<b>CAPOREAL</b>, Suzanne
<em>Pretend It's Candy</em>
1986
oil on canvas
image: 59 3/4 x 47 3/4; frame: 68 3/8 x 56 1/2
Stick figure made of numbers contemplates a clock lying on a neon colored table. Background is black.
<strong>CAPOREAL</strong>, Suzanne
American, b. 1949
Gift of Lynn and Arnold Sperling
1986
2001.02
<b>COLSON</b>, Greg
<em>Signals, Dishes,Curlers</em>
1994
gesso, crayon, enamel on paper
11 in x 14 in
Sketches of dishes in a drying rack, a woman with her hair in curlers, and a traffic signal.
<strong>COLSON</strong>, Greg
American, 1956-
Gift of Councilman Joel Wachs, Los Angeles
1994
1997.77
<b>FENTON</b>, Howard
<em>Bay Bridge</em>
1952
oil on canvas
30 x 24 in.; frame: 35 1/4 x 29 1/4 x 1 in.
<strong>FENTON</strong>, Howard
American, 1910 -
Gift of Mr. and Mrs. Howard Fenton
1952
1989.7
<b>FENTON</b>, Howard
<em>Galaxy</em>
1968
acrylic and graphite on canvas
36 x 36 in.; frame: 36 5/8 x 36 5/8 x 1 1/2 in.
<strong>FENTON</strong>, Howard
American, 1910 -
Gift of Professor Alfred Moir
1968
1973.148
<b>FINSTER</b>, Howard
<em>1:31 Past Midnight</em>
1989
Ink and paint on wood panel
34 x 10 1/2 x 1/4" OVERALL
Painted wood panel detailed with cartoon faces; written phrases about coca cola and religious greetings; on reverse signed and dated.
<strong>FINSTER</strong>, Howard
b. United States, 1916-2001
Estate of Frances Garvin and Keith Julius Puccinelli
1989
2018.001.028
<b>FINSTER</b>, Howard
<em>From God, My Visions Are Coming True</em>
1986
Paint on glass pane
20 3/4 x 26 1/2 x 2'' OVERALL
Painting of a field of flowers, hills, and a bridge covered with people walking positioned between two mountians at left and right. mountains. The sky is composed of anthropomorphic clouds and floating people. The lower half of the painting is filled with text describing a vision, the subject of the painting.
<strong>FINSTER</strong>, Howard
b. United States, 1916-2001
Estate of Frances Garvin and Keith Julius Puccinelli
1986
2018.001.029
<strong>ACKERMAN</strong>, Robert
<em>Jekyll-Desaparecido</em>
1983
oil on canvas
60in. x 120in.
Abstract composition primarily in shades of brown and green.
<strong>ACKERMAN</strong>, Robert
American
Gift of Barry Sloane
1983
1997.72
<strong>ADOLFS</strong>, Louis
<em>[Untitled]</em>
c. 1900
oil on canvas
29 x 31 in.
winter scene in forest
<strong>ADOLFS</strong>, Louis
Bequest of Georgiana S. Kirkbride
c. 1900
1969.30
<strong>ALBUQUERQUE</strong>, Lita
<em>Four Part Piece</em>
1977
powdered pigment and oil on kindura
12 1/2 x 38 in
<strong>ALBUQUERQUE</strong>, Lita
American, 1946 -
Gift of Julia Emerson
1977
1982.3
<strong>ANDERSON</strong>, Todd
<em>Miguelito Creek, Lompoc</em>
2010
Oil on board
12 x 20 x 3/4" FRAMED
Small oil painting of Miguelito Creek, Lompoc, California.
<strong>ANDERSON</strong>, Todd
b. United States
Estate of Frances Garvin and Keith Julius Puccinelli
2010
2018.001.001
<strong>ANGUS</strong>, Patrick
<em>I Wear Sunglasses at Night</em>, 1987
Acrylic on Canvas
40 x 54"
<strong>Angus</strong>, Patrick
b. United States, 1953-1992
Gift of Laurence Rickels
1987
2011.004.003
<strong>Artist unknown</strong>
<em>Untitled</em>
ca. 1734
Oil on canvas
30 1/2 x 28 x 1 1/2"
Bust portrait of female in colonial dress.
<strong>Artist unknown</strong>
Bequest of Georgiana S. Kirkbride
ca. 1734
1969.33
<strong>Artist unknown</strong>
<em>[Untitled]</em>
1830s-1840s
oil on canvas
frame: 19 1/2 x 16 1/2 x 2 in.
Portrait of a young woman.
<strong>Artist unknown</strong>
Bequest of Georgiana S. Kirkbride
1830s-1840s
1969.34
<strong>Artist unknown</strong>
<em>Virgin and Christ Before St. Carlos Borromeo</em>
first half 17th C.
Oil on slate
12 x 15 1/4 x 1 1/4" FRAME
Oil on slate painting of the Virgin and Christ with St. Carlos Borromeo.
<strong>Artist unknown</strong>
b. Italy, first half 17th C.
Gift of Mr. Donald Cini
first half 17th C.
1960.21
<strong>Artist unknown</strong>
<em>Adoration of the Kings</em>
ca. 1525
oil on wood panel
18 1/2 x 12 1/2 in. frame: 25 1/2 x 19 1/4 x 2 1/2 in.
<strong>Artist unknown</strong>
Flemish, 16th C.
Gift of Robert K. and Gene O. Woolf
ca. 1525
1986.412
<strong>Artist unknown</strong>
<em>Deposition</em>
17th C.?
oil
<strong>Artist unknown</strong>
17th C?
1959.55
<strong>Artist unknown</strong>
<em>unknown</em>
acrylic on canvas
40" x 40"
<strong>Artist unknown</strong>
n.d.
1978.9
<strong>Artist unknown</strong>, Andean
<em>Virgin and Child</em>
Oil on canvas on composition board
30 7/8 x 22 1/2 x 7/8" FRAMED
<strong>Artist unknown</strong>, Andean
Artist unknown, Andean
Gift of Dr. Stephen S. Goodspeed and Mrs. John Goodspeed Ainsworth
n.d.
1966.60
<strong>Artist unknown</strong>, Mexican
<em>Archbishop with Christ Child</em>
oil on canvas on composition board
31 x 22 1/2 in.
Spanish Colonial. Kneeling saint in ecclesiastical costume with child
<strong>Artist unknown</strong>, Mexican
Artist unknown, Mexican
Gift of Dr. Stephen S. Goodspeed and Mrs. John Goodspeed Ainsworth
n.d.
1966.61
<strong>Artist unknown</strong>, South/Central America
<em>Santo, St. Francis</em>
oil on wood panel
8 3/4 x 6 x 1/2 in.
Original wood panel
<strong>Artist unknown</strong>, South/Central America
Artist unknown, South/Central America
Gift of Dr. Stephen S. Goodspeed and Mrs. John Goodspeed Ainsworth
n.d.
1966.101
<strong>BACCI</strong>, Edmondo
<em>Avenimento No. 331</em>
ca. 1955
oil on canvas
55 x 55 in.
<strong>BACCI</strong>, Edmondo
Italian, 1913 - 1978
Italian, 1913 - 1978
L.1976.3
<strong>BARAJAS</strong>, GABRIEL
<em>Installation of Santa Barbara Project: Rene sitting</em>
Digital photograph
11 x 14" MOUNTED
One of seven mounted digital photographs taken at the Atkinson Gallery, Santa Barbara City College of John Sonsini painting his subjects. A worker in a gray shirt and construction boots, Rene, sits with his legs splayed and his hands crossed as Sonsini paints his portrait.
<strong>BARAJAS</strong>, GABRIEL
Gift of John Sonsini
n.d.
Includes Sonsini painting
S2018.009.007
<strong>BARAJAS</strong>, GABRIEL
<em>Installation of Santa Barbara Project: Miguel standing close</em>
Digital photograph
11 x 14'' MOUNTED
One of seven mounted digital photographs taken at Santa Barbara City College of John Sonsini painting his subjects. A worker in a collared blue striped shirt, Miguel, stands, looking at the camera, while Sonsini paints his portrait focusing on the legs.
<strong>BARAJAS</strong>, GABRIEL
Gift of John Sonsini
n.d.
S2018.009.008
<strong>BARAJAS</strong>, GABRIEL
<em>Installation of Santa Barbara Project: Moises</em>
Digital photograph
11 x 14'' MOUNTED
One of seven mounted digital photographs taken at Santa Barbara City College of John Sonsini painting his subjects. A worker in a pale blue tank top and jeans, Moises, sits with his fingers laced as Sonsini paints his portrait, focusing on his facial features.
<strong>BARAJAS</strong>, GABRIEL
Gift of John Sonsini
n.d.
S2018.009.009
<strong>BARAJAS</strong>, GABRIEL
<em>Installation of Santa Barbara Project: Rene signing</em>
Digital photograph
11 x 14'' MOUNTED
One of seven mounted digital photographs taken at Santa Barbara City College of John Sonsini painting his subjects. A worker in a gray shirt and ball cap, Rene, signs the back of Sonsini's portrait of him. Sonsini, in the background and with his hands crossed, looks at the photographer.
<strong>BARAJAS</strong>, GABRIEL
Gift of John Sonsini
n.d.
S2018.009.010
<strong>BARAJAS</strong>, GABRIEL
<em>Installation of Santa Barbara Project: Miguel standing</em>
Digital photograph
11 x 14'' MOUNTED
One of seven mounted digital photographs taken at Santa Barbara City College of John Sonsini painting his subjects. A worker in a collared blue striped shirt, Miguel, stands as Sonsini paints a full body portrait of him.
<strong>BARAJAS</strong>, GABRIEL
Gift of John Sonsini
n.d.
S2018.009.011
<strong>BARAJAS</strong>, GABRIEL
<em>Installation of Santa Barbara Project: John painting Miguel</em>
Digital photograph
11 x 14'' MOUNTED
One of seven mounted digital photographs taken at Santa Barbara City College of John Sonsini painting his subjects. A worker in a collared striped blue shirt, Miguel, stands in the left corner as Sonsini, with his back to the camera, paints a full body portrait. Title, materials, dimensions, date, and artist signature labeled on reverse.
<strong>BARAJAS</strong>, GABRIEL
Gift of John Sonsini
n.d.
S2018.009.012
<strong>BARAJAS</strong>, GABRIEL
<em>Installation of Santa Barbara Project: Miguel signing</em>
Digital photograph
14 x 11" MOUNTED
One of seven mounted digital photographs taken at Santa Barbara City College of John Sonsini painting his subjects. A worker in a checkered blue shirts, Miguel, stands alongside Sonsini, their backs to the camera, as both men sign the reverse of a canvas.
<strong>BARAJAS</strong>, GABRIEL
Gift of John Sonsini
n.d.
S2018.009.013
<strong>BEDFOR</strong>D, Whitney
<em>Untitled (Breakdown)</em>
2006
Ink and oil on panel
22 x 26"
Small ink and oil painting on panel of a ship navigating rocky waves.
<strong>BEDFOR</strong>D, Whitney
b. United States
Gift of Marc Selwyn Fine Art, Beverly Hills
2006
2018.017.023
<strong>BEDFORD</strong>, Whitney
<em>The Dirty Campfire</em>
2015
Ink and oil on panel
16 x 20"
Ink and oil painting on panel; defined ink lines and shapes superimposed on a pink ground. At lower right, birghtly colored shapes.
<strong>BEDFORD</strong>, Whitney
b. United States
Gift of Marc Selwyn Fine Art, Beverly Hills
2015
2018.017.024
<strong>BERGTOLD</strong>, Susanna
<em>Ceremonial Goat</em>
1977/78
oil on canvas
28 1/4 x 34 in.; frame: 29 x 35 x 1 5/8 in.
<strong>BERGTOLD</strong>, Susanna
Gift of Mr. and Mrs. Justin Ebersman
1977/78
1985.104
<strong>BERMAN</strong>, Eugene
<em>Siren in a Landscape (Lorelei in Oregon)</em>
1941 November
oil on canvas
45 x 32 in image; 53 x 39 7/8 x 2 5/16 in framed
<strong>BERMAN</strong>, Eugene
1899 - 1972
Gift of Nicole Underwood
1941 November
1995.22
<strong>BESEMER</strong>, Linda
<em>Multi Bulge Sheet No. 2</em>
2004
Acrylic
92 x 72" UNFRAMED
Large acrylic painting; multi-colored horizontal and vertical lines set against a black ground. Work is suspended from the reverse by a rod attached at the back.
<strong>BESEMER</strong>, Linda
b. United States, 1957
Gift of Laurence Eisenstein and Robin Zimelman
2004
2018.024.001
<strong>BEVERLOO</strong>, Cornelis called <strong>CORNEILLE</strong>
<em>Mediterranee</em>
1956
oil on canvas
8 3/4 x 6 3/8 in.; frame: 9 3/8 x 7 1/4 x 1 1/4 in.
Associated with the CoBrA "School."
<strong>BEVERLOO</strong>, Cornelis called <strong>CORNEILLE</strong>
Holland, 1922 -
Gift of Katharine W. Tremaine
1956
1985.88
<strong>BILL</strong>, Joseph
<em>Robert Huttenback</em>
1985
oil on canvas
30 x 24 in.; frame: 35 5/8 x 30 x 2 in.
Portrait.
<strong>BILL</strong>, Joseph
American, 1919 - 1997
1985
x.1993.22
<strong>BILL</strong>, Joseph T.
<em>Untitled</em>
1941
oil
19 1/2in. x 23 1/2in.
<em>Battle scene</em>
<strong>BILL</strong>, Joseph T.
American, 1914-1997
Gift of Lawson, Cynthia, Vanessa and Michael Desroshers
1941
1997.36
<strong>BILL</strong>, Max
<em>Fable in White (Fabbundel im Weiss)</em>
1969
Oil on canvas
48 3/8 x 48 1/2 x 1 1/4" FRAMED
<strong>BILL</strong>, Max
b. Switerland, 1908-94
Gift of Anonymous Donor
1969
1980.13
<strong>BLUM</strong>, Maurice
<em>Untitled</em>
1873
Oil on canvas
22 x 16 3/8 x 1 3/4" FRAME
Oil on canvas painting detailing single woman standing between two men seated at a table positioned in the center foreground set against a breakfront.
<strong>BLUM</strong>, Maurice
b. France, 1832-1909
Bequest of Georgiana S. Kirkbride
1873
1969.28
<strong>BOMMER</strong>, John Murphy II
<em>Vision of B</em>
1966
acrylic and oil on Stonehenge paper
68 x 49"
Large painting of colorful shapes set on a royal blue background; centralized image of a yellow facE
<strong>BOMMER</strong>, John Murphy II
United States, 1957-1986
Gift of Gary H. Brown
1966
2004.001.001
<strong>BOTTS</strong>, Gregory
<em>Nevada Falls</em>
1993
Oil on canvas
90 x 68"
An abstract depiction of Nevada Falls with a bright beige cliff and white waterfall in the foreground; rolling grey hills in the background, and abstracted pine trees scattered throughout.
<strong>BOTTS</strong>, Gregory
b. United States
Gift of Ro Snell and Richard Sanders
1993
2019.014.001
<strong>BOWERS</strong>, Cheryl, also known as <strong>BERGMAN</strong>, Ciel
<em>Two One</em>
1983
oil on canvas
frame: 36 x 60 x 1.25 in.
<strong>BOWERS</strong>, Cheryl, also known as <strong>BERGMAN</strong>, Ciel
American, 1938 -
Gift of Betty and Bob Klausner
1983
1994.8
<strong>BRICE</strong>, William
<em>Figure and Red Rock</em>
1965
Oil and magna on canvas
17 x 15 1/8 in. FRAMED
Oil and magna on canvas painting with an abstracted maroon-colored environment containing a red rock, nude female and a blue archlike form containing smaller abstracted forms. Signed and dated, B. '65 in black; lower right.
<strong>BRICE</strong>, William
b. United States, 1921-2008
Gift of Lynn K. Altman Family Trust
1965
2017.007.009
<strong>BRITWICK</strong>, Donald
<em>Abstract human green figure</em>
1970
oil and acrylic on fabric
32 1/2" x 26 1/2"
<strong>BRITWICK</strong>, Donald
1970
1979.10
<strong>BURKE</strong>, Patricia
1964
OIL ON CANVAS
<em>Painting</em>
<strong>BURKE</strong>, Patricia
1964
1964.941
<strong>CALDER</strong>, Alexander
<em>Untitled</em>
1948
Oil on canvas over board
12 1/2 x 6 1/2 x 1"
<strong>CALDER</strong>, Alexander
b. United States, 1898 - 1976
Gift of Beatrice Farwell Duncan
1948
1996.61
<strong>CAVAT</strong>, Irma
<em>Portrait with veil</em>
n.d.
Oil on masonite
24 x 24" UNFRAMED
Oil on masonite painting; loosely constructed image of a female wearing a veil; image is signed at lower left.
<strong>CAVAT</strong>, Irma
b. United States, 1928-2020
Git of Maureen Null
<span>Sep 7, 2021</span>
2020.004.001
<strong>CHASE</strong>, Patricia Ann
<em>Tree on Yellow Beach</em>
1965
oil on canvas
framed: 30 1/2 x 40 1/2 in.; canvas: 30 x 40
<strong>CHASE</strong>, Patricia Ann
1965
1965.95
<strong>CHIHULY</strong>, Dale
<em>Untitled</em>
1994
Acrylic on paper
40 1/4 x 59 3/4"
Large acrylic painting on paper in greens with circular motif
<strong>CHIHULY</strong>, Dale
United Statesb. 1941
Gift of Professor Alfred Moir
1994
2002.005.001
<strong>COLE</strong>, Max
<em>Summer Series III</em>
1976
ink on stretched canvas
24 3/4 x 31 1/2 x 1 1/2 in
<strong>COLE</strong>, Max
American, 1937 -
Gift of Morgan Thomas
1976
1996.42
<strong>COLESCOTT</strong>, Robert
<em>Heavenly Flotsam</em>
1981
Oil on canvas
image: 18 1/8 x 32 1/4 inches; framed 19 x 32 3/4
black tentacles reaching up through garbage on beach
<strong>COLESCOTT</strong>, Robert
American, 1925-2009
Gift of Ann Janss
1981
2001.5
<strong>COURBET</strong>, Gustav (Studio)
<em>Untitled</em>
late 19th C.
Oil on canvas
35 1/16 x 45 11/16" IMAGE
landscape
<strong>COURBET</strong>, Gustav (Studio)
French, 1819 - 1877
Gift of Nicole Underwood
late 19th C.
1995.30
<strong>COWAN</strong>, Katy
<em>Looser</em>, 2015
Paint on canvas
53 1/2 x 48" MOUNTED
Large pastel painting in pinks and purples with wrench-like forms in red at lower left which appear to be printed.
<strong>COWAN</strong>, Katy
b. United States, 1982
Gift of Philip Martin and Portia Hein
2015
2021.007.001
<strong>COX</strong>, Jan
<em>Birds</em>
1955
oil on canvas
23 1/2 x 11 7/8"
Vertical oil painting in greens; black bird forms at center; black cloud-like forms at top.
<strong>COX</strong>, Jan
Belgian, 1919-80
Bea Farwell Bequest
1955
2010.003.007
<strong>CRESPI</strong>, Giuseppe Maria or His Circle
<em>Annunciation</em>
c.1725
Oil on panel
panel 13 1/4 x 11
biblical scene
<strong>CRESPI</strong>, Giuseppe Maria or His Circle
Italian, 1665-1747
Gift of A. E. Amorteguy
c.1725
2000.63
<strong>DARNAUD</strong>, M.
<em>Landscape</em>
1957
oil on canvas
37 5/8 x 50 1/2 in.
<strong>DARNAUD</strong>, M.
1957
L.1976.5
<strong>DE COCK</strong>, Jan (attributed to)
<em>St. Jerome</em>
c. 1480
oil on panel
frame: 20 1/8 x 17 1/4 x 2 1/2 in.
portrait; St. Jerome
<strong>DE COCK</strong>, Jan (attributed to)
Flemish
Gift of Nicole Underwood
c. 1480
1993.10
<strong>DE</strong> <strong>ERDELY</strong>, Francis
<em>Woodpecker</em>
1957
Tempera on panel
33 x 18" IMAGE
Abstracted image of black, white and brown tree trunks;woodpecker with orange wings at upper right. Signed at lower.
<strong>DE ERDELY</strong>, Francis
Hungarian, 1904-1959
Gift of Drs. J.W. and Sue Colin
1957
2013.002.003
<strong>DOBKOWSKI</strong>, Jan
<em>OJC IEC</em>
1970
oil on canvas
76 1/2 x 55 3/4 in.
<strong>DOBKOWSKI</strong>, Jan
Polish, 1942 -
1970
1973.28
<strong>DOMELA</strong>, Jan (?)
1932
oil on cardboard
10 3/4 x 14 in.
<em>Cabin in the woods</em>
<strong>DOMELA</strong>, Jan (?)
1932
1973.239
<strong>DU CHATTEL</strong>, Frederikus Jacobus
<em>Untitled</em>
19th C.
Oil on canvas
36 x 27 1/2 x 2" FRAME
Oil on canvas painting of a single male figure gliding in a rowboat on a stream; bridge and building in the background.
<strong>DU CHATTEL</strong>, Frederikus Jacobus
b. The Netherlands, active 1875 - 1889
Bequest of Georgiana S. Kirkbride
19th C.
1969.27
<strong>Dutch, Golden Age</strong>
<em>Bathsheba pleading before the old David to make Solomon his successor</em>
Oil on canvas
60 x 50" FRAMED
<p>This rarely depicted Old Testament scene shows the power and perseverance of women. When Bathsheba learned of a preemptive grasp for the throne, she convinces David to name their son Solomon as the future king of Israel, even though he was not the first in line. Known for her beauty, Bathsheba is usually depicted as an object of desire at her bath. The artist upends longstanding stereotypes by presenting the biblical heroine’s intelligence and strength in persuading the king to select the next ruler on the qualities of his character, rather than the traditional order of succession.</p>
<p> </p>
<p>Previously considered <em>Queen Esther before Ahasuerus</em>, the painting was recently amended as <em>Bathsheba</em> due to the presence of the younger woman standing nearby. The figure represents Abishag, the king’s female servant who took care of him in his old age.</p>
<strong>Dutch, Golden Age</strong>
Gift of William and Nyna Mahan
Dutch Golden Age, 17th C.
2022.001.001
<strong>Dutch</strong>
<em>Christophorus Butkens</em>
ca. 17th C.
oil on canvas
43 x 53 in.; frame: 52 5/8 x 62 3/4 x 3 1/4 in.
Portrait of Christophorus Butkens (1590-1650), a Cistercian monk.
<strong>Dutch</strong>
Belgium, Antwerp School, ca. 17th C.
Gift of Mr. Herbert Orenstein
ca. 17th C.
1985.110
<strong>DVORTCSAK</strong>, Michael
<em>Aluctabliss</em>, 1981
Oil and wax on canvas
67 1/2 x 95 1/4"
<strong>DVORTCSAK</strong>, Michael
Gift of Robert and Betty Klausner
1981
1994.10
<strong>EDWARDS</strong>, James
<em>Untitled</em>
ca. 1970
acrylic on canvas
frame: 36 1/8 x 60 1/4 x 2 in.
<strong>EDWARDS</strong>, James
American, 1948 -
ca. 1970
1970.27
<strong>EHRENBERG</strong>, Noah
<em>Untitled</em>
graphite and acrylic
24 x 19 in.
abstract - reds, purple, yellow, brown
<strong>EHRENBERG</strong>, Noah
Gift of Phyllis Plous
n.d.
1999.110
<strong>ERENBERG</strong>, Sam
<em>Auge</em>
1981
oil, wax on linen
16 x 16 in.
<strong>ERENBERG</strong>, Sam
American, 1943-
Gift of Elena Siff Erenberg
1981
1992.194
<strong>ERENBERG</strong>, Sam
<em>Blue, Gray Study</em>
1981
oil, wax on linen
16 x 16 in.
<strong>ERENBERG</strong>, Sam
American, 1943-
Gift of Elena Siff Erenberg
1981
1992.195
<strong>ERENBERG</strong>, Sam
<em>Oil Platform, 1970 from the ECO-SCAPES series</em>
1970
oil and watercolor
21 x 18 in
<strong>ERENBERG</strong>, Sam
American, 1943-
Gift of Miss Elizabeth Berenson throught the UCSB Art Affiliates
1970
1970.86
<strong>EVERETT</strong>, Bruce
<em>Veteran</em>
1968
oil on canvas
47 1/2 x 67 in.
from MFA Exhibition, 1968
<strong>EVERETT</strong>, Bruce
United States1942 -
Gift of the Artist
1968
1968.113
<strong>FENTON</strong>, Howard
<em>Lagoon Morning</em>
1989
oil on canvas
unframed: 30 x 45 1/2 X 1 5/8 in.
<strong>FENTON</strong>, Howard
American, 1910 -
Gift of Mr. and Mrs. Howard Fenton
1989
1991.114
<strong>FERRELL</strong>, Kathy
<em>Untitled, 1972</em>
1972
Plexiglas, oil, water, air
6 x 6 x 6
6" cube with glass straw in water
<strong>FERRELL</strong>, Kathy
American, Glendale, CA 1953 -
1972
1973.48
<strong>FIERRO</strong>, Michelle
<em>Untitled</em>
1998
Oil, pastel, pencil on Tullis handmade paper
s: 23 x 27; f: 28 1/4 x 32 1/4
Several round shapes on a purple field; In Untitled, painter Michelle Fierro played with the printed surface of this work by adding pencil marks and hand painted details. Fierro described working at the Tullis studio as "freeing" and found the input of Tullis' son, Richard as vital as he helped her with technique and encouraged her to explore aesthetically. This working process allowed her reintroduce color into her work.
<strong>FIERRO</strong>, Michelle
United States, b. 1967
Museum purchase
1998
2000.61
<strong>FINSTER</strong>, Howard
<em>Desert Storm War, Pray for United Worlds</em>
1991
Paint on wood panel
69 1/4 x 22 x 1/2" OVERALL
Coke bottle-shaped panel with Desert Storm narratives interspersed with colorful images of housing. Panel includes a cap depicting a smiling face with figures on a bridge.
<strong>FINSTER</strong>, Howard
b. United States, 1916-2001
Estate of Frances Garvin and Keith Julius Puccinelli
1991
2018.001.030
<strong>FISHER</strong>, Vernon
<em>Side Vision</em>
1988
acrylic, oil on paper
sheet: 42 1/2 x 46 1/2 in; mat: 45 x 49 in; frame: 46 1/2 x 50 1/2
Skeletal bones, image of person viewing a compass, blue square
<strong>FISHER</strong>, Vernon
American, b. 1943
Gift of Lisa and Michael Darling in Memory of David Gebhard
1988
1998.45
<strong>FRANKENTHALER</strong>, Helen
<em>Soul of the Albino</em>
1958
oil on canvas
42 x 41 in.
<strong>FRANKENTHALER</strong>, Helen
American, New York City, 1928 -
1958
L.1976.6
<strong>GIEGERICH</strong>, Jill
<em>Untitled</em>
1992
gesso and acrylic paint on paper
20 x 15 in
<strong>GIEGERICH</strong>, Jill
Gidt of Phyllis Plous
1992
1997.65
<strong>GLINSKY,</strong> Ishi
<em>Trip to Topawa</em>, 2022
Acrylic ink, oil stick and matte medium on canvas
120 x 72"
<p><em>This painting begins with two portraits of Tohono O'odham basket weavings sitting next to one another. For “Trip to Topawa,” I am considering how each of these baskets are made and the indigenous knowledge and understanding of what is happening all around us, that allows for these creations to come into existence. From my perspective I see an action of spiraling outward, formed at the core of these two original baskets. One basket executed using rebar wire contrasted with the other work rendered from bear grass, devils claw, and yucca. These designs have momentum, seemingly reflecting what is happening in the cosmos above. When uniting each of these works on one canvas I envision a clashing of galaxies, acted out in weavings of wire and desert harvested materials, then, skewed, and explored on this canvas.</em><em><br /><br />In my painting process I build up texture and color with oil sticks to create movement from the very beginning. This step may not be visible right away as often the lines are obscured by the oil paint, I then go on to apply. In “Trip to Topawa,” I’ve isolated this line work, allowing the texture and color to expand on desert basketry and culture. The centralized gradient of deep reds and maroons originates from the ceremony of harvesting and processing saguaro cactus fruit and sets the tone for the spectrum of color decisions explored throughout. “Trip to Topawa,” is the story of visiting ancestral pieces at the cultural center on my reservation in Topawa, Arizona. This research allowed me to observe and communicate my intentions to the baskets that I would then go on and investigate through abstraction, taking care to follow the linear exploration that the weavers have created before me. </em></p>
<p><em>--Ishi Glinsky </em></p>
<p></p>
<strong>GLINSKY,</strong> Ishi
b. United States, 1982
Museum purchase with funds provided by Beth Rudin DeWoody and an anonymous donor
2022
2023.006.001
<strong>GROPPER</strong>, William
<em>[Untitled]</em>
20th C.
oil on canvas
20 x 16 1/2 in.; frame: 27 3/8 x 23 1/4 x 3 in.
Man wearing green tunic, carrying book and staff.
<strong>GROPPER</strong>, William
American 1897 - 1977
Gift of Mrs. Edwin Corle
20th C.
1980.10
<strong>GUEORGUIEVA</strong>, Iva
<em>Poi</em>
2005
Acrylic on canvas
77 x 107" CANVAS
Brightly colored acrylic painting; large brush strokes in muti-colors on unframed canvas.
<strong>GUEORGUIEVA</strong>, Iva
b. Bulgaria, 1974
Gift of Cecilia Dan
2005
2015.019.001
<strong>GUILD</strong>, Lily
<em>Toast, San Luis Sourdough</em>
2012
Paint on paper on panel
7 x 8 x 1" OVERALL
Image of slightly burnt toast againts a white background. Titled lower right corner; signed, dated, and titled on reverse by the artist with the words "I toast Fran and Keith!"
<strong>GUILD</strong>, Lily
b. United States
Estate of Frances Garvin and Keith Julius Puccinelli
2012
2018.001.041
<strong>GUILD</strong>, Lily
<em>Tic Tac Dough 4</em>
2012
Watercolor on paper mounted on panel
4 x 4 x 1 1/2" OVERALL
A small square with abstract patterns and black dots against a white background. Signed,dated, and titled by artists on reverse.
<strong>GUILD</strong>, Lily
b. United States
Estate of Frances Garvin and Keith Julius Puccinelli
2012
2018.001.042
<strong>HACKMAN</strong>, Vida
<em>Landscape</em>
1967
acrylic, oil
20 x 26
<strong>HACKMAN</strong>, Vida
American, 1935 -
1967
1967.60
<strong>HAINES</strong>, Richard
<em>Initiation</em>
1964
oil on canvas
38 x 44 in.
<strong>HAINES</strong>, Richard
American, Marion, Iowa 1906 - 1984
Gift of Leonora S. Haines
1964
1986.410
<strong>HAINES</strong>, Richard
<em>Afternoon of the Bull</em>
1957
oil on masonite
36 x 48 in.
<strong>HAINES</strong>, Richard
American, Marion, Iowa 1906 -1984
Gift of Thomas and Patricia Lloyd
1957
1986.409
<strong>HANSEN</strong>, Eijnar
<em>Portrait of Peter Krasnow</em>
1916
oil on canvas
frame: 25 x 20 in.
portrait; male with mustache identified as Peter Krasnow
<strong>HANSEN</strong>, Eijnar
b. Copenhagen 1884 - 1965
Gift of Mrs. Edwin Corle
1916
1980.11
<strong>HARWOOD</strong>, June
<em>Colorform Series - Blue Green</em>
1964
oil on canvas
40 x 60 in.
June Harwood belongs to a group of California painters from the late-1950s who pursued a hard-edge geometric style of abstraction. Broad areas of unmodulated color interlock to form tense compositions of positive and negative spaces. Harwood's compositions are often marked by a dynamic energy through the use of irregular forms.
<strong>HARWOOD</strong>, June
Gift of Mr. Robert H. Hartman through UCSB Art Affiliates
1964
1970.101
<strong>HASSAN</strong>, Ali
<em>Untitled</em>
1987
oil on paper
17 1/4 x 25 1/4 in
<strong>HASSAN</strong>, Ali
Kenyan
1987
1988.14
<strong>HAWKINS</strong>, Richard
<em>Salome Painting: Green head</em>
2011
Oil on canvas
24 x 20"
The title of this work alludes to the biblical story of Salome, who infamously appeals for the execution of John the Baptist after dancing for King Herod on his birthday. While the depiction of Salome exhibiting the severed head of John the Baptist has been a popular subject in art through the centuries, Hawkins take is particularly novel. Rather than focusing on the female protagonist, the artist emphasizes the victims ghoulish head, which seems to hover over a smoking barrel. Like many other examples of Hawkins works, this painting references the subjects prevalence in art history and points to the relationship between desire, sex, and violence. Signed LH and dated 11 at lower right.
<strong>HAWKINS</strong>, Richard
b. United States, 1961
Gift of Marc Selwyn Fine Art, Beverly Hills
2011
2018.017.018
<strong>HAYWARD</strong>, James
<em>Automatic Painting Black #5</em>
1975
Oil on canvas
33 x 33 x 1 1/2" OVERALL
<strong>HAYWARD</strong>, James
American, 1943
Gift of Morgan Thomas
1975
1996.50
<strong>HAYWARD</strong>, James
<em>Automatic Painting Green #1</em>
1977
oil on canvas
22 x 22 x 1 3/4
Throughout his career, James Hayward has explored the potential of abstraction through monochromatic painting. These tense and luminous early canvases, which seem to capture and hold light, later give way to textured, physical surfaces which resist illusion. Hayward works with spontaneity and deliberation, as he says, not a mindless intuition, but a fortified one.
<strong>HAYWARD</strong>, James
United States, b. 1943
Gift of Morgan Thomas
1977
1996.51
<strong>HILTON</strong>, John W.
<em>Untitled</em>
1946
Oil on canvas
41 5/8 x 53 x 2 1/2" FRAME
Large panoramic painting of a desert landscape with mountains in background.
<strong>HILTON</strong>, John W.
b. United States, 1904-1983
Georgiana S. Kirkbride Bequest
1946
1969.31
<strong>HITCHCOCK</strong>, William
<em>Painting</em>
oil in canvas
36 x 36 in.
1966
<strong>HITCHCOCK</strong>, William
1966
1966.99
<strong>HOGAN</strong>, Patrick
<em>Untitled Abstract</em>
1981
rope, resin, wood, paint
78" x 60 1/4"
Abstract composition primarily in shades of red, pink and black with lavender and yellow.
<strong>HOGAN</strong>, Patrick
American
Gift of Ruth and Jake Bloom
1981
1997.76
<strong>HOLST</strong>, Mamie
<em>Kismet</em>
1998
Acrylic on canvas
18 x 18" CANVAS
Small acrylic painting of circular pattern superimposed on spiral-like grid.
<strong>HOLST</strong>, Mamie
b. United States, 1973
Gift of Nancy Delman Portnoy
1998
2013.005.002
<strong>HOWEY</strong>, Nicholas
<em>untitled</em>
1989
acrylic canvas
canvas: 30 1/8 x 25 5/8 in; frame: 31 3/8 x 26 7/8 in
<strong>HOWEY</strong>, Nicholas
Gift of Ruth and Jake Bloom
1989
1999.128
<strong>HUMPHREY</strong>, David
<em>Her's</em>
1992
oil on canvas
28 x 24 x 1.5 in.
<strong>HUMPHREY</strong>, David
American, Augsberg, Germany, 1955 -
Gift of Betty and Bob Klausner
1992
1994.15
<strong>ITO</strong>, Parker
<em>Inkjet painting #49</em>
2013
Inkjet print on silk
64 x 44''
Inkjet painting of a gradation of colored dots printed on silk; the dots descend from bright blue and pink to deep green.
<strong>ITO</strong>, Parker
b. United States, 1986
Courtesy of Marc Selwyn Fine Art, Beverly Hills
2013
2019.016.002
<strong>JACKSON</strong>, J.B. (After Titian)
<em>Martyrdom of St. Peter Martyr</em>
1739
Chiaroscuro woodcut in three colors
21 7/8" x 14"
Print of 1530 Titian painting of same title that was destroyed in 1739. Man attacking Peter, 2nd man feeling; Putti above.
<strong>JACKSON</strong>, J.B. (After Titian)
Gift of E. Bruce Robertson and Thom Kren
1739
2000.43
<strong>JANOWITZ</strong>, Joel
<em>[Untitled]</em>
oil on canvas
5 x 7 feet
<strong>JANOWITZ</strong>, Joel
n.d.
1969.53
<strong>JENKINS</strong>, Michael
<em>Untitled (White Towers)</em>
1990
graphite, tempera
overall: 36 x 24 in.
Eight one dimensional white towers
<strong>JENKINS</strong>, Michael
American, b. 1957
1990
1999.93