Three larger abstracted shapes at TL, TR, and BL over a grid design.
three panels follow order of 1-3 photo (left); fuller rendering (center); fainter rendering (right)
Lithograph detailing the reclining figure in six different perspectives with changes that include the placement of arms, legs, and the body. The study is presented on a gray background with the figures in shades of black and white. Signed and dated, Moore '73, in the lower right of the work with the edition, 35/100, in the lower left.
Color lithograph over pigmented inket print in greens and purples with cloud-like formations. Signed and dateD at lower right with edition statement at lower left.
Gift of Laurence Eisenstein and Robin Zimelman
A color linoleum cut image of row of houses in winter. Signed and dated by the artist at the lower right.
Poster for an exhibition of Nicolas Corpernicus
Poster for an exhibition of Nicolas Copernicus
poster reproduction of a page from Nicholas Coper-
Untitled (AIGA T-shirt design contest)
Poster for the AIGA T-shirt design contest with black sans-serif text on an orange-red image of a person with the text "YOUR DESIGN HERE" printed over the person's t-shirt.
Estate of Frances Garvin and Keith Julius Puccinelli
Untitled (C.S.A. Lineart Archive)
Poster for the C.S.A. Lineart Archive featuring an illustration of a woman pulling files from a cabinet accompanied by black sans-serif text on a background of green and white.
ANTHONY MCCALL ASSOCIATES
Richard Serra, September 20-October 25, 2003
Black and white lithograph of a Gagosian Gallery poster advertising a Richard Serra exhibition; signed at lower right by Richard Serra.
ARBUSTO, Jorge (aka Keith Puccinelli)
Two sheet drawing of a nude, partially human creature with ridged spine. This was completed by Puccinelli under the alias Jorge Arbusto. He came up with the name during the George H. W. Bush administration and would submit work to juried shows under this alias.
Precious Stones (Notre Dame des Andelys)
Bird's eye view of piazza after Michelagelo's re-design; special attention to building facades
Gift of Dora P. Crouch, Transfer from the UC Santa Barbara Library
Bird's eye view of piazza prior to Michelagelo's architectural reworking; delicate, detailed
Gift of Dora P. Cround, Transfer from the UC Santa Barbara Library
Graphite and color wash drawing of a shirtless man wearing only a vest. Male sports an uneven haircut and a beard; his left arm is held against his chest.
Bird's eye view with fish eye perspective of town with bell tower at center.
ARP, Jean; DELAUNEY, S.; MAGNELLI, A.; TAEUBER-ARP, S.
Aux Nourritures Terrestres [To the Fruits of the Earth]
Edmond and Jacques Desjobert prepared these ten lithos from collaborative drawings made by the four artists in 1942 when they lived together in Grasse.
ARP, Jean; DELAUNEY, Sonia; MAGNELLI, Alberto
ARP, Jean; MAGNELLI, A.; TAEUBER-ARP, S.
ARP, Jean; MAGNELLI, Alberto; TAEUBER-ARP, Sophie.
ARP, Jean; DELAUNEY, Sonia MAGNELLI, Alberto; TAEUBER-ARP, Sophie,
ARP, Jean; DELAUNEY, Sonia, MAGNELLI, Alberto; TAEUBER-ARP, Sophie,
Annnouncement in blue text with images detailing Veteran's Day Activities.
Santa Barbara National Horse and Flower Show, 1966
Gift of Virginia Backus Vanocur in memory of her parents, Barbara and Standish Backus, Jr.
Olympische Spiele - Munchen 1972
The Sunday Times Magazine, July 10, 1966
Ionian and Popular Bank of Greece Calendar
Jan 20, 1975 Second Anniversary of His Assasination
3 lithographs--1 panel features close up view of human face with hand-coloring, 1 features close up view of human face b/w; 1 panel features faint close up view of human face with inscription
Gift of the American Academy of Arts and Lettters, New York; Hassam, Speicher, Betts,and Symons Funds, 1999
Elizabeth Sisco, Louis Hock and David Avalos
Welcome to America's Finest Tourist Plantation
Black and white silkscreened vinyl poster mounted on Gatorboard. Produced by the National Endowment for the Arts and intended for affixing to the rear exteriors of one of 100 San Diego Transit System buses.
This public project is the first collaboration of many between the San Diego-based artists Elizabeth Sisco, Louis Hock, and David Avalos. Unveiled in San Diego on January 4, 1988, the poster on view was first presented as advertising on the back of 100 buses. Flanked by the hands of a dishwasher and hotel maid, the central image is shot by Sisco and depicts an arrest by Border Patrol agents on a San Diego bus. The poster was highly contested by politicians and news outlets and is today emblematic of the history of artistic censorship during the Culture Wars. By embracing the outrage, the artists mobilized mass media to bring attention to their action, reasserting the engagement of discourse as a genuine artistic activity. Conceived as a response to San Diego’s commitment to host the Super Bowl on January 31, 1988, Welcome… publicized how the city’s tourism economy relies on the labor of a population under police surveillance. The artists continued to address the lack of public support for the undocumented in their last collaborative work, Art Rebate (1993), wherein they infamously redistributed the project’s budget as $10 bills to 450 immigrant workers along the San Diego/Tijuana border.
Untitled from the series Impressions of Paris
A set of serigraphs in color illustrating scenes of Paris.
Red conte crayon drawing of a female head, non descript
Young woman with small cross at wearing a plaid dress
BALDESSARI, John; GOLLIN, Norman
The title of this work refers to a series of cultural events organized in 1984 by the grassroots coalition, Artists Call. Many well known artists participated in programming across art galleries, college libraries, churches, and recreational centers in Southern California to protest the United States interference in Central American affairs. This political poster, which serves as an admonishment of foreign policy under the Reagan administration, is composed of repetitive horizontal bands juxtaposing the image of a naked corpse with a military leader in full uniform.
Air Tight Series, Orange over Silver
Small grey print with orange tube-like structure at center
Given by Marilyn Arnold Palley and Reese Palley in honor of Marta Palley, Class of 2008.
"Urian Riding" from Goethe - Walpurgisnacht
American, Brunsick, NJ 1922 - Lives Leeds, MA
BAUMEISTER, Frederich Willhelm (Willi)
Serigraph of amorphous shapes in bright colors, red, organges and blacks. Through his freely drawn linework and organic shapes, Baumeister hoped to create signs and images indicative of the shared aspects of universal human existence. He saw prehistoric paintings as a model for art. Though he is less well known in the United States, Baumeister exhibited widely throughout his life and wrote essays in defense of abstraction and on the peculiar role of the artist, who, in his words, allows himself to be surprised by the work of his handsplunging with each work into the unknown.
Blue portfolio with 14 prints of Herbert Bayer's work focusing on his paintings and original works of art.
BECKMANN, Max, attributed
An abstract portrait of George Moore, an Anglo-Irish novelist.