VILLEGAS, Maria Amelia
description: Untitled
description: 1977
description: Metal
description: 58 X 92 X 24" APPROXIMATE
description: Large metal sculpture depicting a Surreal composition with a crescent moon in white on the right and a band of perforated, rusty metal on the left. Other areas have been cut into the metal leaving designs resembling hieroglyphics.
creator: VILLEGAS, Maria Amelia
source: Gift of Dr. and Mrs. Fima Lifshitz
date: 1977

VILLEGAS, Maria Amelia
description: Woman
description: 1977
description: Metal
description: 25 x 17 x 4 1/2" APPROXIMATE
description: Metal bas relief of semiabstract female torso. Nails, drilled into the metal base and placed very close together, convey the shape of pubic hair; an umbilicus, in the center of the artwork, represents an eye. MAV inscribed on the work.
creator: VILLEGAS, Maria Amelia
source: Gift of Dr. and Mrs. Fima Lifshitz
date: 1977

VILLEGAS, Maria Amelia
description: Man
description: 1977
description: Metal
description: 25 x 17 x 4 1/2" APPROXIMATE
description: Metal bas relief of a semiabstract male torso. Nails driven into the metal surface make the shape of a bow tie and pubic hair. An umbilicus, in the center of the artwork, repesents a centralized eye. Inscribed on the work MAV.
creator: VILLEGAS, Maria Amelia
source: Gift of Dr. and Mrs. Fima Lifshitz
date: 1977

VILLEGAS, Maria Amelia
description: Origins of Life
description: 1978
description: Metal, copper, glass with electified light
description: 54 x 84 1/5 x 13 1/2" APPROXIMATE
description: Large metal bas relief that has been cut open to expose other interior parts; small glass orbs float within the sculpture, held closely by wires. The patina of the metal base changes throughout from gold to blue.
creator: VILLEGAS, Maria Amelia
source: Gift of Dr. and Mrs. Fima Lifshitz
date: 1978

PAZ, Manolo
description: Untitled
description: 1994
description: Carved granite
description: 45" DIA. APPROXIMATE WITHOUT BASE.
description: Carved granite stone; centralized image of a horizontal letter "T" measuring 6 1/2 x 9 x 3" allowing the viewer to experience the darker interior of the stone.
creator: PAZ, Manolo
source: Gift of Dr. and Mrs. Fima Lifshitz
date: 1994

JACOBSON, Jim
description: Wind Vanes Mobile
description: 2005
description: Metal and paint
description: 54 x 54 X 30"APPROXIMATE
description: Mobile is comprised of four red paddles balanced vertically. A large disk on the left, hung horizontally, counterbalances the paddles on the right. The top and bottom paddles contain holes.
creator: JACOBSON, Jim
source: Gift of Dr. and Mrs. Fima Lifshitz
date: 2005

JACOBSON, Jim
description: Keyhole Mobile
description: 2010
description: Metal and paint
description: 48 x 107 x 46" APPROXIMATE
description: Mobile is comprised of four brown paddles balanced horizontally; a larger disk, hung vertically, counterbalances the smaller paddles. The large paddle contains six small holes and a larger square cut-out with a small grey orb.
creator: JACOBSON, Jim
source: Gift of Dr. and Mrs. Fima Lifshitz
date: 2010

BUTLER, Robert
description: Tractor Bench
description: 1993
description: Metal and paint
description: 40 x 35 x 29 1/2" APPROXIMATE
description: Double seated bench set comprised of two metal tractor seats fastened to a metal plate. The tractor seats are painted black separated by a metal "T" painted red. Inscription on the plate with the monogram and date, '93.
creator: BUTLER, Robert
source: Gift of Dr. and Mrs. Fima Lifshitz
date: 1993

BUTLER, Robert
description: Tractor Bench
description: 1993
description: Metal and paint
description: 40 X 35 X 29 1/2" APPROXIMATE
description: Double seated bench set comprised of two metal tractor seats fastened to a metal plate. The tractor seats are painted black separated by a metal "T" painted red. Inscription on the plate with the monogram and date, '93.
creator: BUTLER, Robert
source: Gift of Dr. and Mrs. Fima Lifshitz
date: 1993

LIPSKI, Donald
description: Building Stream #1
description: 1982
description: Mixed media
description: 20 7/8 x 4 x 6" OVERALL
description: Mixed media sculpture in three parts; glass tube with rubber glove suspended from a disc-like lid with crystal beads. Sculpture sits atop a black base with manufacturing information including the name of the equipment THREE PHASE TRANSFORMER.
creator: LIPSKI, Donald
creator: b. United States, 1947
source: Gift of the Margo Leavin Gallery
date: 1982

PICASSO, Pablo
description: Tauromachy Scene
description: 1959
description: White earthenware clay, ed. 65/100
description: 16 3/8 in. dia. OVERALL
description: Circular white earthenware clay dish depicting a tauromachy (bull-fight) scene surrounded by decorative elements; deep red with white streaks represent the bull-fighting ring. On the underside, the plate is numbered 65/100 with Madoura and Picasso stamps.
creator: PICASSO, Pablo
creator: b. Spain, 1881-1973
source: Gift of Lynn K. Altman Family Trust
date: 1959

PICASSO, Pablo
description: Mat Wood-Owl
description: 1958
description: White earthenware clay, ed. 200
description: 10 5/8 x 6 1/8 x 7 3/4 in. OVERALL
description: White earthenware clay turned vase with centralized redbrown design of a wood-owl. On the reverse, is a protruding bowl-like feature forming the tail of the wood-owl; interior of the base is numbered 143/200 with Madoura and Edition Picasso stamps.
creator: PICASSO, Pablo
creator: b. Spain, 1881-1973
source: Gift of Lynn K. Altman Family Trust
date: 1958

PICASSO, Pablo
description: Four Dancers
description: 1956
description: White earthenware clay
description: 24 3/4 x 15 3/4 x 2 1/2 in.
description: Convex white earthenware clay wall plaque with four figures created from raised white forms on black ground.
creator: PICASSO, Pablo
creator: b. Spain, 1881-1973
source: Gift of Lynn K. Altman Family Trust
date: 1956

PICASSO, Pablo
description: Bearded Man's Wife
description: 1953
description: White earthenware clay with matte finish, ed. 50
description: 14 3/4 x 7 1/2 x 9 5/8 in.
description: White earthenware clay pitcher with matte finish. Frontside includes shapes and other abstracted forms indicating the eyes, nose, and mouth. Depth and dimension are created with the layering of black, blue, green, and white. On the reverse are non-figural, abstracted forms mixed in with black streaks of hair from the face and extend to the handle of the pitcher.
creator: PICASSO, Pablo
creator: b. Spain, 1881-1973
source: Gift of Lynn K. Altman Family Trust
date: 1953

PICASSO, Pablo
description: Seized Handle Pitcher
description: 1953
description: White earthenware clay, 64/200
description: 7 7/8 x 4 3/8 x 11 3/8 in.
description: White earthenware clay turned pitcher with matte finish decorated with black, blue and white natural and animal-like abstracted forms. On the underside, the pitcher is numbered 64/200 along with Madoura and Edition Picasso stamps.
creator: PICASSO, Pablo
creator: b. Spain, 1881-1973
source: Gift of Lynn K. Altman Family Trust
date: 1953

PICASSO, Pablo
description: Vase with Goats
description: 1952
description: White earthenware clay, ed. 40
description: 9 1/4 in. dia. OVERALL
description: White earthenware clay vase with incised depictions in brown of goats and natural elements; situated between the goats is a light relief reading 6.6.52, possibly in reference to the date that the work was created. On the underside, is an Edition Picasso stamp with text, EDITION PICASSO.
creator: PICASSO, Pablo
creator: b. Spain, 1881-1973
source: Gift of Lynn K. Altman Family Trust
date: 1952

PICASSO, Pablo
description: Goat's Head in Profile
description: 1952
description: White earthenware clay, 61/100
description: 16 1/8 in. dia. OVERALL
description: White earthenware clay ceramic dish with profile of a goat's head; outer edges are blue-green with brown and yellow abstract forms surrounding head. Some elements including the eye, brow and snout are raised revealing the underlying bone structure.
creator: PICASSO, Pablo
creator: b. Spain, 1881-1973
source: Gift of Lynn K. Altman Family Trust
date: 1952

VASA (MIHICH, Vasa Velizar)
description: #466
description: 1971
description: Cast laminated acrylic
description: 10 7/8 in. dia. OVERALL
description: Cast laminated acrylic sculpture with an interior composed of thin colorful planes arranged in patterns. The work is signed and dated by the artist with the number and title of the piece, #466.
creator: VASA (MIHICH, Vasa Velizar)
creator: b. Yugoslavia, 1933
source: Gift of the Lynn K. Altman Family Trust
date: 1971

OCHOA, Ruben
description: Steel Life Porcelana
description: 2014
description: Porcelain, steel wire with concrete base, 11/12
description: 5 1/2 x 22 1/8 x 7 3/4" OVERALL
description: Los Angeles-based artist Ruben Ochoa draws from ​​the realm of construction and infrastructure, sourcing mass-produced products from home improvement stores or salvaging them from urban spaces. His sculptures, assembled from rebar, metal plates, wooden pallets, concrete blocks, road barriers, dirt, and other utilitarian components, range from room-filling structures to two-dimensional works, while others rest airily upon their pedestals. In Steel Life Porcelana, a bundle of white rebar, bound together by thin wire, rests diagonally across a cement block. Their color is peculiar: a stark, matte white. In every other respect, they seem ordinary. Such materials could be found on a construction site, or amid the debris of a home renovation. Surprisingly, however, the rebar’s pristine white is not painted on but inherent to the material itself. Its texture and form are replicated with uncanny accuracy in porcelain—a far more fragile and fine substrate. Here, the hard and unyielding meets the brittle and light, as Ochoa prompts us to reflect on the constituent materials of our built environment and the ways they are employed to shape society.
creator: OCHOA, Ruben
creator: b. United States, 1974
source: Museum purchase
date: 2014

WALKER, Kara
description: Freedom, A Fable
description: 1997
description: Pop-up book
description: 6 x 16 x 8 1/4" OPEN
description: The artist is known for her precisely drawn black silhouettes caricaturing the lives of slaves and masters in the Antebellum American south. Using this same caricature format, Freedom, A Fable addresses and documents a "Vision of a soon-to-be emancipated 19th century Negress."
creator: WALKER, Kara
creator: b. United States, 1969
source: Gift of Bonnie Kelm & Bill Malis in Memory of Michael Darren Kelm
date: 1997

ZIPERSTEIN, Bari
description: Aniuta is loved by foreign tourists and she in turn loves them for their foreign cash
description: 2016
description: Wood, stoneware, glaze and natural dyed rope
description: 23 3/4 X 27 X 3"
description: Using Russian communist propaganda as her starting point, this hexagonal wall hanging was created by the artist and was part of a faux trade show boothdepicting manipulated Communist government-sanctioned images of women. The installation, Fair Trade, was based on actual, detailed specifications established by the Communist Russian government for commercial, industrial fairs.
creator: ZIPERSTEIN, Bari
source: Museum purchase
date: 2016

ZIPERSTEIN, Bari
description: Lives worse than a prostitute
description: 2016
description: Terracotta, underglaze and glaze
description: 15 3/4 h. X 37" dia.
description: Using Russian communist propaganda as her starting point, this glazed vessel was created by the artist and was part of a faux trade show booththat borrowed and manipulated Communist government-sanctioned images of women. The installation, Fair Trade, was based on actual, detailed specifications established by the Communist Russian government for commercial, industrial fairs.
creator: ZIPERSTEIN, Bari
source: Museum purchase
date: 2016

MULLICAN, Matt
description: Untitled (3 Windows)
description: 1988
description: Wood and leaded glass
description: 53 3/4 x 29 1/2 x 1 3/4" ea. of three
description: Using leaded glass, the three vertical windows are configured of universal symbols and pictorial elements taken from Mullican's visual vocabulary. The first window uses a single set of semi circles and a centralized square; subsequent windows in the set employ the same symbols but are more complex with multiple semi-circles, squares and triangles.
creator: MULLICAN, Matt
creator: b. United States, 1951
source: Gift of Merry Norris
date: 1988

SEW HOY, Anna
description: Violetnoir
description: 2004
description: Glazed ceramic, chains, charms, beercan tabs, feathers and mixed media
description: 20 x 16 x 13"
description: Large hanging sculpture of glazed ceramic with charms, beercan tabs, feathers and other mixed media.
creator: SEW HOY, Anna
creator: b. New Zealand
source: Gift of Stanley and Gail Hollander
date: 2004

YOUNGBLOOD, Brenna
description: Risen
description: 2007
description: Paint, spray paint and collage on canvas
description: 49 x 36 1/2" FRAMED
description: An ambiguous formal study, Brenna Youngbloods Risen approaches pure abstraction. The lower half of this composition is grounded by thin sheets of paper that have been molded and layered, providing the canvas with pockets of tension. A common feature of Youngbloods collage work, this wrinkly texture alludes to her hands-on approach to making art, as well as the tactile quality of her work which borders on sculpture.
creator: YOUNGBLOOD, Brenna
creator: b. United States, 1979
source: Gift of Joan and Stuart Levin
date: 2007

BENTON, Fletcher
description: Folded Circle Maquette No. 91
description: 2013
description: Steel with patina
description: 10 x 6 x 5"
description: Steel maquette with patinated surfce; circular forms with thin rod extending diagonally from forms attached to a rotating square base. Etched signature and date on top surface of base.
creator: BENTON, Fletcher
creator: b. United States, 1931
source: Gift of Michael Roby and Austin F. Dohrman III
date: 2013

BENTON, Fletcher
description: Folded Circle Maquette No. 28
description: 2007
description: Steel with patina
description: 8 x 6 x 7"
description: Steel maquette with patinated surfce; circle form dissected into two planes and attached onto a square rotating base; etched signature and date on top surface of rotating base.
creator: BENTON, Fletcher
creator: b. United States, 1931
source: Gift of Michael Roby and Austin F. Dohrman III
date: 2007

HAMMOND, Jane
description: Spells and Incantations
description: 2007
description: Lithograph and silkscreen with gold leaf and chine-collon paper, hand-cut and assembled, 10/45
description: 60 1/2 X 18 3/4 X 7 1/2" OVERALL
description: Jane Hammond is best known for her paintings and prints that use a lexicon of 276 images, derived from commercial typography, tattoos, cartoons, ornamental graphics and period illustrations. These images recur throughout her body of work but are combined in myriad ways to create different effects and thereby manifest unique meanings. Spells and Incantations is a biographical work that incorporates a portrait of the artist and references Hammonds personal, familial memories. I was dreaming a lot about my grandmother. I spent much of my childhood with her and she spent much of her childhood in Egypt. I grew up around stories, photographs and objects from this faraway place.I have always wanted to make an Egyptian-based piece for some time using my lexicon of found images in a hieroglyphic context. I think of this piece as an amulet for propitious things in the journey of this life and beyond. Dated at bottom center; title at lower right, signed at lower left.
creator: HAMMOND, JANE
creator: b. United State, 1950
source: Gift of Kevin and Lotte Roache
date: 2007

IMATANI, Garrick; SAND, Kaia
description: Files from Looseleaf Services, The Watcher Files Project
description: 2013-14
description: Mixed media
description: 4 1/2 x 23 x 22" OVERALL
description: Garrick Imatanis work centers on issues related to archival exploration, artistic collaboration, and placemaking (an approach that considers the planning, design, and layout of public space in relation to the community). This mixed media work includes the files from the Looseleaf Services: (a) cardboard box entitled Looseleaf Services; (b) So He Raised His Hand, (documents) by Inge Bruggeman; (c) 12 stencils with description, designed by Katherine Ball. The Watcher File Project investigates and interprets, in various ways, records amassed by the Portland Police Bureau on 301 activist groups operating in the city between the 1960s through the 1980s. Such groups were under routine surveillance until an Oregon law was passed prohibiting the authorities from spying on factions not officially under criminal investigation. Imatanis participation in the exhibition is represented by Looseleaf Services, which consists of two major components: a filing cabinet holding various records reproduced as metal inserts, and a cardboard binder that sits atop the cabinet holding a publication subscription. For $40 a year subscribers receive primary and secondary source documents-addenda & errata-all punched with holes to slip into the binder. Additional materials that are sent to subscribers include artwork, poetry, essays, and small objects made by collaborators that relate to the materials within the files. All the materials including the filing cabinet are meant to be handled by visitors. By researching and making this information available, Imatani hopes to preserve the history of these activist groups as well as highlight the history of their surveillance.
creator: IMATANI, Garrick; SAND, Kaia
creator: b. United States, 1974 (Imatani); b. United States, 1971 (Sand)
source: Museum purchase
date: 2013-14

MCDONALD, Ian
description: Banded Vessel
description: 2012
description: Glazed ceramic
description: 12" h. x 5 1/4" dia.
description: The aesthetic sophistication of Ian McDonalds ceramic works speak to his conviction that pottery serves both non-functional and utilitarian purposes. Or, as McDonald has described his practice: "sculptural arrangements are born, in that the difference between the support (pedestal, furniture) and the object (sculpture, accessory) is so small that I just collapse it all together. I dont really start out thinking functional or non-functional, its all happening at once." McDonalds visual inspiration, which ranges from Amish quilts and Arte Povera to the work of other ceramicists and the California Bauhaus, are sources that can be discerned in the bold and simplified geometric works on display. The forms found in Tall Shade Vessel, Four Level, Banded Vessel, in addition to the mounted Corner Piece, are carefully constructed objects that demonstrate McDonalds great attention to design. Signed and dated on rim of circular base.
creator: MCDONALD, Ian
creator: b. United States, 1975
source: Gift of Ian McDonald
date: 2012

ONO, Jeff
description: My favorite/All of my thoughts
description: 1997
description: Straws, gum and tape
description: 23 x 23 x 23" OVERALL each of 2
description: Jeff Onos fragile cube constructions draw direct correlations with architecture. The disposable materials he usedstraws, gum and tapeunderscores what he terms an ambivalence to architecture. Ono highlights the difference between the fragile, handcrafted nature of the work with the form and shape of brutalist architecture, the modernist, bunker-like concrete style of buildings popular in the 1960s and 70s. This work was the first piece of formal sculpture Ono executed in his career and lays the groundwork for his ongoing investigation of materials, process and architecture. Beyond being an example to students of how artists can use myriad, readily available materials to make their work, Onos sculpture finds further contextualization within the Museums vast Architecture and Design archives.
creator: ONO, Jeff
creator: b. United States, 1973
source: Gift of Nancy Delman Portnoy
date: 1997

Knopke, Todd
description: Drive (a back and forth through time to save lives)
description: 2010
description: Thread, photo iron-on transfer, permanent marker, vinyl, chroma Key blue screen
description: 142 1/2 x 132 x 1"
description: Todd Knopke calls his work flexible sculpture. He creates large, even monumental, fabric works that are sewn from many disparate recycled fabric swatches. He arranges these pieces, much like a collage, into representational images depicting figures and recognizable elements. They maintain, however, an ethereal and dreamlike quality. Recalling historical tapestries, each work represents narratives frequently derived from his past memories.
creator: KNOPKE, Todd
creator: b. United States, 1973
source: Gift of Joe Barron
date: 2010

FOX, JEFF
description: Drosion
description: 1993
description: Acrylic paint on sleeping bags
description: 87 x 131 x 2 3/4"
description: Painted acylic sleeping bags mounted in Plexi case.
creator: FOX, JEFF
creator: b. United States, 1964
source: Gift of Joe Barron
date: 1993

FRIEDMAN, Tom
description: Unfound Object
description: 2008
description: Mixed media on board
description: 48 x 69 x 3 1/4"
description: "Art, for me, is a context to slow the viewer's experience from their everyday life in order to think about things they haven't thought about. Or to think in a new way." Tom Friedmans approach to understanding the world and its logic has long been expressed through the laborious, painstakingly precise and unexpected materials that he uses. His work is often autobiographical, recreating random elements from his own life and surroundings. To create these sculptures and objects, he uses everyday materials including Styrofoam, paint, paper, spaghetti, drinking straws, cards, clay, wire, plastic, hair and fuzz. Unfound Object with its random assortment of materials and objects suggests all the detritus that, having no value, remains unfound and unwanted.
creator: FRIEDMAN, Tom
creator: b. United States, 1965
source: Gift of Joe Barron
date: 2008

ERICSON, Kate and ZIEGLER, Mel
description: Time the Destroyer
description: 4 panel work
creator: ERICSON, Kate and ZIEGLER, Mel
source: Found in the collection
date: n.d.

DUNLAP, Richard
description: Minor Triad with Variations
description: 1979
description: Collage
description: 11 x 14 1/4"
description: Paper Collage with musical notes at in pencil
creator: DUNLAP, Richard
creator: United States, b. 1939
source: Bea Farwell Bequest
date: 1979

TANNER, Joan; REESE, Harry; REESE, Sandra
description: Turnings
description: 1990-92
description: mixed media
description: 18 1/2 x 13 1/2"
description: Edition consists of 20 portfolios; individual portfolios consists of a 16 page signature of handmade paper on which the artist's writing has been shaped and relief printed from metal type accompanied by 3 unique drawings. The AD&AM's copy consists of two portfolios, one without the drawings. The porfolio binding unfolds to reveal an original painting on a 10 x 16 inch wooden panel. (a) removable portfolio with images (b) painting loose portfolio without images (d) CD (e) videotape (f) paint brush
creator: TANNER, Joan; REESE, Harry; REESE, Sandra
creator: b. United States, 1935
source: Gift of Lillian and Jon Lovelace
date: 1990-92

BROWN, GARY
description: Fortune
description: 2009
description: paper and panel
description: 12 x 16"
description: Fluorescent paper on panel with drawing, watercolor and print image located at center left
creator: BROWN, Gary
creator: United States, b. 1941
source: Gifl of the Artist
date: 2009

PICASSO, Pablo
description: Plate
description: 1964
description: Ceramic with glaze
description: 3/4 h. x 9 7/8" dia.
description: Glazed ceramic plate with orbs outlined in blue
creator: PICASSO, Pablo
creator: Spanish, 1881-1973
source: Gift of Mary S. and Lou Cannon
date: 1964

GOLD, Betty
description: Holistic-77B
description: 1979
description: Cor-ten steel and paint
description: 105 x 60 x 21"
description: Floor sculpture with painted colored Corten Steel.
creator: GOLD, Betty
creator: United States
source: Gift of Mr. and Mrs. Dave Chatkin
date: 1979

ZAMMITT, Norman
description: Honeycomb
description: ca. 1960-60
description: molded plastic
description: 50 3/4 x 23 x 5"
description: Orange molded plastic square-like form ontop of a custom-made brass stand.
creator: ZAMMITT, Norman
creator: b. Canada, 1931
source: Gift of Judith T. and Milton R. Stark
date: 1960

Houser, Allan C.
description: ca. 1985-90
description: bronze
description: 48 x 27 x 27"
description: large bronze sculpture of intertwined figures; surface treatment includes stipled effect; signed at lower right.
creator: Houser, Allan C.
creator: b. Allan C. Haozous, Chiricahua Apache, 1914-1994
date: ca. 1985-90

HERMS, George
description: Plain Brown Wrapper
description: 1994
description: wood, paper, ink, string and shell
description: 4 5/8 x 11 3/4 x 11 3/4"
description: wood box with top sliding lid; contains 35 individual collages/sheets of paper; one is made in shell dispenser with paper roll
creator: HERMS, George
creator: United States
source: Given in memory of Paul Chadbourne Mills
date: 1994

CLARK, Hervey Parke
description: Figure of female
description: 1967
description: madrone
description: 16 h. x 6" dia.
description: Crude sculpture of the torso and head of a female figure in madrone wood.
creator: CLARK, Hervey Parke
source: Gift of Hervey Parke Clark
date: 1967

CLARK, Hervey Parke
description: Untitled
description: 1966
description: oak
description: 12 x 12 x 4 1/2"
description: Oak sculpture; long plank witht wo forms attached; at left is an upright form; at right, triangular form both have surface holes.
creator: CLARK, Hervey Parke
source: Gift of Hervey Parke Clark
date: 1966

CLARK, Hervey Parke
description: Self Portrait in Sentry Box
description: 1965
description: wood
description: 12 1/4 x 3 3/4 x 2 1/2"
description: Vertical sculpture in the form of an eloganted cube representing a figure.
creator: CLARK, Hervey Parke
source: Gift of Hervey Parke Clark
date: 1965

Valenti, Italo
description: Untitled
description: 1981
description: mixed media
description: 13 1/2 x 12"
description: Dark gray mixed media collage
creator: Valenti, Italo
creator: Swiss, b. 1912
source: Gift of Paul Tuttle Estate
date: 1981

OATES, Daniel
description: Lunchbox and Thermos
description: 1992
description: polyester resin
description: lunchbox: 16 1/4 x 14 1/4 x 8 1/2 in.; thermos: 22 1/2 x 8...
description: Enlarged thermos and lunchbox crafted in gray polyester resin
creator: OATES, Daniel
creator: b. 1964 Switzerland, lives and works in New York City
date: 1992

WOOD, Beatrice
description: Tea Pot
description: 20th C
description: terra cotta with luster glaze
description: 9 3/4 x 9 1/2 x 4 1/2 in.
description: Cylindrical pot with handle, thin spout and lid;Beatrice Wood was a master ceramicist whose works, so seemingly simple, belie a rigor that few modern artists had achieved prior. She was internationally recognized for the beauty of her forms and the startling quality of her lusters. Luster, the glazed surface, is produced through the careful combination of chemicals, which are brushed onto the clay surfaces, and the firing process during which oxygen is reduced for prescribed periods of time. Wood began making ceramics at the age of 40 upon enrolling in an adult education class. She developed recipes for a myriad of lusters which look similar to ancient antique vessels. This similarity in appearance is understandable given the artists life-long interest in folk crafts and her exploration of universal shapes and forms. Historians attribute Woods daring developments in ceramics to her involvement with the Dada movement in the early 1900s, which cultivated an ironic and playful sensibility that encouraged a disavowal of prescribed ideas about art. Indeed this flamboyant artist was often referred to as the Mama of Dada and counted artists such as Marcel Duchamp as good friends. And like Duchamps porcelain urinal, Fountain, Woods works claimed an irrepressible sense of freedom that looked towards the progressive in art
creator: WOOD, Beatrice
creator: United States, 1893-1997
source: Gift of Gary H. Brown
date: 20th century

ERICSON, Kate and ZIEGLER, Mel
description: Four Jars from Winter Cellar Series
description: 1987
description: etched jars, vegetables: wax beans, corn, green beans and tomato sauce
description: 7in. x 3 1/2in. x 3 1/2in. each
creator: ERICSON, Kate and ZIEGLER, Mel
creator: Ericson: (1955 - 1995); Ziegler (1956 -)
source: Gift of Councilman Joel Wachs, Los Angeles
date: 1987

BOSSLET, Eberhard
description: Sachzwang III (Administration Complex III)
description: 1988
description: file cabinet, wood and steel strapping
description: 68 x 57 x 18 1/2 in.
description: A construction composed of file drawers arranged in a square formation, held together with wood and steel strapping.
creator: BOSSLET, Eberhard
creator: German, 1953 -
source: Gift of Ruth and Jake Bloom
date: 1988

BENGSTON, Billy Al
description: Alamo
description: 1969
description: Print, laquer and polyester resin on aluminum
description: 36 x 34 in.
description: An avid motorcycle rider, Billy Al Bengston adapted the spray-gun technique used in customizing cycles to his own art work in the 1960s. Working on the unyielding surfaces of Masonite or metal, Bengston employed spray guns and airbrushes to achieve a sleek surface which he then marked with a recognizable yet out-of-context symbols, such as a cross, heart, iris, or, as in this work, sergeant stripes. While familiar, these centrally placed emblems resist a narrative interpretation and instead heighten awareness of the painted surface. Similarly, the dented metal both disrupts the composition and becomes art of it.
creator: Bengston, Billy Al American, b. 1934
source: Museum purchase, Art Affiliates
date: 1969

LACHOWICZ, Rachel
description: Carol Burnett
description: 1990
description: wood, charcoal and paper
description: 24 x 24 x 24 inches each
description: three cubes
creator: LACHOWICZ, Rachel
creator: American, b. 1964
source: Gift of Betty and Bob Klausner
date: 1990

MADSEN, Loren
description: Bookstrap #1
description: 1976
description: concrete, wire, wood
description: 49 x 7 x 166 1/2 in.
description: wood plank, 10 cement blocks, wire cable.
creator: MADSEN, Loren
creator: b. United States, 1943
source: Gift of Robert H. Halff
date: 1976

VASA (MIHICH, Vasa Velizar)
description: Untitled
description: lucite
description: 58 1/4" x 11 1/8" x 3 1/2"
description: Vasa Mihich creates his optically complex sculptures by laminating clear industrially-made acrylic sheets between thinner colored acrylic sheets. Once polished, the geometric forms can appear to be made of solid transparent colors even though they may be up to 90% clear. Comprehending the construction can be difficult, since areas may appear transparent when in fact they are showing a reflection.
creator: VASA (MIHICH, Vasa Velizar)
creator: American, Yugoslavia 1933 -
source: Gift of Mrs. Ruth Kriegel
date: n.d.

MANSHIP, Paul
description: Urn
description: 1919
description: alabaster
description: overall: 19 1/4 x 11 x 9 in.
description: Memorial urn in two pieces: (a) vessel (b) lid.
creator: MANSHIP, Paul
creator: American, 1885 - 1966
source: Gift of Eric Gugler
date: 1919

PALLY, Marc
description: Alhambra
description: 1994
description: graphite, colored pencil, acrylic on wood
description: 23 7/8 x 23 7/8 x 3 1/8 in.
description: Two sided mixed media work with a male figure on one side;; second side includes a female figure with starfish form.
creator: PALLEY, Marc
creator: b. United States, b. 1946
source: Gift of Peter Norton
date: 1994

ENO, Brian
description: Oblique Strategies: One Hundred Worthwhile Dilemmas
description: 1996
description: Corian box with 100 printed cards
description: 1 7/8 x 6 x 5 1/8"
description: In 1975, theBritish musician, producer, and visual artist, Brian Eno, together with the late English painter Peter Schmidt, addressed the challenge of breaking out of creative roadblocks by writing a series of phrases they dubbed "worthwhile dilemmas." These phrases, which suggest approaches from another direction, became known as Oblique Strategies. Originally published as a deck of cards in an austere format, they became an underground hit and sold out in three revised editions and were part of the Norton Christmas Gift. In 1996, as the Strategies were long out of print, Mr. Norton suggested to Eno a "fourth, yet again revised, and more universal edition." Norton edited the newly revised phrases and commissioned their translation into the six languages collectively spoken (English, Mandarin, Hindi, Spanish, Russian, and Arabic). Artist Pae White was commissioned to turn the cards' plain black-and-white format into an extravagantly colored format and housed in a Corian container that is known separately as "Bill's Bad Bone." These strategy cards have found widespread use in dozens of countries, at writers' desks, in artists' studios, and even in boardrooms.
creator: ENO, Brian
creator: British, b. 1948 (lives in the United States)
source: Anonymous Gift
date: 1996

ODUNDO, Magdalene
description: Untitled #6
description: 1995
description: ceramic
description: Ceramic vessel in the shape of an elongated gourd with a very smooth surface.
creator: ODUNDO, Magdalene
creator: b. Kenya, 1950
source: Gift of Barry A. Kitnick and Jill Alexander Kitnick, Anthony Slayter-Ralph and the artist
date: 1995

RICKEY, George
description: Study Round and Square
description: 1999
description: Metal and acrylic
description: 8 1/8 x 3 1/2 x 3 inches
description: Rectangular sheet of metal: recto includes 4 circles on a purple field, verso has six regtangular painted areas; mounted on steel support shaft attached to black base. Sculpture is deisigned to move with a breeze
creator: RICKEY, George
creator: American, 1907-2002
source: Gift of George Rickey
date: 1999

HOGAN, Patrick
description: Untitled
description: 1974
description: acrylic medium, pigment, carpet pad on card board
description: 40 1/4 x 48 x 1/2 in.
description: recycled fiber carpet pad with numerous smears of acrylic paint and incised areas
creator: HOGAN, Patrick
creator: American, b. 1947
source: Gift of the Estate of Patrick Hogan
date: 1974

Bender, Gretchen
description: Total Recall
description: 1985
description: Steel light box with Fluorescent lights and movie strip
description: 36 x 36
description: Brushed steel square with horizontal slit cut into center.Gretchen Benders work mines the tropes and language of mass media which she considered a cannibalistic riverthat absorbs everything. Her work, Total Recall, has a sinister appearance with its cold, metal surface and horizontal slit. Only by stepping closer and peering into the seeming void can viewers make out the illuminated words: Life Force, Moving Violation, Bio Toxin and Code of Silence, among others, all film titles. As she states: We recognize the film industry as a very important part of our culture economically and aesthetically and I think its a whole area that should be provoked more. Film and its invocations are much more powerful instruments economically and politically in our lives than we seem aware of. We say were aware of it, but in a glib way. Benders work explores the relationship between the film industry and the multi-national corporations that own them and in her words, own the worldthe mechanisms that make the world run.
creator: Bender, Gretchen
creator: American, b. 1951
source: Gift of Ruth and Jake Bloom
date: 1985

PATIGIAN, Haig
description: Caryatid Figure from the ARCO building
description: 1928-29
description: terra cotta, metal base
description: 57 x 35 x 29 in.
creator: PATIGIAN, Haig
creator: 1876 -1950
date: 1928-1929

Giegerich, Jill
description: Untitled
description: 1986
description: Wood and copper
description: 54 1/2 x 83 1/4 x 4 1/2
description: Irregular black shape with curved protrusions at top and right. Copper cube and and square plaque mounted at top left.
creator: Giegerich, Jill
creator: American, 1952-
source: Gift of Gary and Tracy Mezzatesta
date: 1986

LIGHTBODY, Joyce
description: K.T.S.02. Kuming to our Senses
description: 2000
description: Graphite, pigment, stamps, paper on wood with cassette tape
description: 10 x 8 x 1 1/2
creator: LIGHTBODY, Joyce
creator: b. United States, 1954
source: Gift of Heidi and Erik Murkoff
date: 2000

WOOD, Beatrice
description: Vessel
description: n.d.
description: terra cotta with luster glaze
description: 5 5/8 x 2 3/4 in. dia.
description: clay vessel with gold luminescent glaze; cylindrical in shape with 4 legs on bottom;Beatrice Wood was a master ceramicist whose works, so seemingly simple, belie a rigor that few modern artists had achieved prior. She was internationally recognized for the beauty of her forms and the startling quality of her lusters. Luster, the glazed surface, is produced through the careful combination of chemicals, which are brushed onto the clay surfaces, and the firing process during which oxygen is reduced for prescribed periods of time. Wood began making ceramics at the age of 40 upon enrolling in an adult education class. She developed recipes for a myriad of lusters which look similar to ancient antique vessels. This similarity in appearance is understandable given the artists life-long interest in folk crafts and her exploration of universal shapes and forms. Historians attribute Woods daring developments in ceramics to her involvement with the Dada movement in the early 1900s, which cultivated an ironic and playful sensibility that encouraged a disavowal of prescribed ideas about art. Indeed this flamboyant artist was often referred to as the Mama of Dada and counted artists such as Marcel Duchamp as good friends. And like Duchamps porcelain urinal, Fountain, Woods works claimed an irrepressible sense of freedom that looked towards the progressive in art
creator: WOOD, Beatrice
creator: United States, 1893-1997
source: Gift of Gary H. Brown
date: n.d.

MACH, David
description: African Match Head
description: 1994-95
description: matches
description: overall: 9 x 6 1/2 x 6 in.
creator: MACH, David
creator: Scottish, b. 1956
date: 1994-1995

SCHORR, Collier
description: Spill Dream #1
description: 1991
description: Plaster of Paris, fabric, grahite, ink
description: overall: 16 1/2 x 12 x 9 1/2 in.
description: Child's dress dipped in plaster of Paris, interior decorated with colored ink and graphite inscriptions
creator: SCHORR, Collier
date: 1991

GONZALEZ, Michael
description: Composition with Y.B. and R. #33
description: 1995
description: "wonder" brand english muffin bags, acrylic, fasteners
description: 14 1/8 x 17 1/8 x 7/8 in
description: In 1980, Michael Gonzalez enrolled in the California Institute for the Arts (CalArts) at the age of 26, when his artistic references stemmed from comic books and custom cars. Influenced by visual culture, his works critique the glossy aesthetics of optical art, minimalism, and geometric abstraction through everyday materials, in turn raising timely questions about consumption and discarded material culture. This 1990s series exemplifies that approach: Gonzalez manually deconstructs the Wonder brand’s brightly colored bread packaging and presses it in plexiglass to create provocative compositions. Throughout the Wonder series, the ubiquitous logo is rendered as a pattern. The depth, created not only by layers of plexiglass but also by Gonzalez's hypnotic play with dimension, appears to extend toward infinity. In one work, the Wonder logo plunges toward the bottom of the transparent canvas into a seemingly haphazard mess of colored circles, typography, and white rectangles, with the gallery wall occupying the negative space. In another, Wonder’s branding is reduced to a geometric abstraction, as Gonzalez takes advantage of the blue circles' ready-made transparency.
creator: GONZALEZ, Michael b. United States, 1953
source: Gift of Dean Valentine
date: 1995

STOUT, Renée
description: Her Medicine Cabinet
description: 1991
description: wood, glass bottles and photograph
description: 15 5/8 x 11 5/8 x 4 5/8 in.
creator: STOUT, Renée
creator: American, b. 1958
source: Gift of Doran H. Ross
date: 1991

LERE, Mark
description: Split Monument
description: 1986
description: bronze, plaster
description: 24 x 16 x 17 1/4 in.
description: Two metal forms with rounded top fused with white plaster.
creator: LERE, Mark
creator: American, b. 1950
source: Gift of Frances and John Bowes
date: 1986

WOOD, Beatrice
description: Vessel
description: terra cotta with luster glaze
description: 4in. x 4 3/4in. x 4in.
description: Beatrice Wood was a master ceramicist whose works, so seemingly simple, belie a rigor that few modern artists had achieved prior. She was internationally recognized for the beauty of her forms and the startling quality of her lusters. Luster, the glazed surface, is produced through the careful combination of chemicals, which are brushed onto the clay surfaces, and the firing process during which oxygen is reduced for prescribed periods of time. Wood began making ceramics at the age of 40 upon enrolling in an adult education class. She developed recipes for a myriad of lusters which look similar to ancient antique vessels. This similarity in appearance is understandable given the artists life-long interest in folk crafts and her exploration of universal shapes and forms. Historians attribute Woods daring developments in ceramics to her involvement with the Dada movement in the early 1900s, which cultivated an ironic and playful sensibility that encouraged a disavowal of prescribed ideas about art. Indeed this flamboyant artist was often referred to as the Mama of Dada and counted artists such as Marcel Duchamp as good friends. And like Duchamps porcelain urinal, Fountain, Woods works claimed an irrepressible sense of freedom that looked towards the progressive in art
creator: WOOD, Beatrice
creator: United States, 1893-1997
source: Gift of Gary H. Brown
date: n.d.

DWYER, Nancy
description: Diet Life Force
description: 1985
description: enamel on Plexiglas with sheetmetal
description: 36in. x 45in. x 5in.
description: Images of arrows and a grid system painted on clear Plexiglas.Nancy Dwyer likens her work to pictograms or signs that comment on the ways and means by which the media, especially advertising, infiltrates and seduces the public. She attempts to undermine advertising by using the language and graphic design inherent to it. In Diet Life Force, Dwyer shows brightly colored arrows that zoom toward the center of a mirrored expanse, perfectly framing the viewer. Like a lot of marketing related to diets, the work both distorts ones body image and also seems to proffer a fast, easy solution easy.
creator: DWYEr, Nancy
creator: United Statesb. 1954
source: Gift of Ruth and Jake Bloom
date: 1985

HEROLD, Georg
description: Untitled
description: 1987
description: buttons (29, black) on canvas, black yarn
description: 20in x 18in.
description: Black buttons attached to white canvas with black yarn
creator: HEROLD, Georg
source: Gift of Cynthia Plehn Greenwald
date: 1987

BARBUZZA, Isabel
description: Casa
description: 1990s
description: corn husks, starched muslin over wire armature; copper and wood base
description: 70 x 38 x 18 in.
description: Coat made of corn husks.
creator: BARBUZZA, Isabel
source: Gift of Michael Warshaw and Claudia Sole
date: 1990s

ZAJAC, Jack
description: Small Skull After Orvieto
description: Bronze with stone base
description: 10 1/2 x 16 x 7" OVERALL
description: Bronze scultpure of a small skull on a stone base.
creator: ZAJAC, Jack
creator: b. United States, 1929
source: Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints
date: 1977

WOOD, Beatrice
description: Vase
description: terracotta, blue glaze
description: 5 1/2 x 7 1/2" dia.
description: Beatrice Wood was a master ceramicist whose works, so seemingly simple, belie a rigor that few modern artists had achieved prior. She was internationally recognized for the beauty of her forms and the startling quality of her lusters. Luster, the glazed surface, is produced through the careful combination of chemicals, which are brushed onto the clay surfaces, and the firing process during which oxygen is reduced for prescribed periods of time. Wood began making ceramics at the age of 40 upon enrolling in an adult education class. She developed recipes for a myriad of lusters which look similar to ancient antique vessels. This similarity in appearance is understandable given the artists life-long interest in folk crafts and her exploration of universal shapes and forms. Historians attribute Woods daring developments in ceramics to her involvement with the Dada movement in the early 1900s, which cultivated an ironic and playful sensibility that encouraged a disavowal of prescribed ideas about art. Indeed this flamboyant artist was often referred to as the Mama of Dada and counted artists such as Marcel Duchamp as good friends. And like Duchamps porcelain urinal, Fountain, Woods works claimed an irrepressible sense of freedom that looked towards the progressive in art
creator: WOOD, Beatrice
creator: United States, 1893-1997
source: Gift of Gary H. Brown
date: 1948

ZITO, Joseph
description: Curved Corner
description: cast hydrostone
description: 120 x 18 x 18 in.
creator: ZITO, Joseph
creator: American, 1957-
source: Gift of Cliff and Mandy Einstein
date: 1990

WOOD, Beatrice
description: Vase
description: teracotta, blue glaze
description: 7 1/2 x 4 1/2 in.
description: Beatrice Wood was a master ceramicist whose works, so seemingly simple, belie a rigor that few modern artists had achieved prior. She was internationally recognized for the beauty of her forms and the startling quality of her lusters. Luster, the glazed surface, is produced through the careful combination of chemicals, which are brushed onto the clay surfaces, and the firing process during which oxygen is reduced for prescribed periods of time. Wood began making ceramics at the age of 40 upon enrolling in an adult education class. She developed recipes for a myriad of lusters which look similar to ancient antique vessels. This similarity in appearance is understandable given the artists life-long interest in folk crafts and her exploration of universal shapes and forms. Historians attribute Woods daring developments in ceramics to her involvement with the Dada movement in the early 1900s, which cultivated an ironic and playful sensibility that encouraged a disavowal of prescribed ideas about art. Indeed this flamboyant artist was often referred to as the Mama of Dada and counted artists such as Marcel Duchamp as good friends. And like Duchamps porcelain urinal, Fountain, Woods works claimed an irrepressible sense of freedom that looked towards the progressive in art
creator: WOOD, Beatrice
creator: United States, 1893-1997
source: Gift of Gary H. Brown
date: late 1950's/early 1960's

WOOD, Beatrice
description: Vase
description: teracotta, red luster glaze
description: 3 1/2 x 4 3/4 in.
description: Beatrice Wood was a master ceramicist whose works, so seemingly simple, belie a rigor that few modern artists had achieved prior. She was internationally recognized for the beauty of her forms and the startling quality of her lusters. Luster, the glazed surface, is produced through the careful combination of chemicals, which are brushed onto the clay surfaces, and the firing process during which oxygen is reduced for prescribed periods of time. Wood began making ceramics at the age of 40 upon enrolling in an adult education class. She developed recipes for a myriad of lusters which look similar to ancient antique vessels. This similarity in appearance is understandable given the artists life-long interest in folk crafts and her exploration of universal shapes and forms. Historians attribute Woods daring developments in ceramics to her involvement with the Dada movement in the early 1900s, which cultivated an ironic and playful sensibility that encouraged a disavowal of prescribed ideas about art. Indeed this flamboyant artist was often referred to as the Mama of Dada and counted artists such as Marcel Duchamp as good friends. And like Duchamps porcelain urinal, Fountain, Woods works claimed an irrepressible sense of freedom that looked towards the progressive in art
creator: WOOD, Beatrice
creator: United States, 1893-1997
source: Gift of Gary H. Brown
date: late 1950's/early 1960's

GOODMAN, Dane
description: "No title"
description: oil stain on wood
description: 4 x 20 x 4 1/2 in.
creator: GOODMAN, Dane
creator: American, 20th C.
source: Gift of Phyllis Plous
date: 1993-95

HEROLD, Georg
description: Eiger Nordwand
description: polyurethane on underwear
description: 24 x 17 x 11
description: part of "German Language Summits" series
creator: HEROLD, Georg
creator: German, b. 1947
source: Gift of Cynthia Plehn Greenwald
date: 1989

SEAGER, Sarah
description: Untitled (axe handle)
description: 1991
description: wood, enamel
description: 36 x 2 1/2 x 1 1/4 inches
creator: SEAGER, Sarah
creator: American, 1958-
source: Gift of Marc Selwyn
date: 1991

BEUYS, Joseph
description: Rose fur direkte Demokratie, [Rose for Direct Democracy]
description: etched glass beaker with rose
description: 13 3/4 x 3 1/4 x 3 1/4 inches
description: Rose fur direkte Demokratie etched in glassThis multiple derives from Josef Beuys Office for Direct Democracy through Referendum (ODD) installation at Documenta 5 (1972) and is typical of the Fluxus artists call for an engaged conceptual art practice that would break down clear-cut distinctions between established art discourse and the politics of everyday life. Beuys employed two parallel processes during this period, namely the creation of concrete artworks and action-performances on the one hand, and counter-institutional frameworksthe basis for free grass-roots public debate on social and ideological issues, particularly the dismantling of traditional party politicson the other. For Documenta, he transposed the Dseldorf office of ODDdesks, filing cabinets, blackboardsdirectly into the exhibition space, creating an information and educational center designed to critique and expand the institutional framework of the event itself. The office included two multiples: We wont do it without the rose, a photograph depicting Beuys didactically engaging with a Documenta visitor; and Rose for direct democracy, a single red rose in an etched, graduated chemistry beaker. The symbolic meaning of the latter is fairly clear, constructing a dialectical binary between passionate love and revolutionary socialism, art and science, bodily affect and empirical investigation. However, Beuys also saw the rose as symptomatic of an evolutionary progress toward a concrete revolutionary goal outside of conventional party hierarchies. (CHECK FILE FOR FULL TEXT0
creator: BEUYS, Joseph
creator: German, 1921 - 1986
source: Gift of Gary H. Brown
date: 1973

THOMAS, Robert
description: Poet's Hand
description: bronze
description: 21 7/8 x 9 1/8 x 9 1/8 in. with base
description: with base
creator: THOMAS, Robert
creator: American, 1924 - 1987
date: 1970

KOHN, Gabriel
description: Untitled
description: 1958
description: bronze, cast
description: 7 1/2 x 7 5/8 x 2 3/8 in.
description: curvilinear form w/ rectangular center space
creator: KOHN, Gabriel
creator: American, 1910 - 1975
date: 1958

COLE, Willie
description: Red Leather Venus
description: leather
description: 25 x 8 x 11 in.
description: sewn shoes
creator: COLE, Willie
creator: 1955 -
source: MUSEUM PURCHASE FUND
date: 1993

SHELTON, Peter
description: little principal (Bush Stick)
description: copper
description: 62 x 6 dia. in.
creator: SHELTON, Peter
creator: American, Troy, OH, 1951 -
source: Gift of Betty and Bob Klausner
date: 1981

THOMAS, Robert
description: Untitled
description: stone, pigment, wood base
description: 13 3/4 x 27 x 7 in.
creator: THOMAS, Robert
creator: American, 1924 - 1987
source: Gift of Barry and Gail Berkus
date: 1981

THOMAS, Robert
description: Phoenix
description: brass
description: 37 x 14 3/4 x 17 in.
creator: THOMAS, Robert
creator: American, 1924 - 1987
source: Gift of Howard and Jean Fenton
date: 1960

BAYER, Herbert and KNOWLES, Mel (fabricator)
description: Maquette for Chromatic Gate
description: wood, paint
description: 16 1/4 x 18 x 4 3/4 in.
creator: BAYER, Herbert and KNOWLES, Mel (fabricator)
creator: American
source: Gift of Priscilla K. Giesen
date: 1975

FORTIER, Rollin
description: Untitled
description: 1990
description: bronze
description: 6 1/2 x 10 x 3 1/4 in.
creator: FORTIER, Rollin
creator: United States, b. 1952
source: Gift of Elena Siff Erenberg and Samuel Erenberg
date: 1990

RABINOWITCH, David
description: Linear Mass in 3 Scales, III
description: ca. 1972 - 1973
description: cold rolled steel
description: 1 1/2 x 84 x 3 in.
creator: RABINOWITCH, David
creator: American, Toronto 1943 -
source: Gift of Daniel Weinberg
date: 1972-73

SCHMIDT, Julius
description: Sculpture
description: Cast aluminum
description: 13 1/4 x 7 x 7 in.
creator: SCHMIDT, Julius
creator: United States, b.1923
source: Gift of Donna Bear Scott
date: n.d

MOORE, Henry
description: Maquette for Egg Form: Pebbles
description: 1977
description: bronze
description: bronze: 3 x 4 x 3 1/4 in.; with base: 4 1/8 x 5 1/4 x 4 1/4 in.
creator: MOORE, Henry
creator: English, Castleford, Yorkshire 1898 - 1986 Much Hadham, Hertford
source: Gift of Katharine W. Tremaine
date: 1977

MOORE, Henry
description: Maquette for Reclining Interior Oval
description: 1965
description: bronze, painted bronze base
description: 5 1/8 x 8 x 3 1/2 in. (includes base)
creator: MOORE, Henry
creator: English, Castleford, Yorkshire 1898 - 1986 Much Hadham, Hertford
source: Gift of Katharine W. Tremaine
date: 1965

GEORGESCO, Christopher
description: Reserved Rights
description: steel and concrete
description: 10' H.
creator: GEORGESCO, Christopher
source: Gift of Robert H. Halff
date: 1975

FRANCIS, Sam
description: Two Forms
description: ceramic
description: 39 X 11 in. dia.; 30 1/2 x 9 1/2 in. dia.
description: 2 parts; dark blue.
creator: FRANCIS, Sam
creator: American, 1923 - 1994
source: Gift of Katharine W. Tremaine
date: ca. 1960-63

GLANTZMAN, Judy
description: Couple Seated
description: wood, paint
description: 19 1/4 x 12 1/2 x 6 in.
creator: GLANTZMAN, Judy
source: Gift of the Artist
date: 1984

DAVIS, Michael
description: Dry sand, Hotbreeze
description: wood and lead
description: 8 x 44 5/8 x 4 1/8 in.
creator: DAVIS, Michael
creator: American, 1948 -
source: Gift of Mr. Douglas C. Kennedy
date: 1978