1
100
321
-
http://art-collections.museum.ucsb.edu/files/original/80c6e6e2944bc9e21c30f5a265f779de.jpg
ffcde6ecf77610965119ca5279a04478
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.1
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
b. United States, 1860-1930
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Mexican Cathedral</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
13 x 16 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
building
Cathedral
Church
Cross
dome
Religious
-
http://art-collections.museum.ucsb.edu/files/original/35dd26205fbbbca923f04ce6170010d9.jpg
cb3923e460c2eff3f49a5c8e43b65676
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.2
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Praying Corn Sellers</em>
1915-1920
gum bichromate; some hand-colored or hand intensified
9 1/2 x 7 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
brick
Church
Corn Sellers
Doorway
Entrance
Gathering
photograph
Pillars
Praying
Religious
Sombrero
Steps
-
http://art-collections.museum.ucsb.edu/files/original/1e56ab8d213d46364574b5e0410a5075.jpg
18a29395086222229d322f83a11e6e68
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.3
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Narrow walkway</em>
1915-1920
gum bichromate; some hand-colored or hand intensified
10 x 12 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Narrow
people
photograph
Sombrero
stone
Walkway
-
http://art-collections.museum.ucsb.edu/files/original/eed8826cb42b7e113a1f582a7105b8d8.jpg
757f1ecd1c14856dc506a4f9fd9edce2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.4
Creator
An entity primarily responsible for making the resource
RAVELL, Henry
American
Title
A name given to the resource
RAVELL, Henry
Description
An account of the resource
Two Mexicans
1915-1920
gum dichromate; some hand-colored or hand intensified
10 1/4 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
Archway
Child
Mexico
Packs
photograph
portrait
Posters
-
http://art-collections.museum.ucsb.edu/files/original/d27e74a78afc1646d39f6de756ee8a2b.jpg
3485809a6830213a84580079f3ae12cf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.5
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>A Church Doorway</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
5 1/2 x 8 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Church
Doorway
Entrance
man
photograph
Pillars
Religious
Sombrero
-
http://art-collections.museum.ucsb.edu/files/original/5a7d6f1862467eaa0b31894a58c0f28c.jpg
9b2f5d5509a4bfa2a66b8f2c1f103fcc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.6
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Street Scene in Mexico</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
10 1/2 x 14 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Bag
brick
Burlap Sack
Gathering
Lightpost
photograph
Sombrero
stone
Street Scene
Walkway
-
http://art-collections.museum.ucsb.edu/files/original/f5e2a03012244b803ffb4b09f7e8fab4.jpg
ffdf3b7f4808b98e82927854a8bc0f5e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.7
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Two Figures and Doorway</em>
1915-1920
gum bichromate; some hand-colored or hand intensified
10 1/2 x 11 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Archway
Courtyard
Doorway
Entrance
photograph
Pillars
stone
Two Figures
-
http://art-collections.museum.ucsb.edu/files/original/b51d2a173e5d93a15a3db2b115af284f.jpg
cab4384ad8fa6c47c8a8360045e7da4a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.8
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Two Figures on Walkway</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
10 1/2 x 13 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
cityscape
Cobblestone
Cross
dome
photograph
Two Figures
Walkway
-
http://art-collections.museum.ucsb.edu/files/original/43a3db6e0e20bfc3d620e4c363b0edba.jpg
f377aaff0e2e1e6761d3d724ffb49921
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.9
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Mexican Building</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
10 1/2 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
Adobe
architecture
clay
Fence
Mexico
photograph
red
Shrubbery
Yellow
-
http://art-collections.museum.ucsb.edu/files/original/19292dcece35b27987bcec4bef7bb3e4.jpg
ffcde6ecf77610965119ca5279a04478
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.1
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Church in Mexico</em>
1915-1920
gum bichromate; some hand-colored or hand intensified
13 x 16 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Church
Cross
dome
Mexico
photograph
Religious
-
http://art-collections.museum.ucsb.edu/files/original/1999b892f9a150c6d4606e8256d99da4.jpg
c5d03fcb63ab1c16f1203b901d95517f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.11
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Entrance and Balcony</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
9 1/2 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Archway
balcony
Courtyard
Entrance
photograph
Shrubbery
Stairway
-
http://art-collections.museum.ucsb.edu/files/original/bdb9fddb86cffe189501d5104ff86087.jpg
d8954e5891a21802f7b4f7bbe5d32c47
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.12
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Child in Doorway</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
9 1/2 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
Architectural
Courtyard
Doorway
photograph
portrait
Potted Plants
stone
Toddler
Young girl
-
http://art-collections.museum.ucsb.edu/files/original/9cbf78332d568911e9c75b4ff23231c3.jpg
d63c1fa90b1bd08d028ac783adb362aa
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.13
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Peasants and Horse</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
10 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
Architectural
Archway
Belltower
horses
Peasants
photograph
portrait
Saddles
Sticks
-
http://art-collections.museum.ucsb.edu/files/original/88c618244919e2b236818b8f82b24c17.jpg
237c7fa647b5d67516298e6dc9223ddc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.14
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Doorway and Man</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
6 1/2 x 9 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
Architectural Detail
architecture
Briefcase
Courtyard
Doorway
engraving
Entryway
man
photograph
Pillars
-
http://art-collections.museum.ucsb.edu/files/original/aa6f34db038a7f46adeb119c111f5fe5.JPG
d355317f43e44657ee6a6353de77a500
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.15
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Patio and Stairs</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
12 x 16 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
black and white
Courtyard
Masonry
Patio
photograph
Potted Plants
stairs
stone
-
http://art-collections.museum.ucsb.edu/files/original/3b56004f864232bf711a53e6772d2acc.jpg
1ad00f54f07ac1dd4b1310c695749e29
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.16
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Water Carrier</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
10 x 12 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
Backpack
black and white
hat
man
Old man
Pack
photograph
portrait
Water Carrier
worker
-
http://art-collections.museum.ucsb.edu/files/original/eb12d27588877bdb2e4e0223c68982f1.jpg
62daead03efd0300a99676d072f83e9e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.17
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Church and Burros</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
13 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Burros
Church
Detail
donkey
Entrance
photograph
Religious
Staircase
-
http://art-collections.museum.ucsb.edu/files/original/3510b2a4c6ffc58da99cde001ef79fe4.jpg
06547f373ed8d051c422835325eb873b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.18
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Jesuit Church</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
10 1/2 x 15 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
architecture
Church
Clouds
Entrance
Jesuit
photograph
Religious
trees
-
http://art-collections.museum.ucsb.edu/files/original/e4d667f6cb1c7713087cfcdfec1e7320.jpg
a0da0d521631997bcfc4cbb942473d60
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.19
Creator
An entity primarily responsible for making the resource
<strong>RAVELL</strong>, Henry
American
Title
A name given to the resource
<strong>RAVELL</strong>, Henry
Description
An account of the resource
<em>Santa Barbara Mission</em>
1915-1920
gum dichromate; some hand-colored or hand intensified
10 1/2 x 13 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915-1920
black and white
Horizon
landscape
Mission
outdoors
Path
photograph
Santa Barbara
Tree
-
http://art-collections.museum.ucsb.edu/files/original/90a1f78ae4329a032902042ed7a820e1.jpg
9ebf3a9993a6d6ca32fbe7401da7fae3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.20
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Girl with Bonnet</em>
1908
photograph
4" x 6"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1908
Bonnet
Curls
floral
Head Shot
photograph
portrait
White Dress
-
http://art-collections.museum.ucsb.edu/files/original/c474dc0985fed90752468566177c9c75.jpg
f4dd0ba2439a1d507c984ab939f641ce
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.21
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Girl Seated on a Chair</em>
1910
platinum print
4 1/2 x 6 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1910
Chair
Dress
photograph
portrait
rocking chair
Toddler
Young girl
-
http://art-collections.museum.ucsb.edu/files/original/8632ce724f7e9f066b10e010dd7b2cc5.jpg
eb26f69a47048e0df65d9c40392cabda
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.22
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Boy with Book, 1910</em>
1910
platinum
8 x 6 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1910
book
photograph
Pillow
portrait
Reading
Seated
shoes
young boy
-
http://art-collections.museum.ucsb.edu/files/original/e519637cb4db2b15857eb81afcd28bd9.jpg
bedd902d91722ddcb27910959801caab
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.23
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Girl with a Large Hat (Seated), 1913</em>
1913
photograph
6" x 7 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1913
Bob
bow
hat
Headshot
photograph
portrait
Seated
young woman
-
http://art-collections.museum.ucsb.edu/files/original/5709b2488a7767d419d42c2bb4b58274.jpg
90a98cb8f5e658cd32ccbd2aadd20349
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.24
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Girl with a Large Hat (Standing), 1913</em>
1913
photograph
9" x 12"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1913
Belt
blonde
Dress
hat
photograph
portrait
standing
Wood
young woman
-
http://art-collections.museum.ucsb.edu/files/original/2e567686d561bf7cee481bf3e7f61695.jpg
5ae20c78efb330d7aadc5706773b52ae
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.25
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Boy (Keith), 1912</em>
1912
platinum
5 x 7 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1912
blonde
hat
photograph
portrait
Toddler
Velvet
young boy
-
http://art-collections.museum.ucsb.edu/files/original/8dd1e9e7d15bce59de3e9e5c8ff7cc8f.jpg
55e8bc26ddac5b95e20a0199d049a2d3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.26
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Girl with Book at Window, 1935</em>
20th C.
Gelatin silver print
13 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
book
carpet
curtains
little girl
photograph
portrait
White Dress
-
http://art-collections.museum.ucsb.edu/files/original/58de12f58ac80a5d83ba5abb56758e3d.jpg
1b31822fe9ea03ac5d1012b1d6ddf130
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.27
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Boy at Sideboard, 1907</em>
20th C.
platinum
5 1/2 x 7 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
boy
Candle Stick
hat
Mirror
photograph
portrait
silver
Silver Chest
Tea Pot
White Clothes
young boy
-
http://art-collections.museum.ucsb.edu/files/original/7de1400395143a2e34d54be83274a274.jpg
c1c68e4e0bd95274693c20ded89b8de0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.28
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Keith</em>
1916
gum dichromate (?)
8 x 11 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1916
black and white
boy
Messy Hair
photograph
portrait
Tie
Young
-
http://art-collections.museum.ucsb.edu/files/original/55c12d3315df867b18b228e90a43ff14.jpg
e0fb043954c30a3d735f1865743a5369
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.29
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Young Girl in Doorway, 1910</em>
1910
platinum
6 x 8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1910
Black Shoes
Child
Curls
Doorway
hat
Old House
photograph
portrait
Shirt Dress
White Socks
-
http://art-collections.museum.ucsb.edu/files/original/59c67f25aaa9520ec72acae86b9df585.jpg
9364177a39ec8ad378b83460108d200a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.30
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Child at Water Faucet, 1910</em>
1910
platinum print
6 x 7 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1910
architecture
Child
Faucet
laundry
Mother and Child
photograph
portrait
Store-Front
Wash Bin
-
http://art-collections.museum.ucsb.edu/files/original/5ceaf0a56eb4700461ad79e7a9221728.jpg
f511158083a1212e9166fd4ab71ffb04
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.31
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Jack and Jill (Margaret and Baily Gledhill), 1919</em>
20th C.
photograph
8 x 11 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Bucket
Hill
Jack and Jill
Margaret and Baily Gledhill
outdoors
photograph
Playing
portrait
Toddler
Young
-
http://art-collections.museum.ucsb.edu/files/original/1adfbd3a244331f4d2ad86dccaa3a188.jpg
12c342c805c309323087546b268a6754
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.32
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Miss Roxana Dabney, 1910</em>
20th C.
photograph
10" x 13"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
hat
lace
Miss Roxana Dabney
Older Woman
photograph
portrait
-
http://art-collections.museum.ucsb.edu/files/original/eb2f89e0f96f671ca96a7e80c8d30c54.jpg
178c85588d62d4bab5d680f85a5fea54
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.33
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Miss Margaret Doe, 1918</em>
1918
photograph
9 1/2" x 12"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1918
book
Chair
Elegant
Hairdo
Miss Margaret Doe
photograph
portrait
Seated
Silk Dress
vase
young woman
-
http://art-collections.museum.ucsb.edu/files/original/10eeac0b18386c9bd2bb3761a9a6523d.jpg
ad16b8894dc8ee8c281dcceb51119720
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.34
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>"Aunt" Jane McClaren, 1910</em>
20th C.
gum print
11 x 14 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
"Aunt" Jane McClaren
Buttons
Gum Print
lace
Lace Bonnet
old woman
photograph
portrait
Wrinkles
-
http://art-collections.museum.ucsb.edu/files/original/6a40a36344943f5c2da95fa54c2bc343.jpg
768716a2a0c7618ad5466e1e5d098e1f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.35
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Miss Potter & Dog</em>
20th C.
platinum
6 x 8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Dog
Fidelity
Hairdo
Miss Potter & Dog
photograph
Platinum
portrait
Side-profile
Silk Dress
Small Dog
-
http://art-collections.museum.ucsb.edu/files/original/7245dbf3f29a3ff703e454f0aecb142d.jpg
6af523278cb239d73f33bb2b78af89a3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.36
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Mrs. Max Fleischman, 1927</em>
20th C.
Gelatin silver print
9 x 11 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Fur Coat
Gelatin Silver Print
Jewelry
Mrs. Max Fleischman
Pearl
photograph
portrait
White Headwrap
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.37
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Miss Virginia Bartlett, 1924</em>
20th C.
Gelatin silver print
11 x 14 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.38
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Mrs. W.N. Hawley, 1915</em>
20th C.
Gelatin silver print
10 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.39
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Lady with White Scarf, 1910</em>
1910
gum dichromate print
18 x 23 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1910
-
http://art-collections.museum.ucsb.edu/files/original/1f85ea34e9fbce01681cfb3cd5670d5e.jpg
da68dcb90a5c02848c6604a3071ccece
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.40
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Fashion Models, 1935</em>
20th C.
Three color carbro process
7 x 9 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.41
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Edwin Gledhill</em>
1918
Gelatin silver print
13 x 16 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1918
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.42
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Edwin Gledhill</em>
1918
Gelatin silver print
14 x 17 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1918
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.43
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Negative of 1986.41 and 1986.42</em>
1918
negative
14 x 16 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1918
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.44
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Thomas Moran, 1921</em>
20th C.
Gelatin silver print
7 x 9 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
-
http://art-collections.museum.ucsb.edu/files/original/d4b81284140ef05aa8891cd2905b51c9.jpg
c5e2ae3b03e1525aead2938970e1e73a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.45
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Thomas Moran, 1921</em>
20th C.
Gelatin silver print
10 x 12 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Beard
Elder
Paint Brush
Painter
Palette
photograph
portrait
Professional
Thomas Moran
-
http://art-collections.museum.ucsb.edu/files/original/262ef341fd74a364f73f78230110dffb.jpg
dc86446c9ce9a35b16cd7b3fafca3c42
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.46
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Francesco Fenzi,botanist, 1910</em>
20th C.
Gelatin silver print
10 1/2 x 13 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Aquiline Nose
Beard
Elder
Francesco Fenzi
Older Man
photograph
portrait
Side Profile
White Hair
-
http://art-collections.museum.ucsb.edu/files/original/ffaf8182ea0a07613f1015c01bd29c75.jpg
4b273eb0625e414521509e51f45de22e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.47
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Edwin Markham, poet</em>
1920
Gelatin silver print
8 x 10 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1920
Beard
Edwin Markham
Elder
photograph
poet
Pondering
portrait
Thinking
White Hair
-
http://art-collections.museum.ucsb.edu/files/original/95f8d8c949e38de35adfbff58cdd1f17.jpg
5501afb0b8b78f80adab188b097983a1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.48
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Adam Even, 1910</em>
20th C.
gum dichromate
14 1/2 x 20 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Adam Even
Elder
formal
Gum Dichromate Print
Headshot
photograph
portrait
White Hair
-
http://art-collections.museum.ucsb.edu/files/original/975a7942e97adf707f0787e6b0892b69.jpg
289f1a273c205dda43d0bf1dba561322
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.49
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Conde Nast, 1925</em>
20th C.
Gelatin silver print
15 x 19 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Balding
Conde Nast
formal
glasses
photograph
portrait
Profesional
suit
Tie
-
http://art-collections.museum.ucsb.edu/files/original/dbe60587de005f25a8e6f0cb0b091af2.jpg
f963a69b9c89387ead4c6ab7c4ba520e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.5
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>David Gray Sr., 1928</em>
1928 C.
gum dichromate print
18 1/2 x 23 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1928
Bowtie
David Gray Sr.
Gum Dichromate Print
Handkerchief
man
Older Gentleman
photograph
portrait
suit
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.51
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Negative of 1986.50</em>
1928
negative
19 x 23 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1928
-
http://art-collections.museum.ucsb.edu/files/original/cbb6f2a5e571c6aaa83431a4346ce5fe.jpg
380d4ad433e05a9a2a5c59106476b017
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.52
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Man</em>
1925
gum dichromate print
20 x 26 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1925
Cane
Gum Dichromate Print
Handkerchief
Headshot
Mustache
Older Man
photograph
portrait
suit
Tie
-
http://art-collections.museum.ucsb.edu/files/original/ab52025211267572e4081919b343326d.jpg
9f734fcea817c4c5da7172398b88988c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.53
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Edward Borein</em>
1930, printed in 1976 from original negative
Gelatin silver print
12 1/2 x 10 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1930, printed in 1976 from original negative
Bowtie
Edward Borein
formal
hat
Leaning
Outdoor
photograph
portrait
suit
-
http://art-collections.museum.ucsb.edu/files/original/fc73e41e109512b5b005345025e22a4d.jpg
b0c981f55d031bd81c1c443c67a61fd5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.54
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Diego Rivera</em>
1941, printed in 1976 from original negative
Gelatin silver print
13 1/4 x 10 1/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1941, printed in 1976 from original negative
Button Down
Curly Hair
Diego Rivera
glasses
Headshot
photograph
portrait
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.55
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Mrs. Robert Louis Stevenson</em>
1910, printed in 1976 from original negative
Gelatin silver print
13 1/2 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1910, printed in 1976 from original negative
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.56
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Thomas Moran</em>
1930, printed in 1976 from original negative
Gelatin silver print
13 1/2 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1930, printed in 1976 from original negative
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.57
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Jeddu Krishnamurti</em>
1939, printed in 1976 from original negative
Gelatin silver print
13 1/2 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1939, printed in 1976 from original negative
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.58
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Mrs. Chester Alan Arthur</em>
1920, printed in 1976 from original negative
Gelatin silver print
13 1/4 x 9 1/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1920, printed in 1976 from original negative
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.59
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>George Parrish Tebbets</em>
1907, printed in 1976 from original negative
Gelatin silver print
13 1/2 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1907, printed in 1976 from original negative
-
http://art-collections.museum.ucsb.edu/files/original/84c95b0dbd46be4df9b3a4609f939499.jpg
03449b29226c58bbcee9a0dc77519fac
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.6
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Charles F. Lummis</em>
1915, printed in 1976 from original negative
Gelatin silver print
10 1/2 x 13 1/4 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915, printed in 1976 from original negative
Blazer
Cigar
Older Man
photograph
portrait
smoking
White Hair
-
http://art-collections.museum.ucsb.edu/files/original/99a4905169c491f72f4d9fa1d1a0cabc.jpg
410a1744fde87f53b6ad3d4a91d1f787
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.61
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Robert Weeks de Forest</em>
1914, printed in 1976 from original negative
Gelatin silver print
13 1/2 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1914, printed in 1976 from original negative
Beard
Bowtie
glasses
Older Man
photograph
portrait
Proffesional
suit
-
http://art-collections.museum.ucsb.edu/files/original/e755de5151906d21077d0eeaff533f93.jpg
d7b91d926da493213e304f74abcc5d4b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.62
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Mrs. Josiah Doulton</em>
1920, printed in 1976 from original negative
Gelatin silver print
13 1/4 x 10 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1920, printed in 1976 from original negative
Elder
Fur Coat
Grandma
Older Woman
photograph
portrait
Wicker Chair
woman
-
http://art-collections.museum.ucsb.edu/files/original/ad5192fb90971eb40aecdfcb7e179cef.jpg
715f74d63fa407fe74aec46dc69926e1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.63
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Edwin Markham</em>
1920, printed in 1976 from original negative
Gelatin silver print
13 1/2 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1920, printed in 1976 from original negative
Beard
Headshot
man
Old man
Pondering
portrait
Professional
suit
Thinking
-
http://art-collections.museum.ucsb.edu/files/original/fbabeabbcfb60ad25126f93c21f6902c.jpg
dfbd0120cc71e96d1f99d1b922ae9dbb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.64
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Frederick Hurren Rhead</em>
1917, printed in 1976 from original negative
Gelatin silver print
13 1/2 x 10 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1917, printed in 1976 from original negative
clay
Craft
photograph
portrait
Pottery
Studio
Tools
vase
Young Man
-
http://art-collections.museum.ucsb.edu/files/original/9152ee7d3ebd634e4d891f8822da8568.jpg
98cfc03580e819833bd53dc09c002b43
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.65
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Carolyn Even Gledhill</em>
1910, printed in 1976 from original negative
chromogenic color photograph
10 x 8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1910, printed in 1976 from original negative
bamboo
Blue Dress
Flower Field
Flowers
Hairdo
Patterned Shawl
photograph
portrait
Red Flower
young woman
-
http://art-collections.museum.ucsb.edu/files/original/f1b8a66de7ee69f25128c09eed013eee.jpg
8eb0f66325590d14f9e82ad9f25fdd0a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.66
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Two Children</em>
1913, printed in 1976 from original negative
chromogenic color photograph
10 x 8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1913, printed in 1976 from original negative
Blue Dress
children
Flower Hat
magazine
photograph
Pink Dress
Pink Hat
portrait
Toddlers
-
http://art-collections.museum.ucsb.edu/files/original/5bb44c6ba09aae0b90bc4cbd01bee178.jpg
f8908f1822ca7d9417d5d7c50e168788
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.67
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Keith Gledhill</em>
1917, printed in 1976 from original negative
chromogenic color photograph
10 x 8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1917, printed in 1976 from original negative
Archway
boy
Front-Entrance
Gate
Little Boy
photograph
portrait
Shrubbery
Steps
Toddler
Walkway
White Clothes
young boy
-
http://art-collections.museum.ucsb.edu/files/original/57880eacf124fc0764e81c6aa3046f49.jpg
34bd743fedc9d49b6fecdb9bb572dbc8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.68
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Theatrical Scene (two figures)</em>
1921
hand-colored silver gelatin
11 1/2 x 9 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1921
Costumes
Dramatic
Flowers
Foreground
Green Hue
Lovers
photograph
portrait
Theatrical Scene
-
http://art-collections.museum.ucsb.edu/files/original/b0c4f11a13428d5de592e1a33fef5961.jpg
14fccf3a282319c13ed132de70fa1206
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.69
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Theatrical Scene (three figures), 1921</em>
20th C.
hand-colored silver gelatin
11 1/2 x 7 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Candles
Costumes
Dress-Up
photograph
portrait
Theatrical Scene
water
Willow Tree
-
http://art-collections.museum.ucsb.edu/files/original/24a6cdd04ddebeeac7311d50a0713db4.jpg
0af842c596faa5ee7365a6039c944049
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.70
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Theatrical Scene (old man), 1921</em>
1921
photograph
9" x 11 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1921
Beard
cap
Chair
Cloak
Elder
man
Old
portrait
Seated
silk
Velvet
Wizard
-
http://art-collections.museum.ucsb.edu/files/original/a87a81f6815c6bcdbbc00751946be2ab.jpg
c702c0a1218d47c6465122f52e6d3b2b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.71
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Theatrical Scene (death scene), 1921</em>
20th C.
silver gelatin
19 x 8 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
bed
Bedroom
Candles
Death
Handmaids
mourning
photograph
portrait
Wallpaper
-
http://art-collections.museum.ucsb.edu/files/original/c70c12a8324c5debfd6be238e3d5fb7d.jpg
6dffa837bb8aa094118f17756d059afd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.72
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Santa Barbara Mission, 1910</em>
20th C.
platinum
8 x 6 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
Church
Mission
Path
photograph
Santa Barbara
-
http://art-collections.museum.ucsb.edu/files/original/ec3268236bceba7505f89e9e43b52bf2.jpg
5b17f61724a0504b3f2441cc8c627f27
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.73
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Santa Barbara Mission, 1910</em>
20th C.
Gelatin silver print
11 x 8 in.
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
Archway
cloudy
Hillside
Mission
photograph
Religious
Santa Barbara
-
http://art-collections.museum.ucsb.edu/files/original/c3239bdeb7aaaf4c3b4d5d11b721d4b4.jpg
a622bef6278a3dc2c8145c5722fdb649
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.74
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Santa Barbara Mission, 1908</em>
20th C.
platinum
6 x 7 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Dirt Path
landscape
man
Mission
photograph
Religious
road
Santa Barbara
Shrubbery
-
http://art-collections.museum.ucsb.edu/files/original/6e2a7b0a588442bd400eaff96e9a5ff9.jpg
b13c04ea189139aa57398a817030e179
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.75
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Cypress Tree (La Jolla), 1951</em>
1951
Gelatin silver print
7 x 7 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1951
Cliffside
cloudy
Coastline
Cypress Tree
Dirt Path
Fog
Gloomy
La Jolla
ocean
photograph
seascape
Shrubbery
Tree
-
http://art-collections.museum.ucsb.edu/files/original/45a3848323a137c003a5e62d506184e8.jpg
128e9582912d4a18cb9eec8d5becbd77
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.76
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Pan-Pacific Exhibition #1, 1915</em>
20th C.
photograph
9" x 12"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
Marble
Pan-Pacific Exhibition
Pathways
photograph
Pillars
Vines
-
http://art-collections.museum.ucsb.edu/files/original/ae300763b570f736687d6dada008b4b7.jpg
961683eb122d6dfed859c45f87f39900
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.77
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Pan Pacific Exhibition #2, 1915</em>
20th C.
photograph
10 1/2" x 13"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
Archway
Marble
Pan-Pacific Exhibition
Pavilion
photograph
Pond
Swan
-
http://art-collections.museum.ucsb.edu/files/original/8898faaf99621a17ecfe963c82655a2f.jpg
ece123bc664283f3b243d2a0c8c5c123
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.78
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Pan-Pacific Exhibition #3</em>
1915
Gelatin silver print
9 1/2 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915
architecture
Marble
Pan-Pacific Exhibition
photograph
Pillars
Pots
Reflection
water
-
http://art-collections.museum.ucsb.edu/files/original/7c4c6237da7680e1dd0af9416d5e9868.jpg
fc8059b22dd06d7bdc24d08b44ae1f8a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.79
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Pan-Pacific Exhibition #4, 1915</em>
20th C.
photograph
10" x 13"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
Marble
Open-Layout
Pan-Pacific Exhibition
photograph
Pillars
Shrubbery
-
http://art-collections.museum.ucsb.edu/files/original/234c1e2bc53801078214aa844c7529ab.jpg
6938db9894332440c441a79e9420a94d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.80
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Pan-Pacific Exhibition #5, 1915</em>
1915 C.
Gelatin silver print
10 1/2 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1915
architecture
Blurry
cloudy
fountain
Light Orbs
Night
Pan-Pacific Exhibition
photograph
Tower
-
http://art-collections.museum.ucsb.edu/files/original/e9cfad1cdd864ee2e752fe122fd4eeb0.jpg
fea1d25c6d4ed35d87076395fc07dc77
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.81
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Decorative Detail (NYC?), 1951</em>
1951
photograph
7" x 8 1/2"
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1951
abstract
Bronze
Decorative Detail
Figurative
man
photograph
Sculptural
-
http://art-collections.museum.ucsb.edu/files/original/5eda6d0ccae13a4bbb2a091e583c6f51.jpg
68f583d2af330676f4dabfad83cda4cc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.82
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>N.Y.C. Bridge #1, 1938</em>
20th C.
Gelatin silver print
9 x 9 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
bridge
New York City
photograph
river
trees
Tugboat
-
http://art-collections.museum.ucsb.edu/files/original/4983102cb8ba3720ab550ca8e0d2cddb.jpg
8ecd48ac0de89ee8bb3d9c1c6c69ea90
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.83
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>N.Y.C. Bridge, 1938</em>
20th C.
Gelatin silver print
10 1/2 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
bridge
Clouds
New York City
photograph
Suspension
-
http://art-collections.museum.ucsb.edu/files/original/e4eb61a8951f487368e37ac4f6d23bcd.jpg
8a95ffd2590133eb5d15a21b000f1f02
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.84
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Tugboat and Bridge (N.Y.C.)</em>
1938
Gelatin silver print
10 x 10 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1938
bridge
Foggy
Harbour
landscape
Tugboat
water
Wharf
-
http://art-collections.museum.ucsb.edu/files/original/4eae96a35d2cf76c322f2b924ada9104.jpg
9f13da1b11871019c121ec2dd639a687
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.85
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935; American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>N.Y.C. Street (Library)</em>
1938
Gelatin silver print
8 x 13 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
1938
architecture
city
Downtown
Library
New York City
photograph
Skyscraper
street
-
http://art-collections.museum.ucsb.edu/files/original/5dbaca2fa1093c2eacd9fdff7c76ebcb.jpg
478d9ff541ebd73fc836050aad638c76
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.86
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Rockerfeller Center Building, 1938</em>
20th C.
Gelatin silver print
12 x 10 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
Bronze Statue
Globe
man
monument
New York City
photograph
Rockerfeller Center Building
Skyscraper
statue
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.87
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Santa Barbara Mission, 1910</em>
20th C.
Gelatin silver print
11 1/2 x 8 1/2 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
-
http://art-collections.museum.ucsb.edu/files/original/32ecaf9bef300ca898296716ca033fe1.jpg
0eadb6a06a3aed712a585714d38910a8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.88
Creator
An entity primarily responsible for making the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
American, 1871 - 1935 and American, Toronto 1888 - 1976
Title
A name given to the resource
<strong>GLEDHILL</strong>, Carolyn and Edwin
Description
An account of the resource
<em>Sheep in Meadow, 1919</em>
20th C.
Gelatin silver print
8 1/2 x 11 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
field
Herd
landscape
Meadow
photograph
Sheep
trees
-
http://art-collections.museum.ucsb.edu/files/original/e798fc769ed4accdb251a6965e1b13a4.jpg
a0364edb702eb030ad9ea3f761598ce7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.89
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>(P91) Fugi From Kashiwabara (Tokaido)</em>
20th C.
albumen with hand-coloring
8 1/2 x 11in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
boats
cloudy
field
landscape
mountains
photograph
Post
sign
stream
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.90
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>(G54) O'Hato, Nagasaki</em>
20th C.
albumen with hand-coloring
8 1/2 x 11 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.91
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>(L47) Mukojima, Tokyo</em>
20th C.
albumen with hand coloring
8 1/2 x 11 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
-
http://art-collections.museum.ucsb.edu/files/original/2811ef51118443c99b6d8795db61b6c1.jpg
437345bc6b41850aba1f838b14eb29f2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.92
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Chuzenji, Nikko</em>
latter half 19th c.
Albumen print, hand colored
8 1/2 x 11 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
latter half 19th c.
Chuzenji
Lake
landscape
Mountain
Nikko
photograph
Reflections
town
trees
village
-
http://art-collections.museum.ucsb.edu/files/original/2b6a3ec41ef3fc6622bd90f3e6dc5dd9.jpg
b3450b1f9ab817c66326f1781fb70b97
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.93
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>(p99) Shiraitono-Taki (a waterfall) near Fuji Mt.</em>
20th C.
albumen with hand coloring
8 1/2 x 11 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Cliffs
green
Japan
landscape
photograph
river
Rocks
Shiraitono-Taki
Waterfall
Waterfalls
-
http://art-collections.museum.ucsb.edu/files/original/bb26f9f3bdd3213f3811d1aff66af16d.jpg
6765abaead85ec77f68549a1bd272b7a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.94
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Four Women (3 with Umbrelllas)</em>
20th C.
albumen with handcoloring
8 1/2 x 11 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
architecture
Garden
Japan
landscape
photograph
portrait
Rock Path
Shrubbery
Traditional Dress
Umbrella
women
-
http://art-collections.museum.ucsb.edu/files/original/ed9d42fd20dd12feed3c8729478a14f1.jpg
9d9c63a8cc4f71642915c1eec7bcff43
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.95
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>G75 Nagasaki Harbour</em>
20th C.
albumen with hand coloring
8 1/2 x 11 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
20th C.
Albumen with Hand Coloring
Boat
G75 Nagasaki Harbour
Harbour
Hillside
landscape
Shrubbery
water
Works-on-Paper
-
http://art-collections.museum.ucsb.edu/files/original/1e801da1b8db1919c7ddb11b39e432e2.jpg
eacc584b7372ea4344b2e564a6c002ea
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.96
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Main Street,Yokohama</em>
latter half 19th c.
Albumen print, hand colored
8 1/2 x 11 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
latter half 19th c.
architecture
Bell Tower
buggy
building
Fence
Japan
Main Street
Pedestrian
photograph
road
street
Yokohama
-
http://art-collections.museum.ucsb.edu/files/original/8fa97151c8d8b4dcae837fc37e4fe794.jpg
72bc461b56f8123e70e0a9d1a4d9ce03
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.97
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Jikan Waterfall, Nikko</em>
latter half 19th c.
Albumen print, hand colored
8 1/2 x 11 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
latter half 19th c.
forest
Jikan Waterfall
landscape
Nikko
outdoors
photograph
river
trees
Waterfall
-
http://art-collections.museum.ucsb.edu/files/original/63d334da93b56e8c1b252dfe5153a22b.jpg
2544e89294a2e89a25d93bea83a8d456
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.98
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Sakuraya, Yokohama</em>
latter half 19th c.
Albumen print, hand colored
8 1/2 x 11 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
latter half 19th c.
formal
Japanese
photograph
portrait
Red Cloth
Sakuraya
Traditional Dress
women
Yokohama
-
http://art-collections.museum.ucsb.edu/files/original/2f1180d3dbfdf7200e28f6ed2a692f71.jpg
1e6a7a5caee45a1c738b86f3358757eb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.99
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>View of Yokahama</em>
latter half 19th c.
Albumen print, hand colored
8 1/2 x 11 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
latter half 19th c.
architecture
Birdseye View
Buildings
cityscape
Layout
Pedestrian
photograph
road
street
Yokahama
-
http://art-collections.museum.ucsb.edu/files/original/6b6bd63598d8a5122d90768c65a04bb3.jpg
ea99f595ef6290f268ef8ba0a486053a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Carolyn and Edwin Gledhill Photography Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.<span class="Apple-converted-space"> </span>This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.</span><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.<span class="Apple-converted-space"> </span>This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.<span class="Apple-converted-space"> </span>Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.<span class="Apple-converted-space"> </span>This often resulted in empowered appearing women suggesting an early expression of feminism.<span class="Apple-converted-space"> </span>But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s2"><span class="Apple-tab-span"> </span></span><span class="s1">The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.</span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1986.100
Creator
An entity primarily responsible for making the resource
<strong>Artist unknown</strong>
Title
A name given to the resource
<strong>Artist unknown</strong>
Description
An account of the resource
<em>Six Ricefield Workers</em>
latter half 19th c.
Albumen print, hand colored
8 1/2 x 11 in
Source
A related resource from which the described resource is derived
Gift of Mr. Keith Gledhill
Date
A point or period of time associated with an event in the lifecycle of the resource
latter half 19th c.
Basket
Farmers
Fields
forest
landscape
Marsh
photograph
Rice Fields
Wet
workers