sheet: 32 x 52 in., frame: 53 x 32 1/2 in.
Study for canal project on the Ohio river including stepped waterfalls, pools.
The Conversation (As Remembered)
Mixed media collage, printed and dye cut; lower layer is printed on manilla folder with a large black sphere at upper left; signed and dated with edition statement at lower right, 471/500, SZE 2013. Collage arrived enclosed in a Foam Core portfolio case with a book entitled Triple Point: Sarah Sze which discusses the artist's work.
Black and white pencil drawing of ten men dressed casually looking to the left with one nude man displaying his bicep, and looking straight at the viewer. Signature of artist at the lower right.
Her Request Brought Back Memories
Iris print on arches aquarelle watercolor paper
Pastel colored monotype with loose white media representing snow; signed and dated at lower right below image.
Untitled (Man Inside Spiral) from the New Yorker magazine
Double sided print; (a) man in the center drawing a spiral; lower right, signed and dated by the artist, copyright, date, artist name, New Yorker, and New Word. On reverse, (b) jug pouring onto a man in a brightly colored landscape; lower right, signed and dated by the artist, copyright, dated 1975, The New Yorker.
Double sided print of man jumping over the word Don't; upper left, signed and dated by the artist (a). Text and drawing on reverse (b).
Untitled (Words On Fire) from the New Yorker, 1970
Double sided mixed media print of words and figures, colored; (a) upper left, circle seal; upper right, signed and dated by the artist; lower right, copyright, date, and artist name. On reverse, (b) five figures standing on mountain top; lower right, ST initials and dated 1951.
Untitled (Two Men Speaking) from the New Yorker magazine
Double sided print; (a) two men speaking; upper right, signed and dated by the artist; lower right, copyright, date, and artist name. On reverse, (b) cat opening cupboard with fruit of a large number five in a brightly colored landscape; lower right, signed and dated by the artist, copyright, dated 19691970, artist name, and New Yorker.
Untitled (Man Seated) from the New Yorker magazine
Double sided print; (a) man seated at a desk with ink bottle; lower right, copyright, date, artist name, and ST initials. On reverse, (b) French text describing Steingberg's line drawing; lower right, ST initials and dated 1959.
Dancing Couple from the New Yorker magazine
Double sided; (a) colored print of a dancing couple in living room; lower right, copyright, date, artist name, and ST initials. On reverse, (b) two Asian males carrying a soldier on a canopy chair; lower right, signed by the artist, Kum ming, dated 194344, copyright, artist name, New Yorker, and All In Line.
Andrew Spence graduated from UCSB with a Masters of Fine Arts in 1971. Shortly thereafter he worked with Tullis on this print. In Varick St. Stairwell Spence reduced a staircase to pure form and color in order to reveal the primary essence of everyday objects.
American, Borisoglebsk, Russia 1899 - 1987 NYC
Mauro from the Sanat Barbara Project
In May of 2007, day workers standing on Santa Barbara's Yanonoli Street known as "The Wall" were approached and asked to pose for a portrait. This resulted in the Santa Barbara Project, an Artist-in-Residence at the Atkinson Gallery, Santa Barbara City College. This pencil drawing of a full-length portrait depicts mustachioed worker, John, standing with his thumb in his pocket, his sleeves rolled up, and the top buttons of his shirt undone. Artist signature at lower right. Title and date of work at lower left. Artist signature, title, and date also present on the reverse.
Black and white image; at top center is a drawing of a label wrapped with cord with the words SMOOTH BORE MUSKET; at lower center is a couple wathcing a baby in a playpen; signed at lower right.
Black and white image of a noose and a school picture at lower right identified as Honey Creek School days, 1959-60; signed and dated at lower left.
Full bleed black and white image of an architectural structure
Given by Marilyn Arnold Palley and Reese Palley in honor of Marta Palley, Class of 2008.
Coming and Going, "Ils Vont, Ils Viennent"
Design of two vertical groupings comprised of rectangular and block-like shapes with outlines and some filled in will sold colors, hand-colored. Ils Vont, Ils Viennent [Coming and Going] depicts totemic forms based on Aztec and Mayan iconography. The simple and direct images that characterize Soissons ouevre arise from his work as an art therapist for children. His emphasis on using form and image to express ones inner emotional state was further developed by his association with Art Brut. This was a group of artists who utilized nae forms as a means of rendering pure and authentic creative impulses, free of the desire for commercial or critical success.
letterpress on Rives Lightweight buff paper
Museum Purchase Fund with partial funds from the UAM Museum Council, in honor of Mary Looker
Letterpress text and photoengraved images on 1954 Whatman paper with adhered gampi silk tissue and Roma envelope
I chose the body as subject, not consciously, but because it is the one form that we all share; its something that everyone has their own authentic experience with... All the life that happens between the tongue and the anus. -Kiki Smith While Smith uses the body as a singular authentic experience, she frequently delineates larger frameworks of connection, such as ancient cosmologies, fairy tales, astrology, and Christian symbolism. The works on view here reference, alternately, Jesus Christ, the Egyptian sun god, and cultural symbols of death. In this artist book, RE, Smith composes a gender-bending portrayal of Re (often Ra), the sun god of Ancient Egypt. The work joins an inverted photograph of the artist with classical Egyptian text. The creation text credits all being coming from a single body, the sun god Re. Here, Smith transforms Res otherworldly shape, typically represented by a sun halo and falcon head, into her own powerful, albeit human, self-portrait. A prolific printmaker, Smith also uses paper structurallysculpturallyas she does with this limited edition. To this innovative folded book Smith adds an unexpected gampi paper appendage. When handled directly, the thin crumpled paper can fall like a skirt, rise in a puff, or be concealed in the folds. Even through the structure of a book, Smith is able to assert her bodily interests as the paper addition recalls the entrails, bones, hair, and fluids which often emerge from her sculptures. This association to bodily secretions and growths is underscored by the books letterpress text. Here the book is opened, suspended, and presented with two copies of its envelop jacket, showing the front and back. Nearby is the printers plate which was used to create the image. The text was set with individual letters, so no plate exists for it.
ink, conte crayon and watercolor on paper
Mine Was the Better Punch, But It Didn't Win the Wristwatch
Silkscreen poster on board; colorful centralized image with a pink Honorable Mention ribbon attached at center right. Signed and dated at lower right; produced by Colby Poster Printing Co., Los Angeles.
Rhythms of Men in the Wilderness, 1948
Removing the Layers of Grief from the Heart
As an artist-in-residence, Fran Siegel has developed an innovative drawing project that examines the landscape, history and current state of the Santa Barbara region. Through 50 unique drawings and related porcelain components, Siegel visually deconstructs the city.The drawings, based on typical and atypical data sets from different time periods are related to items such as topography, rock distributions, population dispersals, migratory pathways and the location of swimming pools. The drawings construct an alternate, imaginary version of Santa Barbara that collapses time and space but is also built on the use of real data.
Three Figures in Red Shirts: Two Front, One Back
American, NYC 1924 - Lives N. Brunswick, N.J.
Gift of the UCSB Art Affiliates in Memory of Alice Erving
Black letters and symbols on white vellum
Serigarph in dark blue with white figural images at the center
A presentation of twelve jars with colorful contents against a white background positioned atop a reflective surface. Signed and dated by the artist at the lower right. Titled by the artist at the bottom center.
A black and white depiction of various bottles and jars. Signed, titled, and dated by the artist at the lower right and center.
A presentation of various sized jars filled with green, blue, red, yellow, and orange substances sitting atop a reflective surface. Signed and dated by the artist at the lower right. Titled by the artist at the lower center.
A collection of bottles and jars with yellow, green, orange, clear, and red colored substances atop a reflective surface. Signed by the artist at the lower right corner and titled at the lower center.
Drypoint etching on Plexiglas plate of swirling lines. At the lower right, artist signature MS; at the lower left, edition statement, 19/25.
Estate of Frances Garvin and Keith Julius Puccinelli
SCHMOLL VON EISENWORTH, Karl
Happy Birthday, Esther, March 22, 1963
Announcement for Germanen Festival, December, 21, 1915
Fox Lake--Camp--Palette's Chisel Club
Female standing in front of a long, one story building, 2 windows, 1 door
American, Vienna 1887 - 1953 Los Angeles
Incomplete Study of a Female Nude
Upper Half of Female Figure Wearing a Large Brimmed Hat
Study of the Midsection of Male Nude
Bust and Head of a Female in a Bowed Hat
Three-Fourth View of Female Bust and Head
Upper Half of Female Nude next to a Tree Seen from behind
Female Nude Sitting in a Slouching Position in a Chair
Female Nude Sitting in Crouched Position on a Blanket . . .
Female Nude in Position of Repose, on Blanket on top of Lawn
Study of a Headless Female Nude with Raised Arms
Crouching Female Nude, Seen from above, Right Arm Outstretched
Partial Bust and Head of Female Figure
Study of Upper Half of Female Nude
Study of a Headless Female Nude
Female Nude Sitting down, Leaning against a Blanketed Support
Nude Bust and Head of Female Figure Touching Her Breast
Woman in a Dress, Seen from behind, Sitting in a Chair
Upper Half of Female Nude in Repose
Multiple images of nude females dancing
Sketches of seated couple on bench, single female figure on chaise