2
100
321
-
http://art-collections.museum.ucsb.edu/files/original/49a498514f93cd5a59abf4be5a92e79d.jpg
a551735727be3c85363848b23e6d98a5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.225
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Wounded Man with Nurse in Hospital</em>
gelatin sliver
3 1/4 x 4 1/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
bed
Cast
Charts
Gelatin Silver
Hospital
Nurse
Patient
photograph
portrait
-
http://art-collections.museum.ucsb.edu/files/original/6397090d66459d4d3453b070c90dcb30.jpg
02cfca78ea189757048b700339ad3056
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.226
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Group of Men/14 At A Beach</em>
gelatin sliver
3 1/2" x 4 3/4"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
beach
Boat
photograph
portrait
Sand
uniform
-
http://art-collections.museum.ucsb.edu/files/original/a3f300f41ca1074426a65510e1ab2ffa.jpg
f506ac73877abe864346282ea245ece6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.227
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Group of 14 Men At A Beach(Duplicate of 1986.226)</em>
gelatin sliver
3 1/2" x 4 3/4"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
beach
Boat
photograph
portrait
Sand
uniform
-
http://art-collections.museum.ucsb.edu/files/original/3966d68283f9c5bfd1f01fb47492e45a.jpg
a062c89289ca46c146d7d6ead556cea7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.228
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>12 People Sitting In Sand & In A Boat</em>
gelatin sliver
3 1/2" x 4 3/4"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
beach
Boat
house
photograph
portrait
Sand
uniform
-
http://art-collections.museum.ucsb.edu/files/original/63aa77c7118c89f853db8aa258a4a8bc.jpg
968a25485dbca17c2ee12acd86deef18
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.229
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>2 Nurses & 2 Men In a Hospital</em>
gelatin sliver
3 1/2" x 4 3/4"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Cast
Gelatin Silver Print
Hospital Bed
men
Nurses
photograph
portrait
uniform
Wheelchair
-
http://art-collections.museum.ucsb.edu/files/original/742a753b8bac3bbb3b1d800863d41233.jpg
36b288bce6cd0daf99cfa600956afc97
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.230
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>2 Nurses & 2 Men in a Hospital (Duplicate of 1986.229)</em>
gelatin sliver
4 1/4" x 3 1/4"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Cast
Gelatin Silver Print
Hospital Bed
men
Nurses
photograph
portrait
uniform
Wheelchair
-
http://art-collections.museum.ucsb.edu/files/original/f447b40b36bc59b50c3d85def26a502a.jpg
3427474bfb3e9059364cd372a1836a85
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.231
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>2 Nurses & 2 Men in a Hospital (Duplicate of 1986.230)</em>
gelatin sliver
4 1/4" x 3 1/4"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Cast
Gelatin Silver Print
Hospital Bed
men
Nurses
photograph
portrait
uniform
Wheelchair
-
http://art-collections.museum.ucsb.edu/files/original/1f5caf9f2f60397ccd519c01b7c1c352.jpg
d3c3b304f483b09bb008c42a15b2ac4c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.232
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Man In Hospital Bed Nurse Next To Him (Duplicate of 1986.225)</em>
gelatin sliver
4 1/8" x 3"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
bed
Cast
Charts
Gelatin Silver
Hospital
Nurse
Patient
photograph
portrait
-
http://art-collections.museum.ucsb.edu/files/original/e0876297c780bf588b182ff360a03687.jpg
c333bcceacb805610b4e14a96ac07396
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.233
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Man in Hospital Bed, Standing Nurse, Man Seated in a Chair</em>
gelatin sliver
4" x 3"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
bed
black and white
Chart
Doctor
Hospital
Nurse
Patient
photograph
portrait
-
http://art-collections.museum.ucsb.edu/files/original/8959557259ff151198b0720307f18139.jpg
5361ddf9486171dd4e19697743391143
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.234
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>4 Men & A Nurse In A Room</em>
gelatin sliver
3 1/8" x 4 1/4"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Hospital
Injury
Nurse
photograph
portrait
Soldiers
Wounded
-
http://art-collections.museum.ucsb.edu/files/original/0e86d84cc788da2ead7d324ac936031b.jpg
b8b7ff8189876f1ede8aa33b3f57e8ca
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.235
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>12 People Seated by A Boat At The Beach</em>
gelatin sliver
3 1/4 x 4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
beach
Boat
house
photograph
portrait
Sand
uniform
-
http://art-collections.museum.ucsb.edu/files/original/b44ffd8aa2629f77bf1b1316030c36fc.jpg
6c18d1e761d58d351f5a83162a3703b5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.236
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>4 Men & 1 Nurse In A Room (Duplicate of 1986.234)</em>
gelatin sliver
3 1/4 x 4 1/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Hospital
Injury
Nurse
photograph
portrait
Soldiers
Wounded
-
http://art-collections.museum.ucsb.edu/files/original/5bae355ab1ff46e4fed6a09da992748b.jpg
c50a961560eb62ccec4c0e5353f92a67
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.237
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>12 People on Beach (Duplicate of 1986.235)</em>
gelatin sliver
3 x 4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
beach
Boat
house
photograph
portrait
Sand
uniform
-
http://art-collections.museum.ucsb.edu/files/original/da848fcf79fea076556a051f2c5f25b2.jpg
f88104a25c5196ca6f9e8a773001143b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.238
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>9 Men in Uniform at Meal Time</em>
gelatin sliver
3 x 4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Gelatin Silver Print
Meal Time
men
photograph
portrait
Soldiers
uniform
-
http://art-collections.museum.ucsb.edu/files/original/0873159e66b418cb022491e1d4ae76fe.jpg
8a0faae6b77c5984c8adfcdcb335bd0a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.239
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Trees, Grass, Cattle, 1937</em>
gelatin sliver
3 1/4 x 5 3/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
July 2, 1937
black and white
Cattle
Gelatin Silver Print
grass
landscape
photograph
trees
-
http://art-collections.museum.ucsb.edu/files/original/5c9b1778f5df7827c99dcab32e377679.jpg
886f082b19e7e145eeb054bf9ccbc9f9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.24
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Arizona I</em>
Gelatin silver print
3 3/8 x 5 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Arizona
black and white
Desert
Gelatin Silver Print
Grand Canyon
landscape
Nature
outdoors
photograph
Ravine
-
http://art-collections.museum.ucsb.edu/files/original/9cf8e7f3606ba2f7354219f69cd03804.jpg
3edc9af28f577c8c934ddd929c293aad
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.241
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Arizona II</em>
Gelatin silver print
3 3/8 x 5 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Arizona
black and white
Desert
Gelatin Silver Print
Grand Canyon
landscape
Nature
outdoors
photograph
Ravine
-
http://art-collections.museum.ucsb.edu/files/original/0c0c3a27339b86aa3d9f887cd2670b82.jpg
4f20bb57aaa59e02c40656e6d6629389
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.242
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Arizona III</em>
Gelatin silver print
3 3/8 x 5 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Arizona
black and white
Desert
Gelatin Silver Print
Grand Canyon
landscape
Nature
outdoors
photograph
river
-
http://art-collections.museum.ucsb.edu/files/original/8532c01885a942ed9901220e9d670884.jpg
374ba87209d1b69614349905cf5a68d0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.243
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Arizona IV</em>
Gelatin silver print
3 1/4 x 5 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Arizona
black and white
Desert
Gelatin Silver Print
Grand Canyon
landscape
Nature
outdoors
photograph
-
http://art-collections.museum.ucsb.edu/files/original/309345f58bd1da13b82ef485fb68709e.jpg
faf442bff76348b1849b94fcca4f6815
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.244
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Arizona V</em>
Gelatin silver print
3 3/8 x 5 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Arizona
black and white
Desert
Gelatin Silver Print
Grand Canyon
landscape
Nature
outdoors
photograph
-
http://art-collections.museum.ucsb.edu/files/original/b896666cf2929cda45a184891dddabf6.jpg
837586068221ff3785b825d21b5c5e77
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.245
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Arizona VI</em>
Gelatin silver print
5 1/2 x 3 3/8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Arizona
black and white
Desert
Gelatin Silver Print
Grand Canyon
landscape
Nature
outdoors
photograph
-
http://art-collections.museum.ucsb.edu/files/original/67d31eb82af520d888e5b006ce7cd410.jpg
4a7956c9ac2298a3cd80a6f2ddd3aaa9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.246
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Large White House</em>
black and white photograph
3 3/4 x 6 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
architecture
black and white
Buggy Car
Large House
photograph
White House
-
http://art-collections.museum.ucsb.edu/files/original/87b90644d1511a5bbb62e5929c51cb6e.jpg
8cd9ab801ae6f7668d1acac8c8893e0c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.247
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Directions for Cleaning Marble Statuary (Business Card)</em>
lithograph
3 1/4 x 5 1/2
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Business Card
Directions for Cleaning Marble Statuary
Florence
Italian Marble
Italy
Lithograph
Poggioni
portrait
Spinelli
Works-on-Paper
-
http://art-collections.museum.ucsb.edu/files/original/9e2bbbf6a48686abe98f63b010477dd6.jpg
8ac647ad48212df68f8576b67b6e1b63
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.248
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Man With White Hair & Long Sideburns</em>
Albumen print
4 1/4 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
black and white
man
Mustache
Old
photograph
portrait
Sideburns
Signature
White Hair
-
http://art-collections.museum.ucsb.edu/files/original/0ea47787c79e2b49e1b16b71d9d05aeb.jpg
e2b748c51732208c8724275920057489
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.249
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of 2 Young Boys In Interior with Piller and Balustrade</em>
Albumen print
3 3/4 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Balustrade
black and white
boys
children
Dress Up
photograph
Pillar
portrait
Young
-
http://art-collections.museum.ucsb.edu/files/original/24275f6e6920c418983c309921b95a3e.jpg
82bd1322e526949c4fcd4544bf8756a3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.250
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of a Woman with Rosy Cheeks</em>
Albumen print
3 1/2 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Barrette
black and white
Blush
Curls
Earrings
Flower Clip
formal
Hairdo
photograph
portrait
Rosy Cheeks
woman
-
http://art-collections.museum.ucsb.edu/files/original/a739bbc2db81e36cb37383805483b18d.jpg
93c4104dd56b42ac5a5e3e638553ca09
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.251
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Carrie Summers #22823</em>
Albumen print
3 3/4 x 2 3/8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
black and white
Blush
Carrie Summers
Earrings
formal
Hairdo
photograph
portrait
young woman
-
http://art-collections.museum.ucsb.edu/files/original/cb819a8f87c29ac1d1996e30437f8cf2.jpg
f5783517e1fc6ff7b535271c89d33161
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.252
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of A Woman #1085</em>
Albumen print
3 5/8 x 2 3/8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Barrette
black and white
Curls
flower
formal
Hairdo
photograph
portrait
woman
-
http://art-collections.museum.ucsb.edu/files/original/5de7fb6fc7e0bc99756bdeffebf2a4db.jpg
f783ffc9b9c303232f48959afbabc640
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.253
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Five Children</em>
Albumen print
2 1/2 x 4 1/8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
black and white
boy
children
Family Portrait
formal
Girls
photograph
portrait
-
http://art-collections.museum.ucsb.edu/files/original/c231fe1c1753b349494b7d1a0efe902e.jpg
1d2b4a78fc2b437f9b2307980044d1e1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.254
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of a Small Boy Seated on a Purple Chair #8082</em>
hand colored albumen
3 3/8 x 2 3/8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
black and white
formal
Hand Colored Albumen
photograph
portrait
purple chair
Seated
Small boy
Well Dressed
-
http://art-collections.museum.ucsb.edu/files/original/eb693db8f1cba76c97727680e6a51e66.jpg
e5ab79ab04cb6cac240873984fc9a14a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.255
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of a Man Standing</em>
Albumen print
4 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
black and white
Bodyshot
Bowtie
formal
Leaning
man
Older
Pedestal
photograph
portrait
standing
suit
-
http://art-collections.museum.ucsb.edu/files/original/1522ff54383c40d64b758b6491a0ab49.jpg
a213f0773d819f5aae1d016f2bf22af0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.256
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Man Seated with Book In Lap</em>
Albumen print
4 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
black and white
book
Bowtie
formal
man
Older
photograph
portrait
Seated
suit
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.257
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Geneva picture book/fold out</em>
lithograph
3 x 4 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
-
http://art-collections.museum.ucsb.edu/files/original/ec9f5fe43a8910120126b03633e680ae.jpg
272b623155556bd71c300e10b69f6909
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.257.1
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Geneva picture book: Musee Rath</em>
lithograph
3 x 4 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
architecture
black and white
French
Geneva Picture Book
Lithograph
Musee Rath
Works-on-Paper
-
http://art-collections.museum.ucsb.edu/files/original/ff5a3d83a1be929312b3e7e6c2379e87.jpg
50a857b28519f05ac0889a763435c6db
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.257.2
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Geneva picture book: Le Theatre</em>
lithograph
3 x 4 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
architecture
French
Gargoyle
Geneva Picture Book
Lithograph
Theater
Works-on-Paper
-
http://art-collections.museum.ucsb.edu/files/original/0ca2c809abd7d3c0e60879113b243e0d.jpg
dccae48226a6601cff8e48a87be04641
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.258
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Quai Du Mont Blanc 5 Fold Out photos</em>
lithograph
3 x 4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
black and white
Boat
French
Harbor
landscape
Works-on-Paper
-
http://art-collections.museum.ucsb.edu/files/original/8b6ff651323edb0f02f7d08ed2070cbe.jpg
a14db15ef3b3980f13e647f34793fd45
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.259
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
German
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Women in Profile #1871</em>
Albumen print
3 7/8 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Braid
Earrings
formal
Headshot
photograph
portrait
woman
young woman
-
http://art-collections.museum.ucsb.edu/files/original/3f0616fb7cbcd8f244257fc75f932858.jpg
98b5c694841be6e498fdf55ffae4ac28
http://art-collections.museum.ucsb.edu/files/original/4fbb34db3d015d54e0f9b2b08d9cb3aa.jpg
f27c3fe860d2c00f4d7327cb46ed7fa6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.262
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Fold out: L'Universite</em>
lithograph
3 x 4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
architecture
L' Universite
Lithograph
monument
National
Post card
statue
Works-on-Paper
-
http://art-collections.museum.ucsb.edu/files/original/4c4e432e53fff6d2bebefb9b4b7ce056.jpg
261c81d5336f24a7370e012e6197cb1a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.263
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Apache Crossing River "Gila" - Arizona</em>
Albumen print
4 x 6 1/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Apache
Arizona
Camps
horses
landscape
mountains
Native Americans
photograph
river
Settlers
-
http://art-collections.museum.ucsb.edu/files/original/33d525b5a8a24ecc2af1ce45bdc5c846.jpg
fa4ef8afaa4956688f06edad438bd9a4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.266
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Minnie Gray Bower?</em>
Albumen print
5 1/2 x 3 1/2
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Black Dress
formal
Gloves
hat
Minnie Gray Bower
photograph
portrait
Well Dressed
young woman
-
http://art-collections.museum.ucsb.edu/files/original/ac2b2421db43e33d12e9fbbad521c3b2.jpg
2ac7d64d7115a4c52069646cf177a564
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.268
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of 3 Little Girls Seated on Notched Log</em>
gelatin sliver
3 5/8 x 4 3/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
forest
Little Girls
Nature
Notched Log
outdoors
photograph
portrait
Seated
Toddlers
-
http://art-collections.museum.ucsb.edu/files/original/c3e5e266f7977dbe71fc8a4b76dd145e.jpg
b20da22125ea63a105136a077f21bd68
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.269
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Six Women, One Man, and Two Dogs</em>
Albumen print
3 1/2 x 4 1/2 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
dogs
Family
formal
man
photograph
Porch
portrait
rocking chair
women
-
http://art-collections.museum.ucsb.edu/files/original/d14aecaa0c89dc4ee51c5cd71c590923.jpg
8ed301d65518cb67cbf88c2897e22611
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.270
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of An Old Woman</em>
Albumen print
3 3/4 x 2 3/8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Curls
Elder
Old
photograph
Porch
portrait
Scarf
Shawl
woman
-
http://art-collections.museum.ucsb.edu/files/original/3bfd0324c12554a075665c973a05d9c4.jpg
13c4b1ec460f354cb8f1d5632d081cd9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.271
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of A Young Girl</em>
hand colored albumen
3 1/8 x 2 3/8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
formal
Hairdo
Hand Colored Albumen
Headshot
Jewelry
photograph
portrait
Young girl
-
http://art-collections.museum.ucsb.edu/files/original/5f19395ef628aa351b095490007ee7f6.jpg
e1f10eb7a665bcbd5e9cf272718126ff
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.272
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of an Adolescent Boy</em>
Albumen print
3 5/8 x 2 3/8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Adolescent
Albumen Print
blonde
boy
formal
photograph
portrait
suit
Tie
young boy
-
http://art-collections.museum.ucsb.edu/files/original/bd335b1e497625aac8f9f11ffdccda3f.jpg
8a7c5f23e14e03430ae1c70cf216c29b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.273
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of a Man with Large Moustache</em>
Albumen print
2 5/8 x 2 3/8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Bowtie
formal
Moustache
Mustache
photograph
portrait
suit
-
http://art-collections.museum.ucsb.edu/files/original/bbd1fc267a155a9bb3456eca088fefee.jpg
00dc134ea79d46edbba9238d837c88ff
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.274
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of A Young Girl</em>
hand colored albumen
3 3/4 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
formal
Hand Colored Albumen
Jewelry
lace
Leaning
photograph
portrait
White Dress
Young girl
-
http://art-collections.museum.ucsb.edu/files/original/12bee1391ac73774ae550ae427f739c9.jpg
b1c1fdb7e99a9355af148f15b54f756f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.275
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of A Young Girl</em>
hand colored albumen
3 1/2 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
bow
formal
Hairdo
Hand Colored Albumen
photograph
portrait
Young girl
-
http://art-collections.museum.ucsb.edu/files/original/3afe55ca0a63820db8ee5dd71a3204a6.jpg
f54275787c4b857c5a0a131eca101423
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.276
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of A Woman (Jenne)</em>
Albumen print
3 3/4 x 2 3/8 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1879
Albumen Print
formal
Hairdo
Jenne
Jewelry
photograph
portrait
woman
-
http://art-collections.museum.ucsb.edu/files/original/b496a0ee45abb69b1fe79c7cc8831686.jpg
07949eb54631b90726bacebefb94dd02
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.277
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Lillie Christopher</em>
Albumen print
3 3/4 x 2 3/8 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
June 1875
Albumen Print
formal
Hairdo
Jewelry
Lillie Christopher
photograph
portrait
woman
-
http://art-collections.museum.ucsb.edu/files/original/086cfe57782364c4fa61becce1a8283a.jpg
7b719bdd5ddd701dc1ee5140f4844d54
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.278
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of a Man With Moustache and Goatee #28350</em>
Albumen print
3 7/8 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
formal
Goatee
Mustache
photograph
portrait
suit
Tie
-
http://art-collections.museum.ucsb.edu/files/original/3cd11adc8d074c4f02ca0604ae85a011.jpg
7c0d7a7b56c2ef7b80365922faed5816
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.279
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of a Baby Propped up on a Couch #3110</em>
Albumen print
3 5/8 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Baby
couch
photograph
portrait
White Dress
-
http://art-collections.museum.ucsb.edu/files/original/c6b410423ce434a59b59a843adcccfa5.jpg
ef44825c608cd38883a906e50d7b97a8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.280
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of a Man, Profile</em>
Albumen print
3 1/2 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
formal
man
photograph
portrait
Profile
suit
-
http://art-collections.museum.ucsb.edu/files/original/08783b94880558165f22455b7d1cc208.jpg
ade3c523d963444435a9573552d866d9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.281
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of A Woman</em>
Albumen print
3 1/2 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Elder
Older
photograph
portrait
woman
-
http://art-collections.museum.ucsb.edu/files/original/e7b60274508c1ac923be8b82ec941703.jpg
af85a28d9f2106865701ded9169e0614
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.282
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of a Man in Uniform Holding a Sword #11799</em>
Albumen print
3 5/8 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
black and white
photograph
portrait
Professional
soldier
Sword
uniform
-
http://art-collections.museum.ucsb.edu/files/original/94d8eb2649b7700263b971df86aa39e8.jpg
607262e59fda3cd8d3a29c0a646f750d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.283
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of a Bride</em>
gelatin sliver
5 1/2 x 4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
black and white
Bride
formal
Gelatin Silver Print
photograph
portrait
Wedding
woman
-
http://art-collections.museum.ucsb.edu/files/original/a6db6d136087f7fc3a5c33391348a3a5.jpg
9b2df3706e1eb5a15779d98225b79d58
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.284
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Woman Wearing White Lace Cap</em>
Albumen print
5 3/4 x 4 1/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
black and white
formal
Older
photograph
portrait
White Lace Cap
woman
-
http://art-collections.museum.ucsb.edu/files/original/eef94a98ce7760f05804d7e254c7376c.jpg
b9108f8d080feeec794ff70335346de2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.285
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
French
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Post Card of Ship At Sea - Man Overboard</em>
black and white photograph
3 1/2" x 5 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
black and white
landscape
Man Overboard
Post card
Sea
ship
Storm
Works-on-Paper
-
http://art-collections.museum.ucsb.edu/files/original/27429d29c47106930d2b7a1ab8ac9400.jpg
eb8d74fc531c646e89912bf0ee534c52
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.286
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Taken by C.M. Bell</em>
Albumen print
5 3/4 x 4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Baby Girl
black and white
photograph
portrait
Woman and Child
-
http://art-collections.museum.ucsb.edu/files/original/307ac50424ac34806c01040d37de9f5c.jpg
c5c8598d57f8681495a76c529c898569
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.287
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Mary Kirtley Lamberton, 6 yrs.</em>
Albumen print
4 x 2 3/8 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
October 1881
black and white
cross necklace
doll
photograph
portrait
Young girl
-
http://art-collections.museum.ucsb.edu/files/original/d24365ead82c5e2dbaaa43ac509f3972.jpg
286a8d1f65d736fa4a62ac1f04c3cad6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.288
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of A Young Man</em>
Albumen print
3 3/4 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
formal
Mustache
Nice Dress
photograph
portrait
suit
Tie
Young Man
-
http://art-collections.museum.ucsb.edu/files/original/134a2d20004736ba1e51e5dab1dcf361.jpg
a3319bc2dde0638333c6ce8d7b0efcfc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.289
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Woman & Child - Mrs. Chas Foulke</em>
Albumen print
3 1/2 x 2 1/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Baby Girl
C.M. Bell Washington D.C.
Mrs. Chas Foulke
photograph
portrait
White Dress
Woman and Child
-
http://art-collections.museum.ucsb.edu/files/original/f3715620656fcc6ac01a7ffdce3ae56b.jpg
e34f9b69fca019e9511c245eb35932ae
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.290
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of 3 Women - old, middle-aged, young</em>
black and white photograph
3 3/4" x 4 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
3 women
black and white
Generational
middle-aged woman
old woman
outdoors
photograph
portrait
young woman
-
http://art-collections.museum.ucsb.edu/files/original/24619f591167d8b2956d48be81ef26f4.jpg
414e8b84ef9c71098898aaeeab4dc82f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.291
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Mamie Busling</em>
Albumen print
6 x 4 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
May 1872
19th century
Albumen Print
Curls
Leaning on stool
Mamie Busling
photograph
portrait
Young girl
-
http://art-collections.museum.ucsb.edu/files/original/1aa5458703d1b5a48871d35918e7c747.jpg
91586b3af917f90e95c21d2b53a34b84
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.292
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Souvenir Book of Geneva</em>
lithograph in album
3 1/2 x 5 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Border Details
Lithograph
photograph
purple
Souvenir Book of Geneva
still life
-
http://art-collections.museum.ucsb.edu/files/original/e14345278da869efc2094f4899d180cb.jpg
83971ca5cb4a209ff359f488a0f658e5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.293
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Black Woman Holding White Baby</em>
black and white photograph
5 x 7 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Baby Girl
black and white
Black Woman Holding White Child
photograph
portrait
White Dress
-
http://art-collections.museum.ucsb.edu/files/original/5f40fa7a104ea039622d43506a9f904d.jpg
e46188b0ac1f64e3878086788511ff86
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.294
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Black Woman With Child</em>
black and white ambrotype
4 1/4" x 3 1/4"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Ambrotype
black and white
Black Woman With Child
Glass Plate
photograph
portrait
red
Yellow
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.295
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Mirror Viewing Box</em>
5 1/2 x 4 1/2 x 1 in. closed
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.296
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Viewing Box</em>
1 x 10 1/2 x 8 1/2 in. closed
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.297
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Viewing Box</em>
1 x 11 x 8 1/2 in. closed
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.599
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
English
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Cottage Gardens</em>
chromo-lithograph
3 1/2 x 5 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1900
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.600
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
English
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Picturesque Counties, Dorset</em>
chromo-lithograph
5 1/2 x 3 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1900
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.601
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
English
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Cottage Gardens</em>
chromo-lithograph
5 1/2 x 3 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1900
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.602
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
English
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Thro Fragrant Meads</em>
chromo-lithograph
5 1/2 x 3 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1900
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.603
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
English
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>In Pleasant Pastures</em>
chromo-lithograph
5 1/2 x 3 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1900
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.604
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
English
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Early Spring</em>
chromo-lithograph
5 1/2 x 3 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1900
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.605
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
English
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Enys Dodnan, Land's End</em>
chromo-lithograph
5 1/2 x 3 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1900
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.606
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
English
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Dartmoor - The Holne Chase</em>
chromo-lithograph
5 1/2 x 3 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1900
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.607
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
English
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Cottage Gardens</em>
chromo-lithograph
5 1/2 x 3 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1900
-
http://art-collections.museum.ucsb.edu/files/original/3a458958ec45888834b2d14b2d6b9ff7.jpg
ed703a4260ed46a97b22ce9cec5b9270
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.608
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Marion Wiltbank Clark</em>
black and white photograph
4 1/4" x 5"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
April 1892
19th century
black and white
Hat with bow
Marion Wiltbank Clark
photograph
portrait
Velvet Dress
Young girl
-
http://art-collections.museum.ucsb.edu/files/original/cd3c9cfc074d73cd374f141438ccee21.jpg
8944edfd4987df62731c2fc9da3cc62d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.609
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
American
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of a Woman Standing in front of a Balustrade</em>
Albumen print
3 1/2 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Balustrade
black and white
formal
Nice Dress
photograph
portrait
woman
-
http://art-collections.museum.ucsb.edu/files/original/b9b72f227fa86e700025dfa4e127e1c0.jpg
400608a51d96943a0e55501c6a7e5146
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.61
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Australian
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Portrait of Woman Standing With Left Arm Resting on Pillar</em>
Albumen print
3 1/2 x 2 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
January 1864
Albumen Print
black and white
formal
Nice Dress
photograph
Pillar
portrait
Tree
woman
-
http://art-collections.museum.ucsb.edu/files/original/c0526c8330ecfabe7efe28ec8a9c235b.jpg
9770327d1aeb985622121f7aebcea779
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.611
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Woman and Boy Standing In front of Trees and Snow</em>
Gelatin silver print
5 x 3 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
black and white
Family Portrait
Gelatin Silver Print
photograph
portrait
snow
Tree
winter
woman
young boy
-
http://art-collections.museum.ucsb.edu/files/original/d64ea59048bf1d8a358b96c0c6845059.jpg
82bb431dc590974c718bb61f05b033c8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.612
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Woman in Car - Boy Standing in Snow In front of It</em>
Gelatin silver print
3 x 5 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
black and white
car
Family Portrait
fur hat
Gelatin Silver Print
portrait
snow
Tree
winter
woman
young boy
-
http://art-collections.museum.ucsb.edu/files/original/f0e76852250452ccfa5f89178b9ff6c4.jpg
8ae1556da0cbea903b9acf05d232a349
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.613a
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Group Portrait in Wawona</em>
Gelatin silver print
3 x 5 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
black and white
car
Family Portrait
Gelatin Silver Print
Group photo
photograph
portrait
Tree
-
http://art-collections.museum.ucsb.edu/files/original/9d658fc449b090aa8c2cdd4ee4ee65c7.jpg
5579e572da644b926180446359157f1f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.613b
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Group Portrait in Wawona</em>
Gelatin silver print
3 x 5 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
black and white
car
Family Portrait
Gelatin Silver Print
Group photo
photograph
portrait
Tree
-
http://art-collections.museum.ucsb.edu/files/original/78955f556c1a2efeb1fb0a701b4dc193.jpg
5579e572da644b926180446359157f1f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.613c
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Group at Wawona</em>
Gelatin silver print
3 x 5 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
black and white
car
Family Portrait
Gelatin Silver Print
Group photo
photograph
portrait
Tree
-
http://art-collections.museum.ucsb.edu/files/original/54ad8861e53b65aed44566ba094cf02d.jpg
1edfbd18a9ed8c163dc3de778d57e057
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.614a
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Group at Wawona in front of Car and Drive-thru Tree</em>
Gelatin silver print
3 x 5 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
black and white
car
Family Portrait
Gelatin Silver Print
Group photo
photograph
portrait
Tree
-
http://art-collections.museum.ucsb.edu/files/original/b5c79f241b3a6e563a5d8b0a9daddc39.jpg
1edfbd18a9ed8c163dc3de778d57e057
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.614b
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Group at Wawona in front of Car at Drive-thru Tree</em>
Gelatin silver print
3 x 5 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
black and white
car
Family Portrait
Gelatin Silver Print
Group photo
photograph
portrait
Tree
-
http://art-collections.museum.ucsb.edu/files/original/f94abc39516c0ae263198ff750eb9445.jpg
1edfbd18a9ed8c163dc3de778d57e057
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.614c
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Group at Wawona in front of Car at Drive-thru Tree</em>
Gelatin silver print
3 x 5 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
black and white
car
Family Portrait
Gelatin Silver Print
Group photo
photograph
portrait
Tree
-
http://art-collections.museum.ucsb.edu/files/original/b637d46b7cecbb92ae491e1721ec7d92.jpg
29aa444a9422398ec83305e2f024229c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.615
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Snapshot - 3 Men and a Young Girl by Rock</em>
gelatin sliver
3 1/2 x 5 3/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
3 men
black and white
landscape
photograph
portrait
Rock
young woman
-
http://art-collections.museum.ucsb.edu/files/original/4290e7734cf94567a3eabc7036ab0060.jpg
679fe13118ba6c6141a817726a5e0442
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.192
Creator
An entity primarily responsible for making the resource
<strong>BURNS</strong>, A.
Title
A name given to the resource
<strong>BURNS</strong>, A.
Description
An account of the resource
<em>Edinburgh From The Calton Hill</em>
Albumen print
2 1/2 x 4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
architecture
Birdseye View
Calton Hill
cityscape
Edinburgh
photograph
river
-
http://art-collections.museum.ucsb.edu/files/original/6abf4e94009896b89a651e5ebcd7953c.jpg
24911b01f97c6352402a2feac22a1086
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.261
Creator
An entity primarily responsible for making the resource
<strong>Ferret</strong>
Title
A name given to the resource
<strong>Ferret</strong>
Description
An account of the resource
<em>Portrait of Woman in Black Dress - Standing</em>
Albumen print
3 7/8 x 2 1/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Albumen Print
Black Dress
Bodyshot
Fancy
Ferret
formal
Frilly
Leaning on Couch
photograph
portrait
standing
woman
-
http://art-collections.museum.ucsb.edu/files/original/90a1f78ae4329a032902042ed7a820e1.jpg
9ebf3a9993a6d6ca32fbe7401da7fae3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.20
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Girl with Bonnet</em>
1908
photograph
4" x 6"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1908
Bonnet
Curls
floral
Head Shot
photograph
portrait
White Dress
-
http://art-collections.museum.ucsb.edu/files/original/c474dc0985fed90752468566177c9c75.jpg
f4dd0ba2439a1d507c984ab939f641ce
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.21
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Girl Seated on a Chair</em>
1910
platinum print
4 1/2 x 6 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1910
Chair
Dress
photograph
portrait
rocking chair
Toddler
Young girl
-
http://art-collections.museum.ucsb.edu/files/original/8632ce724f7e9f066b10e010dd7b2cc5.jpg
eb26f69a47048e0df65d9c40392cabda
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.22
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Boy with Book, 1910</em>
1910
platinum
8 x 6 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1910
book
photograph
Pillow
portrait
Reading
Seated
shoes
young boy
-
http://art-collections.museum.ucsb.edu/files/original/e519637cb4db2b15857eb81afcd28bd9.jpg
bedd902d91722ddcb27910959801caab
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.23
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Girl with a Large Hat (Seated), 1913</em>
1913
photograph
6" x 7 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1913
Bob
bow
hat
Headshot
photograph
portrait
Seated
young woman
-
http://art-collections.museum.ucsb.edu/files/original/5709b2488a7767d419d42c2bb4b58274.jpg
90a98cb8f5e658cd32ccbd2aadd20349
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.24
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Girl with a Large Hat (Standing), 1913</em>
1913
photograph
9" x 12"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1913
Belt
blonde
Dress
hat
photograph
portrait
standing
Wood
young woman
-
http://art-collections.museum.ucsb.edu/files/original/2e567686d561bf7cee481bf3e7f61695.jpg
5ae20c78efb330d7aadc5706773b52ae
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.25
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Boy (Keith), 1912</em>
1912
platinum
5 x 7 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1912
blonde
hat
photograph
portrait
Toddler
Velvet
young boy
-
http://art-collections.museum.ucsb.edu/files/original/8dd1e9e7d15bce59de3e9e5c8ff7cc8f.jpg
55e8bc26ddac5b95e20a0199d049a2d3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.26
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Girl with Book at Window, 1935</em>
20th C.
Gelatin silver print
13 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
book
carpet
curtains
little girl
photograph
portrait
White Dress