1 100 3 http://art-collections.museum.ucsb.edu/files/original/09c3117a7bff154f952c4f10d37d9ce1.jpg 8ea45fc237abae8da7661ae9b6cfffdb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.449 Creator An entity primarily responsible for making the resource SEGHERS Title A name given to the resource SEGHERS Description An account of the resource Three Automobiles Loaded, Summertime America Gelatin silver print Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource ca. 1940-49; reprint 1985 20th century America landscape photograph vehicle http://art-collections.museum.ucsb.edu/files/original/a8e4bb344f40dc146acb882891eeab88.jpg 6220bd7a1ac84de480868458b208df1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arts of Latin America Description An account of the resource The AD&A Museum houses a number of works representing the artistic traditions that developed in Mesoamerica, Central America, and South America after contact with the Spanish and the Portuguese beginning in 1492 and 1500, respectively, and continuing to the present. These objects include but are not limited to Retablos, Santos, Masks as well as contemporary prints and drawings. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2018.010.001 Creator An entity primarily responsible for making the resource Helguera, Pablo b. Mexico, 1971 Title A name given to the resource Helguera, Pablo Description An account of the resource An Accident: America 2007 Paper collage 12 x 9" A paper collage employing an upside down map of Central and South America, a black and white image of a man with a car, and several circle cut outs, among other imagery. On the upper half of the work are the words "AN ACCIDENT: AMERICA." The lower half of the work reads "The more believable image is that of chaotic singularity, where the breakdown of law leads to complete randomness, so that the energing material and influences have no in-built organization at all." On reverse, signed and dated. Source A related resource from which the described resource is derived Gift of the artist Date A point or period of time associated with an event in the lifecycle of the resource 2007 abstract America collage Mexican Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/a14d14cbd3acfbb214deba6477772cb9.jpg 660a628cf702c703a6b1ad3463bf5269 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women Beyond Borders Source A related resource from which the described resource is derived Women Beyond Borders Art Collection founded by Lorraine Serena Description An account of the resource Donated in 2023, Women Beyond Borders showcases the transformative gift of the archives and artworks from the multisite, cross-cultural exhibition project, Women Beyond Borders, founded by UCSB alum, Lorraine Serena (B.A. ’63, M.F.A. ‘75) in 1991. The project started with a small wooden box (measuring 3 1/2 by 2 by 2 1/2 inches) and an enticing invitation to women around the world—to transform this small container to one's liking. More than 900 people across 50 countries accepted it. The exhibition explores how Women Beyond Borders fostered experimental spaces for doing-it-oneself and doing-it-together, highlighted artistic media often dismissed for being in the realm of women, and challenged—through feminist practice and collectivity—hurdles for artistic freedom and expression in a wide array of geopolitical contexts. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource de CARRIERI, Leonor Rigau Description An account of the resource Constructivismo Deconstructivismo, 1995 Wood box, paint, metal hinges Created in Argentina The artist has reconfigured her box into multiple adjoining puzzle pieces. Date A point or period of time associated with an event in the lifecycle of the resource 1995 Creator An entity primarily responsible for making the resource de CARRIERI, Leonor Rigau b. Argentina, 1931 "Leonor Rigau de Carrieri was born in San Luis, Argentina, on October 2, 1931. She graduated as a Professor of Fine Arts in 1953, at the National University of Cuyo. There, she specialized in Color Theory, also studying traditional craft with Víctor Delhez and experimenting with didactics with César Jannello. She later married the sculptor José Carrieri and spent periods in Europe on scholarship, returning several times. Her career combined teaching, research, and institutional leadership. She taught in Mendoza and at the National University of San Juan, where she was eventually named Professor Emerita. She held senior roles at the university, served as a delegate for the Argentinian National Arts Fund, and directed the Tornambé Center for Creative Visual Arts and Museum. Her body of work spans painting, serigraphy, computer art, stained glass and glasswork. Investigations into color and light became a defining aspect of her practice. She exhibited widely, with solo shows in Argentina, in San Juan, Buenos Aires, Mendoza, and San Luis, and group exhibitions in Argentina, Mexico, and Canada. Her works are held in private collections, and her murals and glass pieces appear in homes, churches, and public institutions across the Cuyo region. Painting series include: Los pájaros (Birds); Isla de Pascua (Easter Island); Los comediantes (The Comedians); Muñecas para armar (Dolls to Assemble); and Los iconostarios (The Iconostaries)."" Source: Leonor Rigau de Carrieri, San Juan al Mundo, September 10, 2023. https://www.sanjuanalmundo.com/articulo?id=330114" Source A related resource from which the described resource is derived Women Beyond Borders Art Collection founded by Lorraine Serena Identifier An unambiguous reference to the resource within a given context 2023.005.025 America Argentina portrait Sculpture South America