VAN DYCK, Anthony (Posthumous)
This engraving of Albertus Miraus is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P PONTIUS SCULP CUM PRIVILEGIO.
This engraving of Marie de Medici is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul Pontius as indicated below image, at left-right: PAUL PONTIUS SCULP CUM PRIVILEGIO.
This engraving of Caspar Gevaert is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul du Pontius as indicated below image, at left-right: PAUL DU PONTIUS SCULP CUM PRIVILEGIO.
This engraving of Cornelius Geest is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul Pontius as indicated below image, at left-right: PAUL PONTIUS SCULP CUM PRIVILEGIO.
This engraving of Don Emanuel Frockas is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P. PONTIUS SCULP CUM PRIVILEGIO.
This engraving of Don Alvaro de Bazan is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul Pontius as indicated below image, at left-right: PAUL PONTIUS SCULP CUM PRIVILEGIO.
This engraving of Henrik Van Balen is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul du Pontius as indicated below image, at left-right: PAUL DU PONTIUS SCULP CUM PRIVILEGIO.
This engraving of Frere Brancacci is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Nicola Lauwers as indicated below image, at left-right: NICOLA LAUWERS SCULP CUM PRIVILEGIO.
This engraving of Jacob Jordaens is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Petrus de Iode as indicated below image, at left-right: PET DE IODE SCULP CUM PRIVILEGIO.
This engraving of Adam de Coster is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Petrus de Iode as indicated below image, at left-right: PETRUS DE IODE SCULPSIT CUM PRIVILEGIO.
La revue blanche was created as a cover for the eponymous French literary journal. It demonstrates the influence of Japanese woodblock prints on Post-Impressionists, notably in its prominent black outlines, shallow space and sharply-defined colors. In addition to stylistic preferences, democratic leanings influenced Pierre Bonnards interest in printmaking. As a member of the Nabis, a Parisian avant-garde group, Bonnard believed that fine art needed to be more accessible to the public, both in terms of subject matter and distribution. Prints made this possible by allowing for mass reproduction of images of ordinary people, like the newsboy in this lithograph. J.W. Colin inherited this work from his mother, Blanche, whose name appears in the title. Her nineteenth and early twentieth century art represents the earliest part of the Colins collection.
Catalog of of Piranesi's engravings providing location;catalog located near center with "post" illustrations located on sides;scenic background, urban setting
Fontana dell'acqua Paola sul Monte Gianicola
Depiction of the "Fontana dell'acqua Paola sul Monte Gianicola"; water flowing with people and farmers in foreground; buildings in background.
Etching of a panoramic landscape detailing various buildings, walls, houses, farmers, animals, and scenery;- numbers 1-9 labelled throughout etching, small description given to each.
Architectural design: del Lago Albano Piranesi
Etching of an architectural blueprint for Lago Albano with various drawings depicting scenery, interior views,and a map of Lago Albano.
Architectural plan: Picanta degli avanzi del Portico
Etching of an architectural plan of a structure detailing different materials used; includes perspective of overhead, side views.
PIRANESI, Giovanni Battista
Black and white etching of an outdoor arena with detailed images located in all four corners.
Detta La Rotonda: Prospetto (perspective)
Basilica Elevazione: (Elevation)
Hotel des Comptes Chiericati Spaccato
Hotel des Comptes Chiericati Facciata
Teatro Olimpico: Section of stage
from Quattro Libri dell'Architectura, 1570 (Four Books on Architecture)
Villa del Trivigiano: Marcantonio Barbaro
Villa Del Trivigiano: Marcantonio Barbaro
In Montagnana Castello del Padovano, Spaccato
In Montagnana Castello del Padovano, Prospetto
Chiesa del Redentore in Venezia, Spaccato
Palazzo/Castello del Trivigiano, Prospetto
Villa Vicina Ad Asolo Nel Trivigiano, Prospetto
from Quattro Libri dell'Architecture, 1570 (Four Books on Architecture)
Di Sua Eccelenza Emo Nella Villa di Fanzalo
Di Sua Eccelenza Emo Nella Villa di Fanzolo
Lodovico e Fratelli Trassina, Villa di Meledo
Lodovico e Fratelli: Trissina, Villa di Meledo
Lodovico e Fratelli: Trassini, Villa di Meledo
Palazzo del Il Signor Francesco Foscari
Casa de Villa del Signor Conte Pietro Calogno
Casa de Villa del Signor Conte Pietro Caldagno
TOULOUSE-LAUTREC, Henri de
Theatre Antoine La Gitane de Richepin
Toulouse-Lautrec poster reporduction; image includes a female looking over her left shoulder toward a man ascending a hill wearing a black cape and hat. At lower right is the Lautrec signature stamp of TL encircled in black.
Toulouse-Lautrec poster reporduction; image includes a female wearing black gloves while primping at a yellow hat; background includes the words and title CONFETTI and an address; at lower right in black is signature stamp of a TL encircled in black.
Eldorado: Aristide Bruant dans Soncabaret
Toulouse-Lautrec poster reporduction; image includes a male wearing all black with a black cap and red scarf. He is carrying a cane in his right hand; Lautrec's signature stamp of TL encircled at lower ight.
A poster reproduction of a color lithograph. The image depicts a man in mititary attire riding a white horse down a street. There are several horses ahead of the white horse, several civilian on lookers, and a solider. The aritst's signature appears at the lower left corner and a circular blue stamp appears on the reverse.
A poster reproduction of a color lithograph. The images depicts a woman wearing a bright orange and yellow dress dancing on stage. The artist signature appears at the lower left corner.
Le Messager Ou Secretaire, du Cap Bonne Esperance
Copper plate engraving with hand-colored image of a white stork. The bird is perched on a rock mound facing right; inscription at upper right; lower left and right.
Copper plate engraving with hand-colored red and gold breasted parrot. He is looking right with inscription underneath image.
Copper plate engraving with hand-colored image of a Brazilian Parakeet. The bird is perched on a branch and displays a plummage of green and golden tail feathers. Title under image with artist inscriptiono at lower left.
Copper plate engraving with hand colored image of a large bird standing on a mound fronted with green grass; bird is black and brown with beige colored wings. Inscription at lower left.
Study of Five Heads, Man in Turban in Center from "Principi del Disegno"
Study of five heads, man in turban in center. From series of 24 prints plus title page, "Principi del Disegno".
Study of a Bearded Man Wearing a Halmet from "Principi del Disegno"
Study of a bearded man wearing a helmet. From series of 24 prints plus title page, "Principi del Disegno".
Study of Feet from "Principi del Disegno"
Study of feet. From series of 24 prints plus title page, "Principi del Disegno".
Study of Hands from "Principi del Disegno"
Study of hands. From series of 24 prints plus title page, "Principi del Disegno".
Study of hands. From series of 24 prints plus title page, "Principi del Disegno"
Study of Ear and Lips from "Principi del Disegno"
Study of ears and lips. From series of 24 prints plus title page, "Principi del Disegno"
Profile Study of a Young Man from "Principi del Disegno"
Profile study of a young man. From "Principi del Disegno" series of 24 prints plus title page
Study of a Man with Open Mouth Wearing a Helmet From "Principi del Disegno"
Study of a man with open mouth wearing a helmet. From "Principi del Disegno" series of 24 prints plus title page.
Study of a Bearded Man Wearing a Turban. From "Principi del Disegno"
Study of a bearded man wearing a turban. From "Principi del Disegno" series of 24 prints plus title page.
Study of a Bearded Man Wearing a Laurel Wreath From "Principi del Disegno"
Study of a bearded man wearing a laurel wreath. From "Principi del Disegno" series of 24 prints plus title page.
Study of a Man Wearing a Hat with Feather from "Principi del Disegno"
Study of a man wearing a hat with feather. From "Principi del Disegno" series of 24 prints plus title page.
Profile Study of a Bearded Man Wearing a Laurel Wreath from "Principi del Disegno"
Profile tudy of a bearded man wearing a laurel wreath. From "Principi del Disegno" series of 24 prints plus title page
Profile Study of an Old Bearded Man With Eyes Cast Upward from "Principi del Disegno"
Profile study of an old bearded man with eyes cast upward. From "Principi del Disegno" series of 24 prints plus title page.
Profile Study of an Old Bearded Man With Face Looking over Proper Left Shoulder from "Principi del Disegno"
Profile study of an old bearded man with face looking over proper left shoulder. From "Principi del Disegno" series of 24 prints plus title page.
Study of an Old Bearded Man Looking Upwards from "Principi del Disegno"
Study of an old bearded man looking upwards. From "Principi del Disegno" series of 24 prints plus title page.
Profile Study of an Old Bearded Man With Head Cast Upward from "Principi del Disegno"
Profile study of an old bearded man with head cast upward. From " Principi del Disegno" series of 24 prints plus title page.
Study of a Bearded Man Wearing a Helmet from "Principi del Disegno"
Study of a bearded man wearing a helmet. From " Principi del Disegno" series of 24 prints plus title page.
Study of a Young Man Wearing a Hat from "Principi del Disegno"
Study of a young man wearing hat. From " Principi del Disegno" series of 24 prints plus title page.
Study of a Child's Head from "Principi del Disegno"
Study of a child's head. From " Principi del Disegno" series of 24 prints plus title page.
Study of a Young Boy's Head in Profile from "Principi del Disegno"
Study of a young boy's head in profile. From series of 24 prints plus title page, "Principi del Disegno".
Female Head in Profile from "Principi del Disegno"
Female head in profile. From series of 24 prints plus title page, "Principi del Disegno".
Studies of Man Wearing Helmet from "Principi del Disegno"
2 studies of man wearing helmet. From "Principi del Disegno" series of 24 prints plus title page.
Title Page: Principi del Disegno
Putto with wreath on head drawing at easel. From "Princip del Disegno" series of 24 prints plus title page
Gift of E. Bruce Robertson and Thom Kren
Portrait of a gentleman in courtly dress
Wooded Landscape with three bathers in foreground; mountain & sea in background
Antichita Romane de tempi della Republica a de Primi
The Dresden Gallery: Photographs After the Original Pictures
ZOFFANY, Johan; EARLOM, R. (maker)
Still life with fruit, 3 marmozettes sit on top of a pineapple
View in the Pyrenees at Sunset near Bagnenes
Landscape of mountains, rocks with low horizon line.
D'URBINO, Raphael (After)
Mlle. Leontine Fay, Theatre du Gymnase
from, Actrices des Principaux Theatres de Paris. Appeared in Le Charivari, February 4, 1835
from, Croquis Parisiens, no.38, appeared in Le Charivari, August 18, 1857
Vous voyez comme c'est ingenieux....
from, Fariboles, 2eme Suite, no. 124, appeared in Le Charivari