1
100
20
-
http://art-collections.museum.ucsb.edu/files/original/677b1b04c9a1853c4d8f2c98ed385af2.jpg
62fdb8ce6b51bfe35e318b0e4aa7a714
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2001.10
Creator
An entity primarily responsible for making the resource
<strong>ARNOLDI</strong>, Charles
United States, b. 1946
Title
A name given to the resource
<strong>ARNOLDI</strong>, Charles
Description
An account of the resource
<em>Untitled</em>
Woodcut monoprint on Rives BFK
72 x 62"
Abstract, jagged forms made by cutting into plywood with a chainsaw.
Source
A related resource from which the described resource is derived
Museum Purchase with Funds Provided by the Wallis Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1988
abstract
colorful
Jagged
lines
Un-uniform
woodcut
Works-on-Paper
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2001.1
Creator
An entity primarily responsible for making the resource
<strong>ARNOLDI</strong>, Charles
United States, b. 1946
Title
A name given to the resource
<strong>ARNOLDI</strong>, Charles
Description
An account of the resource
<em>Untitled</em>
1988
Woodcut monoprint on Rives BFK
72 x 62"
Abstract, jagged forms made by cutting into plywood with a chainsaw.
Source
A related resource from which the described resource is derived
Museum Purchase with Funds Provided by the Wallis Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1988
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2001.35
Creator
An entity primarily responsible for making the resource
<strong>DZUBAS</strong>, Friedel
American, b. 1915 in Germany
Title
A name given to the resource
<strong>DZUBAS</strong>, Friedel
Description
An account of the resource
<em>Untitled</em>, 39/45
lithograph
15 1/2 x 15 1/4"
Lithograph of colored blotches positioned on a grey ground. Signed with edition number at lower right below image.
Source
A related resource from which the described resource is derived
Gift of Atelier Richard Tullis
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2001.2
Creator
An entity primarily responsible for making the resource
<strong>GIPE</strong>, Lawrence
United States, b. 1962
Title
A name given to the resource
<strong>GIPE</strong>, Lawrence
Description
An account of the resource
<em>Stalled Engine</em>
Oil pastel and encaustic crayon on Tullis handmade paper
73 x 41 1/2"
View of landscape over airplane wing, one propeller stationary, the other spinning.
Source
A related resource from which the described resource is derived
Museum purchase with funds provided by the Wallis Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1998
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2001.17
Creator
An entity primarily responsible for making the resource
<strong>HALLEY</strong>, Peter
United States, b. 1953
Title
A name given to the resource
<strong>HALLEY</strong>, Peter
Description
An account of the resource
<em>Untitled</em>
Monoprint on Tullis handmade paper
24 x 31 3/4"
Various shades of orange on an uneven surface;Peter Halley's Untitled reflects his first foray into the realm of printmaking. The uneven surface of the hand-made paper introduced texture to Halley's prints, a stark contrast to the slick, color-saturated surface of his paintings.
Source
A related resource from which the described resource is derived
Museum purchase with funds provided by the Wallis Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1992-93
-
http://art-collections.museum.ucsb.edu/files/original/319b950aac160c499a084103b95fbb6c.jpg
95982e396832458d94ffdf9e38f96716
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1994.42
Creator
An entity primarily responsible for making the resource
<strong>MESSER</strong>, Sam
American, b. 1955
Title
A name given to the resource
<strong>MESSER</strong>, Sam
Description
An account of the resource
<em>Couple</em>
diptych; monotype on Rives BFK
mat: 40 1/8 x 30 in.; sheet 38 1/2 x 25 1/2 in.
Janus Head; these prints by Sam Messer depict a double-faced head in the tradition of the Greek god Janus and an abstract collage of body parts. Messer describes his work as having no logic when it comes to scale or orientation, but instead of having an "internal narrative…that dictates where things are and how things relate." At the time, Messer was working at the Santa Barbara studio on a series about "good fences making better neighbors."
Source
A related resource from which the described resource is derived
Gift of Richard and Karen Tullis and Richard Tullis Workshop
Date
A point or period of time associated with an event in the lifecycle of the resource
1989
abstract
Body Parts
collage
diptych
Figurative
Hair
Humanistic
Janus Head
Mesh
Nose
Twins
Works-on-Paper
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2001.19
Creator
An entity primarily responsible for making the resource
<strong>PEPPER</strong>, Beverly
American, b. 1924
Title
A name given to the resource
<strong>PEPPER</strong>, Beverly
Description
An account of the resource
<em>Untitled</em>
Oil pastel and oil paint on Saunders paper
37 x 21 1/4"
Light fixture upper center lights hallway, light conveyed in gestural strokes
Source
A related resource from which the described resource is derived
Museum Purchase with funds provided by the Wallis Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1985
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1994.43
Creator
An entity primarily responsible for making the resource
<strong>PONDICK</strong>, Rona
American, b. 1952
Title
A name given to the resource
<strong>PONDICK</strong>, Rona
Description
An account of the resource
<em>Untitled</em>
monotype
42 x 82 in
Source
A related resource from which the described resource is derived
Gift of Richard and Karen Tullis and Richard Tullis Workshop
Date
A point or period of time associated with an event in the lifecycle of the resource
1986
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2001.34
Creator
An entity primarily responsible for making the resource
<strong>SCANGA</strong>, Italo
American, born Italy, 1932-2001
Title
A name given to the resource
<strong>SCANGA</strong>, Italo
Description
An account of the resource
<em>Raven</em>
unique work on Tumba graphic
31 3/4 x 23 3/8 (sight)
Brightly colored abstract image with centralized image of a bird on a straight edge razor; signed at lower center of image.
Source
A related resource from which the described resource is derived
Gift of Atelier Richard Tullis
Date
A point or period of time associated with an event in the lifecycle of the resource
1985
-
http://art-collections.museum.ucsb.edu/files/original/baabaa0d11e8094df425fab49b2045bd.jpg
9f3b98c0a71abaa050379300a22bdda1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2001.16
Creator
An entity primarily responsible for making the resource
<strong>SCULLY,</strong> Sean
Irish, b. 1945
Title
A name given to the resource
<strong>SCULLY</strong>, Sean
Description
An account of the resource
<em>Planes of Light</em>
1991
Woodcut on Tullis handmade paper
40 1/2 x 50 1/4"
Geometric patterns on dark background
Source
A related resource from which the described resource is derived
Museum purchase with funds provided by the Wallis Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1991
abstract
Camera
ladder
Layered
man
Office
red
Supplies
woodcut
Works-on-Paper
Yellow
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2001.16
Creator
An entity primarily responsible for making the resource
<strong>SCULLY</strong>, Sean
Irish, b. 1945
Title
A name given to the resource
<strong>SCULLY</strong>, Sean
Description
An account of the resource
<em>Planes of Light</em>
Woodcut on Tullis handmade paper
40 1/2 x 50 1/4"
Geometric patterns on dark background
Source
A related resource from which the described resource is derived
Museum purchase with funds provided by the Wallis Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1991
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1995.35
Creator
An entity primarily responsible for making the resource
<strong>SPENCE</strong>, Andrew
Title
A name given to the resource
<strong>SPENCE</strong>, Andrew
Description
An account of the resource
<em>Varick St. Stairwell</em>
Monotype on BFK Rives
74 x 42 in
Andrew Spence graduated from UCSB with a Masters of Fine Arts in 1971. Shortly thereafter he worked with Tullis on this print. In Varick St. Stairwell Spence reduced a staircase to pure form and color in order to reveal “the primary essence of everyday objects.”
Source
A related resource from which the described resource is derived
Gift of Karen and Richard Tullis
Date
A point or period of time associated with an event in the lifecycle of the resource
1989
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2001.33
Creator
An entity primarily responsible for making the resource
<strong>TULLIS</strong>, Garner
American, b. 1940
Title
A name given to the resource
<strong>TULLIS</strong>, Garner
Description
An account of the resource
<em>Untitled</em>
encaustic on archival corrugate board
14 5/8 x 16 5/8
Small encaustic print of geometic shapes in yellow positioned symmetrically on blue corrugated cardboard
Source
A related resource from which the described resource is derived
Gift of Atelier Richard Tullis
Date
A point or period of time associated with an event in the lifecycle of the resource
1999
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2001.12
Creator
An entity primarily responsible for making the resource
<strong>WALKER</strong>, John
British, b. 1939
Title
A name given to the resource
<strong>WALKER</strong>, John
Description
An account of the resource
<em>Untitled</em>
Woodcut monoprint on Reeves BFK
84 x 65"
Abstract, aboriginal shield dominates right side.
Source
A related resource from which the described resource is derived
Museum Purchase with Funds Provided by the Wallis Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1988
-
http://art-collections.museum.ucsb.edu/files/original/8212d1a88fe2c0407d8c7ce295c7f31d.jpg
5f5c4e23dc148639e080fe5b66141219
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2001.18
Creator
An entity primarily responsible for making the resource
<strong>WILEY</strong>, William
American, b. 1937
Title
A name given to the resource
<strong>WILEY</strong>, William
Description
An account of the resource
<em>Muddy Waters</em>
1983
Woodcut on Reeves BFK
53 3/4 x 41 1/4 (sheet)
Black & Red Guitar on White paper
Source
A related resource from which the described resource is derived
Museum Purchase with Funds provided by the Wallis Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1983
abstract
Eyebrows
Eyes
guitar
heart
Humanistic
Moon
Mouth
pain
Personified
Stars
Strings
sun
Teeth
violin
Works-on-Paper
-
http://art-collections.museum.ucsb.edu/files/original/4f7fd63aedce7b36599cea15769f2345.JPG
2b105f97d728fd96eeec4edbde8b79e2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1996.65
Creator
An entity primarily responsible for making the resource
<strong>ZURIER</strong>, John
American, b.1965
Title
A name given to the resource
ZURIER, John
Description
An account of the resource
<em>Untitled</em>
unique work on Awagami Washi
sheet: 26 x 20 1/4 in.; image: 14 x 11 in.
Source
A related resource from which the described resource is derived
Gift of Richard and Karen Tullis
Date
A point or period of time associated with an event in the lifecycle of the resource
1990
abstract
Black
green
grid
Muted Colors
squares
Watercolor
Works-on-Paper
Yellow
-
http://art-collections.museum.ucsb.edu/files/original/a603c89e3af45db4e052b0f6c7325a2d.jpg
8d58436c47580803d1b343c2e2b892c0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1996.63
Creator
An entity primarily responsible for making the resource
GUMMER, Don
United States, b.1946
Title
A name given to the resource
<strong>GUMMER</strong>, Don
Description
An account of the resource
<em>Untitled</em>
Unique work on Rives BFK
sheet: 42 3/4 x 54 1/4
Source
A related resource from which the described resource is derived
Gift of Richard and Karen Tullis
Date
A point or period of time associated with an event in the lifecycle of the resource
1989
2-dimensional
abstract
Linework
Overlapping
Patterned
Primary Colors
Works-on-Paper
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1996.62
Creator
An entity primarily responsible for making the resource
KIRKEBY, Per
Danish, b. 1938
Title
A name given to the resource
KIRKEBY, Per
Description
An account of the resource
Untitled
Monotype on Tullis handmade paper
84 x 42 in
Per Kirkeby sees a strong sense of consistency in his work and drew inspiration for Untitled from images in his old sketchbooks. The forms in the print reflect Kirkeby's education as a geologist and fascination with patterns found in nature. He likened the swirling lines of this print to the depressions left by fossils in rocks.
Source
A related resource from which the described resource is derived
Gift of Richard and Karen Tullis
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
1996.64
Creator
An entity primarily responsible for making the resource
OULTON, Therese
Title
A name given to the resource
OULTON, Therese
Description
An account of the resource
Untitled
unique work on Awagami Washi
framed: 53 1/8 x 41 5/8 x 1 1/2 in.; sheet: 49 1/2 x 38 in.
Source
A related resource from which the described resource is derived
Gift of Richard and Karen Tullis
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong>The Garner Tullis</strong> and <strong>Atelier Richard Tullis Collection</strong>
Description
An account of the resource
<p class="p1"><span class="s1">In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).</span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.<span class="Apple-converted-space"> </span>Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.<span class="Apple-converted-space"> </span>This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.<span class="Apple-converted-space"> </span>Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. </span></p>
<p class="p2"><span class="s1"></span></p>
<p class="p1"><span class="s1">Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. </span></p>
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
2001.12
Creator
An entity primarily responsible for making the resource
WALKER, John
British, b. 1939
Title
A name given to the resource
WALKER, John
Description
An account of the resource
Untitled
1988
Woodcut monoprint on Reeves BFK
84 x 65"
Abstract, aboriginal shield dominates right side.
Source
A related resource from which the described resource is derived
Museum Purchase with Funds Provided by the Wallis Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1988