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                  <text>&lt;strong&gt;The Ken Trevey Collection of American Realist Prints&lt;/strong&gt;</text>
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                  <text>The AD&amp;amp;A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints.</text>
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                <text>1997.48</text>
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                <text>&lt;strong&gt;TREIMAN&lt;/strong&gt;, Joyce</text>
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                <text>&lt;em&gt;Pier Study&lt;/em&gt;</text>
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                <text>graphite on paper</text>
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                <text>22 1/4in x 29 7/8in</text>
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                <text>&lt;strong&gt;TREIMAN&lt;/strong&gt;, Joyce</text>
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                <text>American, Evanston IL 1922 - 1991 Los Angeles</text>
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                <text>Gift of Don Trevey to the Ken Trevey Collection</text>
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                <text>1975</text>
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              <name>Title</name>
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                  <text>&lt;strong&gt;The Barry Berkus Family Collection&lt;/strong&gt;</text>
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                  <text>The Barry Berkus Family Collection contributes to the strength of the Museum's holdings of twentieth century works on paper. Made in 2006, the Berkus gift provided the museum with twenty-one works on paper by artists working primarily in the United States in the 1980s and 1990s, including: Robert Motherwell, William Wegman, Robert Rauschenberg, and Carrie Mae Weems. Berkus, an architect who worked in Southern California, designed the UC Santa Barbara’s Mosher Alumni Building.</text>
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                <text>&lt;strong&gt;SCHAFFNER&lt;/strong&gt;, Ruth</text>
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                <text>&lt;strong&gt;SCHAFFNER&lt;/strong&gt;, Ruth</text>
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                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
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                <text>28 x 21 3/4"</text>
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                <text>Small oil and gouache painting on canvas enclosed with a bright red frame. Image includes moderate sized multi-colored areas of abstracted designs.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Pal C. Mills in memory of Jan Mills and Gail Berkus</text>
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                <text>1970</text>
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        <name>Painting</name>
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        <name>red</name>
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                  <text>&lt;strong&gt;The Barry Berkus Family Collection&lt;/strong&gt;</text>
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                  <text>The Barry Berkus Family Collection contributes to the strength of the Museum's holdings of twentieth century works on paper. Made in 2006, the Berkus gift provided the museum with twenty-one works on paper by artists working primarily in the United States in the 1980s and 1990s, including: Robert Motherwell, William Wegman, Robert Rauschenberg, and Carrie Mae Weems. Berkus, an architect who worked in Southern California, designed the UC Santa Barbara’s Mosher Alumni Building.</text>
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                <text>&lt;strong&gt;RAUSCHENBERG&lt;/strong&gt;, Robert</text>
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                <text>&lt;strong&gt;RAUSCHENBERG&lt;/strong&gt;, Robert</text>
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                <text>&lt;em&gt;Horsefeathers 13 - XIV&lt;/em&gt;</text>
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                <text>Color lithographic collage and screenprint image of ostriches in profiles yellow, orange and black sideways flanked on either side by two gears to the left and a smiling female on the right.</text>
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                <text>Gift of Barry A. Berkus and Family</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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                <text>1970.36</text>
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                <text>&lt;strong&gt;MEYERS&lt;/strong&gt;, Paul</text>
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                <text>1970?</text>
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                <text>cadmium plated steel</text>
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                <text>closed form: 8 3/4 inches cubed</text>
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                <text>cubed steel box with hinges so box unfolds into multiplanar object</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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                  <text>&lt;span&gt;Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&amp;amp;A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&amp;amp;A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum.&lt;/span&gt;</text>
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                <text>19 x 13 1/2 x 4 1/2 in.</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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                <text>&lt;em&gt;Linear Mass in 3 Scales, III&lt;/em&gt;</text>
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                <text>Gift of Daniel Weinberg</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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                <text>&lt;em&gt;Maquette for Chromatic Gate&lt;/em&gt;</text>
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                <text>Gift of Priscilla K. Giesen</text>
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                <text>&lt;em&gt;Poet's Hand&lt;/em&gt;</text>
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                <text>recycled fiber carpet pad with numerous smears of acrylic paint and incised areas</text>
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