CAVAT, Irma
description: Untitled
description: lithograph
description: 12 x 16 1/2 in.
description: three figures in drapery
creator: CAVAT, Irma
creator: b. United States, 1928-2020
source: Gift of Professor Alfred Moir
date: n.d.

CAVAT, Irma
description: Untitled (female form)
description: lithograph
description: 15 x 10 1/4 in.
creator: CAVAT, Irma
creator: b. United States, 1928-2020
source: Gift of Professor Alfred Moir
date: n.d.

CAVAT, Irma
description: Untitled
description: lithograph
description: 14 x 7 in.
description: self-portrait
creator: CAVAT, Irma
creator: b. United States, 1928-2020
source: Gift of Professor Alfred Moir
date: n.d.

CAVAT, Irma
description: Untitled
description: lithograph
description: 15 x 10 in
description: three female nude figures
creator: CAVAT, Irma
creator: b. United States, 1928-2020
source: Gift of Professor Alfred Moir
date: n.d.

WESTFALL, Stephen
description: Argus
description: Wall paint
description: 130 1/2 x 305"
description: Wall painting installed and positioned on the exterior of the Museum's Jewel Box; unique arrangement of nine colors organized into three rows of seven blocks.
creator: WESTFALL, Stephen
creator: b. United States, 1953
source: Museum purchase
date: 2015

WESTFALL, Stephen
description: Sandalwood
description: Oil and alkyd on canvas
description: 30 X 24" CANVAS
description: Stephen Westfall continues to hone his very recognizable, hard-edge painting technique. Creating complex grid-like patterns—a seamlessly endless organizational device—Westfall’s artistic process can be viewed as a unique extension of geometric abstraction. Indeed Westfall’s repetition of certain forms is made special by his application of color. This application reveals the individual hand of the artist as well as subtle underpainting—slight distinctions to be seen between each prismatic color plane. Westfall has commented on his fascination with the spatial dynamics of this grid system, stating: “I like that it flickers back and forth between whole and fragment. There’s this back and forth between seeing the whole and then only being aware of fragments and being aware that the whole is made up of fragments.” In all his works one notes Westfall’s devotion to solid, bold colors that are arranged and layered with greater intricacy. These works highlight Westfall’s practice of color placement and arrangement of patterns which produce dazzling, yet balanced works.
creator: WESTFALL, Stephen
creator: b. United States, 1953
source: Gift of the artist
date: 2013

WAYNE, Leslie
description: One Big Love, #58
description: Oil on panel
description: 12 3/4 x 10 x 2 1/2" OVERALL
description: Leslie Wayne’s painting process is one of accumulation. She presses harmonious hues of oil paint in layer upon layer, so much so that her paintings become sculptural. This three-dimensional quality of her work is achieved through scraping, folding, cutting, and building up material as if it were clay. Although Wayne’s technique appears abstract, the textural nature of these works might recall the Earth’s strata, as Wayne has indicated: “My work has always been heavily influenced by not just landscape, but geology, whether we’re talking about a brick in a building or the tectonic plates or a cotton rag, all material is subject to the same laws of physics and so that’s what I really want to convey in my work that the sense of materiality the weight of gravity, the compression of material.” The three examples from Wayne’s One Big Love series evoke a kind of intimacy given the scale of these works—a small scale that in no way minimizes Wayne’s intensely visceral practice.
creator: WAYNE, Leslie
creator: b. Germany, 1953
source: Gift of the artist and Jack Shainman Gallery, New York
date: 2011

WAYNE, June C.
description: Target
description: lithograph
description: 18 3/4 x 23 1/2"
description: edition 12/35, represented by VAGA
creator: WAYNE, June C.
creator: American, b. 1918 -
source: Gift of June C. Wayne
date: 1951

STOERCHLE, Wolfgang
description: Untitled
description: Acrylic on canvas
description: 35 1/2 x 21"
creator: STOERCHLE, Wolfgang
creator: American, 1944 - 1976
date: ca. 1968

SPENCE, Brad
description: The Philosophy of Hegel
description: Acrylic on paper
description: 60 x 36"
creator: SPENCE, Brad
creator: United States
source: Gift of Laurence A. Rickels
date: 1998

SPENCE, Andy
description: Something #4
description: 29 3/4 x 22 1/8 in.
creator: SPENCE, Andy
creator: b. 1947
source: Gift of Professor Alfred Moir
date: n.d.

SPENCE, Andrew
description: Goggles 2
description: Oil on canvas
description: 80 x 60"
creator: SPENCE, Andrew
creator: b. United States, 1947
source: Gift of the artist
date: 1995

SPENCE, Andrew
description: Untitled
description: Monotype
description: 30 x 22"
description: Monotype publsihed by Tullis Workshop, Santa Barbara. White square and white box superimposed on black ground.
creator: SPENCE, Andrew
creator: United States, b. 1947
source: Gift of Barry A. Berkus and Family
date: 1989

SPENCE, Andrew
description: Untitled
description: Monotype
description: 30 x 22"
description: Monotype published by Tullis Workshop in Santa Barbara; aqua square and black box superimposed on white ground.
creator: SPENCE, Andrew
creator: United States, b. 1947
source: Gift of Barry A. Berkus and Family
date: 1989

SPENCE, Andrew
description: Varick St. Stairwell
description: Monotype on BFK Rives
description: 74 x 42 in
description: Andrew Spence graduated from UCSB with a Masters of Fine Arts in 1971. Shortly thereafter he worked with Tullis on this print. In Varick St. Stairwell Spence reduced a staircase to pure form and color in order to reveal “the primary essence of everyday objects.”
creator: SPENCE, Andrew
source: Gift of Karen and Richard Tullis
date: 1989

SERRA, Richard
description: Extension #3
description: Etching, ed. 58
description: 47 x 35" OVERALL
description: One color etching on white satin finish paper; black raised surface with Artist signature and date on the lower left side.
creator: SERRA, Richard
creator: United States, b. 1938-2024
source: Gift of Gemini G.E.L.
date: 2004

SERRA, Richard
description: Out the Window at the Square Diner from Performing Arts Portfolio
description: lithograph on Arches Cover paper
description: sheet: 28 7/8 x 23 in
description: from Performing Arts Portfolio (1981), series of 8 color lithographs
creator: SERRA, Richard
creator: b. United States, 1938-2024
source: Gift of Dr. and Mrs. Leon O. Banks
date: 1980

SEGALOVE, Ilene
description: The Coal Confession
description: Single-channel video, black and white, sound; 2:38 min, transfer to digital
description: Ilene Segalove has taken the raw material of her daily life as her subject matter, focusing more specifically on suburban California. Working in various media including appropriated images and photography, Segalove is perhaps best known for her early engagement with video and her investigation of consumerism (especially in relation to television), feminism, popular culture, and autobiography. In Coal Confession, a video she made while still at UCSB, Segalove recounts having received an outstanding grade on a school report that she plagiarized. The deprecating humor in this work is also found in her more recent videos. In What Ever Happened to MY Future? Segalove addresses her younger self by revisiting an earlier recording she made as a young adult. This ironic work confronts some of her life's disappointments. Segalove's confessional approach and predisposition for self–narration can likewise be read in Secret Places, also on view in this gallery, which features three stark photographic images depicting the exterior of buildings—intimate locations for the artist, places where she lived and loved.
creator: SEGALOVE, Ilene
creator: b. United States, 1950
source: Courtesy of the artist
date: 1972

SEGALOVE, Ilene
description: Whatever Happened to MY Future?
description: Single-channel video, black and white, sound; 11:21 min
description: Ilene Segalove has taken the raw material of her daily life as her subject matter, focusing more specifically on suburban California. Working in various media including appropriated images and photography, Segalove is perhaps best known for her early engagement with video and her investigation of consumerism (especially in relation to television), feminism, popular culture, and autobiography. In Coal Confession, a video she made while still at UCSB, Segalove recounts having received an outstanding grade on a school report that she plagiarized. The deprecating humor in this work is also found in her more recent videos. In What Ever Happened to MY Future?, Segalove addresses her younger self by revisiting an earlier recording she made as a young adult. This ironic work confronts some of her life's disappointments. Segalove's confessional approach and predisposition for self–narration can likewise be read in Secret Places, also on view in this gallery, which features three stark photographic images depicting the exterior of buildings—intimate locations for the artist, places where she lived and loved.
creator: SEGALOVE, Ilene
creator: b. United States, 1950
source: Museum purchase
date: 2012

ROSS, Richard
description: Musée Grevin, Paris France
description: Photographic print
description: 25 1/2 x 24'' FRAMED
description: Photographic print of several painted wax heads. Toward the left, one wax is painted to resemble a clown using black paint.
creator: ROSS, Richard
creator: b. United States, 1950-2017
source: Estate of Frances Garvin and Keith Julius Puccinelli
date: ca. 1988

ROSS, Richard
description: Swans, Booth's Bird Museum, Brighton, England
description: Ektacolor Plus print
description: image: 30 x 30 in; frame: 44 x 41 1/2 in
creator: ROSS, Richard
creator: United States, B. 1947
source: Gift of Julia Emerson
date: 1986

ROSS, Adam
description: Untitled (The ideal Crash 3)
description: Oil, alkyd and acrylic on canvas
description: 36 X 48" UNFRAMED
description: Unframed painting of alkyd, acrylic and oil on canvas resulting in a glass-like surface, a hallmark of the artist's technique. Image includes a segmented city view in blues and grays with a red explosion.
creator: ROSS, Adam
creator: b. United States, 1962
source: Gift of Laurence Eisenstein and Robin Zimelman
date: 2006

ROSS, Adam
description: Untitled
description: Graphite and watercolor on paper
description: 23 x 28 1/2" SHEET
description: Finely drawn graphite and watercolor drawing of vertical lines and circular shapes.
creator: ROSS, Adam
creator: b. United States
source: Gift of the artist
date: 2007

ROSS, Adam
description: In an Indeterminate Place #2
description: Oil, alkyd and acrylic on canvas over panel
description: 84 x 72" PANEL
description: Large painting in red divided vertically by a white line. Painting includes alkyd effecting a shiny surface.
creator: ROSS, Adam
creator: b. United States
source: Gift of the Artist
date: 2012

ROSS, Adam
description: Untitled
description: graphite on paper
description: 10 x 7 7/8'
description: Graphite drawing on paper of a tree; image has been intentionally blurred to create a mysterious effect.
creator: ROSS, Adam
creator: United States
source: Bea Farwell Bequest
date: ca. 1990

REESE, Harry
description: Small Gate
description: oil on panel
description: 20 1/4 x 16" (image and frame)
description: Small vertical oil painting on board; abstracted gate-like image in black set against brown ground.
creator: REESE, Harry
creator: United States, b. 1946
source: Gift of Lillian and Jon Lovelace
date: 1993

REESE, Harry
description: Attention
description: acrylic on muslin mounted on wood
description: overall: 20 x 16 in.
creator: REESE, Harry
source: Gift of Phyllis Plous
date: 1992

NAVA, John
description: Charles sitting 2
description: Pencil on board
description: 9x12" SHEET
description: Male nude sitting with both arms crossed; artist's signature appears on the front lower center; the date and title are found on the back lower right.
creator: NAVA, John
creator: b. United States, 1947
source: Gift of the artist
date: 2008

NAVA, John
description: Rachel
creator: NAVA, John
creator: b. United States, 1947
date: n.d.

NAVA, John
description: Chemo Portrait, (Nancy)
description: Oil on cavas
creator: NAVA, John
creator: b. United States, 1947
source: Gift of John Nava
date: n.d.

NAVA, John
description: Sketch of nude male
description: Pencil on board
description: 9x12" SHEET
description: Male nude sitting with one arm extended outward; three rough images appear to the right of the male nude's head. The date is located at the upper left on the reverse.
creator: NAVA, John
creator: b. United States, 1947
source: Gift of the artist
date: 2011

NAVA, John
description: Nuria reclining
description: Pencil on board
description: 9x12" SHEET
description: Female nude laying on her side. Artist's signature appears lower front center of the work. The title appears on the reverse lower right while the date appears at lower lower left.
creator: NAVA, John
creator: b. United States, 1947
source: Gift of the artist
date: 2009

NAVA, John
description: Nuria sitting 5
description: Pencil on board
description: 9x12" SHEET
description: Female nude sitting profile. Artist's signature appears lower front, title and date appear on reverse.
creator: NAVA, John
creator: b. United States, 1947
source: Gift of the artist
date: 2009

NAVA, John
description: Chantal standing
description: Pencil on board
description: 12 x 9" SHEET
description: Female nude standing gazing downward. Artist's signature appears at bottom center and date appears multiple times on reverse.
creator: NAVA, John
creator: b. United States, 1947
source: Gift of the artist
date: 2009

NAVA, John
description: Lizzie with Knit Cap
description: Jacquard tapestry, 1/3 ed.
description: 110 x 112"
description: Large tapestry of a young female wearing a blue knit cap and jacket. 1/3 edition.
creator: NAVA, John
creator: b. United States, 1947
source: Museum purchase
date: 2015

NAVA, John
description: He Lied, They Died
description: Oil on panel
description: 34 X 50" OVERALL
description: As an undergraduate John Nava worked closely with his mentor Howard Warshaw, a professor of painting who fostered his deep appreciation for drawing and working from the human figure. Since attending UCSB, John Nava has established a renowned reputation for his commanding portraits and technical sophistication, as evidenced in his paintings, drawings and, more recently, tapestry works. The painting and tapestry on view are from the artist’s portrait series Neo-Icons. They portray young adults sporting t-shirts with phrases made popular during the many government protests following the 2003 invasion of Iraq. He started this series in 2005 to demonstrate his revulsion for the interrogation and detention policies espoused by the George W. Bush administration. In light of ongoing discussions surrounding government-sanctioned torture and domestic spying, these startling works continue to be relevant and spark yet more contemplation and conversation about these controversial subjects.
creator: NAVA, John
creator: b. United States, 1947
source: Given in Memory of Katie Cooper and All the Fallen of May 23, 2014
date: 2009

MISS, Mary
description: Untitled #18
description: Photograph collage
description: 15 x 13 3/4
description: Two photographs of a coffered dome set one on top of the other in center of mat; bottom photo flanked by cutouts of similar photos of same dome.
creator: MISS, Mary
source: Gift of Phyllis Plous
date: 1990

MCDONALD, Ian
description: Banded Vessel
description: Glazed ceramic
description: 12" h. x 5 1/4" dia.
description: The aesthetic sophistication of Ian McDonald’s ceramic works speak to his conviction that pottery serves both non-functional and utilitarian purposes. Or, as McDonald has described his practice: "…sculptural arrangements are born, in that the difference between the support (pedestal, furniture) and the object (sculpture, accessory) is so small that I just collapse it all together. I don’t really start out thinking functional or non-functional, it’s all happening at once." McDonald’s visual inspiration, which ranges from Amish quilts and Arte Povera to the work of other ceramicists and the California Bauhaus, are sources that can be discerned in the bold and simplified geometric works on display. The forms found in Tall Shade Vessel, Four Level, Banded Vessel, in addition to the mounted Corner Piece, are carefully constructed objects that demonstrate McDonald’s great attention to design. Signed and dated on rim of circular base.
creator: MCDONALD, Ian
creator: b. United States, 1975
source: Gift of Ian McDonald
date: 2012

LIGHTBODY, Joyce
description: Brick 1 & Brick 2 (diptych)
description: Mixed Media on paper
description: 4 x 6 1/2 x 1 5/8"
creator: LIGHTBODY, Joyce
creator: United States, b. 1954
source: Gift of Laurence A. Rickels
date: 1996

LIGHTBODY, Joyce
description: K.T.S.02. Kuming to our Senses
description: Graphite, pigment, stamps, paper on wood with cassette tape
description: 10 x 8 x 1 1/2
creator: LIGHTBODY, Joyce
creator: b. United States, 1954
source: Gift of Heidi and Erik Murkoff
date: 2000

LIGHTBODY, Joyce
description: TŰ
description: egg tempera, colored pencil, on Rives paper
description: 8 3/4 x 27 1/8 in
creator: LIGHTBODY, Joyce
creator: American
source: Purchased through gift of Alvin M. Rudd and Art Museum Purchase Fund
date: 1984

KRIFKA, Laura
description: Fallen Woman
description: Mixed media in a Plexi box
description: 4 1/2 x 9 1/2 x 9 1/2" (A) 3 1/2 x 9" (B)
description: Figurine of a naked woman on the floor with fake blood surrounding her head.
creator: KRIFKA, Laura
creator: b. United States, 1985
source: Estate of Frances Garvin and Keith Julius Puccinelli
date: 2009

KRIFKA, Laura
description: Arrowhead in Red
description: Lithograph and screenprint, 5/20
description: 15 x 12" SHEET
description: Centralized screenprint image in red with the artist's face and neck in black with an arrow piercing her neck. Edition statement, title, signed and dated at lower left to right of sheet. Limited edition print published by Cardinal, Santa Barbara, California.
creator: KRIFKA, Laura
creator: b. United States, 1985
source: Museum purchase
date: 2016

KOZYREV, Dimitri
description: Untitled
description: graphite on paper
description: 17 5/8 x 35"
description: It is not surprising, given his long-term association with the UCSB Art Department, that Gary Brown would collect the works of his students, and this drawing by Dimitri Kozyrev (MFA, 2000) is an excellent example of his interest in how the delicacy of line—usually the formal anchor of a work—can also construct an inherent instability in and through its enveloping space. In this case, clear-cut Euclidian geometries are subverted in favor of a more hyperbolic, ‘autopian’ topography, as if the world were viewed through the windshield of a speeding automobile, denying the spectator the comforts of a sustaining visual ground. Occasionally, we focus on a specific detail but more often than not Kozyrev deterritorializes our perception, as we are caught up in the ephemeral experience of anticipating what is yet to come, grasping the immediate moment in our peripheral vision, or recalling what we have just witnessed in our virtual memory. Kozyrev expresses this ambivalence between objective specificity and subjective incommensurability by representing the gaps in our attention as much as the concrete object or landscape per se. Thus details are sketched in—a line of trees, a rough horizon line, the receding lines of street lamps and freeway—so that topography is reduced to a series of minimalistic signifiers. Instead of a panoramic spectacle, we are made more aware of vast expanses of white space which “invades” the scene so that it is often difficult to discern the dividing line between nature and simulacrum, sky and earth, foreground and background, virtual and actual space. The result is a breakdown of linear or chronological time into overlapping shards of active memory, in which past, present and future collapse into pure becoming. Colin Gardner Professor and Chair, Art Department
creator: KOZYREV, Dimitri
creator: United States, b. Russia, 1967
source: Gift of Gary H. Brown
date: 2004

KEARNS, Jerry
description: Toxic Shock
description: acrylic on canvas
description: 90 x 107"
description: Acrylic on canvas with centralized image of a red and white fish superimposed on three yellow figures.
creator: KEARNS, Jerry
creator: American, b. 1943
source: Gift of Nicole and Douglas Walla
date: 1988

IMATANI, Garrick; SAND, Kaia
description: Files from Looseleaf Services, The Watcher Files Project
description: Mixed media
description: 4 1/2 x 23 x 22" OVERALL
description: Garrick Imatani’s work centers on issues related to archival exploration, artistic collaboration, and placemaking (an approach that considers the planning, design, and layout of public space in relation to the community). This mixed media work includes the files from the Looseleaf Services: (a) cardboard box entitled Looseleaf Services; (b) So He Raised His Hand, (documents) by Inge Bruggeman; (c) 12 stencils with description, designed by Katherine Ball. The Watcher File Project investigates and interprets, in various ways, records amassed by the Portland Police Bureau on 301 activist groups operating in the city between the 1960s through the 1980s. Such groups were under routine surveillance until an Oregon law was passed prohibiting the authorities from spying on factions not officially under criminal investigation. Imatani’s participation in the exhibition is represented by Looseleaf Services, which consists of two major components: a filing cabinet holding various records reproduced as metal inserts, and a cardboard binder that sits atop the cabinet holding a publication subscription. For $40 a year subscribers receive “primary and secondary source documents-addenda & errata-all punched with holes to slip into the binder.” Additional materials that are sent to subscribers include artwork, poetry, essays, and small objects made by collaborators that relate to the materials within the files. All the materials including the filing cabinet are meant to be handled by visitors. By researching and making this information available, Imatani hopes to preserve the history of these activist groups as well as highlight the history of their surveillance.
creator: IMATANI, Garrick; SAND, Kaia
creator: b. United States, 1974 (Imatani); b. United States, 1971 (Sand)
source: Museum purchase
date: 2013-14

IKEDA, Yoshiro
description: Kansas Landscape (Spring)
description: Stoneware, glaze and magnesium carbonate
description: 20 x 20 x 7 1/2" OVERALL
description: The contours of Yoshiro Ikeda’s ceramic vessels and overall designs incorporate references to the artist’s personal experiences, such as places he has lived or artists he admires. They also reflect an interest in the organic movements found in nature, especially the “ever–changing weather, and the art of dancing.” He expresses a sense of harmony through his work by incorporating aspects of Zen painting, including abstract, geometric patterns which he is able to produce as a result of decades of experimentation with various glazing techniques. Though he continues to incorporate wheel-thrown elements, Ikeda’s pieces are mostly constructed by hand, which not only gives the artist a greater sense of creative freedom, but also enhances the distinctive, asymmetrical qualities of each work. Following his studies at Kyoto College of Fine Arts and UCSB, Ikeda became a distinguished Professor of Ceramics at Kansas State University, a position from which he is now retired. This teaching position, like his international exhibition record, has made him an important figure in the field given his influence on a generation of young ceramicists.
creator: IKEDA, Yoshiro
creator: b. Japan, 1947
source: UCSB 1976 MFA Graduate Student, Retired as Distinguished Professor from Kansas State University (2010)
date: ca. 1995

IKEDA, Yoshiro
description: Large Teapot
description: Stoneware, glaze and magnesium carbonate
description: 28 X 20 X 8" OVERALL
description: The contours of Yoshiro Ikeda’s ceramic vessels and overall designs incorporate references to the artist’s personal experiences, such as places he has lived or artists he admires. They also reflect an interest in the organic movements found in nature, especially the “ever–changing weather, and the art of dancing.” He expresses a sense of harmony through his work by incorporating aspects of Zen painting, including abstract, geometric patterns which he is able to produce as a result of decades of experimentation with various glazing techniques. Though he continues to incorporate wheel-thrown elements, Ikeda’s pieces are mostly constructed by hand, which not only gives the artist a greater sense of creative freedom, but also enhances the distinctive, asymmetrical qualities of each work. Following his studies at Kyoto College of Fine Arts and UCSB, Ikeda became a distinguished Professor of Ceramics at Kansas State University, a position from which he is now retired. This teaching position, like his international exhibition record, has made him an important figure in the field given his influence on a generation of young ceramicists.
creator: IKEDA, Yoshiro
creator: b. Japan, 1947
source: UCSB 1976 MFA Graduate Student, Retired as Distinguished Professor from Kansas State University (2010)
date: 2005

HEILMANN, Mary
description: Yellow Lineup
description: Color sugar lift spit bite aquatint with aquatint on gampi paper chin colle
description: 18 x 15" UNFRAMED
description: Alternating light and dark yellow blob-like bands against a shimmery yellow background. Signed and dated by artist at the lower right corner.
creator: HEILMANN, Mary
creator: b. United States, 1940
source: Gift of Mary Heilmann
date: 2017

HEILMANN, Mary
description: New Lineup
description: Color sugar lift spit bite aquatint with aquatint on gampi, ed. 30
description: 18 x 15" UNFRAMED
description: A series of dark green blob-like bands against a shimmery light green background. Signed and dated by the artist at the lower right corner.
creator: HEILMANN, Mary
creator: b. United States, 1940
source: Gift of Mary Heilmann
date: 2017

HEILMANN, Mary
description: Lineup 2
description: Color sugar lift spit bite aquatints on gampi paper chin colle, ed. 30
description: 18 x 15" UNFRAMED
description: A series of light and dark teal blob-like bands against a shimmery white background. The letters TPA appear at the lower left corner. Signed and dated by artist at the lower right corner.
creator: HEILMANN, Mary
creator: b. United States, 1940
source: Gift of Mary Heilmann
date: 2017

HEILMANN, Mary
description: Weather Report
description: Color spit bite and sugar lift aquatints on gampi paper, ed. 10
description: 21 1/2 x 17" UNFRAMED
description: A series of seven deep blue blob-like bands against a shimmery light blue ground; signed and dated by artist at the lower right corner.
creator: HEILMANN, Mary
creator: b. United States, 1940
source: Gift of Mary Heilmann
date: 2006

HEILMANN, Mary
description: Passage
description: Color aquatint with spit bite and sugar lift aquatints and drypoint, ed. 15
description: 40 x 30 1/2" UNFRAMED
description: A collection of three triangular froms with a centralized shimmery silver color flanked by additional forms in matte silver. These forms are set against a matte pale green background with intersecting silver grid lines. TPA appears at the lower right corner. Signed and dated by artist at the lower right.
creator: HEILMANN, Mary
creator: b. United States, 1940
source: Gift of Mary Heilmann
date: 2006

HEILMANN, Mary
description: Clear Day
description: Color spit and sugar lift aquatint on gampi paper, ed. 100
description: 21 1/2 x 17" UNFRAMED
description: A series of seven silver blob-like bands againts a shimmery background. TPA appears on the bottom left corner. Signed and dated by artist at the lower right corner.
creator: HEILMANN, Mary
creator: b. United States, 1940
source: Gift of Mary Heilmann
date: 2006

HEEBNER, Mary
description: Thinking of you! Happy Valentine's Day, Love Mary
description: Paint on paper
description: 4 x 5 1/2"
description: Original hand-painted postcard in blue with red hearts wishing the Puccinelli's Happy Valentine's Day.
creator: HEEBNER, Mary
creator: b. United States, 1951
source: Estate of Frances Garvin and Keith Julius Puccinelli
date: n.d.

HEEBNER, Mary
description: Portal (Standard Series)
description: mixed media
description: 15 x 22 in
creator: HEEBNER, Mary
creator: American, b.1951
source: Gift of Charles Craig
date: 1991

HAYDEN, Nathan
description: Thank you!
description: Ink and chocolate on paper
description: 5 x 4 1/2" closed; 5 x 9" open
description: Small thank you card with images of a heart shaped candy box; faces and a radiating heart.
creator: HAYDEN, Nathan
creator: b. United States, 1950-2017
source: Estate of Frances Garvin and Keith Julius Puccinelli
date: n.d.

HAYDEN, Nathan
description: You're the best! Happy Valentine's Day!!
description: Postcard with black ink design
description: 5 x 3 1/2 in.
description: Originally designed black ink postcard to Keith and Fran wishing a Happy Valentine's Day!
creator: HAYDEN, Nathan
creator: b. United States, 1977
source: Estate of Frances Garvin and Keith Julius Puccinelli
date: 2011

HAYDEN, Nathan
description: Thanks for the Birthday Balls
description: Ink on paper
description: 4 1/2 x 5 3/4"
description: Note from Nathan Hayden with black ink exterior design and black interior text enclosed in a pink envelope.
creator: HAYDEN, Nathan
source: Estate of Frances Garvin and Keith Julius Puccinelli
date: 2011

HAYDEN, Nathan
description: Unknown Title
description: Pen and ink on paper
description: 19 x 15 x 2'' FRAMED
description: Drawing in black ink of a bulbous form with tendrils extending upward and downward. The tendrils extending downward connect to cylindrical forms on a flat surface.
creator: HAYDEN, Nathan
creator: b. United States, 1977
source: Estate of Frances Garvin and Keith Julius Puccinelli
date: n.d.

GOTTLIEB, Penelope
description: Own A Piece Of History
description: Colored pencil on paper with artist's hand—painted frame
description: 6 1/4" dia.
description: This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in an oval winter green frame, this colored image of a house with a long walkway references one of many types of real estate listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood’, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right; signed, titled and dated on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2009

GOTTLIEB, Penelope
description: Location! Location! Location!
description: Colored pencil on paper with artist's hand—painted frame
description: 11 1/2" dia.
description: This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in a yellow circular frame, this colored pencil image of the front entrance of a large house with a chimney references one of the many real estate listing the artist encountered in Santa Barbara. Installed together these houses create a unique neighborhood, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; Location! Location! Location! below image, initialed at lower right; signed and titled on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2009

GOTTLIEB, Penelope
description: Remodeled to the 9's!
description: Colored pencil on paper with artist's hand—painted frame
description: 2 x 2"
description: This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in orange, this colored pencil image of a house's garage flanked by trees flag references one of many types of real estate listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower front; titled, with signature on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2009

GOTTLIEB, Penelope
description: Beat the Banks!
description: Colored pencil on paper with artist's hand—painted frame
description: 4 X 4"
description: This reddish brown colored pencil drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in deep red, this drawing of a boarded house references one of many types of real estate listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right; titled, signed and dated on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2009

GOTTLIEB, Penelope
description: This Home Has It All
description: Colored pencil on paper with artist's hand—painted frame
description: 7 x 5 1/2" FRAMED
description: This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in red, this image of a house with a large palm tree at left references one of many types of real estate listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood’, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right; signed, dated and titled on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2009

GOTTLIEB, Penelope
description: Mini Ranch For The Weekend Farmer
description: Colored pencil on paper with artist's hand—painted frame
description: 30 x 26"
description: This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in royal blue, this image of a house in three quarter view with a wheel barrow references one of many types of real estate listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood’, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right; titled and signed on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2009

GOTTLIEB, Penelope
description: Bank Repo
description: Colored pencil on paper with artist's hand—painted frame
description: 4 3/8 X 5 7/8" FRAMED
description: This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in a pink hand painted frame obtained from a grarage sale, this drawing of a an abandoned looking house references one of many types of real listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood’, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right; titled and initialed on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2009

GOTTLIEB, Penelope
description: Upscale Desert Retreat
description: Colored pencil on paper with artist's hand—painted frame
description: 30 1/4 X 26 1/4" FRAMED
description: This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in a deep purple, this colored image of a Modernist looking house with multiple palm trees references one of the many types of real estate listings encountered in Santa Barbara. When installed together these houses create a unique neighborhood’, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right; titled and signed on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2009

GOTTLIEB, Penelope
description: Unassuming Facade
description: Colored pencil on paper with artist's hand—painted frame
description: 17 1/2 x 42"
description: This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in bright orange, this colored pencil image of a stucco house positioned behind hedges at left and right references one of many types of real estate listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right; signed and titled with gallery label on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2009

GOTTLIEB, Penelope
description: Walk The Talk
description: Colored pencil on paper with artist's hand—painted frame
description: 15 x 17 7/8" FRAMED
description: This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in an olive green, this colored pencil image of a house with a tree on the right references one of many types of real estate listings encountered in Santa Barbara. When installed together these houses create a unique neighborhood’, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right, title and signature on right.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2008

GOTTLIEB, Penelope
description: Untitled (Blue Shopping Cart)
description: Colored pencil on paper with artist's hand—painted frame
description: 14 x 11" FRAMED
description: This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in royal blue, this colored pencil image of a shopping cart filled with bags and a hanging spatula references homelessness in Santa Barbara. When installed together, these drawings create a unique neighborhood, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right; gallery label, signature and title on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2008

GOTTLIEB, Penelope
description: Handyman's Heaven
description: Graphite on paper with artist's hand—painted frame
description: 12 5/8 X 10 7/8" FRAMED
description: This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in black, this graphite image of the front of a house with pointed roofs references one of many types of real estate listings encountered in Santa Barbara. When installed together these houses create a unique neighborhood resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; titled at center below image; HANDYMAN'S HEAVEN; artist's initials at lower right; signed, titled and gallery label on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2005

GOTTLIEB, Penelope
description: Big House—Lit $$
description: Colored pencil on paper with artist's hand—painted frame
description: 13 3/8 x 13 3/8" FRAMED
description: This lime green colored pencil drawing is part of a series exploring the theme of “homes” from bungalows to mansions. Octagonally framed in lime green, this image includes a centralized two story house with telephone poles in the background and references one of many types of real estate listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood’, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; signed and gallery label on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2003

GOTTLIEB, Penelope
description: What A Work of Art!
description: Colored pencil on paper with artist's hand—painted frame
description: 7 x 13" FRAMED
description: This reddish—purple colored pencil drawing is part of a series exploring the themes of “homes” from bungalows to mansions. Framed in a hand painted dark red, this drawing of a large home with barrel roof tiles flanked by two stone pillars references one of many types of real estate listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood’, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; initialed at lower right; signature and title on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2003

GOTTLIEB, Penelope
description: What's Not To Like
description: Colored pencil on paper with artist's hand—painted frame
description: 17 1/2 x 20 5/8" FRAMED
description: This turquoise colored pencil drawing of a house with lattice windows is part of series completed by the artist which explores "homes," from buganglows to mansions; it references one of many types of real estate listings encountered in Santa Barbara. When installed together these houses create a unique neighborhood’, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; signed with initials at lower right and on reverse; title on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: 2001

GOTTLIEB, Penelope
description: A Jewel In The Rough
description: Graphite on paper with artist's hand—painted frame
description: 22 1/4 x 28 1/4" FRAMED
description: This drawing is part of a series exploring the theme of "homes” from bungalows to mansions. Framed in black, this graphite image of a house in three quarter view with a flag references one of many types of real estate listings the artist encountered in Santa Barbara. When installed together these houses create a unique neighborhood, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right; titled and initialed on reverse.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of the artist
date: ca. 2001–2009

GOTTLIEB, Penelope
description: Entertainer's Dream
description: Pencil on paper
description: 25 x 30 1/2" FRAME
description: In her exploration of “homes”, from bungalows to mansions, Penelope Gottlieb presents the various ways in which humans live, noting idiosyncratic and expressive details of architecture. In her exploration of “homes”, from bungalows to mansions, Penelope Gottlieb presents the various ways in which humans live, noting idiosyncratic and expressive details of architecture.
creator: GOTTLIEB, Penelope
creator: b. United States, 1952
source: Gift of Joan and Paul Selwyn
date: 2002

FAY, Ming
description: Untitled
description: aluminum
creator: FAY, Ming
creator: Chinese, 1943 -
date: n.d.

FAY, Ming
description: Summer Cloud #4 Set 1
description: serigraph
description: 10 x 10 3/4 in.
creator: FAY, Ming
creator: Chinese, 1943 -
source: Gift of Professor Alfred Moir
date: 1969

EVERTON, Macduff
description: Field, Skane, Sweden
description: sheet: 16 x 20 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, b. 1947
source: Gift of Burt and Jane Berman
date: 1996

EVERTON, Macduff
description: Fernando Puc Che, His Wife and Child Share a Hammock From Modern Maya
description: hand colored gelatin silver print
description: frame: 20 1/4 x 28 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947 -
source: Gift of Anonymous Donor
date: 1976

EVERTON, Macduff
description: Uxmal from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 13 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1987

EVERTON, Macduff
description: Waiting for the Music, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Abraham, Isaac and El Diablo, Dzitnup, December 25, 1975 from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1975

EVERTON, Macduff
description: Cornelio with Soda Pop, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1975

EVERTON, Macduff
description: The Coil Method, Ticul from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Temple of the Warriors, Chichen Itza from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 13 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1988

EVERTON, Macduff
description: Funeral Vigil, Chichimila from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1975

EVERTON, Macduff
description: Man and Wife, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1980

EVERTON, Macduff
description: Resa, Chichimila from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Circus at Twilight, Dzemul from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Dance All Night, Tizimin from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Two Maya Faces, Kohunlich from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Elut on Horseback, Morning, Rancho San Manual from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Elut in a Sea of Cattle, Rancho San Manual from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Spur, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Elut on Horseback, Evening, Rancho San Manual from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Santo from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Women with Pails, Ch'a Chaak Ceremony, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Sacred Breads, Ch'a Chaak Ceremony, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971