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                <text>&lt;em&gt;Figure&lt;/em&gt;</text>
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            <description>A name given to the resource</description>
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                <text>&lt;em&gt;Stofnum Lydveldis a Islandi, 1944&lt;/em&gt;</text>
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                <text>Grace H. Dreyfus Collection</text>
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                <text>Gift of Michael Warshaw and Claudia Sole</text>
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                <text>&lt;strong&gt;BASCHET&lt;/strong&gt;, Francois and Bernard</text>
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                <text>&lt;em&gt;Musical Sculpture no. 20&lt;/em&gt;</text>
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                <text>Kinetic sculpture.</text>
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                <text>Gift of Mr. Carl Steele</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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                <text>&lt;em&gt;Maquette for Chromatic Gate&lt;/em&gt;</text>
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                <text>wood, paint</text>
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                <text>Gift of Priscilla K. Giesen</text>
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        <name>chromatic</name>
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        <name>colorful</name>
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        <name>Gate</name>
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        <name>maquette</name>
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        <name>Santa Barbara</name>
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                  <text>&lt;strong&gt;Sculpture and Mixed Media&lt;/strong&gt;</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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                <text>&lt;strong&gt;Bender&lt;/strong&gt;, Gretchen</text>
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                <text>American, b. 1951</text>
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                <text>&lt;strong&gt;Bender&lt;/strong&gt;, Gretchen</text>
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                <text>&lt;em&gt;Total Recall&lt;/em&gt;</text>
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                <text>Steel light box with Fluorescent lights and movie strip</text>
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                <text>Brushed steel square with horizontal slit cut into center.Gretchen Benders work mines the tropes and language of mass media which she considered a cannibalistic riverthat absorbs everything. Her work, Total Recall, has a sinister appearance with its cold, metal surface and horizontal slit. Only by stepping closer and peering into the seeming void can viewers make out the illuminated words: Life Force, Moving Violation, Bio Toxin and Code of Silence, among others, all film titles. As she states: We recognize the film industry as a very important part of our culture economically and aesthetically and I think its a whole area that should be provoked more. Film and its invocations are much more powerful instruments economically and politically in our lives than we seem aware of. We say were aware of it, but in a glib way. Benders work explores the relationship between the film industry and the multi-national corporations that own them and in her words, own the worldthe mechanisms that make the world run.</text>
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                <text>Gift of Ruth and Jake Bloom</text>
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        <name>film</name>
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        <name>film industry</name>
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        <name>lightbox</name>
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        <name>metal</name>
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        <name>political</name>
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        <name>Sculpture</name>
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        <name>steel</name>
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                  <text>&lt;strong&gt;Sculpture and Mixed Media&lt;/strong&gt;</text>
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                <text>&lt;strong&gt;Bengston, &lt;/strong&gt;Billy Al&lt;strong&gt;&lt;br /&gt;American&lt;/strong&gt;, b. 1934</text>
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                <text>&lt;em&gt;Alamo&lt;/em&gt;</text>
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                <text>Print, laquer and polyester resin on aluminum</text>
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                <text>36 x 34 in.</text>
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                <text>An avid motorcycle rider, Billy Al Bengston adapted the spray-gun technique used in customizing cycles to his own art work in the 1960s. Working on the unyielding surfaces of Masonite or metal, Bengston employed spray guns and airbrushes to achieve a sleek surface which he then marked with a recognizable yet out-of-context symbols, such as a cross, heart, iris, or, as in this work, sergeant stripes. While familiar, these centrally placed emblems resist a narrative interpretation and instead heighten awareness of the painted surface. Similarly, the dented metal both disrupts the composition and becomes art of it.</text>
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                <text>Museum purchase, Art Affiliates</text>
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        <name>aluminum</name>
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        <name>metal</name>
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        <name>Mixed Media</name>
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        <name>resin</name>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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                <text>2015.007.001</text>
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                <text>&lt;strong&gt;BENTON&lt;/strong&gt;, Fletcher</text>
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                <text>b. United States, 1931</text>
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                <text>&lt;strong&gt;BENTON&lt;/strong&gt;, Fletcher</text>
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                <text>&lt;em&gt;Folded Circle Maquette No. 28&lt;/em&gt;</text>
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                <text>Steel maquette with patinated surfce; circle form dissected into two planes and attached onto a square rotating base; etched signature and date on top surface of rotating base.</text>
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                <text>Gift of Michael Roby and Austin F. Dohrman III</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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                <text>&lt;strong&gt;BENTON&lt;/strong&gt;, Fletcher</text>
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                <text>b. United States, 1931</text>
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                <text>&lt;strong&gt;BENTON&lt;/strong&gt;, Fletcher</text>
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                <text>&lt;em&gt;Folded Circle Maquette No. 91&lt;/em&gt;</text>
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                <text>2013</text>
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                <text>Steel with patina</text>
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                <text>Steel maquette with patinated surfce; circular forms with thin rod extending diagonally from forms attached to a rotating square base. Etched signature and date on top surface of base.</text>
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                <text>Rose fur direkte Demokratie etched in glassThis multiple derives from Josef Beuys Office for Direct Democracy through Referendum (ODD) installation at Documenta 5 (1972) and is typical of the Fluxus artists call for an engaged conceptual art practice that would break down clear-cut distinctions between established art discourse and the politics of everyday life. Beuys employed two parallel processes during this period, namely the creation of concrete artworks and action-performances on the one hand, and counter-institutional frameworksthe basis for free grass-roots public debate on social and ideological issues, particularly the dismantling of traditional party politicson the other. For Documenta, he transposed the Dseldorf office of ODDdesks, filing cabinets, blackboardsdirectly into the exhibition space, creating an information and educational center designed to critique and expand the institutional framework of the event itself. The office included two multiples: We wont do it without the rose, a photograph depicting Beuys didactically engaging with a Documenta visitor; and Rose for direct democracy, a single red rose in an etched, graduated chemistry beaker. The symbolic meaning of the latter is fairly clear, constructing a dialectical binary between passionate love and revolutionary socialism, art and science, bodily affect and empirical investigation. However, Beuys also saw the rose as symptomatic of an evolutionary progress toward a concrete revolutionary goal outside of conventional party hierarchies. (CHECK FILE FOR FULL TEXT0</text>
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                <text>Bea Farwell Bequest</text>
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            <description>A name given to the resource</description>
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                <text>&lt;em&gt;Oblique Strategies: One Hundred Worthwhile Dilemmas&lt;/em&gt;</text>
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                <text>In 1975, theBritish musician, producer, and visual artist, Brian Eno, together with the late English painter Peter Schmidt, addressed the challenge of breaking out of creative roadblocks by writing a series of phrases they dubbed "worthwhile dilemmas." These phrases, which suggest approaches from another direction, became known as Oblique Strategies. Originally published as a deck of cards in an austere format, they became an underground hit and sold out in three revised editions and were part of the Norton Christmas Gift. In 1996, as the Strategies were long out of print, Mr. Norton suggested to Eno a "fourth, yet again revised, and more universal edition." Norton edited the newly revised phrases and commissioned their translation into the six languages collectively spoken (English, Mandarin, Hindi, Spanish, Russian, and Arabic). Artist Pae White was commissioned to turn the cards' plain black-and-white format into an extravagantly colored format and housed in a Corian container that is known separately as "Bill's Bad Bone." These strategy cards have found widespread use in dozens of countries, at writers' desks, in artists' studios, and even in boardrooms.</text>
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                <text>This work includes green plastic stencils and a pencil inscribed with FEHLAU NORTON HOLIDAY PROJECT @ 1992 as well as an instruction sheet for stenciling NO IT CAN ASSESS AN ACTION creating a palindrome on opposite walls; (a) instruction sheet; (b) pencil; (c) stencil for N; (d) stencil for o; (e) stencil for i; (f) stencil for T; (g) stencil for C; (h) stencil for S; (i) stencil for A; (j) stencil for E. The artist's work often shifts the viewer's point of reference through the doubling of images and text. Beginning in 1988, the Norton Family sent a limited edition Christmas gift to a wide list of friends in the art community including art institutions.</text>
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                <text>&lt;em&gt;Call Heaven&lt;/em&gt;</text>
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                <text>Rotary dial hotel telephone; painted overall in bright colors with black hieroglyph-like marks. Text on top of receiver -- MAKE THINGS RIGHT WITH GOD. Signed on underside with additional text in black.</text>
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                <text>Gift of Katharine W. Tremaine</text>
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                <text>"Art, for me, is a context to slow the viewer's experience from their everyday life in order to think about things they haven't thought about. Or to think in a new way." Tom Friedmans approach to understanding the world and its logic has long been expressed through the laborious, painstakingly precise and unexpected materials that he uses. His work is often autobiographical, recreating random elements from his own life and surroundings. To create these sculptures and objects, he uses everyday materials including Styrofoam, paint, paper, spaghetti, drinking straws, cards, clay, wire, plastic, hair and fuzz. Unfound Object with its random assortment of materials and objects suggests all the detritus that, having no value, remains unfound and unwanted.</text>
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                <text>Gift of Joe Barron</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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                <text>&lt;em&gt;Whyte Painting&lt;/em&gt;, 2010</text>
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                <text>Porcelain</text>
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                <text>This porcelain sculpture carries two protruding additions on the surface, on the left side a half-cylinder shape is connected by a vertical slab. On the lower right side of the sculpture are two porcelain pieces placed in a "L" shape; the horizontal piece contains the number "4,221" upside down. In addition, the upper-right corner of this sculpture contains a projection of porcelain that displays the letters duavin.</text>
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                <text>Gift of Marc Selwyn, Los Angeles</text>
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                <text>&lt;strong&gt;GEORGESCO&lt;/strong&gt;, Christopher</text>
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            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;GEORGESCO,&lt;/strong&gt; Christopher</text>
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                <text>&lt;em&gt;Reserved Rights&lt;/em&gt;</text>
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                <text>steel and concrete</text>
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                <text>10' H.</text>
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                <text>Gift of Robert H. Halff</text>
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            <name>Date</name>
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        <name>concrete</name>
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        <name>metal</name>
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      <tag tagId="53">
        <name>Sculpture</name>
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        <name>steel</name>
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              <name>Title</name>
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                <text>&lt;em&gt;Crucified Christ&lt;/em&gt;</text>
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                <text>19th C.</text>
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                <text>carved tusk</text>
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                <text>5 1/2 x 1 1/2 x 1/2 in.</text>
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                <text>Corpus of Christ without crucifix.</text>
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                <text>Gift of Julia Emerson</text>
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        <name>19th century</name>
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        <name>Christ</name>
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        <name>Christian</name>
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        <name>Figurative</name>
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        <name>german</name>
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        <name>Sculpture</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;Sculpture and Mixed Media&lt;/strong&gt;</text>
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              <name>Description</name>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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            <name>Identifier</name>
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                <text>2000.50</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;Giegerich&lt;/strong&gt;, Jill</text>
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                <text>American, 1952-</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;Giegerich&lt;/strong&gt;, Jill</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
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              <elementText elementTextId="65266">
                <text>1986</text>
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                <text>Wood and copper</text>
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                <text>54 1/2 x 83 1/4 x 4 1/2</text>
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              <elementText elementTextId="65269">
                <text>Irregular black shape with curved protrusions at top and right. Copper cube and and square plaque mounted at top left.</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Gary and Tracy Mezzatesta</text>
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          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1986</text>
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        <name>1980's</name>
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        <name>20th century</name>
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        <name>abstract</name>
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        <name>American</name>
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      <tag tagId="286">
        <name>Copper</name>
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      <tag tagId="274">
        <name>metal</name>
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      <tag tagId="53">
        <name>Sculpture</name>
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      <tag tagId="227">
        <name>Wood</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;Sculpture and Mixed Media&lt;/strong&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="64479">
                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1984.241</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;GLANTZMAN&lt;/strong&gt;, Judy</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;GLANTZMAN&lt;/strong&gt;, Judy</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Couple Seated&lt;/em&gt;</text>
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              <elementText elementTextId="64834">
                <text>wood, paint</text>
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                <text>19 1/4 x 12 1/2 x 6 in.</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of the Artist</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1984</text>
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        <name>1980's</name>
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        <name>20th century</name>
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        <name>Couple</name>
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      <tag tagId="19">
        <name>Figurative</name>
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        <name>Mixed Media</name>
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        <name>paint</name>
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        <name>seat</name>
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      <tag tagId="227">
        <name>Wood</name>
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        <src>http://art-collections.museum.ucsb.edu/files/original/aa20995704c037a1c0cb08a0b7afac95.jpg</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;Sculpture and Mixed Media&lt;/strong&gt;</text>
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            <element elementId="41">
              <name>Description</name>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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    <itemType itemTypeId="15">
      <name>Physical Object</name>
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            <name>Identifier</name>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;GOLD&lt;/strong&gt;, Betty</text>
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                <text>United States</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;GOLD&lt;/strong&gt;, Betty</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>&lt;em&gt;Holistic-77B&lt;/em&gt;</text>
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                <text>1979</text>
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                <text>Cor-ten steel and paint</text>
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                <text>105 x 60 x 21"</text>
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                <text>Floor sculpture with painted colored Corten Steel.</text>
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          </element>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Mr. and Mrs. Dave Chatkin</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1979</text>
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        <name>large scale</name>
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        <name>painted</name>
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      <tag tagId="53">
        <name>Sculpture</name>
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      <tag tagId="1042">
        <name>steel</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;Sculpture and Mixed Media&lt;/strong&gt;</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="64479">
                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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            <name>Identifier</name>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;GONZALEZ&lt;/strong&gt;, Michael</text>
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                <text>b. United States, 1953</text>
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            <description>An account of the resource</description>
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        <name>Sculpture</name>
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                  <text>&lt;strong&gt;Sculpture and Mixed Media&lt;/strong&gt;</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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            <name>Identifier</name>
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                <text>&lt;strong&gt;GOODMAN&lt;/strong&gt;, Dane</text>
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                <text>b. United States</text>
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            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;GOODMAN&lt;/strong&gt;, Dane</text>
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                <text>Ink on handkerchief</text>
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        <name>Ink</name>
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        <name>Pen</name>
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                  <text>&lt;strong&gt;Sculpture and Mixed Media&lt;/strong&gt;</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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            <name>Identifier</name>
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                <text>&lt;strong&gt;GOODMAN&lt;/strong&gt;, Dane</text>
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            <description>A name given to the resource</description>
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                <text>&lt;em&gt;Urban&lt;/em&gt;</text>
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                <text>Polaroid SX-70 photographs/steel tape adhered with methyl cellulose onto plywood</text>
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                <text>Living in New York City in the late 1970s and early 1980s, I was working with an SX70 Polaroid camera and shooting photographs as well as making drawings, sculptures, and installations. Urban is a synthesis of sculpture and photography and was part of the installation, Rattle in the Hot Shop, featured in Andy Warhols Interview magazine. I chose a universal image, a chair, and reduced it to its most basic form, and covered it with black Polaroids that show no image. In this way the Polaroids are not so much photographs as objects, and in this instance are used as tiles. The repetitive patterning of black Polaroid photographs makes them appear window-like, giving the chair an appearance similar to a skyscraper, like the Seagram building in New York City. In working this way, I negated the primary concept of photography to serve as documentation of the world around us.</text>
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                <text>Gift of the artist</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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            <name>Identifier</name>
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                <text>&lt;strong&gt;HAMMOND&lt;/strong&gt;, JANE</text>
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            <description>A name given to the resource</description>
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                <text>&lt;em&gt;Spells and Incantations&lt;/em&gt;</text>
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                <text>Jane Hammond is best known for her paintings and prints that use a lexicon of 276 images, derived from commercial typography, tattoos, cartoons, ornamental graphics and period illustrations. These images recur throughout her body of work but are combined in myriad ways to create different effects and thereby manifest unique meanings. Spells and Incantations is a biographical work that incorporates a portrait of the artist and references Hammonds personal, familial memories. I was dreaming a lot about my grandmother. I spent much of my childhood with her and she spent much of her childhood in Egypt. I grew up around stories, photographs and objects from this faraway place.I have always wanted to make an Egyptian-based piece for some time using my lexicon of found images in a hieroglyphic context. I think of this piece as an amulet for propitious things in the journey of this life and beyond. Dated at bottom center; title at lower right, signed at lower left.</text>
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                <text>Gift of Kevin and Lotte Roache</text>
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        <name>Sculpture</name>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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            <description>A name given to the resource</description>
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                <text>&lt;em&gt;Spooky Action&lt;/em&gt;, 2015</text>
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                <text>Wool, polyamide, viscose, polyethylene, terephthalate, hand-spun California Variegated Mutant (Nashua), Redwood</text>
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                <text>Many of Hansen's works include vibrant abstract forms such as the AD&amp;amp;A Museum's &lt;em&gt;Spooky Action&lt;/em&gt; which details a prominent lemon shaded sphere along the top. This mixed media hanging reflects the labour intensive process of hand knitted, wahsed and dyed wool which the artist spins himself eventually mounting onto a wooden stretcher. And although the construction of his work is often seen as improvised, its appearance is predetermined by computer algorithms potentially generating an infinite number of color combinations resulting in the artist being unaware of how the finished work will look until it is complete.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Marc Selwyn Fine Art, Los Angeles</text>
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                <text>&lt;em&gt;Aquarius II&lt;/em&gt;</text>
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                <text>30 x 33 x 27 in.</text>
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                <text>Kinetic sculpture in two pieces. Aluminum blades are held in place by an upright lead mast-like sculpture.</text>
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                <text>Gift of Mr. Charles E. Craig, Jr. through UCSB Art Affiliates</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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                <text>&lt;em&gt;Drive (a back and forth through time to save lives)&lt;/em&gt;</text>
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                <text>Todd Knopke calls his work flexible sculpture. He creates large, even monumental, fabric works that are sewn from many disparate recycled fabric swatches. He arranges these pieces, much like a collage, into representational images depicting figures and recognizable elements. They maintain, however, an ethereal and dreamlike quality. Recalling historical tapestries, each work represents narratives frequently derived from his past memories.</text>
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                <text>Gift of Joe Barron</text>
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                <text>bronze, cast</text>
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                <text>bronze, plaster</text>
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                <text>Two metal forms with rounded top fused with white plaster.</text>
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                <text>&lt;strong&gt;LEVIN&lt;/strong&gt;, Dan</text>
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                <text>b. United States, 1950-2017</text>
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            <name>Description</name>
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                <text>&lt;em&gt;Unknown Title (altered pitchfork)&lt;/em&gt;</text>
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                <text>n.d.</text>
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                <text>Altered pitchfork, springs, and hardware</text>
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                <text>55 1/2 x 3 1/2 x 6'' OVERALL</text>
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              <elementText elementTextId="66138">
                <text>A pitchfork whose handle has been cut every two inches and elongated with segments of metal spring.</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Estate of Frances Garvin and Keith Julius Puccinelli</text>
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            <name>Date</name>
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                <text>n.d.</text>
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        <name>hardware</name>
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        <name>metal</name>
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        <name>Mixed Media</name>
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        <name>pitchfork</name>
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      <tag tagId="53">
        <name>Sculpture</name>
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        <src>http://art-collections.museum.ucsb.edu/files/original/a2d172a0881bf034c5b992b1640989e0.jpg</src>
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                  <text>&lt;strong&gt;Sculpture and Mixed Media&lt;/strong&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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            <name>Identifier</name>
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                <text>2025.006.007</text>
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            <name>Creator</name>
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                <text>&lt;strong&gt;LEVINE&lt;/strong&gt;, Robert</text>
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                <text>b. United States, 1962</text>
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            <name>Title</name>
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                <text>&lt;strong&gt;LEVINE&lt;/strong&gt;, Robert</text>
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                <text>&lt;em&gt;White Knot Paintin&lt;/em&gt;g, 1990</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>String and paint on board</text>
              </elementText>
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                <text>15 5/8 x 15 1/2 x 1" UNFRAMED</text>
              </elementText>
              <elementText elementTextId="157049">
                <text>String and paint on board detailing an off-white background with knotted fragments. Knots spaced apart situated in various directions. On reverse: WHITE KNOT PAINTING ROBERT LEVINE 90.</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1990</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift from Thomas Solomon and Kimberly Mascola</text>
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        <name>Abstract.</name>
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        <name>Cord</name>
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        <name>Knots</name>
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        <name>Mixed Media</name>
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        <name>White</name>
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