1
100
321
-
http://art-collections.museum.ucsb.edu/files/original/eed8826cb42b7e113a1f582a7105b8d8.jpg
757f1ecd1c14856dc506a4f9fd9edce2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.4
Creator
An entity primarily responsible for making the resource
RAVELL, Henry
American
Title
A name given to the resource
RAVELL, Henry
Description
An account of the resource
Two Mexicans
1915-1920
gum dichromate; some hand-colored or hand intensified
10 1/4 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
Archway
Child
Mexico
Packs
photograph
portrait
Posters
-
http://art-collections.museum.ucsb.edu/files/original/507963c1b60b5ce6aecb95935b0ddc03.jpg
1aab3f6f4b8b4f677588c5fe64a4c57e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.196
Creator
An entity primarily responsible for making the resource
<strong>WILSON</strong>, George Washington
Scottish, 1823 - 1893
Title
A name given to the resource
<strong>WILSON</strong>, George Washington
Description
An account of the resource
<em>Melrose Abbey from S W</em>
19th C
Albumen print
2 1/2 x 4 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
19th century
Albumen Print
architecture
Archway
Church
Gothic
Graveyard
Melrose Abbey
photograph
Ruins
-
http://art-collections.museum.ucsb.edu/files/original/7291fb0bff7a6f86656fa7a6caa35d31.jpg
170bc629b312d9d9b00124582ba2b669
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.190
Creator
An entity primarily responsible for making the resource
<strong>WILSON</strong>, George Washington
Scottish, 1823 - 1893
Title
A name given to the resource
<strong>WILSON</strong>, George Washington
Description
An account of the resource
<em>Beauchamp Chapel, Warwick - Lord Leicester's Tomb</em>
Albumen print
2 1/2 x 4 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
19th C
architecture
Beauchamp Chapel
Checkered floor
Church Interior
Gothic
Lord Leicester's Tomb
photograph
Tomb
-
http://art-collections.museum.ucsb.edu/files/original/fc392e7aaec18961639681552d40e0c0.jpg
b4b81318e909ea1baf1882545fbd855f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.189
Creator
An entity primarily responsible for making the resource
<strong>WILSON</strong>, George Washington
Scottish, 1823 - 1893
Title
A name given to the resource
<strong>WILSON</strong>, George Washington
Description
An account of the resource
<em>Melrose Abbey</em>
black and white photograph
2 1/2 x 4 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
19th C
19th century
architecture
Church
Gothic
Graveyard
Melrose Abbey
photograph
-
http://art-collections.museum.ucsb.edu/files/original/9f71fcac0dc172eede9193367006b791.jpg
7a266a5f8024a24433abd10800f24ecf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.199
Creator
An entity primarily responsible for making the resource
<strong>WILSON</strong>, Alex
Title
A name given to the resource
<strong>WILSON</strong>, Alex
Description
An account of the resource
<em>The Avenue at Guy's Cliff</em>
Albumen print
2 1/2 x 4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Avenue
Guy's Cliff
landscape
photograph
trees
-
http://art-collections.museum.ucsb.edu/files/original/2519c4f88d3f5be1ece41ec9bb1d86bc.jpg
ccdd097065551f823d4630578d0d9ce0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.204
Creator
An entity primarily responsible for making the resource
<strong>WILLIS</strong>, G.
Title
A name given to the resource
<strong>WILLIS</strong>, G.
Description
An account of the resource
<em>Exterior View of a Castle</em>
Albumen print
2 1/2 x 4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
architecture
Castle
Church
Lithograph
photograph
stained glass
-
http://art-collections.museum.ucsb.edu/files/original/7c94b4b64eff241f9a8dee9c11f87808.jpg
3a135f3e0c85b8f23d907d7a6424c5c5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.200
Creator
An entity primarily responsible for making the resource
<strong>WILLIS</strong>, G.
Title
A name given to the resource
<strong>WILLIS</strong>, G.
Description
An account of the resource
<em>Ruins of Gothic Bldg.</em>
Albumen print
2 1/2 x 4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
architecture
Archway
Church
Gothic
photograph
Ruins
-
http://art-collections.museum.ucsb.edu/files/original/7a3eccd6a9fd0918e8df4305163878c5.jpg
a2b3902f3257927395460cacfc3d6ebb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.267
Creator
An entity primarily responsible for making the resource
<strong>TABER</strong>
American
Title
A name given to the resource
<strong>TABER</strong>
Description
An account of the resource
<em>Portrait of Four Men and a Woman Wearing a Hat</em>
Albumen print
5 1/2 x 4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Dressed
formal
men
photograph
portrait
Taber
woman
Young Adult
-
http://art-collections.museum.ucsb.edu/files/original/23d66368cd4e823682d0fd4722c9b49f.jpg
f30585cfc3143056ca8e003fb8b9f761
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.265
Creator
An entity primarily responsible for making the resource
<strong>TABER</strong>
American
Title
A name given to the resource
<strong>TABER</strong>
Description
An account of the resource
<em>Portrait of a Man</em>
Albumen print
5 1/2 x 4 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1885
19th century
Albumen Print
Beard
formal
man
photograph
portrait
suit
Taber
-
http://art-collections.museum.ucsb.edu/files/original/e4d667f6cb1c7713087cfcdfec1e7320.jpg
a0da0d521631997bcfc4cbb942473d60
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.19
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Santa Barbara Mission</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
10 1/2 x 13 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
black and white
Horizon
landscape
Mission
outdoors
Path
photograph
Santa Barbara
Tree
-
http://art-collections.museum.ucsb.edu/files/original/3510b2a4c6ffc58da99cde001ef79fe4.jpg
06547f373ed8d051c422835325eb873b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.18
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Jesuit Church</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
10 1/2 x 15 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Church
Clouds
Entrance
Jesuit
photograph
Religious
trees
-
http://art-collections.museum.ucsb.edu/files/original/eb12d27588877bdb2e4e0223c68982f1.jpg
62daead03efd0300a99676d072f83e9e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.17
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Church and Burros</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
13 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Burros
Church
Detail
donkey
Entrance
photograph
Religious
Staircase
-
http://art-collections.museum.ucsb.edu/files/original/3b56004f864232bf711a53e6772d2acc.jpg
1ad00f54f07ac1dd4b1310c695749e29
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.16
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Water Carrier</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
10 x 12 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
Backpack
black and white
hat
man
Old man
Pack
photograph
portrait
Water Carrier
worker
-
http://art-collections.museum.ucsb.edu/files/original/aa6f34db038a7f46adeb119c111f5fe5.JPG
d355317f43e44657ee6a6353de77a500
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.15
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Patio and Stairs</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
12 x 16 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
black and white
Courtyard
Masonry
Patio
photograph
Potted Plants
stairs
stone
-
http://art-collections.museum.ucsb.edu/files/original/88c618244919e2b236818b8f82b24c17.jpg
237c7fa647b5d67516298e6dc9223ddc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.14
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Doorway and Man</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
6 1/2 x 9 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
Architectural Detail
architecture
Briefcase
Courtyard
Doorway
engraving
Entryway
man
photograph
Pillars
-
http://art-collections.museum.ucsb.edu/files/original/9cbf78332d568911e9c75b4ff23231c3.jpg
d63c1fa90b1bd08d028ac783adb362aa
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.13
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Peasants and Horse</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
10 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
Architectural
Archway
Belltower
horses
Peasants
photograph
portrait
Saddles
Sticks
-
http://art-collections.museum.ucsb.edu/files/original/bdb9fddb86cffe189501d5104ff86087.jpg
d8954e5891a21802f7b4f7bbe5d32c47
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.12
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Child in Doorway</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
9 1/2 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
Architectural
Courtyard
Doorway
photograph
portrait
Potted Plants
stone
Toddler
Young girl
-
http://art-collections.museum.ucsb.edu/files/original/1999b892f9a150c6d4606e8256d99da4.jpg
c5d03fcb63ab1c16f1203b901d95517f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.11
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Entrance and Balcony</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
9 1/2 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Archway
balcony
Courtyard
Entrance
photograph
Shrubbery
Stairway
-
http://art-collections.museum.ucsb.edu/files/original/19292dcece35b27987bcec4bef7bb3e4.jpg
ffcde6ecf77610965119ca5279a04478
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.1
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Church in Mexico</em>
1915-1920
gum bichromate; some hand-colored or hand intensified
13 x 16 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Church
Cross
dome
Mexico
photograph
Religious
-
http://art-collections.museum.ucsb.edu/files/original/43a3db6e0e20bfc3d620e4c363b0edba.jpg
f377aaff0e2e1e6761d3d724ffb49921
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.9
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Mexican Building</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
10 1/2 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
Adobe
architecture
clay
Fence
Mexico
photograph
red
Shrubbery
Yellow
-
http://art-collections.museum.ucsb.edu/files/original/b51d2a173e5d93a15a3db2b115af284f.jpg
cab4384ad8fa6c47c8a8360045e7da4a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.8
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Two Figures on Walkway</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
10 1/2 x 13 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
cityscape
Cobblestone
Cross
dome
photograph
Two Figures
Walkway
-
http://art-collections.museum.ucsb.edu/files/original/f5e2a03012244b803ffb4b09f7e8fab4.jpg
ffdf3b7f4808b98e82927854a8bc0f5e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.7
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Two Figures and Doorway</em>
1915-1920
gum bichromate; some hand-colored or hand intensified
10 1/2 x 11 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Archway
Courtyard
Doorway
Entrance
photograph
Pillars
stone
Two Figures
-
http://art-collections.museum.ucsb.edu/files/original/5a7d6f1862467eaa0b31894a58c0f28c.jpg
9b2f5d5509a4bfa2a66b8f2c1f103fcc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.6
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Street Scene in Mexico</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
10 1/2 x 14 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Bag
brick
Burlap Sack
Gathering
Lightpost
photograph
Sombrero
stone
Street Scene
Walkway
-
http://art-collections.museum.ucsb.edu/files/original/d27e74a78afc1646d39f6de756ee8a2b.jpg
3485809a6830213a84580079f3ae12cf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.5
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>A Church Doorway</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
5 1/2 x 8 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Church
Doorway
Entrance
man
photograph
Pillars
Religious
Sombrero
-
http://art-collections.museum.ucsb.edu/files/original/1e56ab8d213d46364574b5e0410a5075.jpg
18a29395086222229d322f83a11e6e68
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.3
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Narrow walkway</em>
1915-1920
gum bichromate; some hand-colored or hand intensified
10 x 12 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Narrow
people
photograph
Sombrero
stone
Walkway
-
http://art-collections.museum.ucsb.edu/files/original/35dd26205fbbbca923f04ce6170010d9.jpg
cb3923e460c2eff3f49a5c8e43b65676
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.2
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Praying Corn Sellers</em>
1915-1920
gum bichromate; some hand-colored or hand intensified
9 1/2 x 7 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
brick
Church
Corn Sellers
Doorway
Entrance
Gathering
photograph
Pillars
Praying
Religious
Sombrero
Steps
-
http://art-collections.museum.ucsb.edu/files/original/80c6e6e2944bc9e21c30f5a265f779de.jpg
ffcde6ecf77610965119ca5279a04478
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.1
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
b. United States, 1860-1930
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Mexican Cathedral</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
13 x 16 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
building
Cathedral
Church
Cross
dome
Religious
-
http://art-collections.museum.ucsb.edu/files/original/c441c888261230059198c36e0e36c562.jpg
588aecc7bc58cb00a4b73c1c9ac3e335
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.260
Creator
An entity primarily responsible for making the resource
<strong>NADAR</strong>
French
Title
A name given to the resource
<strong>NADAR</strong>
Description
An account of the resource
<em>Portrait of Mrs. John Frank Bright Rochdale</em>
Albumen print
3 1/2 x 2 1/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
blonde
Headshot
Mrs. John Frank Bright Rochdale
Nadar
photograph
portrait
White Dress
young woman
-
http://art-collections.museum.ucsb.edu/files/original/71da3d449f66951e3480355f6cb3821d.jpg
3b5b9356ba2c7f341c558d2d529b9d32
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.264
Creator
An entity primarily responsible for making the resource
<strong>MORSES</strong>
American
Title
A name given to the resource
<strong>MORSES</strong>
Description
An account of the resource
<em>Portrait of a Woman with Cross Necklace</em>
Albumen print
5 3/4 x 4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
cross necklace
formal
Hairdo
Headshot
Morses
photograph
portrait
Well Dressed
young woman
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.616
Creator
An entity primarily responsible for making the resource
<strong>KURTZ</strong>, W.
American
Title
A name given to the resource
<strong>KURTZ</strong>, W.
Description
An account of the resource
<em>John C. Wyman</em>
black and white photograph
4 1/4" x 6 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
-
http://art-collections.museum.ucsb.edu/files/original/01094d5a428e96623ff398a02d9da154.jpg
916e545e3d9597962386c90d955c0151
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.141
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin (attributed)
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin (attributed)
Description
An account of the resource
<em>Young Child in Blue Seated with Dog</em>
color photograph
8 3/8" x 6 3/8"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th c.
blonde
Blue
Bucket-Hat
Color Photograph
Dog
Floral Wall Paper
flower
portrait
Throw Pillow
young boy
-
http://art-collections.museum.ucsb.edu/files/original/d20fb147d5f0233e5c6c2cfcc2141efe.jpg
6dfb3725f7bc2d859db84b02e15feb7c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.140
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin (attributed)
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin (attributed)
Description
An account of the resource
<em>#14 Early Teen in Green Dress and Hat</em>
chromogenic color photograph
9 1/2 x 7 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th c.
Blue Dress
Blue Hat
Chromogenic
Colored Photograph
Ginger
portrait
Teenager
Young girl
-
http://art-collections.museum.ucsb.edu/files/original/f9185b8768e6653da7f361c5e39b024b.jpg
d15d0d444f70d6630607d05df9a0586b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.139
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin (attributed)
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin (attributed)
Description
An account of the resource
<em>Baby in Pink Cape and Bonnet</em>
color photograph
8 3/8" x 6 3/8"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th c.
Baby
Bonnet
Cupid Wallpaper
photograph
Pink Cape
Pink Shoes
portrait
-
http://art-collections.museum.ucsb.edu/files/original/ecd4d9cd41e034bee143c49b32b074bf.jpg
dee80b11863d2dc61f7881769c0ce6da
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.138
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin (attributed)
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin (attributed)
Description
An account of the resource
<em>#41 Baby with Strewn Pink Roses</em>
chromogenic color photograph
8 3/8 x 6 3/8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th c.
Baby
boy
photograph
pink
Pink Roses
portrait
-
http://art-collections.museum.ucsb.edu/files/original/67bcf3874782b4023390526f93394c5e.jpg
05a2fda111c9830a818ca74d1af335a0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.137
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin (attributed)
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin (attributed)
Description
An account of the resource
<em>#35 Boy in Nursery Holding Ball</em>
color photograph
8 3/8" x 6 3/8"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th c.
Baby
boy
doll
Nursery
photograph
portrait
Toys
Wallpaper
-
http://art-collections.museum.ucsb.edu/files/original/2073f2fa8b57ecef2dcfeb1feaf35078.jpg
e95e85c3ec8850b1044eae6c020cd11f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.136
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin (attributed)
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin (attributed)
Description
An account of the resource
<em>#32 Boy with Dog</em>
20th c.
chromogenic color photograph
8 3/8 x 6 3/8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th c.
boy
Dog
landscape
Outdoor
photograph
Sunset
Tree
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.164
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Lady</em>
photograph
4 x 5"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.163
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Landscape</em>
autochrome color plate
4 x 5"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.162
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Boy at Beach, 1917</em>
autochrome color plate
3 1/2 x 4 1/4"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.161
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Mother and Child</em>
autochrome (hand colored-glass positive)
4 1/4 X 3 1/4 X 1/8 IN.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1910?
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.160
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>W. Edwin Gledhill (as a young man), 1909</em>
autochrome color plate
4 x 5"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.159
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Daisy Alice Gledhill, 1920</em>
autochrome color plate
4 x 5"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.158
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Edwin Gledhill Sr., 1917</em>
autochrome color plate
6 1/2 x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1917
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.157
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Nude Dancer, 1910</em>
autochrome color plate
6 1/2 x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1910
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.156
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Boy with Birthday Cake, 1914</em>
autochrome color plate
6 1/2 x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1914
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.155
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Lady in Pink with Flowers, 1910</em>
autochrome color plate
6 1/2 x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1910
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.154
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Mother and Child</em>
autochrome color plate
6 1/2 x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1914
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.153
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Lady at Fountain</em>
autochrome color plate
6 1/2 x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.152
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>"Glendessary"</em>
autochrome color plate
6 1/2 x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1920
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.151
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Carolyn Gledhill with Keith</em>
autochrome color plate
6 1/2 x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1912
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.150
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Mother and Nude Child</em>
autochrome color plate
6 1/2 x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1913
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.149
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Boy with Pumpkin</em>
autochrome, hand-colored glass positive
6 1/2 x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1916
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.148
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Man with Painting of Lincoln</em>
authochrome color plate
6 1/2 x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.147
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Boy Piper on Rocks, 1915</em>
authochrome color plate
6 1/2 x 8 1/2'
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915 C.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.146
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Mother and Child</em>
autochrome color plate
6 1/2 x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1914
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.145
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Boy by Lily Pond</em>
autochrome color plate
6 1/2 x 8 1/2 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1917
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.144
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Keith and Grandfather, Edwin Gledhill</em>
autochrome color plate
6 1/2 x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1919
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.143
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Edwin Gledhill</em>
autochrome color plate
6 1/2 x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th c.
-
http://art-collections.museum.ucsb.edu/files/original/f76d0f63ab2f7097f84dfbf8838d2194.jpg
3e4f2b8a7fed4ffd51ae27d0824287d0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.142
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>1st Studio, Chapala Street, Santa Barbara</em>
Gelatin silver print
8 x 6 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1908-1915
20th century
Gledhills Portraits
man
photograph
portrait
Santa Barbara
Shubbery
Store-Front
Sunny
woman
-
http://art-collections.museum.ucsb.edu/files/original/32ecaf9bef300ca898296716ca033fe1.jpg
0eadb6a06a3aed712a585714d38910a8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.88
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Sheep in Meadow, 1919</em>
20th C.
Gelatin silver print
8 1/2 x 11 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
field
Herd
landscape
Meadow
photograph
Sheep
trees
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.87
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Santa Barbara Mission, 1910</em>
20th C.
Gelatin silver print
11 1/2 x 8 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
-
http://art-collections.museum.ucsb.edu/files/original/5dbaca2fa1093c2eacd9fdff7c76ebcb.jpg
478d9ff541ebd73fc836050aad638c76
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.86
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Rockerfeller Center Building, 1938</em>
20th C.
Gelatin silver print
12 x 10 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
Bronze Statue
Globe
man
monument
New York City
photograph
Rockerfeller Center Building
Skyscraper
statue
-
http://art-collections.museum.ucsb.edu/files/original/4eae96a35d2cf76c322f2b924ada9104.jpg
9f13da1b11871019c121ec2dd639a687
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.85
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935; American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>N.Y.C. Street (Library)</em>
1938
Gelatin silver print
8 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1938
architecture
city
Downtown
Library
New York City
photograph
Skyscraper
street
-
http://art-collections.museum.ucsb.edu/files/original/e4eb61a8951f487368e37ac4f6d23bcd.jpg
8a95ffd2590133eb5d15a21b000f1f02
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.84
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Tugboat and Bridge (N.Y.C.)</em>
1938
Gelatin silver print
10 x 10 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1938
bridge
Foggy
Harbour
landscape
Tugboat
water
Wharf
-
http://art-collections.museum.ucsb.edu/files/original/4983102cb8ba3720ab550ca8e0d2cddb.jpg
8ecd48ac0de89ee8bb3d9c1c6c69ea90
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.83
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>N.Y.C. Bridge, 1938</em>
20th C.
Gelatin silver print
10 1/2 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
bridge
Clouds
New York City
photograph
Suspension
-
http://art-collections.museum.ucsb.edu/files/original/5eda6d0ccae13a4bbb2a091e583c6f51.jpg
68f583d2af330676f4dabfad83cda4cc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.82
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>N.Y.C. Bridge #1, 1938</em>
20th C.
Gelatin silver print
9 x 9 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
bridge
New York City
photograph
river
trees
Tugboat
-
http://art-collections.museum.ucsb.edu/files/original/e9cfad1cdd864ee2e752fe122fd4eeb0.jpg
fea1d25c6d4ed35d87076395fc07dc77
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.81
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Decorative Detail (NYC?), 1951</em>
1951
photograph
7" x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1951
abstract
Bronze
Decorative Detail
Figurative
man
photograph
Sculptural
-
http://art-collections.museum.ucsb.edu/files/original/234c1e2bc53801078214aa844c7529ab.jpg
6938db9894332440c441a79e9420a94d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.80
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Pan-Pacific Exhibition #5, 1915</em>
1915 C.
Gelatin silver print
10 1/2 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915
architecture
Blurry
cloudy
fountain
Light Orbs
Night
Pan-Pacific Exhibition
photograph
Tower
-
http://art-collections.museum.ucsb.edu/files/original/7c4c6237da7680e1dd0af9416d5e9868.jpg
fc8059b22dd06d7bdc24d08b44ae1f8a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.79
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Pan-Pacific Exhibition #4, 1915</em>
20th C.
photograph
10" x 13"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
Marble
Open-Layout
Pan-Pacific Exhibition
photograph
Pillars
Shrubbery
-
http://art-collections.museum.ucsb.edu/files/original/8898faaf99621a17ecfe963c82655a2f.jpg
ece123bc664283f3b243d2a0c8c5c123
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.78
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Pan-Pacific Exhibition #3</em>
1915
Gelatin silver print
9 1/2 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915
architecture
Marble
Pan-Pacific Exhibition
photograph
Pillars
Pots
Reflection
water
-
http://art-collections.museum.ucsb.edu/files/original/ae300763b570f736687d6dada008b4b7.jpg
961683eb122d6dfed859c45f87f39900
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.77
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Pan Pacific Exhibition #2, 1915</em>
20th C.
photograph
10 1/2" x 13"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
Archway
Marble
Pan-Pacific Exhibition
Pavilion
photograph
Pond
Swan
-
http://art-collections.museum.ucsb.edu/files/original/45a3848323a137c003a5e62d506184e8.jpg
128e9582912d4a18cb9eec8d5becbd77
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.76
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Pan-Pacific Exhibition #1, 1915</em>
20th C.
photograph
9" x 12"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
Marble
Pan-Pacific Exhibition
Pathways
photograph
Pillars
Vines
-
http://art-collections.museum.ucsb.edu/files/original/6e2a7b0a588442bd400eaff96e9a5ff9.jpg
b13c04ea189139aa57398a817030e179
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.75
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Cypress Tree (La Jolla), 1951</em>
1951
Gelatin silver print
7 x 7 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1951
Cliffside
cloudy
Coastline
Cypress Tree
Dirt Path
Fog
Gloomy
La Jolla
ocean
photograph
seascape
Shrubbery
Tree
-
http://art-collections.museum.ucsb.edu/files/original/c3239bdeb7aaaf4c3b4d5d11b721d4b4.jpg
a622bef6278a3dc2c8145c5722fdb649
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.74
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Santa Barbara Mission, 1908</em>
20th C.
platinum
6 x 7 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Dirt Path
landscape
man
Mission
photograph
Religious
road
Santa Barbara
Shrubbery
-
http://art-collections.museum.ucsb.edu/files/original/ec3268236bceba7505f89e9e43b52bf2.jpg
5b17f61724a0504b3f2441cc8c627f27
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.73
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Santa Barbara Mission, 1910</em>
20th C.
Gelatin silver print
11 x 8 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
Archway
cloudy
Hillside
Mission
photograph
Religious
Santa Barbara
-
http://art-collections.museum.ucsb.edu/files/original/c70c12a8324c5debfd6be238e3d5fb7d.jpg
6dffa837bb8aa094118f17756d059afd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.72
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Santa Barbara Mission, 1910</em>
20th C.
platinum
8 x 6 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
Church
Mission
Path
photograph
Santa Barbara
-
http://art-collections.museum.ucsb.edu/files/original/a87a81f6815c6bcdbbc00751946be2ab.jpg
c702c0a1218d47c6465122f52e6d3b2b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.71
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Theatrical Scene (death scene), 1921</em>
20th C.
silver gelatin
19 x 8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
bed
Bedroom
Candles
Death
Handmaids
mourning
photograph
portrait
Wallpaper
-
http://art-collections.museum.ucsb.edu/files/original/24a6cdd04ddebeeac7311d50a0713db4.jpg
0af842c596faa5ee7365a6039c944049
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.70
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Theatrical Scene (old man), 1921</em>
1921
photograph
9" x 11 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1921
Beard
cap
Chair
Cloak
Elder
man
Old
portrait
Seated
silk
Velvet
Wizard
-
http://art-collections.museum.ucsb.edu/files/original/b0c4f11a13428d5de592e1a33fef5961.jpg
14fccf3a282319c13ed132de70fa1206
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.69
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Theatrical Scene (three figures), 1921</em>
20th C.
hand-colored silver gelatin
11 1/2 x 7 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Candles
Costumes
Dress-Up
photograph
portrait
Theatrical Scene
water
Willow Tree
-
http://art-collections.museum.ucsb.edu/files/original/57880eacf124fc0764e81c6aa3046f49.jpg
34bd743fedc9d49b6fecdb9bb572dbc8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.68
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Theatrical Scene (two figures)</em>
1921
hand-colored silver gelatin
11 1/2 x 9 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1921
Costumes
Dramatic
Flowers
Foreground
Green Hue
Lovers
photograph
portrait
Theatrical Scene
-
http://art-collections.museum.ucsb.edu/files/original/5bb44c6ba09aae0b90bc4cbd01bee178.jpg
f8908f1822ca7d9417d5d7c50e168788
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.67
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Keith Gledhill</em>
1917, printed in 1976 from original negative
chromogenic color photograph
10 x 8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1917, printed in 1976 from original negative
Archway
boy
Front-Entrance
Gate
Little Boy
photograph
portrait
Shrubbery
Steps
Toddler
Walkway
White Clothes
young boy
-
http://art-collections.museum.ucsb.edu/files/original/f1b8a66de7ee69f25128c09eed013eee.jpg
8eb0f66325590d14f9e82ad9f25fdd0a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.66
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Two Children</em>
1913, printed in 1976 from original negative
chromogenic color photograph
10 x 8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1913, printed in 1976 from original negative
Blue Dress
children
Flower Hat
magazine
photograph
Pink Dress
Pink Hat
portrait
Toddlers
-
http://art-collections.museum.ucsb.edu/files/original/9152ee7d3ebd634e4d891f8822da8568.jpg
98cfc03580e819833bd53dc09c002b43
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.65
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Carolyn Even Gledhill</em>
1910, printed in 1976 from original negative
chromogenic color photograph
10 x 8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1910, printed in 1976 from original negative
bamboo
Blue Dress
Flower Field
Flowers
Hairdo
Patterned Shawl
photograph
portrait
Red Flower
young woman
-
http://art-collections.museum.ucsb.edu/files/original/fbabeabbcfb60ad25126f93c21f6902c.jpg
dfbd0120cc71e96d1f99d1b922ae9dbb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.64
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Frederick Hurren Rhead</em>
1917, printed in 1976 from original negative
Gelatin silver print
13 1/2 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1917, printed in 1976 from original negative
clay
Craft
photograph
portrait
Pottery
Studio
Tools
vase
Young Man
-
http://art-collections.museum.ucsb.edu/files/original/ad5192fb90971eb40aecdfcb7e179cef.jpg
715f74d63fa407fe74aec46dc69926e1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.63
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Edwin Markham</em>
1920, printed in 1976 from original negative
Gelatin silver print
13 1/2 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1920, printed in 1976 from original negative
Beard
Headshot
man
Old man
Pondering
portrait
Professional
suit
Thinking
-
http://art-collections.museum.ucsb.edu/files/original/e755de5151906d21077d0eeaff533f93.jpg
d7b91d926da493213e304f74abcc5d4b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.62
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Mrs. Josiah Doulton</em>
1920, printed in 1976 from original negative
Gelatin silver print
13 1/4 x 10 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1920, printed in 1976 from original negative
Elder
Fur Coat
Grandma
Older Woman
photograph
portrait
Wicker Chair
woman
-
http://art-collections.museum.ucsb.edu/files/original/99a4905169c491f72f4d9fa1d1a0cabc.jpg
410a1744fde87f53b6ad3d4a91d1f787
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.61
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Robert Weeks de Forest</em>
1914, printed in 1976 from original negative
Gelatin silver print
13 1/2 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1914, printed in 1976 from original negative
Beard
Bowtie
glasses
Older Man
photograph
portrait
Proffesional
suit
-
http://art-collections.museum.ucsb.edu/files/original/84c95b0dbd46be4df9b3a4609f939499.jpg
03449b29226c58bbcee9a0dc77519fac
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.6
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Charles F. Lummis</em>
1915, printed in 1976 from original negative
Gelatin silver print
10 1/2 x 13 1/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915, printed in 1976 from original negative
Blazer
Cigar
Older Man
photograph
portrait
smoking
White Hair
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.59
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>George Parrish Tebbets</em>
1907, printed in 1976 from original negative
Gelatin silver print
13 1/2 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1907, printed in 1976 from original negative
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.58
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Mrs. Chester Alan Arthur</em>
1920, printed in 1976 from original negative
Gelatin silver print
13 1/4 x 9 1/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1920, printed in 1976 from original negative
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.57
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Jeddu Krishnamurti</em>
1939, printed in 1976 from original negative
Gelatin silver print
13 1/2 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1939, printed in 1976 from original negative
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.56
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Thomas Moran</em>
1930, printed in 1976 from original negative
Gelatin silver print
13 1/2 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1930, printed in 1976 from original negative
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.55
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Mrs. Robert Louis Stevenson</em>
1910, printed in 1976 from original negative
Gelatin silver print
13 1/2 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1910, printed in 1976 from original negative
-
http://art-collections.museum.ucsb.edu/files/original/fc73e41e109512b5b005345025e22a4d.jpg
b0c981f55d031bd81c1c443c67a61fd5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.54
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Diego Rivera</em>
1941, printed in 1976 from original negative
Gelatin silver print
13 1/4 x 10 1/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1941, printed in 1976 from original negative
Button Down
Curly Hair
Diego Rivera
glasses
Headshot
photograph
portrait
-
http://art-collections.museum.ucsb.edu/files/original/ab52025211267572e4081919b343326d.jpg
9f734fcea817c4c5da7172398b88988c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.53
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Edward Borein</em>
1930, printed in 1976 from original negative
Gelatin silver print
12 1/2 x 10 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1930, printed in 1976 from original negative
Bowtie
Edward Borein
formal
hat
Leaning
Outdoor
photograph
portrait
suit
-
http://art-collections.museum.ucsb.edu/files/original/cbb6f2a5e571c6aaa83431a4346ce5fe.jpg
380d4ad433e05a9a2a5c59106476b017
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.52
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Man</em>
1925
gum dichromate print
20 x 26 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1925
Cane
Gum Dichromate Print
Handkerchief
Headshot
Mustache
Older Man
photograph
portrait
suit
Tie
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.51
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Negative of 1986.50</em>
1928
negative
19 x 23 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1928
-
http://art-collections.museum.ucsb.edu/files/original/dbe60587de005f25a8e6f0cb0b091af2.jpg
f963a69b9c89387ead4c6ab7c4ba520e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.5
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>David Gray Sr., 1928</em>
1928 C.
gum dichromate print
18 1/2 x 23 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1928
Bowtie
David Gray Sr.
Gum Dichromate Print
Handkerchief
man
Older Gentleman
photograph
portrait
suit
-
http://art-collections.museum.ucsb.edu/files/original/975a7942e97adf707f0787e6b0892b69.jpg
289f1a273c205dda43d0bf1dba561322
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.49
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Conde Nast, 1925</em>
20th C.
Gelatin silver print
15 x 19 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Balding
Conde Nast
formal
glasses
photograph
portrait
Profesional
suit
Tie
-
http://art-collections.museum.ucsb.edu/files/original/95f8d8c949e38de35adfbff58cdd1f17.jpg
5501afb0b8b78f80adab188b097983a1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.48
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Adam Even, 1910</em>
20th C.
gum dichromate
14 1/2 x 20 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Adam Even
Elder
formal
Gum Dichromate Print
Headshot
photograph
portrait
White Hair