The Royal Palace of Windsor Castle
Imperial Triumphal Scene and Architectural Designs
Christ's Agony in Garden
Flying Male Figures (recto); Male Nude (verso)
Black and red chalk with white on blue paper
Recto: Study of male nude. Verso: study of 2 angels and hand with bowl.
Gift of the Collection of Rudolph S. Joseph
King Richard The Second, Act IV, Scene I
Small image of a sailing boat on beach flanked by people on both sides.
BARBIERI, Jacopo, called GUERCINO
Landscape (with Fort and Oxcart)
BARTOLOZZI, F. (After Hans Holbein)
Vous voyez comme c'est ingenieux....
from, Fariboles, 2eme Suite, no. 124, appeared in Le Charivari
Sol, from the Planet Series, #4
Small engraving of a scantilly clad a standing male holding a mask of the sun from his face; inscription at his feet.
Mill Pond at Windsor, Connecticut
Couple and Dog on Country Outing near a Stream
graphite, chalk, gouache, watercolor on paper
A landscape image of a river with two reclining figures and a dog
Gift of Todd Marder in memory of Jan Marder.
Le Baume D'Acier
La revue blanche was created as a cover for the eponymous French literary journal. It demonstrates the influence of Japanese woodblock prints on Post-Impressionists, notably in its prominent black outlines, shallow space and sharply-defined colors. In addition to stylistic preferences, democratic leanings influenced Pierre Bonnards interest in printmaking. As a member of the Nabis, a Parisian avant-garde group, Bonnard believed that fine art needed to be more accessible to the public, both in terms of subject matter and distribution. Prints made this possible by allowing for mass reproduction of images of ordinary people, like the newsboy in this lithograph. J.W. Colin inherited this work from his mother, Blanche, whose name appears in the title. Her nineteenth and early twentieth century art represents the earliest part of the Colins collection.
BOUDEWYNS, Adriaan Frans after A. F. VAN DER MEULEN
Merchant of Venice, Act V, Scene I
Entry of M. de Couvonage and M. de Chalabre, from The Combat at the Barrier
Jacques Callot was a master Baroque printmaker and draftsman gaining extensive experience in festival publication during his service with the Medici of Florence, ca. 1612—1620. In 1621, Callot returned to his home in Nancy, and several years later, was commissioned by the Courts of Lorraine, France and Spain as a master printmaker. In 1627, he was tasked with the recording, staging and design of the major festivel Le Combat à la Barrière in honor of the Duchess of Chevreuse, a favorite of the Duke Of Lorraine, Charles IV. The festival included various participants arriving on elaborate floats and staging a battle scene with the victory going to the Duke, and his cousin, the Marques de Moy. Callot produced a series of prints of the event which were later combined with poetry written by Henry Humbert into a publication documenting the festival. The ADA&M’s etching proved too small for inclusion in the publication and was printed in reverse; instead, it was distributed as a souvenir for festival participants and attendees.
Etching of a house with an adjoining trellis at right; figures populate the foreground with inscription below image.
CANAL, Antonio (CANALETTO)
Pra della Valle (Sta. Guistina), Padua
This etching details the Prdella Valle in Padua. The print serves as a valuable record of the citys history, and its grand piazza, with its large grassy surfaces and is bounded by the Basilica of Santa Giustina and by the University College. The open square is shown with a multitude of people, plus several horsedrawn carriages and carts making the scene animated and alive.
CANALETTO, Antonio Giovanni
CASTIGLIONE, Giovanni Benedetto
Laban Searching Jacob's Baggage
CESARI, Giuseppe (D'ARPINO, Cavaliere)
Meeting of St. Peter and St. Paul
Black chalk, pen and brown ink and brown wash
Village Street in France with a Flock of Sheep
COROT, Jean Baptiste Camille (after); TAIEE, Alfred (maker)
French, 1796 - 1875; French, Paris 1820 -
D'URBINO, Raphael (After)
DA CARPI, Girolamo (Attributed to)
Gift from the Collection of Rudolph S. Joseph
DAUBIGNY, Charles-Francois
A group of three men: One man is poorly dressed and sits on a bench, the other man is well dressed and has removed his hat to touch the poorly dressed man's shoulder, and the last man is standing in a doorway behind the well dressed man. The French words, "Les Philantropes du Jour" appears at the top of the lithograph. The French words, "Je sui assez content de notre nouveau system cellulaire . . . ce prisonnier ne peut manquer de s'ameliorer un jour . . . voici que nous l'avons deja rendu completement cretin . . . il ne s'agira plus maintenant que de lui donner de l'education! . . ." Initialed by the artist at the lower right.
from, Croquis Parisiens, no.38, appeared in Le Charivari, August 18, 1857
Tiens, Le Moineau Ete Se Percher
A lithograph of two men in a garden; both men are dressed in a similar way. One man points to something in the trees while the other man looks in the same direction. The French phrase "Croquis D'automne par Daumier" ( Autumn sketch by Daumier) appears at the top. Signed by the artist at the lower left corner.
Le Futur de Napoleon aux Invalides
Le Noveau Pavage En Bois de la Ville de Paris
DE GHEYN, Jacob II (After CORNELISZ, Cornelis)
Profile Study of an Old Bearded Man With Face Looking over Proper Left Shoulder from "Principi del Disegno"
Profile study of an old bearded man with face looking over proper left shoulder. From "Principi del Disegno" series of 24 prints plus title page.
Wooded Landscape with three bathers in foreground; mountain & sea in background
Gift of E. Bruce Robertson and Thom Kren
Studies of Man Wearing Helmet from "Principi del Disegno"
2 studies of man wearing helmet. From "Principi del Disegno" series of 24 prints plus title page.
Female Head in Profile from "Principi del Disegno"
Female head in profile. From series of 24 prints plus title page, "Principi del Disegno".
Study of a Young Boy's Head in Profile from "Principi del Disegno"
Study of a young boy's head in profile. From series of 24 prints plus title page, "Principi del Disegno".
Study of a Child's Head from "Principi del Disegno"
Study of a child's head. From " Principi del Disegno" series of 24 prints plus title page.
Study of a Young Man Wearing a Hat from "Principi del Disegno"
Study of a young man wearing hat. From " Principi del Disegno" series of 24 prints plus title page.
Study of a Bearded Man Wearing a Helmet from "Principi del Disegno"
Study of a bearded man wearing a helmet. From " Principi del Disegno" series of 24 prints plus title page.
Profile Study of an Old Bearded Man With Head Cast Upward from "Principi del Disegno"
Profile study of an old bearded man with head cast upward. From " Principi del Disegno" series of 24 prints plus title page.
Study of an Old Bearded Man Looking Upwards from "Principi del Disegno"
Study of an old bearded man looking upwards. From "Principi del Disegno" series of 24 prints plus title page.
Profile Study of an Old Bearded Man With Eyes Cast Upward from "Principi del Disegno"
Profile study of an old bearded man with eyes cast upward. From "Principi del Disegno" series of 24 prints plus title page.
Profile Study of a Bearded Man Wearing a Laurel Wreath from "Principi del Disegno"
Profile tudy of a bearded man wearing a laurel wreath. From "Principi del Disegno" series of 24 prints plus title page
Study of a Man Wearing a Hat with Feather from "Principi del Disegno"
Study of a man wearing a hat with feather. From "Principi del Disegno" series of 24 prints plus title page.
Study of a Bearded Man Wearing a Laurel Wreath From "Principi del Disegno"
Study of a bearded man wearing a laurel wreath. From "Principi del Disegno" series of 24 prints plus title page.
Study of a Bearded Man Wearing a Turban. From "Principi del Disegno"
Study of a bearded man wearing a turban. From "Principi del Disegno" series of 24 prints plus title page.
Study of a Man with Open Mouth Wearing a Helmet From "Principi del Disegno"
Study of a man with open mouth wearing a helmet. From "Principi del Disegno" series of 24 prints plus title page.
Profile Study of a Young Man from "Principi del Disegno"
Profile study of a young man. From "Principi del Disegno" series of 24 prints plus title page
Study of Ear and Lips from "Principi del Disegno"
Study of ears and lips. From series of 24 prints plus title page, "Principi del Disegno"
Study of Hands from "Principi del Disegno"
Study of hands. From series of 24 prints plus title page, "Principi del Disegno"
Study of hands. From series of 24 prints plus title page, "Principi del Disegno".
Study of Feet from "Principi del Disegno"
Study of feet. From series of 24 prints plus title page, "Principi del Disegno".
Study of a Bearded Man Wearing a Halmet from "Principi del Disegno"
Study of a bearded man wearing a helmet. From series of 24 prints plus title page, "Principi del Disegno".
Study of Five Heads, Man in Turban in Center from "Principi del Disegno"
Study of five heads, man in turban in center. From series of 24 prints plus title page, "Principi del Disegno".
Title Page: Principi del Disegno
Putto with wreath on head drawing at easel. From "Princip del Disegno" series of 24 prints plus title page
woodblock (the block itself; not a print pulled from it)
from, Alphbet varie, choix de costumes dessines s'apres nature
Le Mari dehors, la femme a la maison.
Mlle. Leontine Fay, Theatre du Gymnase
from, Actrices des Principaux Theatres de Paris. Appeared in Le Charivari, February 4, 1835
DEWING, T. W. and HOSKIN, Robert
American, Boston 1851 - 1938; American, Brooklyn 1842 - ?
Untitled (inscription on Cathedral Pulet staircase, Siena Ital)