2 100 369 http://art-collections.museum.ucsb.edu/files/original/f9f672776e8885e913706dedcc27e567.jpg d0d7e9df48e4b96cb50db6bd190652fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.757 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Black Mountain oil on canvas on board 14 x 19 in.; framed: 15 x 19 7/8 x 5/8 in. sketch Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century board canvas landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/a1884a5dc7078a0ed0f4484b2c7cb2ec.jpg 6ea528f60f1a79a1e0e7e987b651b708 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.755 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Inyo Range oil on canvas on board 14 x 19 in. sketch Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century board canvas ng oil http://art-collections.museum.ucsb.edu/files/original/2daa1e9046407c53d6a4ff331b6e01b8.jpg 41646f39471ec6af4f088e0197616802 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.749 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource The Bear Hunter oil on canvas 25 1/4 x 45" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century hunter man ng oil trees http://art-collections.museum.ucsb.edu/files/original/6e8530f7773f6129f3a22763ec9f8762.jpg 1263a4741db63cd2b1ea1db760418b98 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.748 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Aspens in the Snow oil on canvas 20 x 15" unstretched Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century ng oil snow trees http://art-collections.museum.ucsb.edu/files/original/a5f6a5adb1e509dd535cb0c528fefe33.jpg 2359d6dfc4d693dcc616b7620e20796e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.747 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Pyramids oil on canvas 20 x 29 3/4" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1901 19th century 20th century Desert landscape oil Painting pyramids http://art-collections.museum.ucsb.edu/files/original/39b4043b5d340c883bc47dfe6f7a7a9a.jpg b6afff286f6ecbcb185beab854a094e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.739 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource A Gray Day: London oil on canvas 16 x 10 x 1 in. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas Fog landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/7e37f3ed3d79f5c20d30aedb4634bd25.jpg 0988d6f05ec7d6abfcee9634b6da4b80 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.736 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Lungren Home oil on canvas 24 x 20". Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century landscape mountains oil Painting trees http://art-collections.museum.ucsb.edu/files/original/38e7097ce79e61ebf106ac759d4466dd.jpg bef554656ce5d287ed94d6c8f639f363 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.731 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Study of Rincon oil on canvas 14 x 22 x 1 in. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century landscape Mountain oil Painting seascape http://art-collections.museum.ucsb.edu/files/original/be664133f37addf44d0fd666066a552e.jpg ca9416dce1bcbf60d5564261db85ddfc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.723 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Canyon de Chelly oil on canvas 18 3 /16 x 36" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource ca. 1903-06 19th century 20th century canvas canyon landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/823c3949fc2059e3c998970fa85c4726.jpg 810519d12062b45735cddf6cec9df1ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.722 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource An Overlook oil on canvas 20 x 38" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas Flowers landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/723b9748213bb58f2de7ea918b5da861.jpg 7411533e4b7bfbfb21900f59af6450d4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.717 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource The Freighter oil on canvas 25 x 45" four holes in painting Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century Boat canvas oil Painting seascape Yellow http://art-collections.museum.ucsb.edu/files/original/27e0e9a4fab4549234a9e52c671b26e5.jpg e8fb569015eacf87eb21efe3ae0ed5c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.713 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Silent Sea oil on canvas 30 x 40" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource ca. 1926-30 19th century 20th century canvas oil Painting seascape water http://art-collections.museum.ucsb.edu/files/original/4159daa1eb7848b219a02c6ab19ec345.jpg 16f2bdddd26094d6159cb1e2c67a1379 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.712 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Road to the Corral oil on canvas 30 1/4 x 40 1/8" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1903-10 19th century 20th century canvas landscape oil Painting trees Yellow http://art-collections.museum.ucsb.edu/files/original/cdd2532cb9756e0e6f59c2360afff915.jpg 012447f324d100fef7a7f6196cf826f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.711 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Indian Boys Playing oil on canvas 25 x 45" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas canyon landscape Native American oil Painting http://art-collections.museum.ucsb.edu/files/original/079d93ddba7051686410fea6f0fba8cd.jpg 0b32b2410272605a3d5e262e52eaccc4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.710 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource The Pink Cloud No. 2 oil on canvas 30 x 45" unfinished Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas landscape oil Painting Yellow http://art-collections.museum.ucsb.edu/files/original/a9b1de45b7efb2432f73fbddd75ae32a.jpg d77f7673be983de3c09bbd6c46296530 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.708 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Lava in the Desert oil on canvas 25 1/4 x 45" A color oil painting of a lava rock landscape in the Mojave Desert. The painting either depicts sunrise or susset in the desert. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1920-29 19th century 20th century canvas Desert landscape lava rock Mojave oil Painting http://art-collections.museum.ucsb.edu/files/original/00d66e3ed6dd70d9379f0a5274780d3c.jpg f191d3fd2587b6a542f45c7a3bd9167a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.707 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Canyon de Chelly: Rabbit Brush oil on canvas 27 x 50" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century brush canvas Desert landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/6f4c592021986ae15fe50ace1cd45a58.jpg 3f2a5c456f25b47718608648a8b88645 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.705 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Arm of the Grand Canyon oil on canvas 25 x 45" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century Arizona Grand Canyon landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/7c780012aaf9c35624ed9f68d81b458c.jpg db7ef3179f9da4be88604aaebdc25fae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.704 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource The Sentinel oil on canvas 52 x 61" unstretched Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas oil Painting sentinel still life http://art-collections.museum.ucsb.edu/files/original/eb07f222ce2168797343c9992107b98f.jpg 61f2b43f6d647c3634fef6ab636f014e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.702 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Rockets oil on canvas 40 1/4 x 30 1/4" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1899-1901 19th century 20th century fireworks landscape Night oil Painting http://art-collections.museum.ucsb.edu/files/original/f0642c13a06dcddd3053906fd434b0d1.jpg 426ffef73e1e60ce1d52b9081fe7c4cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.701 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Pink Cloud oil on canvas 30 x 45" unframed Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century Cloud landscape oil Painting pink http://art-collections.museum.ucsb.edu/files/original/b32e52771ab4998c62fc2383a7053151.jpg 456042a74818292c607bb98a5de85a2e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.697 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Panamint Valley: Late Afternoon oil on canvas 26 1/4 x 60" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas landscape mountains oil Painting Valley http://art-collections.museum.ucsb.edu/files/original/49162cd51f5f33ed50e9aa2499efcdb9.jpg f03eb50a134f712898531142f47519e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.696.B Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Rabbit Brush in Bloom oil on canvas 24 1/4 x 60 in.; frame: 25 1/4 x 60 3/4 in. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century brush canvas canyon landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/2cbfe75bc33200eea1a3dfbee12691cd.jpg f03eb50a134f712898531142f47519e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.696 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Grand Canyon oil on canvas 30 x 36" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource ca. 1910 19th century 20th century Grand Canyon landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/b8bb4bbbe5f4b3dd705f5ac2892ed8d8.jpg dec416f75ac654090bcc14f7f1855f76 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.694 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Lower Red Rock Canyon oil on canvas 18 x 36" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canyon Desert landscape oil Painting red rock http://art-collections.museum.ucsb.edu/files/original/0762cd7de7ad5434485bba73f9256582.jpg 08b806b980ab2ba552bd6217804c4475 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.692 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Thirst oil on canvas 27 1/8 x 50 1/4" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource ca. 1893-97 19th century 20th century canvas landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/8414f6cfe107837e501a939b76e87b79.jpg 3c07cef79d2022c59902337251fcd8d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.691 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Rivers of Stone oil on canvas 24 1/8 x 50 1/8" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource ca. 1897 19th century 20th century brush canvas landscape oil Painting stone http://art-collections.museum.ucsb.edu/files/original/946c004fe51762d0647e6a1505cc44d2.jpg fc9e9c99bf24519a8594eaeb681596fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.690 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Entrance to Canyon del Muerto from Canyon de Chelly oil on canvas frame: 23 3/4 x 41 3/4 in; canvas: 20 1/4 x 38 1/8 in. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas canyon landscape oil Painting pink http://art-collections.museum.ucsb.edu/files/original/4b9844e677baed0d8524b0b792104b59.jpg 0e1ac2f7733e09574e1e5d452d67e0e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.689 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Mountain Lake: High Sierra oil on canvas 30 1/4 x 45" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource ca. 1904-05 (or later) 19th century 20th century canvas high sierra landscape mountain lake oil Painting http://art-collections.museum.ucsb.edu/files/original/971634540923a7e3e315ec43bc636eb3.jpg 3ea1b0c8ad48c26585711e5de6654605 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.686 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource In the Park oil on canvas 14 x 10" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas cityscape landscape oil Painting street http://art-collections.museum.ucsb.edu/files/original/3f722c1c509bbbac7104d8ed2d604f35.jpg 07aeec6596ad64a326ac7bac331437a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.685 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Trafalgar Square oil on canvas 10 x 14" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 19th-20th C 19th century 20th century landscape London oil Painting Trafalgar Square http://art-collections.museum.ucsb.edu/files/original/9432327ae028a90c487ba3565d0c248d.jpg 02b311b0b67f0144a58628376b1350c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.684 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource City Nocturne oil 8x 11 1/2" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century Desert landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/51f0fd7a3b77b1f357387114591653b0.jpg f42874b7c82033993e4d88cd70930de4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.680 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Silver River oil on canvas frame: 26 x 18 in; canvas: 24 x 16 in. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century landscape oil Painting river Valley http://art-collections.museum.ucsb.edu/files/original/41fb2febf9e4f9d12042d255a0a0ab68.jpg 42653cf4f094554fda89a9f9cd9c292e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.677 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Beyond the Gorge, Grand Canyon oil on canvas unframed: 24 1/4 x 16 inches; framed: 27 3/4 x 19 3/4 x 2 inches Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas canyon landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/2ded3a01318ca1c66930aa9d18ff4c6d.jpg 70981bfb295f6e3ab5a6185a13bba37a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.676 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Into the Depths, Grand Canyon oil on canvas 24 x 16" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1903 19th century 20th century canvas Grand Canyon landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/2b01269ef6600c94a61d6634fcd74884.jpg 1db58e508dffa27fb2fd5290a5e34a30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.675 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Afterglow in the Desert oil on canvas 24 1/4 x 18" unframed Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1906 19th century 20th century brush Desert landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/81eeba117e66b8c1ec7e027b42770dad.jpg 8fda69cb9e5c88d051bc490774ed9117 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.665 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource A Prospector oil on canvas 25 x 45 in.; framed: 32 x 51 1/2 x 2 in. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century Desert horse oil Painting still life http://art-collections.museum.ucsb.edu/files/original/9223486adfacb10cf2c8398cfda27653.jpg d245d7e075d483fa68c901d82708afea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.664 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource New Snow: Sierras oil on canvas 30 x 20 1/8 in.; framed: 31 x 21 x 2 in. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century landscape oil Painting sierras snow trees http://art-collections.museum.ucsb.edu/files/original/769a852a91406a75add617706a9f9ebe.jpg ff067358cfc81180e72568ad00c2b9b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.662 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Study of Desert Lava oil on canvas 18 x 36 x 1 in. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas Desert landscape Lava oil Painting http://art-collections.museum.ucsb.edu/files/original/94069eda21409fbb02065921af7442bb.jpg 2305b4b5a43f52f8dc125c09d3214f50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.661 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Aspens: Arizona oil on canvas 40 1/2 x 30 in.; framed: 44 5/8 x 34 3/4 x 2 5/8 in. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource early 20th century 19th century 20th century Arizona landscape oil orange Painting trees Yellow http://art-collections.museum.ucsb.edu/files/original/17447db43f500fa88bbba1476404d2ab.jpg c06e4dca2a1049fca60c8fe8162f54db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.659 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource In the Abyss: Grand Canyon oil on canvas 60 1/4 x 40" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1895-1897 19th century 20th century Grand Canyon landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/5ad21205a25f260db2765d292158ff34.jpg c659e1bd8a058cf3e303e0b095e9ea96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.658 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Study for Death Valley (for Toledo Museum picture) oil on board 19 7/8 x 29 7/8" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century board death valley landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/e49924c10677fffec215db35762baf29.jpg 10e4975431f6c980dbddbb2e083a0b15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.657 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Rose Buttes: Moonlight oil on canvas 24 1/4 x 36" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century buttes landscape Night oil Painting http://art-collections.museum.ucsb.edu/files/original/306eb3a328e12ced3be7ce070011627c.jpg f6aacc1df28dbeb011c8d0534897d829 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.656 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource In the High Sierras oil on canvas 24 1/4 x 18" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource ca. 1904-05 19th century 20th century canvas landscape oil Painting sierras http://art-collections.museum.ucsb.edu/files/original/f384fd7cd9198cdf5b3db582e6d92e5b.jpg 473964707fefdb2df751dd5319ab8ae6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.655 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource From the Valley of the Shadow (Sierras) oil on canvas 25 x 45" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource ca. 1904-05 or later 19th century 20th century canvas landscape oil Painting sierras Valley http://art-collections.museum.ucsb.edu/files/original/e516dd6ad244a05ae28646bd194627a5.jpg a460eea4a972fe92654ff49eac1983f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.654 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Liverpool (Docking a Liner) oil on canvas 30 x 36" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century cityscape landscape liverpool oil Painting http://art-collections.museum.ucsb.edu/files/original/065d5e7b178df8b58f22378ccb419f79.jpg 5fcacc6c1fc486a665472b335ab19637 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.653 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource A Cloudburst oil on canvas 40 x 36" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas Cloud landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/e4941c5b85cc41af43c07abe053c30c3.jpg ea5e00978c3d3ec71a58683b6e8ea57b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.652 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Death Valley: Dante's View oil on canvas 26 1/4 x 60 1/4" desert landscape Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource ca. 1908-10 19th century 20th century canvas death valley landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/63bfebbafbd5ec14e1e020cc7fadfb3d.jpg 3ecf1ed359a8c7d84c23bc934fe91da5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.651 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource A Dry Lake (Evening) oil on canvas 25 x 45" "The Shadow of the Earth. Twighight on a Dry Lake" written on backside--title? Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas dry lake evening landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/6fea7afcd0b68aaf84a67a1ea05afcd8.jpg 5438b568ab26041f3f2380ef4ad49281 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.649 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Poppies and Lupin oil on canvas 22 1/8 x 42" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1912 19th century 20th century canvas Flowers landscape oil Painting poppies http://art-collections.museum.ucsb.edu/files/original/68cd9d9d8b8ccf41e7a3b6052aa7a799.jpg 6004cad65b317a36ad73c94cf8703688 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.648 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Desert Sand (Evening); "Days End Desert, Arizona" oil on canvas 18 x 36" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1920-29 19th century 20th century canvas Desert evening landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/73d3c164998a088d89583899ecc357ba.jpg e03e44bcf57978baa2f5564c30053f3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.645 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Along the Shore (Evening) oil on canvas 18 x 36" Sail boats on Nile. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1900-01 19th century 20th century boats evening oil Painting seascape http://art-collections.museum.ucsb.edu/files/original/c0cc695cef42d015c490bd29aef14681.jpg 0bc41e9ebf9786846fdb2495f76ef735 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.644 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Death Valley (Morning) oil on canvas 26 1/4 x 60 1/4" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource ca. 1928-32 19th century 20th century canvas death valley landscape morning oil Painting http://art-collections.museum.ucsb.edu/files/original/9eb18f432ad6163e7c68ca3a3f6f80c2.jpg e222e7aee67bb849989092938890f7dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.642 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Afterglow: Painted Desert oil on canvas 25 1/4 x 45 in.; framed: 29 3/4 x 49 3/4 x 2 in. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas Desert landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/90f492f6f114106bcf07a0ad64e39a06.jpg 075ec68277d2d970e034b694ed2fa5fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.641 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource The Carpet of the Desert (Evening) oil on canvas 24 3/8 x 50 1/4" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas Desert evening landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/d8888b6e01d0ea7d58984374039baa36.jpg 9cb76ddeea7343188b871a634e77d729 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.640 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Sand Spectres: Death Valley oil on canvas 20 1/8 x 38" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1910-19 19th century 20th century canvas death valley landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/41fc0c0ba7557c3871426c719eda56c8.jpg eead9ef28593943370bb1b54c5c1f799 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.639 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Full Moon in the Mojave Desert oil on canvas 24 x 50" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century full moon landscape Mojave desert oil Painting http://art-collections.museum.ucsb.edu/files/original/5de382d89491fe2a2272c3e55438462c.jpg 3ea1b0c8ad48c26585711e5de6654605 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.636 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource The Arm of the Law: Hyde Park Corner, London oil on canvas 24 1/4 x 36 1/8" unfinished Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1899 19th century 20th century Hyde park landscape London oil Painting http://art-collections.museum.ucsb.edu/files/original/fd9dee747a995ed3d56d6ab805823e68.jpg d18f9b8df3fc1af3c5f50f4fe18d21a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.635 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Starlight in the Desert oil on canvas 42 1/4 x 27 1/2" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource ca. 1910 19th century 20th century canvas Desert landscape oil Painting http://art-collections.museum.ucsb.edu/files/original/9373420ae63cf37dc68593d8c4f28b42.jpg 02b311b0b67f0144a58628376b1350c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.634 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Moonrise at the White Mesa, Arizona oil on canvas 20 x 40" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century Arizona canvas landscape mesa moonrise oil Painting http://art-collections.museum.ucsb.edu/files/original/89b5fbd291bdc9a62a95b2cfd0f875c8.jpg 056f6d0f56066bbb2dedfff8b31f1218 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.633 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Surf After Storm oil on canvas 18 x 36" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas oil Painting seascape Storm http://art-collections.museum.ucsb.edu/files/original/447d59c9e88c44bef647c8d48c7b58bc.jpg b1f6121c5ea4ec4f168d475905bbecb8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.632 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource A Mountain Fire, Late Afternoon oil on canvas 36 x 30" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource early 20th century 19th century 20th century canvas landscape late afternoon mountain fire oil Painting http://art-collections.museum.ucsb.edu/files/original/9f673a1a7daf9967e5d4ec6d47f15767.jpg a4cfbf5c233e410429b0cdee4ad52bd5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.630 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Sierra Nevada oil on canvas 20 x 40" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas landscape oil Painting sierra nevada http://art-collections.museum.ucsb.edu/files/original/84151d2363218aa05fc9e5a9442e317f.jpg 06760dde8f72319e89487923384620cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.629 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Sands of Silence oil on canvas 27 1/4 x 50 1/4" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century canvas landscape oil Painting Sand http://art-collections.museum.ucsb.edu/files/original/2852257709e56316869d93f6a5c8993a.jpg 60b1194666fd342f4876f39c83b53d0d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2010.005.003 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Woman 4 1/8 x 3 1/4" Daguerrotype of seated female; figure is leaning against a table with bent left arm on table. Source A related resource from which the described resource is derived The Peter and Virginia Bancroft Collection of Vintage Photographs Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/3e179a2113b390d81633dc13de31c23e.jpg a93a4586f661f380fb8d2b46ac9bd41c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2010.005.002 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Lady 4 3/8 x 3 3/8" Hand-colored daugerrotype of a female wearing maroon bodice with white color and cap; woman is facing right; oval frame set in sqaure frame decorated. Source A related resource from which the described resource is derived The Peter and Virginia Bancroft Collection of Vintage Photographs Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/8df3e2cb0bea1d65d1720b4dd8ed0c9f.jpg 96bac142a45f959df3f847fb7c3d621c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2010.005.001 Title A name given to the resource Artist unknown Description An account of the resource Man with Pocketwatch 4 1/8 x 3 1/4" Source A related resource from which the described resource is derived The Peter and Virginia Bancroft Collection of Vintage Photographs Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/d710f3452995f16a7373cbf4d2139838.jpg cd6077e04d1e4dc9eb37868f1da196ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2001.8 Title A name given to the resource Artist unknown Creator An entity primarily responsible for making the resource Artist unknown French, 19th Century Description An account of the resource Portrait of Mademoiselle Marie Montcalm plate 3 x 2 1/2 inches; frame 8 x 7 inches Seated dark-haired woman holding rolled scroll in her left hand. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Date A point or period of time associated with an event in the lifecycle of the resource 1859 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/acbce92ed8b79ea7c2f31d1d674ea2ce.jpg 80832a8905abfde6687b360b9f547fce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.77 Title A name given to the resource Artist unknown Description An account of the resource Image Book case: 3 x 2 3/4 in.; photo: 2 1/2 x 2 in. Mother with son seated across her lap Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource ca. 1869 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/65ed569904d02aabf4641403451d7a9d.jpg c33fead6c1ac28aa3e6686d8701622e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.76 Title A name given to the resource Artist unknown Description An account of the resource Lincoln Family Carte de Visite overall: 4 x 2 5/8 in. Abraham Lincoln surrounded by his family Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/c5cc3c96eee559de2f6bf5cf28cb2501.jpg df533d66b388355fc70fe997912a1f15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.75 Title A name given to the resource Artist unknown Description An account of the resource Sara Washington, Liberated Black Woman, Beaufort, NC, 1866 case: 3 x 2 1/2 in.; photo: 2 1/2 x 2 in. Frontal portrait of young woman wearing hat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource 1866 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/cf71d663c910a8f19aae33e05340b653.jpg 03510730f13fc8e0e0420b57ebc5d7d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.74 Title A name given to the resource Artist unknown Description An account of the resource Two Young Women, One Holds Fishing Pole case: 3 3/4 x 3 1/2 in.; photo: 3 1/4 x 2 5/8 in. Two young women, one seated, one standing holds a fishing pole Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/f31e3b69df41990a5bcae0a626048db1.jpg b22ed5cd83c1560e9c11cfa2a4006832 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.73 Title A name given to the resource Artist unknown Description An account of the resource Portrait of Young woman with Hand on Shoulder case: 2 x 2 in.; photo: 1 1/2 x 1 1/4 in. Portrait of a young woman with hand on shoulder Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/273ef82b4431d699fa883d59cb2ae0c8.jpg 7db632ef5b752c87bce9740065e0356d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.72 Title A name given to the resource Artist unknown Description An account of the resource Train Conductor case: 3 3/4 x 3 1/4 in. photo: 3 x 2 1/2 in. Train conductor in uniform with proper left hand resting on studio prop Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/26ef31e30c5cc423a4ac200e2d49bd4c.jpg 255445a330dc92e33c8a42c7a5710e39 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.71 Title A name given to the resource Artist unknown Description An account of the resource Post Mortem of Baby Girl in White Dress case: 3 3/4 x 3 1/4 in., photo: 3 x 2 1/2 in. Post mortem of baby girl in white dress Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/bbf3a9c04f4f9641c76d08fab0c82c78.jpg 80505abae068b226fa2f08f614067727 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.36 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Young Child Photo: 8 1/2 in. x 6 1/2 in. Portrait of a young child, seated, wearing plaid clothing with lace collar and cuffs Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/6ada16f5b3102340a960935a411c2271.jpg 1c96e99cce5ab6ff13f048bdb649150d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.35 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Man in Profile Photo: 8 1/2 in. x 6 3/8 in. Portrait of a man in profile, mustache and side burns, plate fully painted Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/b32564a36a8f9ac950fc8f34e293a3e7.jpg 9cc19512660647d20cd3e4d3f09e5444 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.34 Title A name given to the resource Artist unknown Description An account of the resource John Smith Davis Photo: 8 1/2 x 6 3/8 in. Mat: 10 x 8 in. Portrait of John Smith Davis, dark beard, entire image is painted Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/3a7954a92c33a971ce67323825592f0a.jpg c3ee8f3b4663f4fd6a19a2ee919eccd3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.33 Title A name given to the resource Artist unknown Description An account of the resource Portrait of Seated Male with Side Burns Photo: 7 x 4 7/8 in Portrait of a seated male with side burns, proper left arm resting on a book. Paper mat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/9c7c50c0134fc55571adb170a4644645.jpg 713879fa02b9f007596e4af3878e37eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.32 Title A name given to the resource Artist unknown Description An account of the resource Group Portrait of Male, Female Adults with Two Girls and One Boy Photo: 5 1/8 in. x 3 1/4 in. Group portrait of seated male and female adults with 2 girls and 1 boy. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/9700f34fbf193ab82195cd4f741ea447.jpg c06bd7ee77e9930f8fc653231779e3e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.31 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Man with Beard and Heavily Tinted Cheeks Case: 6 x 4 3/4 in. Photo: 5 1/4 x 4 in. Portrait of a young man with beard and heavily tinted cheeks Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/21e65232f7d40aa4f9f8e6e05360252a.jpg 74c1172be204cd585511d3a59ca66956 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.30 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Woman Wearing a Veil Case: 4 3/4 x 3 3/4 in. Photo: 4 3/8 x 3 5/8 in. Portrait of a woman wearing a veil Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/cb219a7ba772fbe658f6b244caf0d46a.jpg 526db6d67850caafc99aebee337c8f8c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.29 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Baby Wearing a Dress with Decorative Black Trim Case: 2 7/8 x 2 3/8 in. Photo: 2 3/8 x 1 7/8 in. Portrait of a baby wearing dress with decorative black trim, scalloped mat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/188cf29b7f4fd1331b26f1d8a01c1cd5.jpg f5e58f3bad46358ee45025c98542745e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.28 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a 40 Year Old Male with Fuzzy Beard Case: 3 x 2 1/2 in. Photo: 2 1/2 x 2 in. Portrait of a 40 year old man with fuzzy beard wearing a sweater under his coat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/b17ef06c0f19acc938bc054e66346ea2.jpg 38b25e8fbffe42c8d68b67083a320dff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.27 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Young Female Child With Tinted Cheeks Case: 3 x 2 1/2 in. Photo: 2 1/2 x 2 in. Portrait of a young female child with tinted cheeks, wearing a dress with decorative stripes Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/8ac9900a37c64fac870071749a5ce58b.jpg 18e04c10d7fa0623b66a56d9d9532e37 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.26 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Middle Aged Man Wearing Coat with Velvet Collar Case: 3 3/4" x 3 1/4" Photo: 3" x 2 1/4" (1/6 plate) Portrait of a middle aged man wearing a dark coat with velvet collar, scalloped mat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/893fa135f28d995d9e561778a698530b.jpg ef2600e4617e1a4ea13a2a882d3ced64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.25 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Young Man with Thin Mustache and Beard Case: 3 5/8 x 3 1/4 in. Photo: 3 x 2 1/2 in. Portrait of a young man with thin mustache and beard wearing white jacket, oval mat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/58cae48f35846966b78f3275bd18ba2d.jpg fe0afcc4a06372513fbbe3e7ed3d9f16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.24 Title A name given to the resource <div style="text-align:left;">Artist unknown</div> Description An account of the resource Portrait of Woman with Feathered Bow at Neck Case: 3 3/4 in. x 3 1/4 in. Photo: 3 x 2 3/4 in. Portrait of a woman wearing a feathered bow at her neck. Oval mat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/c44e61462f1a438f4b8e9bb59f7196dd.jpg aa164a52aa7ac85e0d1ab349884cd4d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.23 Title A name given to the resource Artist unknown Description An account of the resource Dwarf Wearing Bowler Hat Case: 3 3/4 x 3 1/4 in. Photo: 3 x 2 3/4 in. Full view of male dwarf standing, wearing a bowler hat, oval mat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/0c379bc6910de5e5b751e568ea8d474f.jpg b1e6feebafd6e7caa8a0454050bb1e86 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.22 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Young Man with Thin Mustache Case: 3 x 2 1/2 in. Photo: 2 5/8 x 2 in. Portrait of a young man with thin mustache, proper left arm resting on a support. Case interior decorated with a tortise shell insert. Mirrored background Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/cc7bdcbe88ddd34182e4df67ce745010.jpg 12cfcf3b2aabd6d31aec52e6f5ca26d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.21 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Baby Wearing Hat Case: 3 x 2 1/2 in. Photo: 2 5/8 x 2 in. Portrait of a baby wearing a hat, baby is tilted on image. Mirrored background Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/88c81bfadf7385709b4f93524a6326dd.jpg 06e98809b0c29bb56e54ea62e6f3251d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.20 Title A name given to the resource Artist unknown Description An account of the resource Portrait of Man Wearing High Collar Case: 4 x 3 1/2 in. Photo: 3 1/8 x 2 1/2 in. Frontal portrait of a man wearing high collar shirt, rectangular mat, mirrored background Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/b13d1dca694dbb5213f7f458096b02d4.jpg 51ad8b1d4f6c8b6cd3b2ffc09ee18034 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.19 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Man with Wide Brimmed Hat Case: 3 3/4 in. x 3 1/4 in. Photo: 3 x 2 3/4 in. Portrait of a man with mustache, wearing wide brimmed hat, tinted cheeks, oval mat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/451193cc346e50929f86ce760196327a.jpg 1813587c2f25e9dd41a224b7293abae9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.18 Title A name given to the resource Artist unknown Description An account of the resource Portrait of Woman with Hands Folded Case: 3 3/4 x 3 1/4 in. Photo: 3 x 2 3/4 in. Portrait of a seated woman with hands folded in lap. Mirror image. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/79d35c3379d4e1077b9138e5c29c40c2.jpg 2ff1263871b39acb04b3177c5fc13c93 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.17 Title A name given to the resource Artist unknown Description An account of the resource Angel in Chariot Case: 4 x 3 1/4 in. Photo: 3 3/4 x 3 in. Family portrait from L to R, male, child, female, seated with hands folded Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/c9118415af05c294d63e986147f6bce2.jpg 8b39695415f699957ce022190dac1caa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.16 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Young Man 3 x 2 1/2 in. Frontal portrait of a young man wearing coat and tie Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/31579c83137e5ccd3eb0963f7da5d8b8.jpg 9311533d0fb30f2acac5405c2e60bf49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.15 Title A name given to the resource Artist unknown Description An account of the resource Young Boy With Cane Frame: 14 x 15 in. Portrait of a 3 year old boy holding a cane. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/ffec4ac60b7ca6603203566c1199c696.jpg 5b7648f8f743bfa010cfd5960f2e8418 http://art-collections.museum.ucsb.edu/files/original/4f63706fa768d0083ad0cca94f344229.jpg 19592f84805dcb3c7e01e59066912cb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.14 Title A name given to the resource Artist unknown Description An account of the resource Young Boy With Parted Hair Case: 6 1/4 x 5 in. photo: 5 1/8 x 4 in. Portrait of a boy with parted hair. Vision of Ezechiel motif on case. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/d928377f3f655916c023de6f2ede948c.jpg 9239de63cf55e8eefa6691f6fe0325e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1997.13 Title A name given to the resource Artist unknown Description An account of the resource Seated Man and Woman 1/4 plate: 3 1/4 x 2 3/4 Horse race depicted on case Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half of 19th C. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/d36e6ced95e5424456077d85ec9d9c89.jpg 1cc7324d57708bcab1ab05e578fcef77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1997.12 Title A name given to the resource Artist unknown Description An account of the resource Emma and Charles Steele 1/6 plate: 2 1/2 x 2 in. Frances Steele 1855-1905 (Mrs. Duncan McNaughton). Charles H.? Steele 1851-1903 Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half of 19th C. 19th century 20th century black and white photograph portrait vintage