VAN RIJN, Rembrandt
The Flight Into Egypt: Crossing a Brook
1654
Etching and drypoint, B.55, H. 276
3 3/4 x 5 3/4" SHEET
Unlike the other Rembrandt prints in the Museum collection, this is a lifetime impression. Consequently, this print is identified with the following notations: B.55, H.276 which correspond to catalog numbers in two distinct surveys of Rembrandts prints. These catalogs list the hundreds of prints the artist made, noting the different states of each. Scholars use these compendiums to identify whether prints are lifetime impressions, which state a print might be, or if they are restrikes. B is an abbreviation for Johann Adam Bernhard Ritter von Bartsch (17571821) an Austrian scholar and printmaker who put together a catalog of old Master prints. H is a reference to Friedrich Wilhelm Hollstein (18801957) a leading dealer in prints and drawings in Berlin and Amsterdam. During his life he compiled nineteen volumes on Dutch, Flemish and German prints. His work was so comprehensive it became, and remains, the standard for identification of many prints today.
VAN RIJN, Rembrandt
b. Leyde 1606 - 1669
Gift of Mrs. Edwin Corle through UCSB Art Affiliates
1654
1972.154
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Francois Thomas Savoie Carnigan</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Francois Thomas de Savoie, Prince de Carignan is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: PAUL PONTIUS SCULP.
VAN DYCK, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.031
POWER, A.W.
View in the Pyrenees at Sunset near Bagnenes
ca. 1830
watercolor
8 3/4in. x 13in.
Landscape of mountains, rocks with low horizon line.
POWER, A.W.
British or American
Gift of Irma Cavat
1830
1997.49
<strong>DIAZ</strong>, Narcisse Virgile and <strong>TAICE</strong>, Alfred (maker)
<em>Family, 1875</em>
19th C.
etching
5 1/8 x 6 1/2 in
DIAZ, Narcisse Virgile and TAICE, Alfred (maker)
French; and French, Paris 1820 -
19th C.
1985.77
DELLA BELLA, Stefano and SILVESTRE, Israel
The Palais Cardinal with Flying Fame
17th C
etching
5 1/8" x 9 3/4"
DELLA BELLA, Stefano and SILVESTRE, Israel
Italian, 1610 - 1664; and French, 1621 - 1691
17th century
1972.147
<strong>DE BRY</strong>, Theodor
<em>Shield with Ornamental Border</em>
ca. 1590
engraving
image: 5 5/16 x 4 7/16 in; sheet: 6 1/2 x 5 5/8 in
DE BRY, Theodor
German, 1528 - 1598
1590
1982.18
<strong>Artist unknown</strong>
<em>Sailing vessel, beached</em>
19th c.
Watercolor on paper
3 1/2 x 5"
Small image of a sailing boat on beach flanked by people on both sides.
Artist unknown
Gift of Harvey Taylor
19th C.
1972.116.7
<strong>ZUCCARO, Taddeo</strong> and <strong>MATHAM, Jacob</strong>
<em>Marriage at Cana</em>
1616
Engraving
11 5/8 x 15 7/8" IMAGE
<strong>ZUCCARO, Taddeo</strong> and <strong>MATHAM, Jacob</strong>
b. Italy, 1529 - 1566; b. Dutch, 1571 - 1631
Gift of UCSB Art Affiliates
1616
1989.1
<strong>ZUCCARELLI</strong>, Francesco
<em>All Fonte Costei Bagna Le Piante</em>
Etching
17 7/8 x 13 3/8"
<strong>ZUCCARELLI</strong>, Francesco
b. Italy, 1702 - 1788
18th c.
1969.19
<strong>ZOFFANY</strong>, Johan; EARLOM, R. (maker)
<em>The Lavie Children</em>
1773
Mezzotint
10 3/8 x 14 1/2" IMAGE
figure study - a drawing class
<strong>ZOFFANY</strong>, Johan; <strong>EARLOM, R</strong>. (maker)
b. United Kingdom, 1733-1810
Gift of Professor Alfred Moir
1773
1999.136
<strong>WHISTLER</strong>, James Abbott McNeill
<em>The Limeburner</em>, from the Thames Series
1859
etching and drypoint
sheet: 11 3/8 x 8 1/4 in.; image: 10 x 7 in.
<strong>WHISTLER</strong>, James Abbott McNeill
American, Lowell, MA 1834 - 1903 London
Gift of Miss Frances Holden through UCSB Art Affiliates
1859
1971.7
<strong>WHISTLER</strong>, James Abbott McNeill
<em>Black Lion Wharf</em>
Etching and drypoint
5 7/8 x 8 7/8" SHEET
The print is part of a series completed by Whistler when living in London off the Thames River. The wharf later became part of the London and Continental Steam Wharf, later still the Carron and Continental Wharve.
<strong>WHISTLER</strong>, James Abbott McNeill
b. United States, 1834 - 1903
ART DEPARTMENT PURCHASE FUND
1859
1962.7
<strong>WEYER</strong>, Johann
<em>Holy Family with St. John</em>
1690
red chalk on paper
8 5/8 x 12 1/4 in
<strong>WEYER</strong>, Johann
German
1690
1982.2
<strong>WATTIER</strong>, Emile
7 Heurs du soir. Preparatifs de triomphe
1828
lithograph, hand-colored (by Langlume)
12 5/16 x 10 in
<strong>WATTIER</strong>, Emile
French, 1800 - 1868
Gift of Ms. Beatrice Farwell
1828
1994.65
<strong>WAFTON</strong>, Caro
<em>King Henry VI, Act III, Scene III</em>
intaglio (stipple engraving)
mat: 28 x 34 in., sheet: 29 x 21 3/4 in.
<strong>WAFTON</strong>, Caro
ARTS LIBRARY, UCSB
ca. 1801-1803
L.1981.11
<strong>VORSTERMAN</strong>, Lucas (After <strong>VAN DYKE, Anthony</strong>)
<em>Nicholas Fabri de Peirese (French, 1580-1637)</em>
17th C.
engraving
9 1/2 x 6 1/8 in
<strong>VORSTERMAN</strong>, Lucas (After <strong>VAN DYKE</strong>, Anthony)
Flemish, 1595 - ca. 1675
17th century
1971.142
<strong>VISSCHER</strong>, Cornelius
<em>Balaam and His Ass</em>
17th c.
Engraving
15 x 19 7/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th century
1969.223
<strong>VISSCHER</strong>, Cornelius
<em>Abraham and the Angels</em>
17th c.
Engraving
15 1/8 x 29"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th century
1969.222
<strong>VISSCHER</strong>, Cornelius
<em>Igne et Sulphur</em> (Sodom and Gomorrah)
17th c.
Engraving
16 1/8 x 20 3/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th century
1969.221
<strong>VISSCHER</strong>, Cornelius
<em>Jacob and Esau, Selling Birthright</em>
17th c.
Engraving
16 x 20 3/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th century
1969.220
<strong>VISSCHER</strong>, Cornelius
<em>Scouts from the Land of Caanan</em>
17th c.
Engraving
15 3/4 x 20 1/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.219
<strong>VISSCHER</strong>, Cornelius
<em>Jacob and Esau</em>
17th c.
Engraving
15 7/8 x 20 1/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.218
<strong>VISSCHER</strong>, Cornelius
<em>Jacob and Rachel</em>
17th C.
engraving
15 7/8 x 20 in.
<strong>VISSCHER</strong>, Cornelius
b. The Netherlands, 1629 - 1662
17th c.
1969.217
<strong>VISSCHER</strong>, Cornelius
<em>Jacob's Dream</em>
17th c.
Engraving
15 1/2 x 19 3/4"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.216
<strong>VISSCHER</strong>, Cornelius
<em>Susanna and the Elders</em>
17th c.
Engraving
21 x 17"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.215
<strong>VISSCHER</strong>, Cornelius
<em>Expulsion</em>
17th c.
Engraving
16 1/8 x 29 7/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.214
<strong>VISSCHER</strong>, Cornelius
<em>Elisha and the Bears</em>
17th c.
Engraving
14 3/8 x 19 5/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.213
<strong>VISSCHER</strong>, Cornelius
<em>Sampson and Delilah</em>
17th c.
Engraving
15 7/8 x 20 1/4"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.212
<strong>VISSCHER</strong>, Cornelius
<em>Absalom (ex pugna)</em>
17th c.
Engraving
16 x 20 1/2"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.211
<strong>VISSCHER</strong>, Cornelius
<em>Christ and the Adultress</em>
17th c.
Engraving
17 x 21"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.210
<strong>VISSCHER</strong>, Cornelius
<em>Raising of Lazarus</em>
Engraving
16 x 20 1/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.209
<strong>VISSCHER</strong>, Cornelius
<em>Miraculous Draft of Fishes</em>
Engraving
16 1/8 x 20 3/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.208
<strong>VISSCHER</strong>, Cornelius
<em>Supper at Emmaus</em>
Engraving
15 3/8 x 20 1/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.207
<strong>VISSCHER</strong>, Cornelius
<em>Deposition</em>
Engraving
16 x 20 3/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.206
<strong>VISSCHER</strong>, Cornelius
<em>Crucifixion</em>
Engraving
16 x 20 3/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.205
<strong>VISSCHER</strong>, Cornelius
<em>Exiuit ergo Jesus</em>
Engraving
16 x 20 1/4"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.204
<strong>VISSCHER</strong>, Cornelius
<em>The Denial of Peter</em>
Engravings
16 x 20 1/2"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.203
<strong>VISSCHER</strong>, Cornelius
<em>The Last Supper</em>
Engraving
16 x 20 3/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.202
<strong>VISSCHER</strong>, Cornelius
<em>The Good Shepherd</em>
Engraving
15 7/8 x 20 1/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.201
<strong>VISSCHER</strong>, Cornelius
<em>Resurrection</em>
Engraving
15 7/8 x 20 1/4"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.200
<strong>VISSCHER</strong>, Cornelius
<em>The Three Marys at the Tomb</em>
Engraving
15 7/8 x 20 1/4"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.199
<strong>VISSCHER</strong>, Cornelius
<em>Et quum haec dixisset</em>
etching
16 1/8 x 20 1/2 in.
<strong>VISSCHER</strong>, Cornelius
b. The Netherlands, 1629 - 1662
17th c.
1969.198
<strong>VISSCHER</strong>, Cornelius
<em>Barnabus and Paul at Lystra</em>
Engraving
15 7/8 x 21 3/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.197
<strong>VISSCHER</strong>, Cornelius
<em>Baptism of Jesus</em>
Engraving
16 x 20 3/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.196
<strong>VISSCHER</strong>, Cornelius
<em>Jesus, Mary, Martha</em>
Engraving
15 7/8 x 20 3/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.195
<strong>VISSCHER</strong>, Cornelius
<em>Christ Driving the Money Changers from the Temple</em>
Engraving
15 7/8 x 20 1/4"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.194
<strong>VISSCHER</strong>, Cornelius
<em>Flight into Egypt</em>
Engraving
16 1/8 x 20 1/4"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.193
<strong>VISSCHER</strong>, Cornelius
<em>The Good Samaritan</em>
Engraving
14 3/8 x 19 3/8"
<strong>VISSCHER</strong>, Cornelius
b. Haarlem, 1629 - 1662
17th c.
1969.192
<strong>VILLAMENA</strong>, F.
<em>St. Francis</em>
17th C.
engraving
12 3/8 x 9 1/2 in.
<strong>VILLAMENA</strong>, F.
Italian
Gift of Professor Alfred Moir
17th century
1986.333
<strong>VILLAMENA, F. (after FENZONI, Ferrau)</strong>
<em>St. John the Baptist</em>
17th C.
engraving
12 1/8 x 9 1/4 in.
<strong>VILLAMENA, F. (after FENZONI, Ferrau)</strong>
Italian
Gift of Professor Alfred Moir
17th century
1986.332
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
<em>Saskia and Five Heads</em>
etching (re-strike)
7 5/8 x 6 1/8 in
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
Dutch, Leyde 1606 - 1669 Amsterdam
Gift of Mr. Granville Libby
1636
1964.189
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
<em>Five Heads, Women, Child, Horse</em>
etching (re-strike)
9 x 7 3/4 in
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
Dutch, Leyde 1606 - 1669 Amsterdam
Gift of Mr. Granville Libby
17th C.
1964.188
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
<em>Jan Lutma</em>
etching (re-strike)
6 3/4 x 8 3/4 in
This third state of Rembrandts etched portrait of the Amsterdam silversmith, Jan Lutma, is a restrike, executed in the late nineteenth century from a plate in the possession of Parisian publisher Henri-Louis Basan. After Rembrandts death, the third and final state of the etching was heavily re-worked by the Polish etcher Michael Plonski, who later sold it to Basan. As you look at Lutmas portrait, observe Plonskis later changes: hatching has been added to repair the drypoint and to enhance the appearance of texture where the plate had worn down.
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
Dutch, Leyde 1606 - 1669 Amsterdam
Gift of Mr. Granville Libby
1658
1964.186
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
<em>Self-Portrait</em>
etching (re-strike)
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
Dutch, Leyde 1606 - 1669 Amsterdam
Gift of Mr. Granville Libby
17th C.
1964.185
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
<em>Landscape with a Cottage and Large Tree</em>
etching (re-strike)
5 x 12 1/2 in
Rembrandt produced only one state of this etching. In this restrike a number of changes made by later hands are evident. This is likely a copy, as it has been horizontally reversed. Lifetime impressions of this countryside landscape lack the dark shadows that have since been added in the tree on the left side of the composition, as well as other tonal manipulations across the plate.
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
Dutch, Leyde 1606 - 1669 Amsterdam
Gift of Mr. Granville Libby
1641
1964.184
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
<em>Windmill</em>
etching (re-strike)
8 1/4 x 5 7/8 in
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
Dutch, Leyde 1606 - 1669 Amsterdam
Gift of Mr. Granville Libby
17th C.
1964.183
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
<em>Clement de Jonghe</em>
etching (re-strike)
6 3/4 x 8 in
This etching is a restrike of Rembrandts sixth and final state of his portrait of the print dealer Clement de Jonghe. The sixth state was reprinted numerous times and can be found with a variety of watermarks in different collections. In the later states of the etching, Rembrandt adds stippling to the figures right side, increasing the shading and volume to his face and cloak. Note the particularly clumsy passages of dark shadows on de Jonghes face. This indicates that the plate has been extensively re-worked by a later hand and was extremely worn when this impression was made. Clement de Jonghe, an Amsterdam print dealer, collected Rembrandts original copper plates, which thereafter were owned by the merchant Pieter de Haan in the eighteenth century, and were used to produce restrikes such as those displayed here.
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
Dutch, Leyde 1606 - 1669 Amsterdam
Gift of Mr. Granville Libby
1651
1964.182
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
<em>Self-Portrait with Velvet Cap and Plume</em>
etching (re-strike)
6 1/2 x 5 in
This self-portrait is one of many by Rembrandt in which the artist represents himself in the dignified, fanciful dress of a wealthy artist. The first clue that this print is not in fact a lifetime impression is the unusual, purple-colored paper used, which dates from the late nineteenth century, and due to its flimsy quality, has cracked, rather than torn. This print is not a restrike, but rather a photographic reproduction of one: note the differences between this image and the others displayed, all of which have been produced through the technique of etching.
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
Dutch, Leyden 1606 - 1669 Amsterdam
Gift of Mr. Granville Libby
1638
1964.181
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
<em>Rembrandt and Saskia</em>
etching (re-strike)
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
Dutch, Leyde 1606 - 1669 Amsterdam
Gift of Mr. Cranville Libby
17th C.
1964.179
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
<em>Old Man with Flowing Beard, Fur Cap and Velvet Cloak</em>
etching (re-strike)
5 7/8 x 5 1/4 in
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
Dutch, Leyde 1606 - 1669 Amsterdam
17th C.
1964.173
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
<em>Wittenbogardus</em>
etching (re-strike)
8 1/2 x 7"
<strong>VAN RIJN</strong>, Rembrandt (Attributed to)
Dutch, Leyde 1606 - 1669 Amsterdam
17th C.
1959.4
<strong>VAN RIJN</strong>, Rembrandt ( Attributed to)
<em>Joseph Telling His Dream</em>
etching (re-strike)
5 x 3 7/8 in
Gesturing expressively, Joseph is shown relaying his dream that one day he will rule and others will bow to him. His brothers act out a variety of responses, from wonder to anger and suspicion. While the small etching is rich with fine detail, much has been obscured and darkened through centuries of wear to its plate. In the earlier impression of the same plate from Westmonts Ridley-Tree Museum of Art, also on view, note how features of the turbaned figure standing behind Joseph are still distinguishable beneath the shadow cast on his face. As you compare the two prints, see if you can observe other passages of engraving that have become illegible after numerous restrikes.
<strong>VAN RIJN</strong>, Rembrandt ( Attributed to)
Dutch, Leyde 1606 - 1669 Amsterdam
Gift of Mr. Granville Libby
17th C.
1964.18
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Jan Wilden</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Jan Wilden is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: PAUL DU PONT SCULP.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey HortonPaulk
1630
2016.013.038
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Sebastian Vrancx</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Sebastian Vrancx is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by S. a Bolswert as indicated below image, at left-right: S. A BOLSWERT SCULP. CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.037
<strong>VAN DYC</strong>K, Anthony (Posthumous)
<em>Lucas Vorsterman, the elde</em>r
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Lucas Vorsterman, the elder is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman, the younger as indicated below image, at left-right: LUC. VORSTERMAN JUNIOR SCULPSIT ET EXCUDIT.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey HortonPaulk
1630
2016.013.036
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Jan van Ravesteyn</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Jan van Ravesteyn is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: PAUL. PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.035
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Theodor van Loon</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Theodor van Loon is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: PAUL. DU PONT SCULP.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.034
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Ceasar Alexander Scaglia</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Ceasar Alexandar Scaglia is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P. PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.033
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Cornelius Saftleven</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Cornelius Saftleven is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: LVORSTERMAN SCULP. CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.032
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Theodor Rogiers</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Theodor Rogiers is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Clover as indicated below image, at left-right: PETRUS CLOUET SCULPSIT.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.030
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Marten Pepyn</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Marten Pepyn is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by S. a Bolswert as indicated below image, at left-right: S. A BOLSWERT SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.029
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Frans Francken, the elder</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Frans Francken, the elder is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by G. Hondius as indicated below image, at left-right: GUILLIEMUS HONDIUS SCULPSIT CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey HortonPaulk
1630
2016.013.028
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Jean Charles della Faille</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Jean Charles della Faille is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A. Lommelin as indicated below image, at left-right: A. LOMMELIN SCULP.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.026
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Charles Emmanuel</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Charles Emmanuel is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Petrus Rucholle as indicated below image, at left-right: PETRUS RUCHOLLE SCULPSIT.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.025
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Schelte A. Bolswert</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Schelte A. Bolswert is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A. Lommelin as indicated below image, at left-right: ADR. LOMMELIN SCULPSIT.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 15991641
Gift of Casey Horton-Paulk
1630
2016.013.023
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Archduke Ferdinand of Austria</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Archduke Ferdinand of Austria , is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Adrian Lommelin as indicated below image, at left-right: ADRIAN LOMMELIN SCULPSIT.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.022
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Archduke Ferdinand of Austria</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Archduke Ferdinand of Austria, is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Adrian Lommelin as indicated below image, at left-right: ADRIAN LOMMELIN SCULPSIT.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.021
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Quintinus Simo</em>ns
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Quintinus Simons is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Pet. de Iode as indicated below image, at left-right: PET. DE IODE SCULP.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey HortonPaulk
1630
2016.013.020
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Anna Wake</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Anna Wake is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Petrus Clover as indicated below image, at left-right: PETRUS CLOUWET SCULPSIT.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.019
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Catherine Howard</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Catherine Howard is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A. Lommelin as indicated below image, at left-right: A LOMMELIN SCUP.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey HortonPaulk
1630
2016.013.018
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Alexander Della Faille</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Alexander Della Faille is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A Lommelin as indicated below image, at left-right: A. LOMMELIN SCULP.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.016
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Germand Seghers</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Germand Seghers is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: L. VORSTERMAN L.M.D.C.Q.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.015
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Peter Snayers</em>
1640-45
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Peter Snayers is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Andreas Stock as indicated below image, at left-right: ANDREAS STOCK SCULPSIT.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey HortonPaulk
1640-45
2016.013.014
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Cornelius Schut</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Cornelius Schut is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: LVORSTERMAN SCULP.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.013
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Huber Vanden Eynden</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Huber Vanden Eynden is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.012
<strong>VAN DYCK</strong>, Anthony (Posthumous)
Paul Pontius
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Paul Pontius is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 15991641
Gift of Casey Horton-Paulk
1630
2016.013.011
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Albertus Miraus</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Albertus Miraus is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.010
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Marie de Medici</em>
ca. 1630
Engraving
14 7/8 X 10 6/8" SHEET
This engraving of Marie de Medici is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul Pontius as indicated below image, at left-right: PAUL PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.009
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Caspar Gevaert</em>
ca. 1630
Engraving
14 6/8 X 9 5/8" SHEET
This engraving of Caspar Gevaert is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul du Pontius as indicated below image, at left-right: PAUL DU PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.008
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Cornelius Geest</em>
ca. 1630
Engraving
14 6/8 X 9 5/8" SHEET
This engraving of Cornelius Geest is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul Pontius as indicated below image, at left-right: PAUL PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.007
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Don Emanuel Frockas</em>
ca. 1630
Engraving
14 6/8 X 9 5/8" SHEET
This engraving of Don Emanuel Frockas is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by P. Pontius as indicated below image, at left-right: P. PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey HortonPaulk
1630
2016.013.006
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Don Alvaro de Bazan</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Don Alvaro de Bazan is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul Pontius as indicated below image, at left-right: PAUL PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey HortonPaulk
1630
2016.013.005
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Henrik Van Balen</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Henrik Van Balen is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Paul du Pontius as indicated below image, at left-right: PAUL DU PONTIUS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599=1641
Gift of Casey Horton-Paulk
1630
2016.013.004
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Frere Brancacci</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Frere Brancacci is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Nicola Lauwers as indicated below image, at left-right: NICOLA LAUWERS SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.003
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Jacob Jordaens</em>
ca. 1630
Engraving
14 7/8 X 11 1/8 SHEET
This engraving of Jacob Jordaens is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Petrus de Iode as indicated below image, at left-right: PET DE IODE SCULP CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599 -1641
Gift of Casey Horton Paulk
1630
2016.013.002
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Adam de Coster</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Adam de Coster is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Petrus de Iode as indicated below image, at left-right: PETRUS DE IODE SCULPSIT CUM PRIVILEGIO.
<strong>VAN DYCK</strong>, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.001
<strong>VAN DYCK</strong>, Anthony
<em>Frans Snyders</em>
17th C.
etching
9 5/8 x 6 1/4 in
<strong>VAN DYCK</strong>, Anthony
Flemish, 1599 - 1641
17th century
1971.141
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Theodor Galle</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Theodor Galle is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: LVORSTERMAN SCULP. CUM PRIVILEGIO.
<strong>VAN DYC</strong>K, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.027
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Wenceslas Coeberger</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Wenceslas Coeberger is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by Lucas Vorsterman as indicated below image, at left-right: L. VORSTERMANS SCULPSIT.
<strong>VAN DYC</strong>K, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.024
<strong>VAN DYCK</strong>, Anthony (Posthumous)
<em>Zeher Van Hontzum</em>
ca. 1630
Engraving
14 7/8 X 11 1/8" SHEET
This engraving of Zeher Van Hontzum is part of van Dyck's Iconography, a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This group of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists represents a survey of the most distinguished men and women of his time. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. In this case, the print is engraved by A. Lommelin as indicated below image, at left-right: ADR. LOMMELIN SCULP.
<strong>VAN DYC</strong>K, Anthony (Posthumous)
b. Antwerp, 1599-1641
Gift of Casey Horton-Paulk
1630
2016.013.017