<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Albertus Miraus</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Albertus Miraus is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.010
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Marie de Medici</em>
ca. 1630
Engraving
14 7/8 X 10 6/8" SHEET
This engraving of Marie de Medici is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul Pontius as indicated below image, at left-right: PAUL PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.009
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Caspar Gevaert</em>
ca. 1630
Engraving
14 6/8 X 9 5/8" SHEET
This engraving of Caspar Gevaert is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul du Pontius as indicated below image, at left-right: PAUL DU PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.008
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Cornelius Geest</em>
ca. 1630
Engraving
14 6/8 X 9 5/8" SHEET
This engraving of Cornelius Geest is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul Pontius as indicated below image, at left-right: PAUL PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.007
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Don Emanuel Frockas</em>
ca. 1630
Engraving
14 6/8 X 9 5/8" SHEET
This engraving of Don Emanuel Frockas is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P. PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey HortonPaulk
1630
2016.013.006
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Don Alvaro de Bazan</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Don Alvaro de Bazan is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul Pontius as indicated below image, at left-right: PAUL PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey HortonPaulk
1630
2016.013.005
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Henrik Van Balen</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Henrik Van Balen is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul du Pontius as indicated below image, at left-right: PAUL DU PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599=1641
Gift of Casey Horton-Paulk
1630
2016.013.004
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Frere Brancacci</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Frere Brancacci is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Nicola Lauwers as indicated below image, at left-right: NICOLA LAUWERS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.003
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Jacob Jordaens</em>
ca. 1630
Engraving
14 7/8 X 11 1/8 SHEET
This engraving of Jacob Jordaens is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Petrus de Iode as indicated below image, at left-right: PET DE IODE SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599 -1641
Gift of Casey Horton Paulk
1630
2016.013.002
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Adam de Coster</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Adam de Coster is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Petrus de Iode as indicated below image, at left-right: PETRUS DE IODE SCULPSIT CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.001
<strong>BONNARD</strong>, Pierre
<em>La revue blanche</em>
1894
Lithograph
29 x 23"
La revue blanche was created as a cover for the eponymous French literary journal. It demonstrates the influence of Japanese woodblock prints on Post-Impressionists, notably in its prominent black outlines, shallow space and sharply-defined colors. In addition to stylistic preferences, democratic leanings influenced Pierre Bonnards interest in printmaking. As a member of the Nabis, a Parisian avant-garde group, Bonnard believed that fine art needed to be more accessible to the public, both in terms of subject matter and distribution. Prints made this possible by allowing for mass reproduction of images of ordinary people, like the newsboy in this lithograph. J.W. Colin inherited this work from his mother, Blanche, whose name appears in the title. Her nineteenth and early twentieth century art represents the earliest part of the Colins collection.
<strong>BONNARD</strong>, Pierre
French, 1867-1947
Gift of Drs. J.W. and Sue Colin
1894
2012.001.001
<strong>Piranesi</strong>, Giovanni
<em>Catalogo-Delle-Opere</em>
18th C.
Etching
15 5/8 x 11 4/8
Catalog of of Piranesi's engravings providing location;catalog located near center with "post" illustrations located on sides;scenic background, urban setting
<strong>Piranesi</strong>, Giovanni
b. Italy, 17201778
Bequest of Professor Alfred Moir
18th C.
2011.006.005
<strong>Piranesi</strong>, Giovanni
<em>Fontana dell'acqua Paola sul Monte Gianicola</em>
18th C.
Etching
5 4/8 x 7 4/8
Depiction of the "Fontana dell'acqua Paola sul Monte Gianicola"; water flowing with people and farmers in foreground; buildings in background.
<strong>Piranes</strong>i, Giovanni
b. Italy, 17201778
Bequest of Professor Alfred Moir
18th C.
2011.006.004
<strong>Piranesi</strong>, Giovanni
<em>Panoramic Landscape</em>
18th C.
Etching
12 4/8 x 34 4/8
Etching of a panoramic landscape detailing various buildings, walls, houses, farmers, animals, and scenery;- numbers 1-9 labelled throughout etching, small description given to each.
<strong>Piranesi</strong>, Giovanni
b. Italy, 17201778
Bequest of Professor Alfred Moir
18th C.
2011.006.003
<strong>Piranesi</strong>, Giovanni
<em>Architectural design: del Lago Albano Piranesi</em>
18th C.
Etching
16 x 24"
Etching of an architectural blueprint for Lago Albano with various drawings depicting scenery, interior views,and a map of Lago Albano.
<strong>Piranes</strong>i, Giovanni
b. Italy, 17201778
Bequest of Professor Alfred Moir
18th C.
2011.006.002
<strong>Piranesi</strong>, Giovanni
<em>Architectural plan: Picanta degli avanzi del Portico</em>
18th C.
Etching
15 4/8 x 9 7/8"
Etching of an architectural plan of a structure detailing different materials used; includes perspective of overhead, side views.
<strong>Piranesi</strong>, Giovanni
b. Italy, 17201778
Bequest of Professor Alfred Moir
18th C.
2011.006.001
<strong>PIRANESI</strong>, Giovanni Battista
<em>Sezione dell'anfiteatro</em>
ca. 1750
etching
14 1/8 x 21"
Black and white etching of an outdoor arena with detailed images located in all four corners.
<strong>PIRANESI</strong>, Giovanni Battista
b. Italy, 17201778
Gift of Gary H. Brown
1750
2003.009.001
<strong>PALLADIO</strong>, Andrea
<em>Detta La Rotonda: Prospetto</em> (perspective)
16th c.
Engraving
13 1/8 x 19 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.9
<strong>PALLADIO</strong>, Andrea
<em>Basilica Elevazione: (Elevation)</em>
16th c.
Engraving
19 1/4 x 25 3/8"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508 -1580
Gift of Guy Roop
16th c.
1979.30.8
<strong>PALLADIO</strong>, Andrea
<em>Basilica: Pianta (Floorplan)</em>
16th c.
Engraving
19 1/4 x 25 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.7
<strong>PALLADIO</strong>, Andrea
<em>Hotel des Comptes Chiericati Spaccato</em>
16th c.
Engraving
13 1/8 x 19 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.6
<strong>PALLADIO</strong>, Andrea
<em>Hotel des Comptes Chiericati Facciata</em>
16th c.
Engraving
13 1/8 x 19 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.5
<strong>PALLADIO</strong>, Andrea
<em>Teatro Olimpico: Scalinato</em>
16th c.
Engraving
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.4
<strong>PALLADIO</strong>, Andrea
<em>Teatro Olimpico: Section of stage</em>
16th c.
Engraving
19 1/4 x 25 3/8"
from <em>Quattro Libri dell'Architectura</em>, 1570 (Four Books on Architecture)
<strong>PALLADIO</strong>, Andrea
b. Italy, 15081580
Gift of Guy Roop
16th c.
1979.30.3
<strong>PALLADIO</strong>, Andrea
<em>Villa del Trivigiano: Marcantonio Barbaro</em>
16th c.
Engraving
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.27
<strong>PALLADIO</strong>, Andrea
<em>Villa Del Trivigiano: Marcantonio Barbaro</em>
16th c.
Engraving
13 1/8 x 19 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 15081580
Gift of Guy Roop
16th c.
1979.30.26
<strong>PALLADIO</strong>, Andrea
<em>In Montagnana Castello del Padovano, Spaccato</em>
16th c.
Engraving
13 1/8 x 19 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 15081580
Gift of Guy Roop
16th c.
1979.30.25
<strong>PALLADIO</strong>, Andrea
<em>In Montagnana Castello del Padovano, Prospetto</em>
16th c.
Engraving
13 1/8 x 19 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.24
<strong>PALLADIO</strong>, Andrea
<em>Chiesa del Redentore in Venezia, Spaccato</em>
16th c.
Engraving
19 1/4 x 24 7/8"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.23
<strong>PALLADIO</strong>, Andrea
<em>Palazzo/Castello del Trivigiano, Prospetto</em>
16th c.
Engraving
13 1/8 x 19 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.22
<strong>PALLADIO</strong>, Andrea
<em>Palazzo/Castello del Trivigiano, Prospetto</em>
16th c.
Engraving
13 1/8 x 19 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.21
<strong>PALLADIO</strong>, Andrea
<em>Villa Vicina Ad Asolo Nel Trivigiano, Prospetto</em>
16th c.
Engraving
19 1/4 x 25 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.20
<strong>PALLADIO</strong>, Andrea
<em>Teatro Olimpico: Stage</em>
16th c.
Engraving
19 1/4 x 25 3/8"
from <em>Quattro Libri dell'Architecture</em>, 1570 (Four Books on Architecture)
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.2
<strong>PALLADIO</strong>, Andrea
<em>Di Sua Eccelenza Emo Nella Villa di Fanzalo</em>
16th c.
Engraving
13 1/4 x 19 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.19
<strong>PALLADIO</strong>, Andrea
<em>Di Sua Eccelenza Emo Nella Villa di Fanzolo</em>
16th c.
Engraving
13 1/4 x 19 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.18
<strong>PALLADIO</strong>, Andrea
<em>Lodovico e Fratelli Trassina, Villa di Meledo</em>
16th c.
Engraving
19 1/4 x 25 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.17
<strong>PALLADIO</strong>, Andrea
<em>Lodovico e Fratelli: Trissina, Villa di Meledo</em>
16th c.
Engraving
19 1/4 x 25 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.16
<strong>PALLADIO</strong>, Andrea
<em>Lodovico e Fratelli: Trassini, Villa di Meledo</em>
16th c.
Engraving
19 1/4 x 25 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.15
<strong>PALLADIO</strong>, Andrea
<em>Palazzo del Il Signor Francesco Foscari</em>
16th c.
Engraving
13 1/8 x 19 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.14
<strong>PALLADIO</strong>, Andrea
<em>Palazzo del Il Signor Francesco Foscari</em>
16th c.
Engraving
13 1/8 x 19 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.13
<strong>PALLADIO</strong>, Andrea
<em>Casa de Villa del Signor Conte Pietro Calogno</em>
16th c.
Engraving
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.12
<strong>PALLADIO</strong>, Andrea
<em>Casa de Villa del Signor Conte Pietro Caldagno</em>
16th c.
Engraving
13 1/8 x 19 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.11
<strong>PALLADIO</strong>, Andrea
<em>Detta La Rotonda: Sacome</em>
16th c.
Engraving
13 1/8 x 19 1/4"
<strong>PALLADIO</strong>, Andrea
b. Italy, 1508-1580
Gift of Guy Roop
16th c.
1979.30.10
<strong>PALLADIO</strong>, Andrea
<em>Printa del Teatro Olimpico</em>
16th c.
Engraving
19 1/2 x 25 3/8"
<strong>PALLADIO</strong>, Andrea
b. Italy, 15081580
Gift of Guy Roop
16th c.
1979.30.1
<strong>Artist unknown</strong>
<em>Costumes Civilia</em>
1787
Etching
reproduction of title page
<strong>Artist unknown</strong>
b. France
Gift of Harvey Taylor
1787
1972.116.6
<strong>BOILLY</strong>, Louis-Leopold
<em>Les Amateurs de Tableaux</em>
1823
lithograph
sheet: 13 x 10; image: 10 x 8.5 in
<strong>BOILLY</strong>, Louis-Leopold
French, 1761 - 1845
Gift of Mrs. Stanley Sheinbaum
1823
1971.88c
<strong>BOILLY</strong>, Louis-Leopold
<em>La Gourmandise</em>
1824
Lithograph, hand-colored
13 x 10 in
<strong>BOILLY</strong>, Louis-Leopold
French, 1761 - 1845
Gift of Mrs. Stanley Sheinbaum
1824
1971.88a
<strong>TOULOUSE-LAUTREC</strong>, Henri de
<em>Theatre Antoine La Gitane de Richepin</em>
ca. 1890
Offset lithograph
19 1/2 x 14 1/2" MATTED
Toulouse-Lautrec poster reporduction; image includes a female looking over her left shoulder toward a man ascending a hill wearing a black cape and hat. At lower right is the Lautrec signature stamp of TL encircled in black.
<strong>TOULOUSE-LAUTREC</strong>, Henri de
b. France, 1864-1901
1890
1971.87g
<strong>TOULOUSE-LAUTREC</strong>, Henri de
<em>Confetti</em>
ca. 1890
Offset lithograph
19 1/2 x 14 1/2"
Toulouse-Lautrec poster reporduction; image includes a female wearing black gloves while primping at a yellow hat; background includes the words and title CONFETTI and an address; at lower right in black is signature stamp of a TL encircled in black.
<strong>TOULOUSE-LAUTREC</strong>, Henri de
b. France, 1864-1901
1890
1971.87e
<strong>TOULOUSE-LAUTREC</strong>, Henri de
<em>Eldorado: Aristide Bruant dans Soncabaret</em>
Offset lithograph
19 1/2 x 14 1/2"
Toulouse-Lautrec poster reporduction; image includes a male wearing all black with a black cap and red scarf. He is carrying a cane in his right hand; Lautrec's signature stamp of TL encircled at lower ight.
<strong>TOULOUSE-LAUTREC</strong>, Henri de
b. France, 1864-1901
ca. 1890
1971.87d
<strong>TOULOUSE-LAUTREC</strong>, Henri de
<em>Untitled</em>
Poster reproduction of a lithograph
19 1/2 x 14 1/2 "
A poster reproduction of a color lithograph. The image depicts a man in mititary attire riding a white horse down a street. There are several horses ahead of the white horse, several civilian on lookers, and a solider. The aritst's signature appears at the lower left corner and a circular blue stamp appears on the reverse.
<strong>TOULOUSE-LAUTRE</strong>C, Henri de
b. France, 1864-1901
1894
1971.87b
<strong>TOULOUSE-LAUTRE</strong>C, Henri de
<em>Jane Avril</em>
Poster reproduction of a lithograph
19 1/2 x 14 1/2 "
A poster reproduction of a color lithograph. The images depicts a woman wearing a bright orange and yellow dress dancing on stage. The artist signature appears at the lower left corner.
<strong>TOULOUSE-LAUTRE</strong>C, Henri de
b. France, 1864-1901
1893
1971.87a
<strong>MARTINET</strong>, Alexandre
<em>Le Courlis a Tete Nue</em>
engraving, hand-colored
<strong>MARTINET</strong>, Alexandre
b. France, 1731-1805
Bequest of Georgiana S. Kirkbride
18th C.
1969.39o
<strong>MARTINET</strong>, Alexandre
<em>Le Messager Ou Secretaire, du Cap Bonne Esperance</em>
copper plate engraving, hand-colored
<strong>MARTINET</strong>, Alexandre
b. France, 1731-1805
18th C.
1969.39l
<strong>MARTINET</strong>, Alexandre
<em>Le Bec-Ouvert, Le Flamboyant</em>
copper plate engraving, hand-colored
9 13/16 x 8 1/8 in
<strong>MARTINET</strong>, Alexandre
b. France, 1731-1805
Bequest of Georgiana S. Kirkbride
18th C.
1969.39.h
<strong>MARTINET</strong>, Alexandre
<em>Cigogne Blanche</em>
Copper plate engraving, hand-colored
9 3/4 x 8" SHEET
Copper plate engraving with hand-colored image of a white stork. The bird is perched on a rock mound facing right; inscription at upper right; lower left and right.
<strong>MARTINET</strong>, Alexandre
b. France, 1731-1805
Bequest of Georgiana S. Kirkbride
18th C.
1969.39.g
<strong>MARTINET</strong>, Alexandre
<em>La Riche-Elegante</em>
Copper plate engraving, hand-colored
9 1/2 x 8" SHEET
Copper plate engraving with hand-colored red and gold breasted parrot. He is looking right with inscription underneath image.
<strong>MARTINET,</strong> Alexandre
b. France, 1731-1805
Bequest of Georgiana S. Kirkbride
1791
1969.39.f
<strong>MARTINET</strong>, Alexandre
<em>Perruche du Bresil</em>
1791
Copper plate engraving, hand-colored
9 3/4 x 8 1/8" SHEET
Copper plate engraving with hand-colored image of a Brazilian Parakeet. The bird is perched on a branch and displays a plummage of green and golden tail feathers. Title under image with artist inscriptiono at lower left.
<strong>MARTINET</strong>, Alexandre
b. France, 1731-1805
Bequest of Georgiana S. Kirkbride
1791
1969.39.d
<strong>MARTINET</strong>, Alexandre
<em>L'Agamie de Caienne</em>
18th C.
Copper plate engraving, hand-colored
9 5/8 x 7 7/8" SHEET
Copper plate engraving with hand colored image of a large bird standing on a mound fronted with green grass; bird is black and brown with beige colored wings. Inscription at lower left.
<strong>MARTINET</strong>, Alexandre
b. France, 1731-1805
Bequest of Georgiana S. Kirkbride
18th C.
1969.39.b
<strong>MARTINET</strong>, Alexandre
<em>Le Lori Tricolor</em>
18th C.
Copper plate engraving, hand-colored
10 3/8 x 8 7/16" SHEET
<strong>MARTINET</strong>, Alexandre
b. France, 1731-1805
Bequest of Georgiana S. Kirkbride
18th C.
1969.39.a
<strong>DELLA BELLA</strong>, Stefano
<em>Study of Five Heads, Man in Turban in Center </em>from "Principi del Disegno"
17th C
etching
sheet: 5 x 6 1/8 in.
Study of five heads, man in turban in center. From series of 24 prints plus title page, "Principi del Disegno".
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th C.
1964.190.9
<strong>DELLA BELLA</strong>, Stefano
<em>Study of a Bearded Man Wearing a Halmet </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
Study of a bearded man wearing a helmet. From series of 24 prints plus title page, "Principi del Disegno".
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th C.
1964.190.8
<strong>DELLA BELLA</strong>, Stefano
<em>Study of Feet </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
<em>Study of feet. From series of 24 prints plus title page, "Principi del Disegno".</em>
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th C.
1964.190.7
<strong>DELLA BELLA</strong>, Stefano
<em>Study of Feet </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
<em>Study of feet. From series of 24 prints plus title page, "Principi del Disegno".</em>
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th C.
1964.190.6
<strong>DELLA BELLA</strong>, Stefano
<em>Study of Hands from "Principi del Disegno"</em>
17th century
etching
sheet: 5 x 6 1/8 in.
<em>Study of hands. From series of 24 prints plus title page, "Principi del Disegno".</em>
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th C.
1964.190.5
<strong>DELLA BELLA</strong>, Stefano
<em>Study of Hands </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
<em>Study of hands. From series of 24 prints plus title page, "Principi del Disegno"</em>
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.4
<strong>DELLA BELLA</strong>, Stefano
<em>Study of Ear and Lips</em> from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
<em>Study of ears and lips. From series of 24 prints plus title page, "Principi del Disegno</em>"
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.3
<strong>DELLA BELLA</strong>, Stefano
<em>Profile Study of a Young Man </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
<em>Profile study of a young man. </em>From "Principi del Disegno" series of 24 prints plus title page
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.25
<strong>DELLA BELLA</strong>, Stefano
<em>Study of a Man with Open Mouth Wearing a Helmet</em> From "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
Study of a man with open mouth wearing a helmet. From "Principi del Disegno" series of 24 prints plus title page.
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.24
<strong>DELLA BELLA</strong>, Stefano
<em>Study of a Bearded Man Wearing a Turban.</em> From "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
Study of a bearded man wearing a turban. From "Principi del Disegno" series of 24 prints plus title page.
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.23
<strong>DELLA BELLA</strong>, Stefano
<em>Study of a Bearded Man Wearing a Laurel Wreath</em> From "Principi del Disegno"
17th centur
etching
sheet: 5 x 6 1/8 in.
Study of a bearded man wearing a laurel wreath. From "Principi del Disegno" series of 24 prints plus title page.
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.22
<strong>DELLA BELLA</strong>, Stefano
<em>Study of a Man Wearing a Hat with Feather from "Principi del Disegno"</em>
17th century
etching
sheet: 5 x 6 1/8 in.
Study of a man wearing a hat with feather. From "Principi del Disegno" series of 24 prints plus title page.
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.21
<strong>DELLA BELLA</strong>, Stefano
<em>Profile Study of a Bearded Man Wearing a Laurel Wreath </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
<em>Profile tudy of a bearded man wearing a laurel wreath. From "Principi del Disegno" series of 24 prints plus title page</em>
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th C.
1964.190.20
<strong>DELLA BELLA</strong>, Stefano
<em>Profile Study of an Old Bearded Man With Eyes Cast Upward </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
Profile study of an old bearded man with eyes cast upward. From "Principi del Disegno" series of 24 prints plus title page.
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.19
<strong>DELLA BELLA,</strong> Stefano
<em>Profile Study of an Old Bearded Man With Face Looking over Proper Left Shoulder </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
Profile study of an old bearded man with face looking over proper left shoulder. From "Principi del Disegno" series of 24 prints plus title page.
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.18
<strong>DELLA BELLA</strong>, Stefano
<em>Study of an Old Bearded Man Looking Upwards </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
Study of an old bearded man looking upwards. From "Principi del Disegno" series of 24 prints plus title page.
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.17
<strong>DELLA BELLA</strong>, Stefano
<em>Profile Study of an Old Bearded Man With Head Cast Upward </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
Profile study of an old bearded man with head cast upward. From " Principi del Disegno" series of 24 prints plus title page.
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.16
<strong>DELLA BELLA</strong>, Stefano
<em>Study of a Bearded Man Wearing a Helmet </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
Study of a bearded man wearing a helmet. From " Principi del Disegno" series of 24 prints plus title page.
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.15
<strong>DELLA BELLA</strong>, Stefano
<em>Study of a Young Man Wearing a Hat </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
Study of a young man wearing hat. From " Principi del Disegno" series of 24 prints plus title page.
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.14
<strong>DELLA BELLA</strong>, Stefano
<em>Study of a Child's Head </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
Study of a child's head. From " Principi del Disegno" series of 24 prints plus title page.
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.13
<strong>DELLA BELLA</strong>, Stefano
<em>Study of a Young Boy's Head in Profile</em> from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
Study of a young boy's head in profile. From series of 24 prints plus title page, "Principi del Disegno".
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.12
<strong>DELLA BELLA</strong>, Stefano
<em>Female Head in Profile </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
Female head in profile. From series of 24 prints plus title page, "Principi del Disegno".
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.11
<strong>DELLA BELLA</strong>, Stefano
<em>Studies of Man Wearing Helmet </em>from "Principi del Disegno"
17th century
etching
sheet: 5 x 6 1/8 in.
2 studies of man wearing helmet. From "Principi del Disegno" series of 24 prints plus title page.
<strong>DELLA BELLA</strong>, Stefano
Italian, 1610-1664
ART DEPARTMENT PURCHASE FUND
17th century
1964.190.10
<strong>DELLA BELLA</strong>, Stephano
<em>Title Page: Principi del Disegno</em>
17th c.
Etching
5 x 6 1/8" SHEET
Putto with wreath on head drawing at easel. From "Princip del Disegno" series of 24 prints plus title page
<strong>DELLA BELLA</strong>, Stephano
b. Italy 1610-1664
UCSB Art Department Purchase Fund
17th century
1964.190.1
<strong>GUERIN</strong>, Christophe
<em>Portrait of Vivant Denon</em>
1810
Engraving
15 1/8 x 10 3/4"
Denon was first director of the Louvre
<strong>GUERIN</strong>, Christophe
b. France, 1758-1831
Gift of E. Bruce Robertson and Thom Kren
17th century
2000.49
<strong>VAN DYCK</strong>, Anthony
<em>Portrait of Justus Suttermans</em>
1626
Etching
9 7/8 x 6 1/2" IMAGE
Portrait of a gentleman in courtly dress
<strong>VAN DYC</strong>K, Anthony
b. Antwerp, 1599-1641
Gift of E. Bruce Robertson and Thom Kren
1626
2000.48
<strong>DELLA BELLA</strong>, Stefano
<em>Landscape with Four Bathers</em>
17th C
Etching
8 15/16" x 12 3/8"
Wooded Landscape with three bathers in foreground; mountain & sea in background
<strong>DELLA BELL</strong>A, Stefano
Italian, 1610-1664
Gift of E. Bruce Robertson and Thom Kren
17th century
2000.44
<strong>PIRANESI</strong>, Giovanni Battista
<em>Antichita Romane de tempi della Republica a de Primi</em>
1748
engraving
5 3/4 x 11 in.
<strong>PIRANESI</strong>, Giovanni Battista
b. Italy, 17201778
Gift of Dean Valentine and Amy Adelson
1748
1999.95
<strong>HUBNER</strong>, Julius
<em>The Dresden Gallery: Photographs After the Original Pictures</em>
1875
overall: 8 3/4 x 6 1/2 in.
<strong>HUBNER</strong>, Julius
German, 1806-1882
1875
1999.78
<strong>ZOFFANY</strong>, Johan; EARLOM, R. (maker)
<em>The Lavie Children</em>
1773
Mezzotint
10 3/8 x 14 1/2" IMAGE
figure study - a drawing class
<strong>ZOFFANY</strong>, Johan; <strong>EARLOM, R</strong>. (maker)
b. United Kingdom, 1733-1810
Gift of Professor Alfred Moir
1773
1999.136
<strong>LANDSEER</strong>, Sir Edwin
<em>The Marmozettes</em>
1858
steel engraving
9 3/4in. x 12 3/8in.
Still life with fruit, 3 marmozettes sit on top of a pineapple
<strong>LANDSEER</strong>, Sir Edwin
English
Gift of Irma Cavat
1858
1997.53
POWER, A.W.
View in the Pyrenees at Sunset near Bagnenes
ca. 1830
watercolor
8 3/4in. x 13in.
Landscape of mountains, rocks with low horizon line.
POWER, A.W.
British or American
Gift of Irma Cavat
1830
1997.49
<strong>D'URBINO</strong>, Raphael (After)
<em>Un des Anges</em>
ca. 1820s
Lithograph
23 x 26" MATTED
<strong>D'URBINO</strong>, Raphael (After)
b. Italy
Gift of Gary H. Brown
1820's
1995.33
<strong>DEVERIA</strong>, Achille
<em>Mlle. Leontine Fay, Theatre du Gymnase</em>
1831
lithograph
12 1/4 x 9 1/4 in
from, Actrices des Principaux Theatres de Paris. Appeared in Le Charivari, February 4, 1835
<strong>DEVERIA</strong>, Achille
French, 1800 - 1857
Gift of Ms. Beatrice Farwell
1831
1994.75
<strong>Artist unknown</strong>
<em>Fashion Plate</em>
1850
hand-colored engraving
9 1/4 x 6 1/8 in
from, Journal des demoiselles, no. 10
<strong>Artist unknown</strong>
Gift of Ms. Beatrice Farwell
1850
1994.74
<strong>Artist unknown</strong>
<em>Fashion Plate</em>
1861
hand-colored engraving
10 3/4 x 7 1/4 in.
from, Journal des demoiselles, no. 12
<strong>Artist unknown</strong>
Gift of Ms. Beatrice Farwell
1861
1994.73
<strong>Artist unknown</strong>
<em>Chapeau de paille cousue....</em>
1829
hand-colored engraving
8 x 5 in
from, Costumes Parisiennes, no.278
<strong>Artist unknown</strong>
Gift of Ms. Beatrice Farwell
1829
1994.72
<strong>DAUMIER</strong>, Honore
<em>Inconvenient des jupons....</em>
1857
lithograph
10 x 14 1/4 in
from, Croquis Parisiens, no.38, appeared in Le Charivari, August 18, 1857
<strong>DAUMIER</strong>, Honore
French, 1808-1879
Gift of Ms. Beatrice Farwell
1857
1994.69
<strong>BEAUMONT</strong>, Edouard de
<em>Vous voyez comme c'est ingenieux....</em>
1855
lithograph
14 x 9 1/2 in
from, Fariboles, 2eme Suite, no. 124, appeared in Le Charivari
<strong>BEAUMONT</strong>, Edouard de
French, 1812 - 1888
Gift of Ms. Beatrice Farwell
1855
1994.68
<strong>BEAUMONT</strong>, Edouard de
<em>Une Vue au bord de la mer</em>
1848
Lithograph
14 1/8 x 9 3/4"
from, Fairboles, 1ere Suite, no. 10
<strong>BEAUMONT</strong>, Edouard de
b. France, 1812 - 1888
Gift of Ms. Beatrice Farwell
1848
1994.67