Rome from the Mont Pincio, ca. 1878
Pencil drawing of Pincian Hill; image displays architectural views of Rome in the middleground; while greenery and/or flora covers the foreground.
Le Baume D'Acier
TOULOUSE-LAUTREC, Henri de (After)
Interior of the Temple of Claudius
Gift of Mr. and Mrs. Samuel Dorsky through UCSB Art Affiliates to the Ala Story Print Collection
HAUTREE (after Toulouse-Lautrec)
DIAZ, Narcisse Virgile and TAICE, Alfred (maker)
woodblock (the block itself; not a print pulled from it)
Le Noveau Pavage En Bois de la Ville de Paris
Le Futur de Napoleon aux Invalides
Tiens, Le Moineau Ete Se Percher
A lithograph of two men in a garden; both men are dressed in a similar way. One man points to something in the trees while the other man looks in the same direction. The French phrase "Croquis D'automne par Daumier" ( Autumn sketch by Daumier) appears at the top. Signed by the artist at the lower left corner.
Village Street in France with a Flock of Sheep
Small image of a sailing boat on beach flanked by people on both sides.
FACIUS, G.S. & I.G.
Anthony and Cleopatra, Act III, Scene IV
Midsummer Night's Dream, Act IV, Scene I
King Henry The V, Act II, Scene II
King Henry The Eighth, Act IV, Scene II
King Henry The Fourth, Act IV, Scene IV
Merry Wives of Windsor, Act V, Scene V
Much Ado About Nothing, Act IV, Scene I
King Richard The Second, Act IV, Scene I
Romeo and Juliet, Act I, Scene V
King Henry The Sixth, Act II, Scene V
All's Well That Ends Well, Act V, Scene III
Merry Wives of Windsor, Act II, Scene I
Taming of the Shrew, Act II, Scene II
King Henry the Eighth, Act IV, Scene II
Winter's Tale, Act IV, Scene III
As You Like It, Act II, SCene VII
King Henry The Eighth, Act III, Scene I
King Henry The Eighth, Act I, Scene IV
Merchant of Venice, Act V, Scene I
Much Ado About Nothing, Act III, Scene I
King Richard The Third, Act III, Scene I
As You Like It, Act V, Scene IV
Measure For Measure, Act V, Scene I
As You Like It, Act I, Scene II
King Henry The IV, Act IV, Scene IV
King Henry The IV, Act III, Scene I
Titus Andronicus, Act IV, Scene I
Winter's Tale, Act II, Scene III
King Henry VI, Act III, Scene III
H. Humphrey, attributed, b. England
A depiction of a social gathering with five musicians and couples dancing. There is a central woman wearing a white dress forcefully playing a piano-like instrument while a cello player, two flute players, and a violin player look toward her in confusion and frustration (presumably at the sheet music placed in front of her). A couple to the left of the musician group look on, while various groups of people to the right participate in other social activites. The title appears at the bottom center of the work. The words "Publish'd May 15th, 1801 by H. Humphrey No. 27 St. James's Street" appears at the top.
A depiction of a lake shoreline with a young man and woman standing in the foreground, Dr. Syntax spying in the middleground and a cathedral in the background. Title appears at the bottom center. Signed by the artist at the lower left.
Doctor Syntax made Free of the Cellar
A depiction of Dr. Syntax with a group of four men boisterously drinking in the cellar while two women appear conerned atop the staircase at the upper left. Title appears at the bottom center along with printing information. Signed by the artist at the lower left.
Dr. Syntax Returned from his Tour
A depiction of Dr. Syntax sitting in a wooden chair angerly smoking a long pipe while a dog at the lower right barks at him, presumably his wife talks to him, and a small crowd in the doorway at the left observes the ordeal. The title appears at the bottom center. Signed by the artist at the lower left. Print information appears at the top center and right.
A Visit from Hounsditch to Pall Mall
A depiction of four men ascending a grand staircase. One man turns around several steps up, gestering for the other men to follow, another man urges a heavy set man to follow who stands still with a distraught look on his face. The last man stands behind the heavy set man with his hands on his hips smirking. The words "A Visit From Hounsditch To Pall Mall / 1756 Thomas Rowland 1827" appears at the bottom center of the work.
ITALIAN or FRENCH
Etching illustrating the herding of sheep and cattle..
Print of a pastoral landscape including farmers and cattle.
Fall of the Rebel Angels, after Rubens
Lithograph of the Fall of the Rebel Angels which was taken from a passage of the Book of Revelation depicting grotesque figures of half humans and half animals.
LEWIS, Frederick Christian (after Michelangelo)
Lithograph of Michelangelo's relief Taddei Tondo; Virgin and Child with St. John the Baptist.
Woodblock print of the raising of Lazarus, Jesus's miracle as he raises Lazaurs back from death four days after his burial.
JACOB, Nicholas Henri (N.H.)
Louis David, copy after self-portrait
Lithographic copy of a sitting portrait of Louis David holding a pencil and paper.
VAN DYCK, Anthony (Posthumous)
This engraving of Jan Wilden is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: PAUL DU PONT SCULP.
This engraving of Sebastian Vrancx is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by S. a Bolswert as indicated below image, at left-right: S. A BOLSWERT SCULP. CUM PRIVILEGIO.
This engraving of Lucas Vorsterman, the elder is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman, the younger as indicated below image, at left-right: LUC. VORSTERMAN JUNIOR SCULPSIT ET EXCUDIT.
This engraving of Jan van Ravesteyn is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: PAUL. PONTIUS SCULP CUM PRIVILEGIO.
This engraving of Theodor van Loon is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: PAUL. DU PONT SCULP.
This engraving of Ceasar Alexandar Scaglia is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P. PONTIUS SCULP CUM PRIVILEGIO.
This engraving of Cornelius Saftleven is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: LVORSTERMAN SCULP. CUM PRIVILEGIO.
Francois Thomas Savoie Carnigan
This engraving of Francois Thomas de Savoie, Prince de Carignan is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: PAUL PONTIUS SCULP.
This engraving of Theodor Rogiers is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Clover as indicated below image, at left-right: PETRUS CLOUET SCULPSIT.
This engraving of Marten Pepyn is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by S. a Bolswert as indicated below image, at left-right: S. A BOLSWERT SCULP CUM PRIVILEGIO.
This engraving of Frans Francken, the elder is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by G. Hondius as indicated below image, at left-right: GUILLIEMUS HONDIUS SCULPSIT CUM PRIVILEGIO.
This engraving of Theodor Galle is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: LVORSTERMAN SCULP. CUM PRIVILEGIO.
This engraving of Jean Charles della Faille is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A. Lommelin as indicated below image, at left-right: A. LOMMELIN SCULP.
This engraving of Charles Emmanuel is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Petrus Rucholle as indicated below image, at left-right: PETRUS RUCHOLLE SCULPSIT.
This engraving of Wenceslas Coeberger is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: L. VORSTERMANS SCULPSIT.
This engraving of Schelte A. Bolswert is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A. Lommelin as indicated below image, at left-right: ADR. LOMMELIN SCULPSIT.
This engraving of Archduke Ferdinand of Austria , is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Adrian Lommelin as indicated below image, at left-right: ADRIAN LOMMELIN SCULPSIT.
This engraving of Archduke Ferdinand of Austria, is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Adrian Lommelin as indicated below image, at left-right: ADRIAN LOMMELIN SCULPSIT.
This engraving of Quintinus Simons is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Pet. de Iode as indicated below image, at left-right: PET. DE IODE SCULP.
This engraving of Anna Wake is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Petrus Clover as indicated below image, at left-right: PETRUS CLOUWET SCULPSIT.
This engraving of Catherine Howard is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A. Lommelin as indicated below image, at left-right: A LOMMELIN SCUP.
This engraving of Zeher Van Hontzum is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A. Lommelin as indicated below image, at left-right: ADR. LOMMELIN SCULP.
This engraving of Alexander Della Faille is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A Lommelin as indicated below image, at left-right: A. LOMMELIN SCULP.
This engraving of Germand Seghers is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: L. VORSTERMAN L.M.D.C.Q.
This engraving of Peter Snayers is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Andreas Stock as indicated below image, at left-right: ANDREAS STOCK SCULPSIT.
This engraving of Cornelius Schut is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: LVORSTERMAN SCULP.
This engraving of Huber Vanden Eynden is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P PONTIUS SCULP CUM PRIVILEGIO.
This engraving of Paul Pontius is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P PONTIUS SCULP CUM PRIVILEGIO.