ALEXANDER, Jesse
description: Portfolio of 8 Motor Racing Photographs
description: photo lithographs in portfolio
description: 11 1/4 x 14 1/4 in.
creator: ALEXANDER, Jesse
creator: American
date: 1986

ALEXANDER, Jesse
description: Yucatan
description: Gelatin silver print
description: sheet: 5 x 7 in; image: 4 x 5 2/4 in.
description: photograph of two children with Santa Claus
creator: ALEXANDER, Jesse
creator: American, 1929 -
source: Gift of Phyllis Plous
date: 1990

ARVANITES, John
description: (Unlock, Lock)
description: 9 1/4 x 7 1/2 in.
description: b/w
creator: ARVANITES, John
creator: American, 1943 -
date: 1967

ARVANITES, John
description: Icebox Classic
description: Single-channel video, black and white, sound 6 min.
description: John Arvanites was among an early group of artists, like his classmates Wolfgang Stoerchle and Ilene Segalove, who embraced video as an artistic medium. These videos reflect his ironic sense of humor and relate to his time at UCSB. Sand, made while Arvanites was still an MFA student, appears to be a dramatic dessert vista with blowing winds, akin to a scene from the iconic film Lawrence of Arabia. Gradually the blowing sands give way to reveal a microphone recording the sound, destroying any kind of mythic imagery. Icebox Classic was made shortly after Arvanites moved to New York City to pursue his artistic career. It shows the hand of the artist outlining each of the myriad food products inside his refrigerator, while a classical music program plays in the background. “I was satirizing my art school experience where professors put up still lifes in class and then put on classical music.” By “drawing” in video Arvanites demonstrates not only how out of touch some of his classroom experiences felt, especially in relation to his own multi-media practice, but also his desire to deconstruct the romantic, idealized vision of the “the artist at work.”
creator: ARVANITES, John
creator: b. United States, 1943
source: Gift of the artist
date: 1974

ARVANITES, John
description: Sand
description: Single channel video, black and white, sound; 6 min
description: John Arvanites was among an early group of artists, like his classmates Wolfgang Stoerchle and Ilene Segalove, who embraced video as an artistic medium. These videos reflect his ironic sense of humor and relate to his time at UCSB. Sand, made while Arvanites was still an MFA student, appears to be a dramatic dessert vista with blowing winds, akin to a scene from the iconic film Lawrence of Arabia. Gradually the blowing sands give way to reveal a microphone recording the sound, destroying any kind of mythic imagery. Icebox Classic was made shortly after Arvanites moved to New York City to pursue his artistic career. It shows the hand of the artist outlining each of the myriad food products inside his refrigerator, while a classical music program plays in the background. “I was satirizing my art school experience where professors put up still lifes in class and then put on classical music.” By “drawing” in video Arvanites demonstrates not only how out of touch some of his classroom experiences felt, especially in relation to his own multi-media practice, but also his desire to deconstruct the romantic, idealized vision of the “the artist at work.”
creator: ARVANITES, John
creator: b. United States, 1943
source: Gift of the artist
date: 1972

BELTZ, Eric
description: The Mortal Gorgon Medusa
description: Shellac and silver ink on prepared paper
description: 80 x 50" SHEET
description: According to the ancient Roman poet Ovid, Medusa was a beautiful woman raped by Poseidon in a temple dedicated to Athena. Angered by the defilement of her temple, Athena victimized Medusa again by transforming her into a monster. Beltz’s large-scale drawing proposes a contrasting version of this familiar, snake-haired Gorgon. Here, she is reenvisioned as an abstract, ethereal creature made up of the beauteous bounty of nature. Closer inspection reveals she is composed of potent plants used to cure ailments or induce hallucinogenic states in shamanic practice: poison oak, datura, milkweed, castor, morning glory, mint, and poison hemlock. These helpful, once well-used, plants are now frequently overlooked (relegated to the category of weeds), though they grow abundantly in interstitial sites throughout this region.
creator: BELTZ, Eric
creator: b. United States, 1975
source: Museum purchase
date: 2015

BELTZ, Eric
description: Preparatory drawing: The Mortal Gorgon Medusa
description: Graphite on trace
description: 80 x 50" SHEET
description: Large preparatory drawing for The Mortal Gorgon Medusa; @ lower right TO SEE IS ALSO TO TOUCH with signature, date and THE CAVE OF TREASURES.
creator: BELTZ, Eric
creator: b. United States, 1975
source: Museum purchase
date: 2014

BELTZ, Eric
description: Medusa's Totem Pole
description: Graphite on bristol board
description: 23 X 13 3/4" SHEET
description: Preparatory graphite sketch of a totem pole for the final wall installation, Cave of Treasures, exhibited in 2014; at lower center: TO SEE IS TO TOUCH. On reverse of image is a handwritten note by artist detailing mass shooting of May 23, 2014 in Isla Vista.
creator: BELTZ, Eric
creator: b. United States, 1975
source: Museum purchase
date: 2014

BELTZ, Eric
description: Medusa's Scarecrow Crown, preparatory sketch for Cave of Treasures
description: Graphite on bristol board
description: 15 5/8 x 17 3/4" SHEET
description: Receiving his MFA from UC Santa Barbara in 2004, Eric Beltz is often referred to as a “visual essayist.” Using myths, religious symbolism and history to inform his artistic narrative, Beltz creates intricately detailed works suggesting complex stories. In this work, Medusa’s scarecrow crown, completed in 2014, demonstrate Medusa’s beauty as a goddess. In Eric’s scarecrow crown, she wears the souls of men that were born through seduction giving her a feminine power to turn men into stone while the snakes represent her punishment and seduction towards Poseidon by Athena. Bristol board is often used by Beltz as it provides an excellent drawing support surface holding graphite stronger than paper; it provides a smooth finish supporting detail and fine lines while darkened areas become more visible. On reverse center, signed, dated with title MEDUSA'S SCARECROW CROWN.
creator: BELTZ, Eric
creator: b. United States, 1975
source: Museum purchase
date: 2014

BRACE, Hilary
description: Untitled, #SC8-96
description: Charcoal on mylar
description: 15 x 14 1/2FRAMED
description: Drawing of fluid cloud-like forms illuminated in dark charcoal. On reverse, signed and dated.
creator: BRACE, Hilary
creator: b. United States, 1956
source: Estate of Frances Garvin and Keith Julius Puccinelli
date: 1996

BRACE, Hilary
description: Unknown Title
description: Charcoal on mylar
description: 11 1/2 x 9 1/4 x 1 " FRAMED
description: Charcoal on mylar drawing of a wide tornado-like swirl running diagonally across the image.
creator: BRACE, Hilary
creator: b. United States, 1950-2017
source: Estate of Frances Garvin and Keith Julius Puccinelli
date: n.d.

BROWN, Gary H.
description: Mayan Journey of G. B.
description: lithographic poster
description: 18 7/8 x 11 7/8 in.
creator: BROWN, Gary H.
creator: American
source: Gift of Charles Craig, Jr.
date: n.d.

BROWN, Gary H.
description: UCSB Studio Faculty
description: poster
description: 27 7/8 x 20 1/4 in.
creator: BROWN, Gary H.
creator: American
source: Gift of Gary H. Brown
date: 1980

BROWN, Gary H.
description: Fortune
description: paper and panel
description: 12 x 16"
description: Fluorescent paper on panel with drawing, watercolor and print image located at center left
creator: BROWN, Gary H.
creator: United States, b. 1941
source: Gifl of the Artist
date: 2009

BROWN, Gary H.
description: Untitled
description: mixed media on paper
description: 22 x 30"
description: Graphite, oil and mixed media on paper; male figurative drawings
creator: BROWN, Gary H.
creator: United States, b. 1941
source: Gift of Edward B. Cella
date: 1985

CALLISTER, Jane
description: Butter-Cream-Fly
description: acrylic, spackle, plastic on canvas
description: 20 x 16 x 1 1/2 in.
description: large 3-D insect on white, textured ground
creator: CALLISTER, Jane
creator: Irish, b. 1963
source: Gift of Heidi and Erik Murkoff
date: 2000

CALLISTER, Jane
description: Perch
description: Acylic on panel
description: 28 x 43 1/4"
creator: CALLISTER, Jane
creator: United States, b. 1963
source: Gift of Laurence A. Rickels
date: 2003

CONNALLY, Dan
description: Untitled (Thermidor)
description: oil on panel
description: 24 x 24" (panel)
description: Brightly colored painting of an abstracted horse; image flush with edges
creator: CONNALLY, Dan
creator: United States, b. 1956
source: Gift of Laurence A. Rickels
date: 1997

DI SUVERO, Mark
description: Future Shadow B
description: Lithograph, 4/5
description: 30 x 21" SHEET
description: Red lithograph with green cross-like image at center; signed at lower right with edition 4/5. II at lower left. Mark di Suvero took sculpture classes in the Department of Art while attending UCSB as a Philosophy major. Unlike his family friend Richard Serra, whose work is also on view in this exhibition, he was abruptly kicked out of the University. According to the artist it was a result of a technicality—he had yet to take a required drawing class before enrolling in advanced sculpture classes. (He also alludes to his sharp tongue in regards to his expulsion.) Di Suvero went on to study at UC Berkeley where he graduated with a degree in Philosophy. Shortly thereafter he moved to New York City where he became internationally known for his monumental, outdoor sculptures. His sculptural compositions emphasize the balance and intersection of competing linear forms—sharp angular lines, curving cores, and teetering elements that sometimes allow for rotating or swinging movements. The series of lithographs and sculpture on display here recall beam-like constructions and the anticipatory momentum found in his large-scale sculptural projects.
creator: DI SUVERO, Mark
creator: b. 1933, Shanghai, China
source: Gift of the artist in memory of Henrietta di Suvero
date: 2001

DI SUVERO, Mark
description: Knurd
description: 1973
description: Steel
description: 34 1/2 x 22 x 20" OVERALL
description: Mark di Suvero is internationally known for his monumental, outdoor sculptures. His sculptural compositions emphasize the balance and intersection of competing linear forms and employ sharp angular lines, curving cores, and teetering elements that often allow for rotating or swinging movements. The sculpture on view here is comprised of two parts. The upper portion is perfectly balanced on the vertical support, resting in a slight indentation in the steel and held in place by its own weight. This work recalls the beam-like constructions and the anticipatory momentum found in his large-scale sculptural projects.
creator: DI SUVERO, Mark
creator: b. Shanghai, China, 1933
source: Gift of Ceil and Michael Pulitzer
date: 1973

DIENER, Ann
description: Vertical Field #3
description: Graphite, Prismacolor, gouache and cut paper on paper
description: 93 x 51 1/2" FRAMED
description: Large black and white vertical drawing of abstracted floral designs.
creator: DIENER, Ann
creator: b. United States
source: Gift by Ann Diener in Memory of Marie Vierra
date: 2006

EVERTON, Macduff
description: The Arch at Labna from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 13 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1987

EVERTON, Macduff
description: Acanceh from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 13 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1990

EVERTON, Macduff
description: Tulum and the Caribbean Seafrom from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 13 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1987

EVERTON, Macduff
description: Veva Carrying a Bucket, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 13 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Merida from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1973

EVERTON, Macduff
description: Veva in Hammock with Alicia, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 13 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1986

EVERTON, Macduff
description: Dario's Friend, Monte Cristo from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Veva in Hammock, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Profile of Veva, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Dressed for a Party, Ticul from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Dona Veva from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Husband and Wife, Monte Cristo from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Girl in Curlers, Chichimila from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Alicia at her 15th Birthday Party, Chichimila from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Chucho and Eleodora, Ruinas de Ake from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1990

EVERTON, Macduff
description: Veva and Cornelio, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Marcelino and Isabelina, X-Cacal Guardia from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1988

EVERTON, Macduff
description: Diego, Margarita and Veva, Campamento Antonio Ay from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Elut and Juliana, Rancho San Manual from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Dario and Herculena, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Pablo and Ophelia, Tulum from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Jose, Son of Dariofrom The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Fernando Puc Che, his Wife and Child Share a Hammock, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Diego Sharpens his Machete, Campamento Antonio Ay from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Diego with Rope, Near Campamento Antonio Ayf rom The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Diego Rappels Off a Tree, Near Campamento Antonio Ay from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Diego Cleans a Channel, Near Campamento Antonio Ay from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Diego with a Pot of Gum, Campamento Antonio Ay from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Boiling in the Rain, Campamento Santa Cruz de Tulum from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Diego with Guanos, Near Campamento Antonio Ay from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Guano Roof in Construction, Near Campamento Antonio Ay from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Diego with Portable Radio, Calderon rom The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1988

EVERTON, Macduff
description: Woman from Xoken from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Francisco Making Rope, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Spreading Leaves, Hacienda Holactun rom The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Rasping Machine, Hacienda Holactun from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Inside the Building Housing the Rasping Machine, Ruinas de Ake from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Platform with Rasping Machine, Ruinas de Ake from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Drying Racks, Hacienda Holactun from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Chucho and his Dog, Ruinas de Ake from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Waiting for Coffee, Ruinas de Ake from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Cross of the Center of the Earth, Xoken from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Cross of the Center of the Earth, Xoken from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Gabriel from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Cross of the Center of the Earth, Xoken from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Food Offerings, X-Cacal Guardia from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Cross at Night, Tulum rom The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Marcelino, Senor from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Pablo and Friend, Tulum from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Smoking Violin Maker and his Wife, Chumpon rom The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1988

EVERTON, Macduff
description: Peeking Boy, X-Cacal Guardia rom The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1988

EVERTON, Macduff
description: Woman Embroidering, X-Cacal Guardia from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Marcelino and Isabelina, X-Cacal Guardia rom The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Fernando in his Field, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Alicia, Daughter of Veva from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Dario in his Field, Chichimila from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Tortillas on the Comal, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Dario and Herculena at their Kitchen Table, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Resa at Dario's House, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Altar at Resa, Chichimila from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Eating the Offerings, Ch'a Chaak Ceremony, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Altar Laden with Offerings, Ch'a Chaak Ceremony, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Opening up the Earth Oven, Ch'a Chaak Ceremony, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Sacred Breads, Ch'a Chaak Ceremony, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Women with Pails, Ch'a Chaak Ceremony, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Santo from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Elut on Horseback, Evening, Rancho San Manual from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Spur, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Elut in a Sea of Cattle, Rancho San Manual from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Elut on Horseback, Morning, Rancho San Manual from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1976

EVERTON, Macduff
description: Two Maya Faces, Kohunlich from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Dance All Night, Tizimin from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Circus at Twilight, Dzemul from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Resa, Chichimila from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1974

EVERTON, Macduff
description: Man and Wife, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1980

EVERTON, Macduff
description: Funeral Vigil, Chichimila from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1975

EVERTON, Macduff
description: Temple of the Warriors, Chichen Itza from The Modern Maya: A Culture in Transition
description: color coupler print
description: framed: 13 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1988

EVERTON, Macduff
description: The Coil Method, Ticul from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1971

EVERTON, Macduff
description: Cornelio with Soda Pop, Chichimila from The Modern Maya: A Culture in Transition
description: Gelatin silver print
description: framed: 20 x 24 in.
description: Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques.
creator: EVERTON, Macduff
creator: American, 1947-
source: MUSEUM PURCHASE FUND
date: 1975