Poster for an exhibition of Nicolas Copernicus
poster reproduction of a page from Nicholas Coper-
Untitled (AIGA T-shirt design contest)
Poster for the AIGA T-shirt design contest with black sans-serif text on an orange-red image of a person with the text "YOUR DESIGN HERE" printed over the person's t-shirt.
Estate of Frances Garvin and Keith Julius Puccinelli
Untitled (C.S.A. Lineart Archive)
Poster for the C.S.A. Lineart Archive featuring an illustration of a woman pulling files from a cabinet accompanied by black sans-serif text on a background of green and white.
ANTHONY MCCALL ASSOCIATES
Richard Serra, September 20-October 25, 2003
Black and white lithograph of a Gagosian Gallery poster advertising a Richard Serra exhibition; signed at lower right by Richard Serra.
ARBUSTO, Jorge (aka Keith Puccinelli)
Two sheet drawing of a nude, partially human creature with ridged spine. This was completed by Puccinelli under the alias Jorge Arbusto. He came up with the name during the George H. W. Bush administration and would submit work to juried shows under this alias.
Precious Stones (Notre Dame des Andelys)
Bird's eye view of piazza after Michelagelo's re-design; special attention to building facades
Gift of Dora P. Crouch, Transfer from the UC Santa Barbara Library
Bird's eye view of piazza prior to Michelagelo's architectural reworking; delicate, detailed
Gift of Dora P. Cround, Transfer from the UC Santa Barbara Library
Graphite and color wash drawing of a shirtless man wearing only a vest. Male sports an uneven haircut and a beard; his left arm is held against his chest.
Bird's eye view with fish eye perspective of town with bell tower at center.
ARP, Jean; DELAUNEY, Sonia MAGNELLI, Alberto; TAEUBER-ARP, Sophie,
Aux Nourritures Terrestres [To the Fruits of the Earth]
Edmond and Jacques Desjobert prepared these ten lithos from collaborative drawings made by the four artists in 1942 when they lived together in Grasse.
ARP, Jean; DELAUNEY, Sonia, MAGNELLI, Alberto; TAEUBER-ARP, Sophie,
Art & Language (Michael Baldwin, Charles Harrison, Mel Ramsden)
Map to indicate countries according to capacity to glimpse the possibility of the absence of presence, and the possibility of change
Art & Language is a British conceptual art collective founded circa 1967 by artists Michael Baldwin, Terry Atkinson, David Bainbridge, and Harold Hurrell. By 1970, artist Mel Ramsden and critic Charles Harrison joined the group. The collective’s name reflects their focus on the use of language as both a tool and a subject in their work, exploring the relationships between language, theory, criticism, and art-making. The series Map to indicate… expands on Map Not to Indicate (1967), an early conceptual work playing with the conventions of cartography and how symbols and shapes come to signify meaning. Printed by Alain Buyse at his workshop in Vieux-Lille, France, the works are part of the poster series ART?. In 2014, Art & Language explained, “it is essential to our sense of ‘map’ (or for that matter ‘index’) that it is genetically linked to something, even if the modality of that link is no more than a possibility.” In Map to indicate…, the reference is a world map, where according to the indication, geographical boundaries are abstracted and indexed by squares and rectangles. Printed along the lower edge: ART? ART & LANGUAGE - Affiche No. 80 - Buyse/Lille-2002
Donald P. Walton Jr. and Frances Colpitt Estate
Map to indicate countries according to penetration by work beyond the object
Art & Language is a British conceptual art collective founded circa 1967 by artists Michael Baldwin, Terry Atkinson, David Bainbridge, and Harold Hurrell. By 1970, artist Mel Ramsden and critic Charles Harrison joined the group. The collective’s name reflects their focus on the use of language as both a tool and a subject in their work, exploring the relationships between language, theory, criticism, and art-making. The series Map to indicate… expands on Map Not to Indicate (1967), an early conceptual work playing with the conventions of cartography and how symbols and shapes come to signify meaning. Printed by Alain Buyse at his workshop in Vieux-Lille, France, the works are part of the poster series ART?. In 2014, Art & Language explained, “it is essential to our sense of ‘map’ (or for that matter ‘index’) that it is genetically linked to something, even if the modality of that link is no more than a possibility.” In Map to indicate…, the reference is a world map, where according to the indication, geographical boundaries are abstracted and indexed by squares and rectangles. Printed along the lower edge: ART? ART & LANGUAGE - Affiche No. 81 - Buyse/Lille-2002
Map to indicate countries according to ability to understand reality as hyperrealistic
Art & Language is a British conceptual art collective founded circa 1967 by artists Michael Baldwin, Terry Atkinson, David Bainbridge, and Harold Hurrell. By 1970, artist Mel Ramsden and critic Charles Harrison joined the group. The collective’s name reflects their focus on the use of language as both a tool and a subject in their work, exploring the relationships between language, theory, criticism, and art-making. The series Map to indicate… expands on Map Not to Indicate (1967), an early conceptual work playing with the conventions of cartography and how symbols and shapes come to signify meaning. Printed by Alain Buyse at his workshop in Vieux-Lille, France, the works are part of the poster series ART?. In 2014, Art & Language explained, “it is essential to our sense of ‘map’ (or for that matter ‘index’) that it is genetically linked to something, even if the modality of that link is no more than a possibility.” In Map to indicate…, the reference is a world map, where according to the indication, geographical boundaries are abstracted and indexed by squares and rectangles. Printed along the lower edge: ART? ART & LANGUAGE - Affiche No. 83 - Buyse/Lille-2002
Map to indicate countries according to development of the politics of representation, 2002
Printed Art & Language is a British conceptual art collective founded circa 1967 by artists Michael Baldwin, Terry Atkinson, David Bainbridge, and Harold Hurrell. By 1970, artist Mel Ramsden and critic Charles Harrison joined the group. The collective’s name reflects their focus on the use of language as both a tool and a subject in their work, exploring the relationships between language, theory, criticism, and art-making. The series Map to indicate… expands on Map Not to Indicate (1967), an early conceptual work playing with the conventions of cartography and how symbols and shapes come to signify meaning. Printed by Alain Buyse at his workshop in Vieux-Lille, France, the works are part of the poster series ART?. In 2014, Art & Language explained, “it is essential to our sense of ‘map’ (or for that matter ‘index’) that it is genetically linked to something, even if the modality of that link is no more than a possibility.” In Map to indicate…, the reference is a world map, where according to the indication, geographical boundaries are abstracted and indexed by squares and rectangles. along the lower edge: ART? ART & LANGUAGE - Affiche No. 84 - Buyse/Lille-2002
Day of World Solidarity with the Struggle of People of Palestine
Annnouncement in blue text with images detailing Veteran's Day Activities.
Gift of Virginia Backus Vanocur in memory of her parents, Barbara and Standish Backus, Jr.
Olympische Spiele - Munchen 1972
The Sunday Times Magazine, July 10, 1966
Ionian and Popular Bank of Greece Calendar
Jan 20, 1975 Second Anniversary of His Assasination
Young woman with small cross at wearing a plaid dress
Day of Solidarity with the Struggle of the People of South Africa
Unity of the Arab Peoples Nationalization of OIC
American Painters of 50's, Pace Gallery
Atelier Mourlot, 115 Bank Street, New York,
3 lithographs--1 panel features close up view of human face with hand-coloring, 1 features close up view of human face b/w; 1 panel features faint close up view of human face with inscription
Gift of the American Academy of Arts and Lettters, New York; Hassam, Speicher, Betts,and Symons Funds, 1999
AUERBACH -LEVY, William
Auerbach-Levy, William M.
Untitled from the series Impressions of Paris
A set of serigraphs in color illustrating scenes of Paris.
Red conte crayon drawing of a female head, non descript
BALDESSARI, John; GOLLIN, Norman
The title of this work refers to a series of cultural events organized in 1984 by the grassroots coalition, Artists Call. Many well known artists participated in programming across art galleries, college libraries, churches, and recreational centers in Southern California to protest the United States interference in Central American affairs. This political poster, which serves as an admonishment of foreign policy under the Reagan administration, is composed of repetitive horizontal bands juxtaposing the image of a naked corpse with a military leader in full uniform.
Air Tight Series, Orange over Silver
Small grey print with orange tube-like structure at center
Given by Marilyn Arnold Palley and Reese Palley in honor of Marta Palley, Class of 2008.
"Urian Riding" from Goethe - Walpurgisnacht
American, Brunsick, NJ 1922 - Lives Leeds, MA
BAUMEISTER, Frederich Willhelm (Willi)
Serigraph of amorphous shapes in bright colors, red, organges and blacks. Through his freely drawn linework and organic shapes, Baumeister hoped to create signs and images indicative of the shared aspects of universal human existence. He saw prehistoric paintings as a model for art. Though he is less well known in the United States, Baumeister exhibited widely throughout his life and wrote essays in defense of abstraction and on the peculiar role of the artist, who, in his words, allows himself to be surprised by the work of his handsplunging with each work into the unknown.
Blue portfolio with 14 prints of Herbert Bayer's work focusing on his paintings and original works of art.
SBMA, A Year of Celebration, 1985
Silkscreen in gold frame. Abstract shapes overlapping on a blue background. The shapes include vibrant primary and secondary colors. Signed in the lower right corner of the image with bayer 1973/100. Fall geometry is written at the lower left corner of the image, 20 x 20" acrylic and 1973/100 written at the lower right below the signature. Label with fall geometry, silkscreen, acrylic on paper 1973/100, susan rose and allan ghitterman collection located on reverse side.
Silkscreen with acrylic and gouache on paper
Silkscreen in gold frame. Abstract forms on red background. Geometric square in top center-right hovers above organic shape at bottom center-left. Primary and secondary colors interspersed throughout. Signed with bayer 80/9 in the lower right corner of the image. Opposites 1 written in the lower left corner and 13 x13" acrylic 1980/9 written in the lower right corner. Label on reverse side includes opposites 1, silkscreen, acrylic on paper 1980/9, susan rose and allan ghitterman collection.
Silkscreen in gold frame. Geometric forms on red background. Two, thick yellow vertical lines situated perpendicular to a blue rectangular shape. A transparent, black circle covers a portion of the composition. Signed with bayer 71/17 in lower right corner of image. Label on reverse side includes untitled silkscreen, acrylic on canvas 1971/17, susan rose and allan ghitterman collection.
BECKMANN, Max, attributed
An abstract portrait of George Moore, an Anglo-Irish novelist.