Silkscreen in gold frame. Geometric forms on red background. Two, thick yellow vertical lines situated perpendicular to a blue rectangular shape. A transparent, black circle covers a portion of the composition. Signed with bayer 71/17 in lower right corner of image. Label on reverse side includes untitled silkscreen, acrylic on canvas 1971/17, susan rose and allan ghitterman collection.
Silkscreen with acrylic and gouache on paper
Silkscreen in gold frame. Abstract forms on red background. Geometric square in top center-right hovers above organic shape at bottom center-left. Primary and secondary colors interspersed throughout. Signed with bayer 80/9 in the lower right corner of the image. Opposites 1 written in the lower left corner and 13 x13" acrylic 1980/9 written in the lower right corner. Label on reverse side includes opposites 1, silkscreen, acrylic on paper 1980/9, susan rose and allan ghitterman collection.
Silkscreen in gold frame. Abstract shapes overlapping on a blue background. The shapes include vibrant primary and secondary colors. Signed in the lower right corner of the image with bayer 1973/100. Fall geometry is written at the lower left corner of the image, 20 x 20" acrylic and 1973/100 written at the lower right below the signature. Label with fall geometry, silkscreen, acrylic on paper 1973/100, susan rose and allan ghitterman collection located on reverse side.
Pencil on paper drawing of woman outfitted in ornate dress and accessories; table with an open drawer is detailed at lower right and a small dog at lower left. Tres van loo in lower left corner beneath image with artist signature and 3/01 in lower right corner. On reverse: picture frame label.
Gift from Thomas Solomon and Kimberly Mascola
Oil crayon on paper with various colors assorted in different lines and shapes. Green gesture at upper left and lower right with Korean characters at lower left; signed and dated at lower right. Left side of paper is blank.
Oil crayon drawing on paper with an abstracted musical score in organge and grey enclosed by a row of green pointed forest-like lines and blue markings. Signed and dated at lower left with numbers: 600, 115, 350, 865, 150, 1015 printed on reverse.
Poster with white background and black-and-white photographs depicting architectural structures. Text at lower left corner with artist's signature.
Ink on paper line drawing with triangles, rectangles and squares shapes throughout upper half of image. QMC-171 on reverse.
marian chase room (with fire) 11:34 pm 2/14/01, 2001
Ink on paper drawing. Overlapping lines in circular formation in center of artwork. marian chase room (with fire) 11:34 pm 2/14/01.
Gift of Steve and Sari Roden Family Trust
north sleeping porch 12:33 am 2/15/01, 2001
Pen on paper. Overlapping lines in circular formation in center of artwork. north sleeping porch 12:33 am 2/15/01.
Ink on paper drawing. Overlapping lines in circular formation in center of artwork. clyde chase room 11:44 pm 2/14/01.
Ink on paper line drawing of multiple forms drawn in circular formation, condensed in center of composition. Front Garden 6:50 am 2/15/01.
Front Garden/Patio 7:53 am, 2001
Ink on paper line drawing of multiple forms drawn in circular formation, condensed in center of composition. Front Garden/Patio 7:53 am at lower left, 2/15/01 at lower right
marian chase room (with fire) 12:48 am 2/15/01, 2001
Ink on paper line drawing of multiple forms drawn in circular formation, condensed in center of composition. marian chase room (with fire) 12:48am at lower left, 2/15/01 at lower right
Ink on paper line drawing of multiple forms drawn in circular formation condensed in center of composition; rm schindler room 8:00am displayed at lower left, 2/15/01 at lower right.
Ink on paper line drawing of multiple forms drawn in circular formation condensed in center of composition. rm schindler room 7:55pm in lower left corner, 2/14/01 in lower right.
Pencil, ink, and paint on paper drawing with density of lines at lower center-bottom of composition. Black paint splattered on pencil with splatters of green and black paint throughout. Purple, yellow, and blue interspersed through artwork. 6-7am in lower left corner. On reverse: 2003, eyes closed listening
Ink, watercolor, acrylic and pencil on paper
Mixed media on paper with black geometric forms displayed in lower half with multi-colored forms throughout upper half. On reverse 2009, Roden; Stone's Throw 33 x 30 (beams/seams/streams)
"Iris" in "mother lode" country, ca. 1976-1981
Zinc plate etching with dark blue ink lines illustrating an iris flower with two stems extending from a cluster of elongated leaves. The iris buds are in various stages of blossoming, with some petals clearly visible. AP-5 is written underneath the lower left corner of the image, Iris is written at center with ISABELLE GREENE at the lower right.
Art & Language (Michael Baldwin, Charles Harrison, Mel Ramsden)
Map to indicate countries according to development of the politics of representation, 2002
Art & Language was founded in Coventry, England, by Michael Baldwin, David Bainbridge, Terry Atkinson and Harold Hurrell in 1968. The critic and art historian Charles Harrison and the artist Mel Ramsden both became associated with the group in 1970 and thru 1982, multiple people engaged in activites related to the name Art & Language. This orange colored map illustrates the earth's land masses configured into multi-sized blocks outlined in black. Printed in 2002 by Buyse who owned a printing workshop in Lille/France produced this series. Printed along the lower edge: ART? ART & LANGUAGE - Affiche No. 84 - Buyse/Lille-2002
Donald P. Walton Jr. and Frances Colpitt Estate
Map to indicate countries according to ability to understand reality as hyperrealistic
Art & Language was founded in Coventry, England, by Michael Baldwin, David Bainbridge, Terry Atkinson and Harold Hurrell in 1968. The critic and art historian Charles Harrison and the artist Mel Ramsden both became associated with the group in 1970 and thru 1982, multiple people engaged in activites related to the name Art & Language. This ochre colored map illustrates the earth's land masses configured into multi-sized blocks outlined in black. Printed in 2002 by Buyse who owned a printing workshop in Lille/France produced this series. Printed along the lower edge: ART? ART & LANGUAGE - Affiche No. 83 - Buyse/Lille-2002
Map to indicate countries according to development of an everyday critique of false universals
Art & Language was founded in Coventry, England, by Michael Baldwin, David Bainbridge, Terry Atkinson and Harold Hurrell in 1968. The critic and art historian Charles Harrison and the artist Mel Ramsden both became associated with the group in 1970 and thru 1982, multiple people engaged in activites related to the name Art & Language. This red map illustrates the earth's land masses configured into multi-sized blocks outlined in black. Printed in 2002 by Buyse who owned a printing workshop in Lille/France produced this series.Printed along the lower edge: ART? ART & LANGUAGE - Affiche No. 82 - Buyse/Lille-2002
Study for the Boathouse series, ca. 1966-2003
works on paper, square, blue, abstract, shape
Study for the Boathouse series includes a set of preparatory drawings for a larger canvas entitled Boathouse paying homage to a set of murals installed at a lakeside in Middleburgh, New York, no longer in existance. These large scale works were included as part of the artist's "portable" murals series and were not executed on solid surfaces as Novros desired a sense of mobility resulting in their reconfiguration from room to room or gallery to gallery. In this study, three geometic drawings, ranging in hue from dark to light, are hinged and placed horizontally in a rectangular wood frame; (a) left; (b) center and (c) right.
Donald P. Walton Jr. and Frances Jean Colpitt Estate
Study for the Boathouse series includes a set of preparatory drawings for a larger canvas entitled Boathouse which pays homage to a set of murals installed at a lakeside in Middleburgh, New York, no longer in existance. These large scale works were included as part of the artist's "portable" murals series and were not executed on solid surfaces as Novros desired a sense of mobility resulting in their reconfiguration from room to room or gallery to gallery. In this study, three geometic drawings, ranging in hue from dark to barely visible, are hinged and placed horizontally in a rectangular wood frame; (a) left; (b) center and (c) right.
Graphite, pencil and colored pencil on paper mounted on wood
Drawing in grey, black and turquoise on black paper mounted on board; curvilinear shapes interleaving with one another; INTENTION printed at lower right.
Drawing in grey, black and turquoise on black paper mounted on board; curvilinear shapes interleaving with one another; SANE printed at lower right.
Spray paint, silkscreen and ink on paper
Black and white print mounted in a shadow box-like frame; image includes ladder-like shapes swrling amidst grey and black spray paint; signed and dated at lower right.
Human; Woman; Landscape; Geometric; Figurative
Watercolor and monoprint collage on paper.
Monochrome watercolor collage with seven figures interacting with geometric forms throughout the image. One is lying down in the lower right side whilst the other six figures perform a variety of stances.
Figurative; Human; Woman; Landscape; Geometric
Watercolor and monoprint collage on paper
Monochromatic watercolor collage depicts one figure in the lower left side bending over, reaching for a rectilinear form. Another figure is in the upper right side reclining on the floor with one arm supporting her body upright while one leg is straight and one is bent.
Watercolor, Painting, Works-on-Paper, Abstract, Tricolored
This watercolor self portrait is part of the Wilkes B.C. Series (Before Caner) as the artist was diagnosed with lymphoma in 1987. The multiple brush strokes in greens, blues and purple vary in size while suggesting facial features.
Gift of Marsie, Emanuelle, Damon & Andrew Scharlatt, Hannah Wilke Collection & Archive, Los Angeles in honor of Marc Selwyn
(c) Marsie, Emanuelle, Damon, and Andrew Scharlett; licensed by VAGA at Artists Rights Society (ARS) New York, NY
This watercolor self portrait is part of the Wilkes B.C. Series (Before Caner) as the artist was diagnosed with lymphoma in 1987. The multiple brush strokes in greens, yellows, green and purple vary in size while suggesting facial features.
This graph paper drawing displays a large web of connections swirling into a coil-like centralized point with a horizontal band of waves that run acorss the paper; Signed (recto).
Museum purchase with funding provided by The Buddy Taub Foundation, Dennis A. Roach and Jill Roach Directors
I dreamed I was having my photograph taken with a group of people. Suddenly I began to rise and fly around the room. Halfway around I tried to get out the door. When I couldn't get out I continued to fly around the room until I landed and sat down next to my mother who said I had done a good job!, 1982-83
Screenprint on one colored Inveresk Exeter cover paper. Numerous figures on the lower left and the lower right, two of which are seated, all gathered in an open space; edition number 6/23 on lower left, signed on lower right; This image is part of Borofsky's series of 23 signed one-color screenprints.
Black and white print; complex design of lines
SBMA, A Year of Celebration, 1985
Smithsonian Resident Associate Program, 1975
American Painters of 50's, Pace Gallery
The Forum A Tribute to A. Quincy Jones
Atelier Mourlot, 115 Bank Street, New York,
Paul Jenkins: Palm Springs Desert Museum, 1981
New Mexico: B.H. Lawrence Festival
David Gilhooly, Covering the World with Frogs, 1981
GREIMAN, April and ODGERS, Jayme
Untitled (Black Panther Eating)
Black bushstroke drawing depicting a panther eating red colored meat while grasping it with front paws; signed with chop mark at lower right.
Figure drawing, portrait of a man
Ink study portrait of a male gazing to the right.
Figure Drawing, Portrait of a Man
Ink study drawing of a bust portrait of a man; dated at lower right.
Ink study drawing of two women, one seated on the ground. The second is positioned in a chair wearing a striped shirt staring out to the left.
Hand with Ring, Hand with Bracelet
Ink study of two hands; one wearing a ring while the other is wearing a bracelet; signed and dated at lower right.
The Sierra to the Sea-IV: Winter Moonlight in the Redwoods-2
Ink drawing of wooden structures, fence with redwood trees and hills in the background; title and three-line poem at lower left; signature, date and chop mark at lower right.
The Sierra to the Sea-VIII: Frosty Dawn Near the Delta
Watercolor drawing of a lone bird flying over reeds and water with clouds in background; title and four-line poem in upper left.
The Sierra to the Sea: Table of Contents
Table of contents for the Sierra to the Sea, eleven original brush drawings of California subjects.
Screen: Two Deer and Autumn Oak Tree
Four panel folding screen enclosed in a black frame; highly stylized colored images of deer prancing around the base of an oak tree in full autumn bloom.
Christmas Greetings: Daikanso Series No. 3
Hand-colored ink on paper Christmas greeting with an image of an interior room with a Vista view; room is enclosed at left and right by Shoji screens; signed with chops marks at lower left.
Christmas Greetings: Daikanso Series No. 5, Light of Peace
Hand-colored ink on paper Christmas greeting with image of illuminated terrace and house; large tree at center right; signed with chops mark at lower right; interior printed text greeting.
Christmas Greetings: Daikanso Series No.7
Hand-colored ink on paper Christmas greeting with an image of an outdoor porch with plants, tiled flooring and a vista of trees illustrated on exterior; signed with chop marks at lower left; interior printed text greeting.
Christmas Greetings: Daikan So Series No. 4
Hand-colored ink on paper Christmas greeting; card includes an image of an outdoor porch with plants, tiled flooring and a vista of trees; cat sits on chaise lounge; signed and chop mark at lower right; printed text greeting on inside.
Day of World Solidarity with the Struggle of People of Palestine
Unity of the Arab Peoples Nationalization of OIC
World Day of Solidarity with Struggle of People of Puerto Rico
Day of Solidarity with the People of Palestine
Oct. 8 Day of the Heroic Guerrilla
Day of Solidarity with the Struggle of the People of Palestine
Day of Solidarity with the Struggle of the People of South Africa
Swedish, Mora en Dalecarlie, 18 February 1860 - August 1920
Black and white etching of an elderly woman looking out from clasping her hands; she is wearing a headscarf and fur lined jacket. Signed at lower right.
sheet: 14 1/4 x 10 1/2 in; image: 8 x 7 in
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