African, Nigeria, Benin Kingdom
Head of an Oba, 1900-1950 Copper alloy 13 1/4 h. x 12" dia.
Copper alloy head of an Oba, or King of Benin, wearing a cross-hatched cap and layered strings of coral beads along the neck with a wide-eyed expression, round cheeks, horizontal nose, and rendered lips. Research reveals that members of the Benin Guild of bronzecasters who formerly worked only for Benin Kings began to produce bronze heads for other audiences after the 1897 invasion. Since these were descendants of the same guild that produced the Benin bronzes in the 1897 loot, their products cannot be easily classfied as "inauthentic."
Silkscreen in gold frame. Geometric forms on red background. Two, thick yellow vertical lines situated perpendicular to a blue rectangular shape. A transparent, black circle covers a portion of the composition. Signed with bayer 71/17 in lower right corner of image. Label on reverse side includes untitled silkscreen, acrylic on canvas 1971/17, susan rose and allan ghitterman collection.
Silkscreen with acrylic and gouache on paper
Silkscreen in gold frame. Abstract forms on red background. Geometric square in top center-right hovers above organic shape at bottom center-left. Primary and secondary colors interspersed throughout. Signed with bayer 80/9 in the lower right corner of the image. Opposites 1 written in the lower left corner and 13 x13" acrylic 1980/9 written in the lower right corner. Label on reverse side includes opposites 1, silkscreen, acrylic on paper 1980/9, susan rose and allan ghitterman collection.
Silkscreen in gold frame. Abstract shapes overlapping on a blue background. The shapes include vibrant primary and secondary colors. Signed in the lower right corner of the image with bayer 1973/100. Fall geometry is written at the lower left corner of the image, 20 x 20" acrylic and 1973/100 written at the lower right below the signature. Label with fall geometry, silkscreen, acrylic on paper 1973/100, susan rose and allan ghitterman collection located on reverse side.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The box has been reoriented into an upright position with the interior acting as the face, with the lid acting as an overhang. The interior hosts a a small figurine of a woman wearing a black suit, black boots, and a black mask with cat ears. She has bright, yellow hair and is posed with her hands on her hips and facing out defiantly.
Women Beyond Borders Art Collection founded by Lorraine Serena
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Mass of polyuretunic foam painted with warm-toned colors erupts from the interior of the box warping the sides and lid.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes.The original box is sealed and painted, with the sides depicting a fleet of puffy clouds spreading across the bright-blue sky. The lid of the box has the image of two windows beginning to open towards the cloud, and in the clearing a red apple dangles from a rope. The original box is completely sealed in a translucent, plastic pyramid, accompanied by a small, single pearlescent shell that shares the same space.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The exterior of the box is a tin cookie container with Disney characters in bold colors printed on the lid. Interior of the box is a bed of fluffy tufts of fabric with a centralized rock.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Exterior of the box is covered in colorful tiger stripes whIth a metal emblem of a tiger resting on the lid.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Abstract sculpture emerges from the box, pushing the lid to the side as a mass of colorful wax erupts from the interior and consumes the outside.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Foam bricks surround the wooden box and are carved and painted to resemble the texture and appearance of the earth. A variety of yellow flowers blossom from the ground and surround a sunken grave with a gray, burnt tombstone being reclaimed by the soil. The chasm in the center hosts rods of iron and spikes pointing upwards to symbolize how "death is always near by," but "flowers still live and rise above all."
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The box is tilted to the side being elevated by the wooden lid that rests underneath. Woven textiles of black and purple threads are draped inside the box spilling out, cushioning a small colLection of film rolls and dried rose buds. Burned pieces of paper with writing are adhered onto the textile in the interior of the box.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Exterior of the box is painted silver and the front panel is stained brown, with an expressive face with glossy eyes staring out. The top of the box is decorated with a braid tied at the end with a red ribbon, and the lid is nailed shut. Nguyen Thi cites an ancient Vietnamese saying as inspiration for her work: "It is easy to know a man from his appearance, but difficult to recognize his thinking."
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist used wood sticks and dried leaves to represent a thatch-roofed cottage. Cottages are features of the Vietnamese countryside, and this one is meant to be representative of the cottage images we think of when we get home sick.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. A couple is sealed into the box similiar to a coffin, made visible through a clear piece of plastic. Exterior of the box is painted yellow with red Vietnamese symbols with various objects including incense sticks, wax, wire, and natural fibers. Hog describes the work as a coffin that forever captures the love two people may share with one another, even if they are unable to be together due to the societal pressures that forces them to be apart.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Exterior sides of the box highlight colors representing different aspects of nature: sunlight, wind, water, wood and earth. The lid includes a dark, stormy scene with a conch shell and an eyeball appearing in the clouds staring at the viewer. Inside the box is a scroll of painted paper with repeated imagery of the sun and a hand setting/rising from the horizon line between the blue ocean and purple clouds. Across the scroll are words to be read from left to right on the top and bottom of the scroll.
Wonder Bread, (Blue Dots), 1993 Mixed media
Mixed media sculpture of transparent small blue dots overlapping across the composition enlarged towards the edges.
Gift from Thomas Solomon and Kimberly Mascola
Wonder Bread, 1996 Mixed media
Mixed media. Lower portion of artwork includes overlapping Wonder Bread labels. Remaining upper portion of artwork is clear/transparent.
Untitled (Ten people Ten Books), 1994 Cloth bound accordion fold out in velum
Yellow-green cloth bound accordion fold out in velum; vibrant pages within displaying geometric shapes.
Mixed media collage on paper with two brown forms and cut paper tufts of hair extending from a green ground. On reverse: RUDY BUST, 10-30-99
There is Nothing I Can Do, 1999
Mixed media collage with a bright green strip situated horizontally with three wooden sticks extending vertically. Brownish organic textured shape near upper portion of composition. THERE IS NOTHING I CAN written above green strip; On reverse: Rudy Bust, 10-30-99
Mixed media collage on paper with a textured dark brown figurative animal with hair positioned vertically with a small, plastic bag of silver glitter. OK I LOVE YOU written in gold pen; on reverse: Rudy Bust, 10-30-99
Pencil on paper drawing of woman outfitted in ornate dress and accessories; table with an open drawer is detailed at lower right and a small dog at lower left. Tres van loo in lower left corner beneath image with artist signature and 3/01 in lower right corner. On reverse: picture frame label.
Voynich bontanical Studies, Specimen 20v, 2012
Gelatin silver print of a flowering plant; its roots are detailed at lower half of print; housed in a white mat and frame. On reverse is a gallery label.
Oil crayon on paper with various colors assorted in different lines and shapes. Green gesture at upper left and lower right with Korean characters at lower left; signed and dated at lower right. Left side of paper is blank.
Oil crayon drawing on paper with an abstracted musical score in organge and grey enclosed by a row of green pointed forest-like lines and blue markings. Signed and dated at lower left with numbers: 600, 115, 350, 865, 150, 1015 printed on reverse.
String and paint on board detailing an off-white background with knotted fragments. Knots spaced apart situated in various directions. On reverse: WHITE KNOT PAINTING ROBERT LEVINE 90.
Transport, Storage, Weighting & Transfer, 1983
Acrylic on canvas painting with irregular brushstrokes and abstracted forms in green, greys and blue. Small area of vibrant green at the right lower edge. On reverse: Holly Solomon gallery LABEL.
Poster with white background and black-and-white photographs depicting architectural structures. Text at lower left corner with artist's signature.
Ink on paper line drawing with triangles, rectangles and squares shapes throughout upper half of image. QMC-171 on reverse.
Wall hanging of acrylic on cut mixed fabric panels in brown, beige and greyish blue with diamnond shaped cuts outlined in blue paint. Kim Macconnel written on reverse.
On the Ground Material Drawings 7 (with the Lavendar Mist/Pollock Film), 2011
Spraypaint, nail polish, jimson weed seeds on paper
Mixed media collage on paper with geyscale printing that displays film rolls laid diagonally across the surface. Tiny splatters of yellow, pink, white, and blue paint throughout. Address label on reverse.
Transcending Grid with Opening (white) #1, 2016
Encaustic paint and linen yarn on walnut panel
Encaustic paint and linen yarn on walnut panel with centralized hollowed square. Various sized strings of yarn extend from panel.
marian chase room (with fire) 11:34 pm 2/14/01, 2001
Ink on paper drawing. Overlapping lines in circular formation in center of artwork. marian chase room (with fire) 11:34 pm 2/14/01.
Gift of Steve and Sari Roden Family Trust
north sleeping porch 12:33 am 2/15/01, 2001
Pen on paper. Overlapping lines in circular formation in center of artwork. north sleeping porch 12:33 am 2/15/01.
Ink on paper drawing. Overlapping lines in circular formation in center of artwork. clyde chase room 11:44 pm 2/14/01.
Ink on paper line drawing of multiple forms drawn in circular formation, condensed in center of composition. Front Garden 6:50 am 2/15/01.
Front Garden/Patio 7:53 am, 2001
Ink on paper line drawing of multiple forms drawn in circular formation, condensed in center of composition. Front Garden/Patio 7:53 am at lower left, 2/15/01 at lower right
marian chase room (with fire) 12:48 am 2/15/01, 2001
Ink on paper line drawing of multiple forms drawn in circular formation, condensed in center of composition. marian chase room (with fire) 12:48am at lower left, 2/15/01 at lower right
Ink on paper line drawing of multiple forms drawn in circular formation condensed in center of composition. rm schindler room 7:21 am at lower left, 2/15/01 at lower right.
pauline schindler room 9:28 pm 2/14/01, 2001
Ink on paper line drawing of multiple forms drawn in circular formation, condensed in center of composition; pauline schindler room 9:28pm at lower left, 2/14/01 at lower right.
Ink on paper line drawing of multiple forms drawn in circular formation condensed in center of composition; rm schindler room 8:00am displayed at lower left, 2/15/01 at lower right.
Ink on paper line drawing of multiple forms drawn in circular formation condensed in center of composition. rm schindler room 7:55pm in lower left corner, 2/14/01 in lower right.
Paint on paper drawing with geometric lines and forms at center: Black, green, red, orange, and yellow painted lines with black paint situated in center against white ground.
Pencil, ink, and paint on paper drawing with density of lines at lower center-bottom of composition. Black paint splattered on pencil with splatters of green and black paint throughout. Purple, yellow, and blue interspersed through artwork. 6-7am in lower left corner. On reverse: 2003, eyes closed listening
Oil and polyurethane on linen painting in light grey with light green shapes throughout accented in red; Lower-case letters displayed within those shapes. StripEs of shades of green situated at lower left corner. On reverse: sleepwalker (ophelia and the absence of language); Email Java commands; rimbaud - Ophelia; 33 Chicago World's Fair block house; 1999-2000 Steve Roden
Oil and polyurethane on linen painting with grey background, geometric form at center--detailed in black, yellow, pink, green, orange, and blue. Light yellow capital letters scattered over lower half of canvas. Five orange shapes situated around letters. Written on reverse side: kabuki in a rectangle; katsura rikyu; kasuga mandala; rakushisha Haikus
Oil and polyurethane on linen painting with a black organic shape and white and yellow squares positioned on a blue-grey background. Capital letters with white outlined paint dot the canvas with green paint at lower right of canvas. Written on reverse: fifteen planes; Paul Clardell - 5 grand odes (pg. 15); kinka kuj: Temple Map; 2000 Steve Roden; artist signature
one soul walks alone, 1999-2000
Oil and polyurethane on linen painting with sections of green, blue, and red on a red ground; connected letters situated at upper right of canvas;. written on reverse: one soul walks alone; kepes book cover; map of nevers hotels; map of Philadelphia parks
Oil and polyurethane on linen painting. Various shades and thick brushtrokes of yellow displayed throughout canvas with a light yellow amorphous shape at left. OTEVANSEO and VRAWLMPTEERES detailed at center; Two hexagonal shapes at left. On reverse: the golden bird is often side (for J.C., A.C., & r.b.); list of all names of US satellites cornell collage; steve roden 1999/2000 artist signature.
Mixed media on canvas painting with triangular form in center with grey-scale image of a rock enclosed by green, purple, and orange throughout artwork. Geometric grid on left and right; reverse: "space" 2020; gallery label
Ink, watercolor, acrylic and pencil on paper
Mixed media on paper with black geometric forms displayed in lower half with multi-colored forms throughout upper half. On reverse 2009, Roden; Stone's Throw 33 x 30 (beams/seams/streams)
spining straw into straw 7, 2015
Acrylic on canvas with black, diagonal stripe from upper left corner to lower right accented in pink, orange, and yellow layered on white paint. Steve Roden 2015 on upper reverse. spinning straw into straw on lower reverse.
spining straw into straw 6, 2015
Acrylic on canvas with thick stripes of black, blue, green, pink, and yellow overlapping throughout positioned against a thickly, painted white ground. Steve Roden 2015 printed on upper reverse. spinning straw into straw on lower reverse.
spining straw into straw 5, 2015
Acrylic on canvas with black stripes overlapping throughout, accented with pink and orange and layered on white ground. Steve Roden 2015 printed on upper reverse. spinning straw into straw on lower reverse.
spining straw into straw 4, 2015
Acrylic on canvas with four thick stripes of black, orange, and pink. Two stripes cross diagonally from lower left to upper right. Steve Roden 2015 printed on upper reverse. spinning straw into straw on lower reverse.
spining straw into straw 3, 2015
Acrylic on canvas with thick, geometric stripes of black, pink, green and neon orange crisscrossing throughout with white background. Steve Roden 2015 printed on upper reverse; spinning straw into straw on lower reverse.
spining straw into straw 2, 2015
Acrylic on canvas with thick stripes overlapping in "v" formations; pink, orange, and green accents throughout.; white background painted on black base
Vertical oil on canvas painting with diamond shaped forms with text painted against a blue ground.
KATIE, Tim and KING, Audrey
Untitled, 2001 Mixed media
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artists paint the box white and fill it with small scrolls that spill out. The box is set against a large black panel. A white veil and words spill from the box. Artist signatures on reverse.
KATIE, TIM and KING, Audrey
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist paints the box green and adds the recycling symbol to the exterior to create the appearence of a recyling bin. The interior of the box is filled with scraps of plastic and a cut out of a minature Coca Cola bottle. Artist's signature on bottom.
PAPPAS, Carolyn and MARAKOVICH, Michael
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artists wrapped the box in Coca Cola tins and placed it in a larger plastic soda bottle via a cutout. The box and other blue cutouts are placed on a layer of sand. Artist signatures on the reverse.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Artist has created a model airplane around the box using Coca Cola boxes and red and white paint. A small human figure sits in the pilots seat. Artist's signature on plane wing.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Artist has painted the box red and stood it upright. The lid acts as a door to a refrigerator with the Coca Cola logo pasted on it. Artist's signature at bottom.
FERGUSON, Kelsey and STUART, Robert
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The dual artist team of Ferguson and Stuart have created a wind chime from their box. Suspended upside down attached to a cone-like sturcture, the blue box holds a glass bottle of coke with wind chimes.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Artist has painted the box black and stood it upright; two doors open and inside are metal cut outs from tin with a gem in the center. Atop is a metal seated female figure wearing a crown of tin. Artist's signature at bottom.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist painted the box white and added abstracted red human figures to the sides and cut outs of words on the top. Artist's signature on bottom.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist covered the box in tin and added cloud-like peices of tin to extend from the top. Artists signature on bottom.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has created a scene of minature coca cola bottles with tin coca cola advertisements in hommage to her grandmother's habits. Art description and date on the reverse.
EID AL-FADLI, Eman Hanoun
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. As part of the Children's Box Project, the artist has used a cardboard box extending the side panels painted in bright colors creating a floor rug pattern. The upper sides are extended and include images of domestic utensils such as bowls and cups. The top is laced together with a cord.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. As part of the Children's Box Project, the artist has used a cardboard box outfitted with various textiles and threads.
SOLEIMAN, Hannan Abdel Calif
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. As part of the Children's box project, Soleiman has used a cardboard box embellished with family images on the interior while the exterior is outfitted with black and red yarns and a single face.
Trust and the White Rabbit, 1997
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Purple painted box positioned on a larger ciruclar purple platform; inserted vertically into the smaller box is a CD with red-brick wallpaper on one side; remaining side blank. Identifying information is on the reverse.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. This work includes a colorfully painted diorama with a nude female seated on a box attached at center. Identifying information printed on reverse edge.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has positioned her box on red covered cardboard with sequins and a pair of blue shoes.; extending from the box is a female mannequin dressed in an orange dress positioned in front of another mannequin wearing a red skirt. The box is enclosed in a shower-like curatain. Identfiying informaton is on the reverse.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Part A is the undecorated wood box. Part B is a printed packet of recipies.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has encased her box in a larger clear case. Inside a small figure climbs into the smaller box covered in earthen materials. Signed and dated on the clear panel behind the figure.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has encased the box in a larger wood log. Part A is the bottom. B is the lid.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Artist has detailed her box in an abstracted design of blacks and browns with an equally abstracted gold figure positioned on the exterior.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has attached a ball on the lid with a similarly round object in the interior of the box.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Lehtonen has painted her box green with a moss filled interior.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has encased her box in a woven material with various treaures on the inside with a black and white photo affixed to the interior lid.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Using bright greens and pinks, the artist has painted her box into an idyllic waterfall scene while the interior reflects a body of water.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has covered her box in a woven geometric pattern with stripes in brown, black and tan. Included are two woven discs.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Mara has covered her box in a flat pattern of black and white stripes and triangles and has fashioned a set of earrings and a ring of the same materials.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Mara has covered her box in a woven geometeric pattern of brown, tan and cream colored material which is secured with a tied off knot.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Mara has covered her box in a woven geometeric pattern of brown, tan and cream colored material.
Black & White, Day & Night - Oppo...1999
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist used paint, photographs, fabric, plastic dolls, and metal ornaments to create their piece. This piece is a marker for an experience or event the artists has lived thorugh, holding meaning as a ritual of celebration.
Crick, Josiliva Navavia
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has configured into a water well situated in a large base with rocks; brightly colored clothespins serve as structuarl posts to support lid from which drinking vessel hangs.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has painted her box in red, yellow and blue with female heads projecting from interior.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Machuca has placed arrow like bullets on sides and lid while an image of a skeleton like figure lines the interior detailing the title of her title to Useless Deaths.
The Mummified Stone Heart, 1996
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has written THE MUMMIFIED STONE HEART on her box lid while the interior of the box is filled with various items.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has turned her box into a dirty kitchen with unwashed pots and pans and rats running around.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Flores has dissassembled her box into three pieces; the lid is painted green with a collaged picture; the sides are blue sketch marks.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Benitez has embellished her box with a purple velveteen with lace edging a flower embroidered with a hanging glass-like tear shaped amulet attached to the lid's interior.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has painted her box in bright colors forming abstract designs overall with a mobile of similar-like objects attached to interior.
Eu Busca de la Cruz del Sur, 1996
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Balladares has styled her box with a circular grid which spears her box and forms a cross in the interior suggested by the title Eu Busca de la Cruz del Sur.
The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has created a fold-out structure of her box replicating memorable experiences as suggested by the title of her box Viaje En La Memoria.