<strong>LOWRY</strong>, Janice
<em>Russian Renaissance Series; regal woman</em>
Collage
12 x 9" UNFRAMED
A newspaper quality print of a regal woman from the Renaissance has a red hand collaged near her eye, and also the cutout of an observer, a well-dressed 19th Century woman, quite small in her scale, regarding her. Signed and dated on the lower right.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2004
2021.006.024
<strong>LOWRY</strong>, Janice
<em>We Are All Players</em>
Mixed media
18 x 8 1/2 x 7" OVERALL
The assemblage is constructed inside of a four-legged box that has been turned upside down. The interior is lined with collaged maps. A small globe on a stick holds a playing card, and the black head of a small creature, undefinable, gazing in an opposite directions. A cutout of a fish on a small stand is at the bottom of the box. Signd and dated on the bottom.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
1998
2021.006.023
<strong>LOWRY</strong>, Janice
<em>Prince Albert</em>
Mixed media
13 x 11 x 5" OVERALL
The assemblage is constructed out of a box with a hinged cover. The edges of the exterior cover are covered in thorn. The interior cover is gray, and in the center is a circular transparent orb, the inside of which holds a small figure seemingly suspended in its interior. The interior of the box is rimmed with the same thorny edges. A decorated tin of Prince Albert tobacco is positioned off-center to the left. Below the tobacco tin is a small vignette of a girl in overalls holding a pail approaching the cage of an overized bird. Cacti cutouts are along the edges of the interior. Signed and dated on the backside.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
1982
2021.006.022
<strong>LOWRY</strong>, Janice
<em>Looking for Crystals</em>
Mixed media
21 x 12 1/2 x 4 1/4" OVERALL
Lowry utilizes doll parts mixed withe machine parts in this assemblage. The composite figure approaches a viewing station against a deep blue background the color of a night sky. The disk on the back wall is partially covered in a constellation chart. The assemblage is particularly effective because of Lowry's use of bold colors; in this case, red, yellow, and blue. Signed and dated on the backside.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2003
2021.006.021
<strong>LOWRY</strong>, Janice
<em>Monkey Mind</em>
Assemblage
28 x 21" OVERALL
The interior of this elaborately constructed and painted assemblage is dense. An arm constructed of wood and fabric hangs attached to a wire; the hand clutches a small bag with the image of a monkey on the side. The creature regards another small, sculpted monkey that is placed on the bottom edge of the box. A small doll with a white face is suspended in the interior, hands clutching the same wire as that supporting the arm. A silhouetted cutout of a woman is in the top left section of the box. Signed and dated on the reverse.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2000
2021.006.020
<strong>LOWRY</strong>, Janice
<em>The Bible Belt</em>
Mixed Media
20 1/4 x 20" FRAMED
This mixed media work is from a series completed by the artist about a violent neighborhood tragedy. The panels are gilded, and the decorative elements are festive, but the message suggests otherwise. Next to the face of a young person are the words: "Ambush 5 shot." In and among the decorative elements is more text, that read: "THINGS JUST DON'T HAPPEN IN A PLACE LIKE THIS." Unsigned.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
1999
2021.006.019
<strong>LOWRY</strong>, Janice
<em>Journal #93 (Living A New Normal)</em>
Collage
15 x 20" MATTED
This journal page was completed one month after the attacks of 9/11. In it, Lowry uses 1950's advertising images of children in contrast to the horrors of that current moment. A boy and a girl reading is contrasted with four figures in hazmat suits on the left, and on the right a child's "toy" called a potato gun that shoots harmless potato pellets, collaged with renderings of explosions, and a clipped headline that reads "How Scared Should You Be?" Signed and dated below collage on mat.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2001
2021.006.018
<strong>LOWRY</strong>, Janice
<em>Journal #93</em>
Collage
15 x 20" MATTED
This is Lowry's journal entry on 9/11, the day the United States was attacked by Middle Eastern Terrorists. It includes her own writing on the day, concentrating on her observation of the dust-covered, sepia toned woman in the photograph on the right side. Signed and dated below the collage on mat.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2001
2021.006.017
<strong>LOWRY</strong>, Janice
<em>Untitled</em>
Collage
14 x 10 1/4" UNFRAMED
The background of the collage is a building under construction upon which is an image of the Virgin Mary steadying a young Jesus as he learns to walk. His steps take him up the side of the building. Signed and dated on reversed with a note that is was finished in 2008.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2008
2021.006.016
<strong>LOWRY</strong>, Janice
<em>Untitled</em>
Collage
13 3/4 x 10" UNFRAMED
A print of "Grande Odalisque" by Jean Auguste Ingres is collaged over a series of famous columns, statues, buildings, churches and spires suggesting a new meaning provided by the nude's glaze. Signed and dated at the lower right.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2006
2021.006.015
<strong>LOWRY</strong>, Janice
<em>Untitled</em>
Collage
14 x 10 1/4" UNFRAMED
Lowry uses the cover of a Life Magazine as the backdrop for the collage superimposing a sea map, and a large black crow over the body of Christ after he has been removed from his crucifixion. The wounds are visibile on his body but his face is obscured by the crow. Signed and dated on the lower right.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2008
2021.006.014
<strong>LOWRY</strong>, Janice
<em>El Sol</em>
Collage
13 1/4 x 10 1/2" UNFRAMED
The collaged elements of this artwork include a woman in a red and black cowboy shirt and hat. She is superimposed on a patterned portion of a Saltillo blanket gesturing to a suburban home over her shoulder, with a white and yellow picket fence. The girl in the photo is the artist, who grew up in the Southwest. Signed and dated at lower right.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2008
2021.006.013
<strong>LOWRY</strong>, Janice
<em>Untitled</em>
Collage
10 x 8 1/2" UNFRAMED
Lowry combines three black and white images; the dimly visible side of a cathedral and a massive well-lit skyscraper. The two images are intersected by an orb. Signed and dated on reverse.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2005
2021.006.012
<strong>LOWRY</strong>, Janice
<em>A Pupil's Progress</em>
Collage
12 x 8 1/2" UNFRAMED
Lowry juxtaposes two children's reading books in this collage with detailing the alphabet, introducing the letter A to Adam, whose fall from grace and inherent sin Christians believe we all share. Harsh words for the letter A! Next to it is the alphabet in upper and lower case inscribed on a paddle. Beneath it is a child's beginning reader with young Robert as the subject. The text is partially obscured by a disk. Both texts are joined vertically by the anatomical muscular schema of a man, whose lower half ends in some form of cephalopod. Signed and dated on the bottom right.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2005
2021.006.011
<strong>LOWRY</strong>, Janice
<em>Untitled</em>
Collage
17 x 13" UNFRAMED
This untitled collage represents a 1950's sensibility, the time when the artist was a young girl, Lowry collages different elements: blue and white floral wallpaper, a wallpaper catalog ad and a woman modeling 1950s lingerie. Signed and dated at lower right.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2002
2021.006.010
<strong>LOWRY</strong>, Janice
<em>Physics A Basic Science</em>
Collage
9 x 5 3/4" UNFRAMED
Lowry uses cut-out and recombined images of antiquated machinery to form an ineffectual looking robot. The humor is in the title; in this case the assembled robot defies basic science. Signed and dated at lower right right.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
1995
2021.006.009
<strong>LOWRY</strong>, Janice
<em>Untitled (miniature pop-up book)</em>
Mixed media
5 x 35" OPEN
Janice Lowry had an appreciation for Surrealism which developed in Europe after World War I and is credited as part of Lowry's artmaking, updated and seen through the lens of a woman. The miniature mixed media book is complete with prints of altered body parts, insects and animals. The text is applied appearing backwards, not meant to be read. Unsigned.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
n.d.
2021.006.008
<strong>LOWRY</strong>, Janice
<em>Journal #70</em>
Mixed media
20 x 20" FRAMED
This mixed media work joins others by the artist detailing a violent neighborhood tragedy; although the work(s) include gilded panels with decorative elements text is juxtaposed suggesting less than optimal circumstances. This includes the words "USUALLY," a "SHOT," while across the lower half the text reads "NEIGHBORHOOD" and in In the lower left corner is the drawn figure of a man pointing to the newspaper text, cut out in strips, applied to the surface and partially obscured by paint saying, in part: "...parking lot next to pier. It's usually a safe neighborhood...Newport Beach..." Unsigned.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
1999
2021.006.007
<strong>LOWRY</strong>, Janice
<em>Virginia (Journal #33)</em>
Mixed media
20 x 20" FRAMED
This mixed media work, along with KFI #'s 146 and 326, is from a series done by the artist about a violent neighborhood tragedy. The panels are similar in that they are gilded, and the decorative elements are festive, but the message is grim. The top portion of this assemblage shows three repeated hands, each reaching forward. The newspaper text cut out in strips, applied to the surface and partially obscured by paint say, in part: "I never thought something like this would happen in Virginia...shocked...it happened other places but..." Unsigned.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
1999
2021.006.006
<strong>LOWRY</strong>, Janice
<em>Now Only</em>
Collage
17 x 14" FRAMED
Lowry uses a print of traditional Japanese dress from the Edo period on which to collage a teacup, the crossed legs of a woman, a red heart, and the face of a woman in sepia tones, her lips and eyes enhanced with color. A semi-circle near the crossed legs cut from an advertisement reads: "NOW ONLY." Unsigned.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2001
2021.006.005
<strong>LOWRY</strong>, Janice
<em>Untitled #11</em>
Collage
11 x 8 1/2" UNFRAMED
Lowry collages an altered portrait from an earlier era by morphing the subject's face into unique shapes with only the eyes in original form; the mose and mouth come from other images; The remainder of the face and the center of the torso are obscured by early 20th Century machine parts. Signed and dated on the lower right.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2004
2021.006.004
<strong>LOWRY</strong>, Janice
<em>Mr. Beauty</em>
Collage
16 3/4 x 12 3/4" FRAMED
Lowry collages an altered portrait from an earlier era by morphing the subject's face into unique shapes with only the eyes and nose remaining in original form; a cutout of a bird is on his shoulder.The subject sits in a chair with a book in his lap. A circular cutout of a bird rests on one arm; a strip of elaborate penmanship is at the bottom of the page and reads: "Beauty Beauty Beauty." Signed and dated at the lower right.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2003
2021.006.003
<strong>LOWRY</strong>, Janice
<em>Untitled #12</em>
Collage
11 x 8 1/2" UNFRAMED
Lowry collages an altered portrait from an earlier era by morphing the subject's face into unique shapes with only the eyes and nose remaining in original form; a cutout of a bird is on his shoulder. Signed and dated at the lower right.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2003
2021.006.002
<strong>LOWRY</strong>, Janice
<em>Robot</em>
Collage
17 1/4 x 14 1/4" FRAMED
Thru collaging old factory machines to form the head and body, Lowry is able to form a robot, albeit an inefficient one which is superimposed over green and yellow patterned wallpaper. Signed and dated below the lower right, on mat.
<strong>LOWRY</strong>, Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2001
2021.006.001
<strong>LOWRY</strong>, Janice
<em>Constellation Series: "Southern Constellation"</em>
Collage
12 x 9" UNFRAMED
A collage of a woman from a 1950's fashion magazine cut from a nautical map which is superimposed over a cart of the southern constellations. Her shape takes up the entire diameter of the area of focus. Behind her is a cutout of a woman of antiquity, and a free-floating oven gate. Along the bottom edge are a series of banners from royal Italian families. Signed and dated on the bottom right.
<strong>LOWRY,</strong> Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2004
2021.006.031
<strong>LOWRY</strong>, Janice
<em>Flora and Fauna Illustration Series: Grasshoppers and Beetles</em>
Collage
16 x 10 1/4" UNFRAMED
A hand drawn and partially collaged figure of a man in a small black square, empty frames around his head and torso, positioned over grasshopper and beetle illustrations. A strip with elaborate but obscured penmanship throughout the lower half including the bust of a woman in 19th Century dress. Signed and dated on the bottom right.
<strong>LOWRY,</strong> Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2004
2021.006.029
<strong>LOWRY</strong>, Janice
<em>Flora and Fauna Illustration Series: Shells</em>
Collage
15 3/4 x 9 3/4" UNFRAMED
A hand drawn and partially collaged figure of a woman, halo above her head, standing in a small square over a print of shell illustrations. A transparent page with a leaf study is added to the bottom left corner of the collage. Signed and dated on the lower right.
<strong>LOWRY,</strong> Janice
b. United States, 1946-2009
Gift of John Gothold and the Kohler Foundation, Inc.
2004
2021.006.028
<strong>LORD</strong>, Clara
<em>Inner Circle</em>
wood, acrylic
40 in. dia.
Black.
<strong>LORD</strong>, Clara
Gift of the artist
1968
1968.21
<strong>LIPSKI</strong>, Donald
<em>Building Stream #1</em>
1982
Mixed media
20 7/8 x 4 x 6" OVERALL
Mixed media sculpture in three parts; glass tube with rubber glove suspended from a disc-like lid with crystal beads. Sculpture sits atop a black base with manufacturing information including the name of the equipment THREE PHASE TRANSFORMER.
<strong>LIPSKI</strong>, Donald
b. United States, 1947
Gift of the Margo Leavin Gallery
1982
2017.011.001a-c
<strong>LIGHTBODY</strong>, Joyce
<em>K.T.S.02. Kuming to our Senses</em>
2000
Graphite, pigment, stamps, paper on wood with cassette tape
10 x 8 x 1 1/2
<strong>LIGHTBODY</strong>, Joyce
b. United States, 1954
Gift of Heidi and Erik Murkoff
2000
2000.42
<strong>LEVIN</strong>, Dan
<em>Unknown Title (altered pitchfork)</em>
n.d.
Altered pitchfork, springs, and hardware
55 1/2 x 3 1/2 x 6'' OVERALL
A pitchfork whose handle has been cut every two inches and elongated with segments of metal spring.
<strong>LEVIN</strong>, Dan
b. United States, 1950-2017
Estate of Frances Garvin and Keith Julius Puccinelli
n.d.
2018.001.062
<strong>LEVIN</strong>, Dan
<em>Mess</em>
2004
Bullet casings, metal meal tray
2 x 9 x 7 "
Bullet casings sacttered and glued onto a small metal meal tray divided into three parts. The parts of the casings not covered in glue appear brown and rusty while the casings coverd in glue appear shiny with a bronze coloring.
<strong>LEVIN</strong>, Dan
b. United States, 1950
Estate of Frances Garvin and Keith Julius Puccinelli
2004
2018.001.061
<strong>LERE</strong>, Mark
<em>Split Monument</em>
1986
bronze, plaster
24 x 16 x 17 1/4 in.
Two metal forms with rounded top fused with white plaster.
<strong>LERE</strong>, Mark
American, b. 1950
Gift of Frances and John Bowes
1986
1998.43
<strong>LAWRENCE</strong>, David
<em>Pyramid</em>
sculpture
<strong>LAWRENCE</strong>, David
American, 1946 -
n.d.
1979.22
<strong>LANDER</strong>, Carl (formerly BUCHER, Carl)
<em>Landing S II</em>
fiberglass coated with blue acrylic lacquer
11 x 11 1/4 x 9 3/4 in.
Project model for moving water-landing sculpture.
<strong>LANDER</strong>, Carl (formerly BUCHER, Carl)
Swiss, b. Zurich 1935 - lives Toronto, Canada
Gift of Harriette Von Breton through UCSB Art Affiliates
1968
1973.35
<b>LACHOWICZ</b>, Rachel
<em>Carol Burnett</em>
1990
wood, charcoal and paper
24 x 24 x 24 inches each
three cubes
<strong>LACHOWICZ</strong>, Rachel
American, b. 1964
Gift of Betty and Bob Klausner
1990
1994.16.a-.c
<strong>KOHN</strong>, Gabriel
<em>Untitled</em>
1958
bronze, cast
7 1/2 x 7 5/8 x 2 3/8 in.
curvilinear form w/ rectangular center space
<strong>KOHN</strong>, Gabriel
American, 1910 - 1975
1958
1995.16
<strong>Knopke,</strong> Todd
<em>Drive (a back and forth through time to save lives)</em>
2010
Thread, photo iron-on transfer, permanent marker, vinyl, chroma Key blue screen
142 1/2 x 132 x 1"
Todd Knopke calls his work flexible sculpture. He creates large, even monumental, fabric works that are sewn from many disparate recycled fabric swatches. He arranges these pieces, much like a collage, into representational images depicting figures and recognizable elements. They maintain, however, an ethereal and dreamlike quality. Recalling historical tapestries, each work represents narratives frequently derived from his past memories.
<strong>KNOPKE</strong>, Todd
b. United States, 1973
Gift of Joe Barron
2010
2013.004.003
<strong>KIRK</strong>, Jerome
<em>Aquarius II</em>
aluminum
30 x 33 x 27 in.
Kinetic sculpture in two pieces. Aluminum blades are held in place by an upright lead mast-like sculpture.
<strong>KIRK</strong>, Jerome
American
Gift of Mr. Charles E. Craig, Jr. through UCSB Art Affiliates
1969
1970.44
<strong>JENNINGS</strong>, James Harold
<em>Untitled</em>
1987
Paint, mixed media, and wood
27 1/2 x 32 1/2"
Wooden patterned sculpture with colorful flowers, birds, and stars.
<strong>JENNINGS</strong>, James Harold
b. United States, 1931-1999
Estate of Frances Garvin and Keith Julius Puccinelli
1987
2018.001.053
<strong>JENNINGS</strong>, James Harold
<em>Sun Moon Stars (Woman Beats Hell Out of Devil)</em>
ca. 1987
Paint on wood
11 x 16 4/8 x 1" OVERALL
Painted wood panel of a woman beating a devil. Title is in wood cut letters along top.
<strong>JENNINGS</strong>, James Harold
b. United States, 1931-1999
Estate of Frances Garvin and Keith Julius Puccinelli
1987
2018.001.052
<strong>JACOBSON</strong>, Jim
<em>Wind Vanes Mobile</em>
2005
Metal and paint
54 x 54 X 30"APPROXIMATE
Mobile is comprised of four red paddles balanced vertically. A large disk on the left, hung horizontally, counterbalances the paddles on the right. The top and bottom paddles contain holes.
<strong>JACOBSON</strong>, Jim
Gift of Dr. and Mrs. Fima Lifshitz
2005
2017.014.004
<strong>JACOBSON</strong>, Jim
<em>Keyhole Mobile</em>
2010
Metal and paint
48 x 107 x 46" APPROXIMATE
Mobile is comprised of four brown paddles balanced horizontally; a larger disk, hung vertically, counterbalances the smaller paddles. The large paddle contains six small holes and a larger square cut-out with a small grey orb.
<strong>JACOBSON</strong>, Jim
Gift of Dr. and Mrs. Fima Lifshitz
2010
2017.014.003
<strong>ITALIAN</strong>
<em>Carrozze</em>
wood, paint
7 1/4 x 8 7/8 x 2 1/2 in.
Wood carved openwork plaque depicting the Holy Family with the dove and two angels above.
<strong>ITALIAN</strong>
Italy, Sicily
Grace H. Dreyfus Collection
n.d
1971.82
<strong>IMATANI, </strong>Garrick<strong>; SAND, </strong>Kaia
<em>Files from Looseleaf Services, The Watcher Files Project</em>
2013-14
Mixed media
4 1/2 x 23 x 22" OVERALL
Garrick Imatanis work centers on issues related to archival exploration, artistic collaboration, and placemaking (an approach that considers the planning, design, and layout of public space in relation to the community). This mixed media work includes the files from the Looseleaf Services: (a) cardboard box entitled Looseleaf Services; (b) So He Raised His Hand, (documents) by Inge Bruggeman; (c) 12 stencils with description, designed by Katherine Ball. The Watcher File Project investigates and interprets, in various ways, records amassed by the Portland Police Bureau on 301 activist groups operating in the city between the 1960s through the 1980s. Such groups were under routine surveillance until an Oregon law was passed prohibiting the authorities from spying on factions not officially under criminal investigation. Imatanis participation in the exhibition is represented by Looseleaf Services, which consists of two major components: a filing cabinet holding various records reproduced as metal inserts, and a cardboard binder that sits atop the cabinet holding a publication subscription. For $40 a year subscribers receive primary and secondary source documents-addenda & errata-all punched with holes to slip into the binder. Additional materials that are sent to subscribers include artwork, poetry, essays, and small objects made by collaborators that relate to the materials within the files. All the materials including the filing cabinet are meant to be handled by visitors. By researching and making this information available, Imatani hopes to preserve the history of these activist groups as well as highlight the history of their surveillance.
<strong>IMATANI</strong>, Garrick; <strong>SAND,</strong> Kaia
b. United States, 1974 (Imatani); b. United States, 1971 (Sand)
Museum purchase
2013-14
2014.018.001a-c
<strong>HUNT</strong>, Richard
<em>Curling Hybrid</em>
welded steel
22 1/4 x 16 1/2 x 15 1/4 in.
<strong>HUNT</strong>, Richard
American, 1925 -
Gift of Beatrice Kolliner
1964
1981.81
<strong>HUBBARD</strong>, Alex
<em>SK #12</em>
2009
Silkscreen ink and enamel on canvas with wooden stretcher
72 x 50" UNFRAMED
Large silkscreen and ink mixed media work on canvas; white ground with blue circular form at top flanked by pink singular stripes at sides.
<strong>HUBBARD</strong>, Alex
b. United States, 1975
Gift of Marc Selwyn Fine Art, Beverly Hills
2009
2018.017.003
<strong>Houser</strong>, Allan C.
ca. 1985-90
bronze
48 x 27 x 27"
large bronze sculpture of intertwined figures; surface treatment includes stipled effect; signed at lower right.
<strong>Houser</strong>, Allan C.
b. Allan C. Haozous, Chiricahua Apache, 1914-1994
ca. 1985-90
2005.004.001
<strong>HOGAN, </strong>Patrick
<em>Untitled</em>
1974
acrylic medium, pigment, carpet pad on card board
40 1/4 x 48 x 1/2 in.
recycled fiber carpet pad with numerous smears of acrylic paint and incised areas
<strong>HOGAN, </strong>Patrick
American, b. 1947
Gift of the Estate of Patrick Hogan
1974
2000.7
<strong>HILL</strong>, Marilyn
<em>Untitled</em>
bronze
17 1/2 x 11 3/4 in.
relief
<strong>HILL</strong>, Marilyn
1965
1965.105
<strong>HEROLD</strong>, Georg
<em>Untitled</em>
1987
buttons (29, black) on canvas, black yarn
20in x 18in.
Black buttons attached to white canvas with black yarn
<strong>HEROLD</strong>, Georg
Gift of Cynthia Plehn Greenwald
1987
1997.71
<strong>HEROLD</strong>, Georg
<em>Eiger Nordwand</em>
polyurethane on underwear
24 x 17 x 11
part of "German Language Summits" series
<strong>HEROLD</strong>, Georg
German, b. 1947
Gift of Cynthia Plehn Greenwald
1989
1996.7
<strong>HERMS</strong>, George
<em>Plain Brown Wrapper</em>
1994
wood, paper, ink, string and shell
4 5/8 x 11 3/4 x 11 3/4"
wood box with top sliding lid; contains 35 individual collages/sheets of paper; one is made in shell dispenser with paper roll
<strong>HERMS</strong>, George
United States
Given in memory of Paul Chadbourne Mills
1994
2005.001.001
<strong>HAYT</strong>, Maxine
<em>Vagina Dentatas</em>
2002
Metal, shark jaws, wax, nylon stockings, Plexi and wood boxes
4 x 3 x 2" OVERALL. each of 2
Green and purple and red and yellow sculptures of flower petals resembling a vagina. Inside the petals are teeth. Underneath plate, is a description.
<strong>HAYT, </strong>Maxine
b. United States, 1937
Estate of Frances Garvin and Keith Julius Puccinelli
2002
2018.001.568-569
<strong>HARGER</strong>, Steve
<em>Untitled</em>
metal
12 x 48 inches
<strong>HARGER</strong>, Steve
1968
1968.16
<strong>HANSEN</strong>, Channing
<em>Spooky Action</em>, 2015
Wool, polyamide, viscose, polyethylene, terephthalate, hand-spun California Variegated Mutant (Nashua), Redwood
38 1/2 x 47" OVERALL
Many of Hansen's works include vibrant abstract forms such as the AD&A Museum's <em>Spooky Action</em> which details a prominent lemon shaded sphere along the top. This mixed media hanging reflects the labour intensive process of hand knitted, wahsed and dyed wool which the artist spins himself eventually mounting onto a wooden stretcher. And although the construction of his work is often seen as improvised, its appearance is predetermined by computer algorithms potentially generating an infinite number of color combinations resulting in the artist being unaware of how the finished work will look until it is complete.
<strong>HANSEN</strong>, Channing
b. United States, 1972
Gift of Marc Selwyn Fine Art, Los Angeles
2015
2021.008.001
<strong>HAMMOND</strong>, Jane
<em>Spells and Incantations</em>
2007
Lithograph and silkscreen with gold leaf and chine-collon paper, hand-cut and assembled, 10/45
60 1/2 X 18 3/4 X 7 1/2" OVERALL
Jane Hammond is best known for her paintings and prints that use a lexicon of 276 images, derived from commercial typography, tattoos, cartoons, ornamental graphics and period illustrations. These images recur throughout her body of work but are combined in myriad ways to create different effects and thereby manifest unique meanings. Spells and Incantations is a biographical work that incorporates a portrait of the artist and references Hammonds personal, familial memories. I was dreaming a lot about my grandmother. I spent much of my childhood with her and she spent much of her childhood in Egypt. I grew up around stories, photographs and objects from this faraway place.I have always wanted to make an Egyptian-based piece for some time using my lexicon of found images in a hieroglyphic context. I think of this piece as an amulet for propitious things in the journey of this life and beyond. Dated at bottom center; title at lower right, signed at lower left.
<strong>HAMMOND</strong>, JANE
b. United State, 1950
Gift of Kevin and Lotte Roache
2007
2014.025.001
<strong>GOODMAN</strong>, Dane
<em>Urban</em>
1982
Polaroid SX-70 photographs/steel tape adhered with methyl cellulose onto plywood
60 x 17 1/2 x 21"
Living in New York City in the late 1970s and early 1980s, I was working with an SX70 Polaroid camera and shooting photographs as well as making drawings, sculptures, and installations. Urban is a synthesis of sculpture and photography and was part of the installation, Rattle in the Hot Shop, featured in Andy Warhols Interview magazine. I chose a universal image, a chair, and reduced it to its most basic form, and covered it with black Polaroids that show no image. In this way the Polaroids are not so much photographs as objects, and in this instance are used as tiles. The repetitive patterning of black Polaroid photographs makes them appear window-like, giving the chair an appearance similar to a skyscraper, like the Seagram building in New York City. In working this way, I negated the primary concept of photography to serve as documentation of the world around us.
<strong>GOODMAN</strong>, Dane
b. United States
Gift of the artist
1982
2018.019.001
<strong>GOODMAN</strong>, Dane
<em>Unknown Title</em>
2011
Ink on handkerchief
15 x 15"
Image of a naked man standing inside a barrel. Signed and dated by artist at lower right corner.
<strong>GOODMAN</strong>, Dane
b. United States
Estate of Frances Garvin and Keith Julius Puccinelli
2011
2018.001.037
<strong>GOODMAN</strong>, Dane
<em>Revival</em>
1999
Soap
4 x 6 x 4 1/4" OVERALL
A carved soap bar in the shape of a tent housed in a glass box. Signed and dated by the artist on the bottom of soap bar.
<strong>GOODMAN</strong>, Dane
b. United States
Estate of Frances Garvin and Keith Julius Puccinelli
1999
2018.001.036
<strong>GOODMAN</strong>, Dane
<em>"No title"</em>
oil stain on wood
4 x 20 x 4 1/2 in.
<strong>GOODMAN</strong>, Dane
American, 20th C.
Gift of Phyllis Plous
1993-95
1996.76
<strong>GONZALEZ</strong>, Michael
<em>Composition with Y.B. and R. #33</em>
1995
"wonder" brand english muffin bags, acrylic, fasteners
14 1/8 x 17 1/8 x 7/8 in
<strong>GONZALEZ</strong>, Michael
Gift of Dean Valentine
1995
1999.115
<strong>GONZALES</strong>, Michael
<em>Untitled (Spit Birds)</em>
1990
Tin-plated copper ground braids
12 x 11 1/2 x 4" OVERALL
Sculpture created using tin-plated copper ground braids, woven together, to form a triangular-like shape.
<strong>GONZALES</strong>, Michael
Gift of Margo Leavin
1990
2018.008.001
<strong>GOLD</strong>, Betty
<em>Holistic-77B</em>
1979
Cor-ten steel and paint
105 x 60 x 21"
Floor sculpture with painted colored Corten Steel.
<strong>GOLD</strong>, Betty
United States
Gift of Mr. and Mrs. Dave Chatkin
1979
2007.001.001
<strong>GLANTZMAN</strong>, Judy
<em>Couple Seated</em>
wood, paint
19 1/4 x 12 1/2 x 6 in.
<strong>GLANTZMAN</strong>, Judy
Gift of the Artist
1984
1984.241
<strong>Giegerich</strong>, Jill
<em>Untitled</em>
1986
Wood and copper
54 1/2 x 83 1/4 x 4 1/2
Irregular black shape with curved protrusions at top and right. Copper cube and and square plaque mounted at top left.
<strong>Giegerich</strong>, Jill
American, 1952-
Gift of Gary and Tracy Mezzatesta
1986
2000.50
<strong>GERMAN</strong>
<em>Crucified Christ</em>
19th C.
carved tusk
5 1/2 x 1 1/2 x 1/2 in.
Corpus of Christ without crucifix.
<strong>GERMAN</strong>
German (probably)
Gift of Julia Emerson
19th C.
1983.69
<strong>GEORGESCO,</strong> Christopher
<em>Reserved Rights</em>
steel and concrete
10' H.
<strong>GEORGESCO</strong>, Christopher
Gift of Robert H. Halff
1975
1985.482
<strong>GATES</strong>, Theaster
<em>Whyte Painting</em>, 2010
Porcelain
18 1/2 x 24 x 2 3/4" OVERALL
This porcelain sculpture carries two protruding additions on the surface, on the left side a half-cylinder shape is connected by a vertical slab. On the lower right side of the sculpture are two porcelain pieces placed in a "L" shape; the horizontal piece contains the number "4,221" upside down. In addition, the upper-right corner of this sculpture contains a projection of porcelain that displays the letters duavin.
<strong>GATES,</strong> Theaster
b. United States, 1973
Gift of Marc Selwyn, Los Angeles
2010
2022.010.001
<strong>FRIEDMAN</strong>, Tom
<em>Unfound Object</em>
2008
Mixed media on board
48 x 69 x 3 1/4"
"Art, for me, is a context to slow the viewer's experience from their everyday life in order to think about things they haven't thought about. Or to think in a new way." Tom Friedmans approach to understanding the world and its logic has long been expressed through the laborious, painstakingly precise and unexpected materials that he uses. His work is often autobiographical, recreating random elements from his own life and surroundings. To create these sculptures and objects, he uses everyday materials including Styrofoam, paint, paper, spaghetti, drinking straws, cards, clay, wire, plastic, hair and fuzz. Unfound Object with its random assortment of materials and objects suggests all the detritus that, having no value, remains unfound and unwanted.
<strong>FRIEDMAN</strong>, Tom
b. United States, 1965
Gift of Joe Barron
2008
2013.004.001
<strong>FRANCIS</strong>, Sam
<em>Two Forms</em>
ceramic
39 X 11 in. dia.; 30 1/2 x 9 1/2 in. dia.
2 parts; dark blue.
<strong>FRANCIS</strong>, Sam
American, 1923 - 1994
Gift of Katharine W. Tremaine
ca. 1960-63
1985.1
<strong>FOX</strong>, JEFF
<em>Drosion</em>
1993
Acrylic paint on sleeping bags
87 x 131 x 2 3/4"
Painted acylic sleeping bags mounted in Plexi case.
<strong>FOX</strong>, JEFF
b. United States, 1964
Gift of Joe Barron
1993
2013.004.002
<strong>FORTIER</strong>, Rollin
<em>Untitled</em>
1990
bronze
6 1/2 x 10 x 3 1/4 in.
<strong>FORTIER</strong>, Rollin
United States, b. 1952
Gift of Elena Siff Erenberg and Samuel Erenberg
1990
1991.120
<strong>FORD</strong>, Julia
<em>CLUBBED, Proboseis Longus</em>
2004
Felt, shadow box
14 3/4 x 11 3/4 x 2 3/4'' FRAMED
Phallic object crafted from white felt suspended in a shadow box. On reverse, signed.
<strong>FORD</strong>, Julia
Estate of Frances Garvin and Keith Julius Puccinelli
2004
2018.001.033
<strong>FORD</strong>, Julia
<em>CLUBBED, Proboseis Longus</em>
2004
Felt
7 x 5 x 5" OVERALL
A felt ball with five round protrusions at the top. Housed in a shadow box.
<strong>FORD</strong>, Julia
Estate of Frances Garvin and Keith Julius Puccinelli
2004
2018.001.032
<strong>FLANAGAN</strong>, John
<em>George R. White Medal of Honor duplicate of 69/149</em>
bronze
2 3/4" diameter x 1/4"
<strong>FLANAGAN</strong>, John
American
Mrs. Mona Flanagan
20th C.
1969.153
<strong>FLANAGAN</strong>, John
<em>G.R. White Medal of Honor (Reverse-E.H. Wilson)</em>
bronze
2 3/4" diameter x 1/4"
<strong>FLANAGAN</strong>, John
American
Mrs. Mona Flanagan
1915
1969.149
<strong>FLANAGAN</strong>, John
<em>Edward Guthrie Kennedy</em>
bronze
2 3/4" diameter x 1/8"
<strong>FLANAGAN</strong>, John
American
Mrs. Mona Flanagan
1912
1969.148
<strong>FLANAGAN</strong>, John
<em>Internat'l Business Machines Corp. Honorary Award for a notable</em>
bronze
3" diameter x 1/4"
contribution to the art of the world
<strong>FLANAGAN</strong>, John
American
Mrs. Mona Flanagan
1939
1969.147
<strong>FLANAGAN</strong>, John
<em>"Souvenir de la grande guerre-dedie aux veterans francais en</em>
silver
3 1/8 x 1 15/16 x 1/8 in.
amerique", medal in black leather box
<strong>FLANAGAN</strong>, John
American
Mrs. Mona Flanagan
1927
1969.146
<strong>FLANAGAN</strong>, John
<em>For distinguised achievement-Andrew Carnegie</em>
bronze
2 3/4" diameter x 1/8"
<strong>FLANAGAN</strong>, John
American
Mrs. Mona Flanagan
1910
1969.145
<strong>FLANAGAN</strong>, John
<em>"They set great store by their gardens"</em>
bronze
2 3/4" diameter x 1/8"
strike: one side only of medal
<strong>FLANAGAN</strong>, John
American
Mrs. Albert E. Flanagan
1920
1969.144
<strong>FLANAGAN</strong>, John
<em>Aedes Sacrae Grolierensi (man sitting in library)</em>
bronze
2 3/4" diameter x 1/8"
strike: one side only of medal
<strong>FLANAGAN</strong>, John
American
Mrs. Mona Flanagan
20th C.
1969.143
<strong>FLANAGAN</strong>, John
<em>Andrew Carnegie MCMX for distinguished achievement</em>
bronze
2 3/4" diameter x 1/4"
<strong>FLANAGAN, John</strong>
American
Mrs. Mona Flanagan
20th C.
1969.15
<strong>FLANAGAN</strong>, John
<em>Henry Hudson Robert Fulton Medal</em>
bronze
2 3/4" diameter x 1/4"
<strong>FLANAGAN, </strong>John
American
Mrs. Albert E. Flanagan
20th C.
1969.155
<strong>FLANAGAN</strong>, John
<em>The Pennsylvania Society-founded MDCCIXC picture of Wm. Penn</em>
bronze
2 3/4" diameter x 1/4"
<strong>FLANAGAN, </strong>John
American
Mrs. Mona Flanagan
20th C.
1969.154
<strong>FLANAGAN</strong>, John
<em>The Century Association 1847-1947</em>
bronze
4" diameter x 1/8"
<strong>FLANAGAN, </strong>John
American
Mrs. Mona Flanagan
1947
1969.152
<strong>FLANAGAN</strong>, John
<em>The Pennsylvania Society-founded MSCCIXC picture of Wm. Penn</em>
bronze
2 3/4" diameter x 1/4"
<strong>FLANAGAN, </strong>John
American
Mrs. Mona Flanagan
20th C.
1969.151
<strong>FINSTER</strong>, Howard
<em>Call Heaven</em>
1991
Hotel telephone with paint
5 x 9 x 9" OVERALL
Rotary dial hotel telephone; painted overall in bright colors with black hieroglyph-like marks. Text on top of receiver -- MAKE THINGS RIGHT WITH GOD. Signed on underside with additional text in black.
<strong>FINSTER</strong>, Howard
b. United States, 1916-2001
Estate of Frances Garvin and Keith Julius Puccinelli
1991
2018.001.031
<strong>FEHLAU</strong>, Fred
<em>No It Can Assess An Action, </em>1992
52" Wide
Plastic stencils, pencil and paper
This work includes green plastic stencils and a pencil inscribed with FEHLAU NORTON HOLIDAY PROJECT @ 1992 as well as an instruction sheet for stenciling NO IT CAN ASSESS AN ACTION creating a palindrome on opposite walls; (a) instruction sheet; (b) pencil; (c) stencil for N; (d) stencil for O; (e) stencil for i; (f) stencil for T; (g) stencil for C; (h) stencil for S; (i) stencil for A; (j) stencil for E. The artist's work often shifts the viewer's point of reference through the doubling of images and text.<br /><br />Beginning in 1988, the Norton Family sent a limited edition Christmas gift to a wide list of friends in the art community including art institutions.
<strong>FEHLAU</strong>, Fred
b. United States
Donald P. Walton Jr. and Frances Jean Colpitt Estate
1992
2023.008.006a-j
<strong>Faulwell</strong>, Asad
<em>Djamila</em>
Variable edition lithograph with collage, painted map tacks, and gold pins
23 3/4 x 23 3/4"
Lithograph employing elements of collage, painted map tacks, and gold pins to create an image of a woman's head. The woman's face, adorned with pins, is positioned below a celestial eye. Both the woman's face and the eye are arranged against a background of floral motifs. Gold dotted pins are present throughout the work. On reverse, artist signature, date of completion, title, and number of print.
<strong>Faulwell</strong>, Asad
Museum purchase
2017- 2018
2018.012.001
<strong>ERICSON</strong>, Kate and <strong>ZIEGLER,</strong> Mel
<em>Time the Destroyer</em>
4 panel work
<strong>ERICSON</strong>, Kate and <strong>ZIEGLER</strong>, Mel
Found in the collection
n.d.
2011.001.001a-b
<strong>ERICSON</strong>, Kate and <strong>ZIEGLER</strong>, Mel
<em>Four Jars from Winter Cellar Series</em>
1987
etched jars, vegetables: wax beans, corn, green beans and tomato sauce
7in. x 3 1/2in. x 3 1/2in. each
etched jars, vegetables: wax beans, corn, green beans and tomato sauce
<strong>ERICSON</strong>, Kate and <strong>ZIEGLER</strong>, Mel
Ericson: (1955 - 1995); Ziegler (1956 -)
Gift of Councilman Joel Wachs, Los Angeles
1987
1997.78.1-.4
<strong>ENO</strong>, Brian
<em>Oblique Strategies: One Hundred Worthwhile Dilemmas</em>
1996
Corian box with 100 printed cards
1 7/8 x 6 x 5 1/8"
In 1975, theBritish musician, producer, and visual artist, Brian Eno, together with the late English painter Peter Schmidt, addressed the challenge of breaking out of creative roadblocks by writing a series of phrases they dubbed "worthwhile dilemmas." These phrases, which suggest approaches from another direction, became known as Oblique Strategies. Originally published as a deck of cards in an austere format, they became an underground hit and sold out in three revised editions and were part of the Norton Christmas Gift. In 1996, as the Strategies were long out of print, Mr. Norton suggested to Eno a "fourth, yet again revised, and more universal edition." Norton edited the newly revised phrases and commissioned their translation into the six languages collectively spoken (English, Mandarin, Hindi, Spanish, Russian, and Arabic). Artist Pae White was commissioned to turn the cards' plain black-and-white format into an extravagantly colored format and housed in a Corian container that is known separately as "Bill's Bad Bone." These strategy cards have found widespread use in dozens of countries, at writers' desks, in artists' studios, and even in boardrooms.
<strong>ENO</strong>, Brian
British, b. 1948 (lives in the United States)
Anonymous Gift
1996
2001.26
<strong>DWYER, </strong>Nancy
<em>Diet Life Force</em>
1985
enamel on Plexiglas with sheetmetal
36in. x 45in. x 5in.
Images of arrows and a grid system painted on clear Plexiglas.Nancy Dwyer likens her work to pictograms or signs that comment on the ways and means by which the media, especially advertising, infiltrates and seduces the public. She attempts to undermine advertising by using the language and graphic design inherent to it. In Diet Life Force, Dwyer shows brightly colored arrows that zoom toward the center of a mirrored expanse, perfectly framing the viewer. Like a lot of marketing related to diets, the work both distorts ones body image and also seems to proffer a fast, easy solution easy.
<strong>DWYEr, </strong>Nancy
United Statesb. 1954
Gift of Ruth and Jake Bloom
1985
1997.74
<strong>DUNLAP</strong>, Richard
<em>Minor Triad with Variations</em>
1979
Collage
11 x 14 1/4"
Paper Collage with musical notes at in pencil
<strong>DUNLAP</strong>, Richard
United States, b. 1939
Bea Farwell Bequest
1979
2010.003.009
<strong>DAVIS</strong>, Michael
<em>Dry sand, Hotbreeze</em>
wood and lead
8 x 44 5/8 x 4 1/8 in.
<strong>DAVIS</strong>, Michael
American, 1948 -
Gift of Mr. Douglas C. Kennedy
1978
1984.220
<strong>DANISCH</strong>, James
<em>Untitled</em>
wood, paint
52 x 33 in.
figure
<strong>DANISCH</strong>, James
1965
1965.125
<strong>DANBURY MINT</strong>
<em>George Washington</em>
20th C.
silver
2 1/2" x 1 1/2" x 1/2"
rectangular silver ingot. Profile on front, bio. on back.
<strong>DANBURY MINT</strong>
American
Grace H. Dreyfus Collection
20th C.
1983.11
<strong>CROWE</strong>, Stanley
<em>Small Ceramic Pot</em>
ceramic, glaze?
8 in
ceramic with green design and collar
<strong>CROWE</strong>, Stanley
1967
1967.64