netherlands, ca. 1622 - 1678</p>
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
17th c.
-
http://art-collections.museum.ucsb.edu/files/original/66388154976fc49451ef9dd231e4bafe.jpg
06cd416632d550d86acedad6aba2de17
Dublin Core
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Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Identifier
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<strong>1960.18</strong>
Title
A name given to the resource
<p><strong>RUISDAEL</strong>, Jacob van</p>
<h2></h2>
Description
An account of the resource
<p><em>The Gnarled Oak</em>, 17th C.</p>
<p><br />Oil on canvas, 27 5/8 x 33 1/8 x 2"</p>
<p>This work was given to Mr. and Mrs. Sedgwick by Robert W. de Forest, the former President of the Metropolitan Museum of Art and Mrs. Sedgwick’s uncle.</p>
Creator
An entity primarily responsible for making the resource
<p><strong>RUISDAEL</strong>, Jacob van</p>
<p>b. The Netherlands, ca. 1628 - 1682 Amsterdam</p>
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
17th C.
-
http://art-collections.museum.ucsb.edu/files/original/94fa058910186c5afad39b92010cbc6e.jpg
a814bdfe8df0d62cf6ad90358799eda4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
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Identifier
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<strong>1960.19</strong>
Title
A name given to the resource
<p><strong>BACKHUYSEN</strong>, Ludolf</p>
<h2></h2>
Description
An account of the resource
<p><em>Riverscape</em>, 17th C.</p>
<p><br />Oil on panel, 18 1/4 x 21 3/4 x 2 7/8"</p>
<p>Oil on panel frame which was either partially or fully removed. This could suggest that the frame was repurposed. Barely discernable are numbers and letters, including a typewritten “RGNE” on the torn label at left. The identification of the numbers across the top is also unknown. A faint, handwritten inscription down the right edge reads “Bakhuysen,” referring to the painter of this work. The painting is an oil on panel, and at a later date was reinforced by a method known as cradling, of which there is another example on view in this exhibition.</p>
Creator
An entity primarily responsible for making the resource
<p><strong>BACKHUYSEN</strong>, Ludolf</p>
<p>b. The Netherlands, 1631-1708</p>
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
17th c.
-
http://art-collections.museum.ucsb.edu/files/original/948a92422940b5767e101829f63f8859.jpg
2989a239fb7b24dc9f1f063154d60dc0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
A related resource from which the described resource is derived
The Sedgwick Collection of Old Master Paintings
Dublin Core
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Identifier
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<strong>1960.20</strong>
Title
A name given to the resource
<p><strong>HONDECOETER</strong>, Melchior de</p>
<h2></h2>
Description
An account of the resource
<p><em>Landscape with Birds</em>, 17th C.</p>
<p><br />Oil on canvas, 65 1/2 x 71 1/4 x 2 7/8"</p>
<p>Large oil on canvas painting with a standing pelican at left; multiple ducks and birds populate the lower foreground and upper background</p>
Creator
An entity primarily responsible for making the resource
<p><strong>HONDECOETER</strong>, Melchior de</p>
<p>b. The Netherlands, 1636 - 1695 Amsterdam</p>
Source
A related resource from which the described resource is derived
<p>The Sedgwick Collection of Old Master Paintings</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
-
http://art-collections.museum.ucsb.edu/files/original/ff30043d9f7c4b5ab2634d80c3a97349.jpg
fe01f8de7c514db89d966d638d6f6caf
Dublin Core
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Title
A name given to the resource
<strong>The Sedgwick Collection of Old Master Paintings</strong>
Description
An account of the resource
Acquired by the AD&A Museum in 1960, the Mr. and Mrs. Francis Minturn Sedgwick Collection represents one of the earliest bequests to the Fine Arts Collection with its stated goal of establishing a university museum “comparable to the FitzWilliam Museum at Cambridge and the Fogg Museum at Harvard.” A businessman and sculptor in his own right, Mr. Sedgwick donated twenty canvases by French, Italian, Dutch, Flemish and German artists of the fifteenth to seventeenth centuries, including the striking Renaissance work Portrait of an Infanta by Juan de Flandes, a Flemish artist active in Spain from 1496-1516. The Sedgwick Collection affords visitors the opportunity to experience Renaissance and Baroque paintings in an intimate setting whereby regional developments in style and subject matter can be compared. In addition, the Sedgwick Collection belongs to the artistic heritage of Santa Barbara. Active in banking, ranching and the arts, Francis Sedgwick’s significant contributions to UC Santa Barbara include his donation of what amounted in 1967 to the largest single private gift in the history of the University. Mr. Sedgwick was instrumental in bringing the Morgenroth Collection of Renaissance Medals and Plaquettes to its home at the AD&A Museum.
Source
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The Sedgwick Collection of Old Master Paintings
Dublin Core
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Identifier
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<strong>1960.15</strong>
Title
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<p><strong>Dutch</strong></p>
<h2></h2>
Description
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<p><em>Portrait of a Woman</em>, 17th C.</p>
<p><br />Oil on panel, 28 11/16 x 27 x 3"</p>
<p>Oil on panel painting of a Dutch female wearing the traditional dress of the 17th Dutch . This includes a white linen diadem cap with white bobbin lace edging; a huge ruff which is intricately detailed and a black gown with a black bodice of velvet lined with fur which is for married women only. The sleeves mirror the gown and are detachable with buttons.</p>
Creator
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<p><strong>Dutch, </strong>17th C.</p>
Source
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<p>The Sedgwick Collection of Old Master Paintings</p>
Date
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17TH c.