LEAR, Edward
description: Rome from the Mont Pincio, ca. 1878
description: Graphite and pencil on paper
description: 25 x 18 1/16 x 1" FRAMED
description: Pencil drawing of Pincian Hill; image displays architectural views of Rome in the middleground; while greenery and/or flora covers the foreground.
creator: LEAR, Edward
creator: b. England, 1812-1888
source: Gift of Robert and Elise Curry
date: ca. 1878

DIEBENKORN, Richard
description: 1984 Olympic Poster
description: Lithographic poster
creator: DIEBENKORN, Richard
creator: b. United States, 1922-1993
source: Olympic Arts Festival
date: 1984

BOILLY, Louis-Leopold
description: Le Baume D'Acier
description: Lithograph
description: 12 5/8 x 9 5/8"
creator: BOILLY, Louis-Leopold
date: n.d.

TOULOUSE-LAUTREC, Henri de (After)
description: Moulin Rouge - Concert Bal
description: 19th C.
description: colored print
description: 11 7/8" x 10 1/8"
creator: TOULOUSE-LAUTREC, Henri de (After)
date: 19th C.

ROSSINI, Luigi
description: Interior of the Temple of Claudius
description: 19th c.
description: Engraving
description: 13 1/2 x 18 3/4"
creator: ROSSINI, Luigi
creator: b. Italy, 1790-1857
date: 19th C.

ROSSINI, Luigi
description: Veduta Dell Arco di Tito
description: 19th c.
description: Engraving (restrike)
description: 18 x 14"
creator: ROSSINI, Luigi
creator: b. Italy, 1790-1857
source: Gift of Professor Alfred Moir
date: 19th C.

LEISTIKOW, Walter
description: Waldsee (Forest Lake)
description: 19th - 20th Century
description: etching
description: sheet: 11.25 x 14.5; image: 6.875 x 9 in
creator: LEISTIKOW, Walter
creator: German, 1865 - 1908
source: Gift of Mr. and Mrs. Samuel Dorsky through UCSB Art Affiliates to the Ala Story Print Collection
date: 19th-20th C.

HAUTREE (after Toulouse-Lautrec)
description: Jane Avril..Jardin de Paris
description: 19th C.
description: lithograph, color
description: 12 3/4 x 9 1/8 in
creator: HAUTREE (after Toulouse-Lautrec)
date: 19th C.

DIAZ, Narcisse Virgile and TAICE, Alfred (maker)
description: Family, 1875
description: 19th C.
description: etching
description: 5 1/8 x 6 1/2 in
creator: DIAZ, Narcisse Virgile and TAICE, Alfred (maker)
creator: French; and French, Paris 1820 -
date: 19th C.

DEVERIA, Achille
description: Coquetterie
description: 19th C
description: lithograph, colors
description: sheet: 15 x 11 1/4; image: 10 1/4 x 8 1/2 in.
description: Hand colored lithograph
creator: DEVERIA, Achille
creator: French, 1800 - 1857
source: MUSEUM PURCHASE FUND
date: 19th C.

DESCHAMPS
description: Louis Philippe
description: 19th C.
description: woodblock (the block itself; not a print pulled from it)
description: 9 1/4" x 13 1/2" depth 7/8"
creator: DESCHAMPS
creator: French
source: Gift of Mr. George Longstreet
date: 19th C.

DAUMIER, Honore
description: Robert Macaire Banquier et Jure
description: 19th C.
description: lithograph
description: 12 x 9 3/8 in
creator: DAUMIER, Honore
creator: French, 1808-1879
date: 19th C.

DAUMIER, Honore
description: Ni L'un, L'Autre
description: 19th C.
description: lithograph, color
description: 8 1/4 x 11 in.
creator: DAUMIER, Honore
creator: French, 1808-1879
date: 19th C.

DAUMIER, Honore
description: Ca Vous Coiffe Comme Un Gant
description: 19th C.
description: lithograph
description: 9 1/2 x 11 in
creator: DAUMIER, Honore
creator: French, 1808-1879
date: 19th C.

DAUMIER, Honore
description: Le Noveau Pavage En Bois de la Ville de Paris
description: 19th C.
description: lithograph, color
description: 7 3/4 x 9 1/2 in.
creator: DAUMIER, Honore
creator: French, 1808-1879
source: Gift of Professor Alfred Moir
date: 19th C.

DAUMIER, Honore
description: Le Futur de Napoleon aux Invalides
description: 19th C.
description: lithograph, color
description: 7 3/4 x 9 7/8 in.
creator: DAUMIER, Honore
creator: French, 1808-1879
source: Gift of Professor Alfred Moir
date: 19th C.

DAUMIER, Honore
description: Tiens, Le Moineau Ete Se Percher
description: 19th C.
description: lithograph
description: 18 x 14"
description: A lithograph of two men in a garden; both men are dressed in a similar way. One man points to something in the trees while the other man looks in the same direction. The French phrase "Croquis D'automne par Daumier" ( Autumn sketch by Daumier) appears at the top. Signed by the artist at the lower left corner.
creator: DAUMIER, Honore
creator: French, 1808-1879
source: Gift of Gary H. Brown
date: 19th C.

COLE, J. Foxcroft
description: Village Street in France with a Flock of Sheep
description: 19th C
description: Etching
description: 7 1/2 x 9 1/2 in
creator: COLE, J. Foxcroft
creator: American, 1837 - 1892
date: 19th C.

Artist unknown
description: Castle and Lake
description: 19th c.
description: etching
description: 5 x 8 in
creator: Artist unknown
creator: Probably English
date: 19th C.

Artist unknown
description: Sailing vessel, beached
description: 19th c.
description: Watercolor on paper
description: 3 1/2 x 5"
description: Small image of a sailing boat on beach flanked by people on both sides.
creator: Artist unknown
source: Gift of Harvey Taylor
date: 19th C.

MANET, Edouard
description: Baudelaire de profil
description: 1862
description: etching (restrike)
description: 4 x 3 1/2"
creator: MANET, Edouard
creator: French, 1832-83
source: Bea Farwell Bequest
date: 1862

MANET, Edouard
description: Beaudelaire de face
description: 1865
description: etching (restrike)
description: 4 x 3 1/2"
creator: MANET, Edouard
creator: French, 1832-83
source: Bea Farwell Bequest
date: 1865

HOGARTH, William
description: Time Smoking a Picture
description: 18th C.
description: etching
description: 10 3/4 x 8 1/2 in.
creator: HOGARTH, William
creator: English, 1697 - 1764
source: Burr Wallen Memorial Prints
date: 18th C.

FACIUS, G.S. & I.G.
description: Anthony and Cleopatra, Act III, Scene IV
description: 18th-19th C
description: intaglio (stipple engraving)
description: mat: 28 x 34 in., sheet: 22 x 33 1/2 in.
creator: FACIUS, G.S. & I.G.
source: ARTS LIBRARY, UCSB
date: 18th-19th C.

EARLOM, Richard
description: King Lear, Act I, Scene I
description: 1792
description: intaglio (stipple engraving)
description: mat: 28 x 34 in., sheet: 22 x 32 1/2 in.
creator: EARLOM, Richard
creator: English, 1743 - 1822
source: ARTS LIBRARY, UCSB
date: 1972

LEGAT, Fra.
description: King Lear, Act V, Scene III
description: 1792
description: intaglio (stipple engraving)
description: mat: 28 x 34 in., sheet: 22 x 32 in.
creator: LEGAT, Fra.
source: ARTS LIBRARY, UCSB
date: 1792

THEW, Robert
description: Taming of the Shrew, Scene II
description: ca. 1801-1803
description: intaglio (stipple engraving)
description: mat: 28 x 34 in., sheet: 22 1/2 x 33 1/4 in.
creator: THEW, Robert
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

SIMON, I.P.
description: Midsummer Night's Dream, Act IV, Scene I
description: ca. 1801-1803
description: intaglio (stipple engraving)
description: mat: 28 x 34 in., sheet: 22 1/2 x 32 3/4 in.
creator: SIMON, I.P.
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

THEW, Robert
description: King Henry The V, Act II, Scene II
description: ca. 1801-1803
description: intaglio (stipple engraving)
description: mat: 28 x 34 in., sheet: 22 3/4 x 32 1/2 in.
creator: THEW, Robert
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

THEW, Robert
description: King Henry The Eighth, Act IV, Scene II
description: ca. 1801-1803
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: THEW, Robert
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

THEW, Robert
description: King Henry The Fourth, Act IV, Scene IV
description: ca. 1801-1803
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: THEW, Robert
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

TAYLOR
description: Merry Wives of Windsor, Act V, Scene V
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: TAYLOR
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

SIMON, Peter
description: Much Ado About Nothing, Act IV, Scene I
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: SIMON, Peter
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

Artist unknown
description: King Richard The Second, Act IV, Scene I
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: Artist unknown
source: ARTS LIBRARY, UCSB
date: 1803

FACIUS
description: Romeo and Juliet, Act I, Scene V
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: FACIUS
source: ARTS LIBRARY, UCSB
date: 1793

THEW, Robert
description: King Henry The Sixth, Act II, Scene V
description: ca. 1801-1803
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: THEW, Robert
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

FACIUS
description: All's Well That Ends Well, Act V, Scene III
description: 18th-19th C
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: FACIUS
source: ARTS LIBRARY, UCSB
date: 18th-19th C

THEW, Robert
description: Merry Wives of Windsor, Act II, Scene I
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: THEW, Robert
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

SIMON, I.P.
description: Taming of the Shrew, Act II, Scene II
description: ca. 1801-1803
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: SIMON, I.P.
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

THEW, Robert
description: King Henry the Eighth, Act IV, Scene II
description: ca. 1801-1803
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: THEW, Robert
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

FITTLER, James
description: Winter's Tale, Act IV, Scene III
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: FITTLER, James
source: ARTS LIBRARY, UCSB
date: 18th-19th C

THEW, Robert
description: As You Like It, Act II, SCene VII
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: THEW, Robert
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

THEW, Robert
description: King Henry The Eighth, Act III, Scene I
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: THEW, Robert
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

TAYLOR, Issac
description: King Henry The Eighth, Act I, Scene IV
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: TAYLOR, Issac
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

BROWNE
description: Merchant of Venice, Act V, Scene I
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: BROWNE
source: ARTS LIBRARY, UCSB
date: 18th-19th C

SIMON, Peter
description: Much Ado About Nothing, Act III, Scene I
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: SIMON, Peter
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

THEW, Robert
description: King Richard The Third, Act III, Scene I
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: THEW, Robert
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

SIMON, Peter
description: As You Like It, Act V, Scene IV
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: SIMON, Peter
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

SIMON, I.P.
description: Measure For Measure, Act V, Scene I
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: SIMON, I.P.
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

LENEY, William
description: As You Like It, Act I, Scene II
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: LENEY, William
source: ARTS LIBRARY, UCSB
date: 18th-19th C

THEW, Robert
description: Cymbeline, Act III, Scene IV
description: intaglio (stipple engraving)
description: 22 1/2 x 33 in.
creator: THEW, Robert
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

THEW, Robert
description: King Henry The IV, Act IV, Scene IV
description: intaglio (stipple engraving)
description: mat: 28 x 34 in., sheet: 31 3/4 x 22 5/8 in.
creator: THEW, Robert
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

SIMON, I.P.
description: King Henry The IV, Act III, Scene I
description: intaglio (stipple engraving)
description: mat: 28 x 34 in., sheet: 28 1/2 x 22 1/4 in.
creator: SIMON, I.P.
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

SMITH, Benjamin
description: The Infant Shakespeare
description: intaglio (stipple engraving)
description: mat: 28 x 34 in., sheet: 22 1/2 x 33 1/2 in.
creator: SMITH, Benjamin
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

THEW, Robert
description: MacBeth, Act IV, Scene I
description: intaglio (stipple engraving)
description: mat: 28 x 34 in., sheet: 222 1/4 x 33 1/2 in.
creator: THEW, Robert
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

KIRK, Thomas
description: Titus Andronicus, Act IV, Scene I
description: intaglio (stipple engraving)
description: mat: 28 x 34 in., sheet: 27 x 22 in.
creator: KIRK, Thomas
creator: English, ?-1797
source: ARTS LIBRARY, UCSB
date: 18th C

SIMON, I.P.
description: Winter's Tale, Act II, Scene III
description: intaglio (stipple engraving)
description: mat: 28 x 34 in., sheet: 22 x 33 in.
creator: SIMON, I.P.
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

WAFTON, Caro
description: King Henry VI, Act III, Scene III
description: intaglio (stipple engraving)
description: mat: 28 x 34 in., sheet: 29 x 21 3/4 in.
creator: WAFTON, Caro
source: ARTS LIBRARY, UCSB
date: ca. 1801-1803

LEGAT, Fra.
description: Hamlet, Act IV, Scene V
description: intaglio (stipple engraving)
description: mat: 28 x 34 in., sheet: 24 x 29 1/2 in.
creator: LEGAT, Fra.
source: ARTS LIBRARY, UCSB
date: 1802

H. Humphrey, attributed, b. England
description: Playing in Parts
description: 10 3/4 x 15" SHEET
description: A depiction of a social gathering with five musicians and couples dancing. There is a central woman wearing a white dress forcefully playing a piano-like instrument while a cello player, two flute players, and a violin player look toward her in confusion and frustration (presumably at the sheet music placed in front of her). A couple to the left of the musician group look on, while various groups of people to the right participate in other social activites. The title appears at the bottom center of the work. The words "Publish'd May 15th, 1801 by H. Humphrey No. 27 St. James's Street" appears at the top.
creator: H. Humphrey, attributed, b. England
source: Gift of Robin Newell Wynslow
date: 1801

ROWLANDSON, Thomas
description: Dr. Syntax making a Discovery
description: 5 1/4 x 8 1/4"
description: A depiction of a lake shoreline with a young man and woman standing in the foreground, Dr. Syntax spying in the middleground and a cathedral in the background. Title appears at the bottom center. Signed by the artist at the lower left.
creator: ROWLANDSON, Thomas
source: Gift of Robin Newell Wynslow
date: ca. 1792

ROWLANDSON, Thomas
description: Doctor Syntax made Free of the Cellar
description: 5 x 8 1/4''
description: A depiction of Dr. Syntax with a group of four men boisterously drinking in the cellar while two women appear conerned atop the staircase at the upper left. Title appears at the bottom center along with printing information. Signed by the artist at the lower left.
creator: ROWLANDSON, Thomas
source: Gift of Robin Newell Wynslow
date: 1812

ROWLANDSON, Thomas
description: Dr. Syntax Returned from his Tour
description: 5 x 8 1/4''
description: A depiction of Dr. Syntax sitting in a wooden chair angerly smoking a long pipe while a dog at the lower right barks at him, presumably his wife talks to him, and a small crowd in the doorway at the left observes the ordeal. The title appears at the bottom center. Signed by the artist at the lower left. Print information appears at the top center and right.
creator: ROWLANDSON, Thomas
source: Gift of Robin Newell Wynslow
date: 1813

ROWLANDSON, Thomas
description: A Visit from Hounsditch to Pall Mall
description: Pen, ink, watercolor on paper
description: 10 1/2 x 10''
description: A depiction of four men ascending a grand staircase. One man turns around several steps up, gestering for the other men to follow, another man urges a heavy set man to follow who stands still with a distraught look on his face. The last man stands behind the heavy set man with his hands on his hips smirking. The words "A Visit From Hounsditch To Pall Mall / 1756 Thomas Rowland 1827" appears at the bottom center of the work.
creator: ROWLANDSON, Thomas
source: Gift of Robin Newell Wynslow
date: 1815

Unknown artist
description: Death bed portrait
description: Lithograph
description: 11 1/4 x 9 5/8" SHEET
description: Lithograph of a dead man in bed.
creator: Unknown artist
source: Gift of Bruce Robertson and Thomas Kren
date: 19th C.

ITALIAN or FRENCH
description: Pastoral Landscape
description: Etching
description: 13 1/2 X 19 1/8" SHEET
description: Etching illustrating the herding of sheep and cattle..
creator: ITALIAN or FRENCH
source: Gift of Bruce Robertson and Thomas Kren
date: n.d

SANDBY, Paul
description: Landscape
description: Print
description: 7 x 10 1/4" MATTED
description: Print of a pastoral landscape including farmers and cattle.
creator: SANDBY, Paul
creator: b. Notthingham, 1703-1809
source: Gift of Bruce Robertson and Thomas Kren
date: 1750

PILOTY, Ferdinand
description: Fall of the Rebel Angels, after Rubens
description: Lithograph
description: Lithograph of the Fall of the Rebel Angels which was taken from a passage of the Book of Revelation depicting grotesque figures of half humans and half animals.
creator: PILOTY, Ferdinand
creator: b. Germany, 1779-1856
source: Gift of Bruce Robertson and Thomas Kren
date: 1820's

LEWIS, Frederick Christian (after Michelangelo)
description: Taddei Tondo
description: Lithograph, AP
description: 22 X 16" MATTED
description: Lithograph of Michelangelo's relief Taddei Tondo; Virgin and Child with St. John the Baptist.
creator: LEWIS, Frederick Christian (after Michelangelo)
creator: b. Great Britain, 1779-1856
source: Gift of Bruce Robertson and Thomas Kren
date: 1828

JACKSON, John Baptist
description: Raising of Lazarus
description: Woodblock print
description: 20 1`/2 X 14 3/4" SHEET
description: Woodblock print of the raising of Lazarus, Jesus's miracle as he raises Lazaurs back from death four days after his burial.
creator: JACKSON, John Baptist
creator: b. Great Britain, 1701-1780?
source: Gift of Bruce Robertson and Thomas Kren
date: 1745

JACOB, Nicholas Henri (N.H.)
description: Louis David, copy after self-portrait
description: Lithograph
description: 13 3/8 x 16" SHEET
description: Lithographic copy of a sitting portrait of Louis David holding a pencil and paper.
creator: JACOB, Nicholas Henri (N.H.)
creator: b. France, 1782-1871
source: Gift of Bruce Robertson and Thomas Kren
date: 1820-30's

BERCHEM, Nicholas
description: The Three Sheep
description: Etching
description: 4 1/2 x 4 1/8" SHEET
description: Etching of three sheep.
creator: BERCHEM, Nicholas
creator: b. The Netherlands, 1620-1683
source: Gift of Bruce Robertson and Thomas Kren
date: 17th C.

VAN DYCK, Anthony (Posthumous)
description: Jan Wilden
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Jan Wilden is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: PAUL DU PONT SCULP.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey HortonPaulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Sebastian Vrancx
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Sebastian Vrancx is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by S. a Bolswert as indicated below image, at left-right: S. A BOLSWERT SCULP. CUM PRIVILEGIO.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Lucas Vorsterman, the elder
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Lucas Vorsterman, the elder is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman, the younger as indicated below image, at left-right: LUC. VORSTERMAN JUNIOR SCULPSIT ET EXCUDIT.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey HortonPaulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Jan van Ravesteyn
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Jan van Ravesteyn is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: PAUL. PONTIUS SCULP CUM PRIVILEGIO.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Theodor van Loon
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Theodor van Loon is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: PAUL. DU PONT SCULP.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Ceasar Alexander Scaglia
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Ceasar Alexandar Scaglia is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P. PONTIUS SCULP CUM PRIVILEGIO.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Cornelius Saftleven
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Cornelius Saftleven is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: LVORSTERMAN SCULP. CUM PRIVILEGIO.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Francois Thomas Savoie Carnigan
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Francois Thomas de Savoie, Prince de Carignan is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: PAUL PONTIUS SCULP.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Theodor Rogiers
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Theodor Rogiers is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Clover as indicated below image, at left-right: PETRUS CLOUET SCULPSIT.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Marten Pepyn
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Marten Pepyn is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by S. a Bolswert as indicated below image, at left-right: S. A BOLSWERT SCULP CUM PRIVILEGIO.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Frans Francken, the elder
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Frans Francken, the elder is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by G. Hondius as indicated below image, at left-right: GUILLIEMUS HONDIUS SCULPSIT CUM PRIVILEGIO.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey HortonPaulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Theodor Galle
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Theodor Galle is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: LVORSTERMAN SCULP. CUM PRIVILEGIO.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Jean Charles della Faille
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Jean Charles della Faille is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A. Lommelin as indicated below image, at left-right: A. LOMMELIN SCULP.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Charles Emmanuel
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Charles Emmanuel is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Petrus Rucholle as indicated below image, at left-right: PETRUS RUCHOLLE SCULPSIT.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Wenceslas Coeberger
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Wenceslas Coeberger is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: L. VORSTERMANS SCULPSIT.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Schelte A. Bolswert
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Schelte A. Bolswert is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A. Lommelin as indicated below image, at left-right: ADR. LOMMELIN SCULPSIT.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 15991641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Archduke Ferdinand of Austria
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Archduke Ferdinand of Austria , is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Adrian Lommelin as indicated below image, at left-right: ADRIAN LOMMELIN SCULPSIT.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Archduke Ferdinand of Austria
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Archduke Ferdinand of Austria, is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Adrian Lommelin as indicated below image, at left-right: ADRIAN LOMMELIN SCULPSIT.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Quintinus Simons
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Quintinus Simons is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Pet. de Iode as indicated below image, at left-right: PET. DE IODE SCULP.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey HortonPaulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Anna Wake
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Anna Wake is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Petrus Clover as indicated below image, at left-right: PETRUS CLOUWET SCULPSIT.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Catherine Howard
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Catherine Howard is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A. Lommelin as indicated below image, at left-right: A LOMMELIN SCUP.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey HortonPaulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Zeher Van Hontzum
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Zeher Van Hontzum is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A. Lommelin as indicated below image, at left-right: ADR. LOMMELIN SCULP.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Alexander Della Faille
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Alexander Della Faille is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A Lommelin as indicated below image, at left-right: A. LOMMELIN SCULP.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Germand Seghers
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Germand Seghers is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: L. VORSTERMAN L.M.D.C.Q.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Peter Snayers
description: 1640-45
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Peter Snayers is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Andreas Stock as indicated below image, at left-right: ANDREAS STOCK SCULPSIT.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey HortonPaulk
date: 1640-45

VAN DYCK, Anthony (Posthumous)
description: Cornelius Schut
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Cornelius Schut is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: LVORSTERMAN SCULP.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Huber Vanden Eynden
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Huber Vanden Eynden is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P PONTIUS SCULP CUM PRIVILEGIO.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 1599-1641
source: Gift of Casey Horton-Paulk
date: 1630

VAN DYCK, Anthony (Posthumous)
description: Paul Pontius
description: ca. 1630
description: Engraving
description: 14 7/8 X 11 1/8" SHEET
description: This engraving of Paul Pontius is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P PONTIUS SCULP CUM PRIVILEGIO.
creator: VAN DYCK, Anthony (Posthumous)
creator: b. Antwerp, 15991641
source: Gift of Casey Horton-Paulk
date: 1630