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                  <text>&lt;strong&gt;The Margaret Mallory Bequest&lt;/strong&gt;</text>
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                  <text>The Margaret Mallory Bequest comprises two distinct areas of the AD&amp;amp;A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&amp;amp;A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&amp;amp;A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&amp;amp;A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&amp;amp;A Museum as a vibrant teaching museum.</text>
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                <text>&lt;em&gt;Basket&lt;/em&gt;</text>
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                <text>Margaret Mallory Collection of African Ethnological Material</text>
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                <text>&lt;em&gt;Basket&lt;/em&gt;</text>
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                <text>&lt;strong&gt;Maker unknown, Great Basin, Paiute&lt;/strong&gt;</text>
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                <text>Maker unknown, Great Basin, Paiute</text>
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                <text>&lt;em&gt;Water basket&lt;/em&gt;</text>
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                <text>Maker unknown water basket made from willow, sapwood stem and inner bark.</text>
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                <text>F. May Young Collection, given by Luella D. Saxby</text>
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                <text>20th C.</text>
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                  <text>&lt;strong&gt;UCSB Alumni and Faculty&lt;/strong&gt;</text>
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                  <text>The AD&amp;amp;A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members.  Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra.</text>
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            <name>Identifier</name>
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                <text>2010.004.001</text>
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                <text>CAVAT, Irma</text>
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                <text>b. United States, 1928-2020</text>
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                <text>CAVAT, Irma</text>
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                <text>The Japanese Basket</text>
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                <text>oil on canvas</text>
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                <text>60 x 60"</text>
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                <text>The Japanese Basket is an oil on canvas completed in 2000 and was included in the museums exhibition Art on Table: Food and Drink from the Permanent Collection in 2013. As a large still life, the pomegranates and other fruit placed in the basket are presented in their natural form and basket has woven texture. The image fulfills the human needs of eating and drinking: the subject matter of fruit in a basket is a delicacy and engages the senses of taste when seeing the luscious red color of the pomegranates.</text>
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                <text>The Cavat Family (Irma, Karina and Nika)</text>
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                  <text>&lt;strong&gt;The Margaret Mallory Bequest&lt;/strong&gt;</text>
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                  <text>The Margaret Mallory Bequest comprises two distinct areas of the AD&amp;amp;A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&amp;amp;A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&amp;amp;A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&amp;amp;A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&amp;amp;A Museum as a vibrant teaching museum.</text>
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                <text>African, Kasai Province, Belgian Congo</text>
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                <text>&lt;em&gt;Basket Hat&lt;/em&gt;</text>
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                <text>&lt;em&gt;Small food basket&lt;/em&gt;</text>
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                <text>3 1/2 h. x 5 7/8" dia.</text>
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                <text>Samll food basket of alternating colored linear motif with decorative edge.</text>
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                <text>Gift of Mrs. William T. Campbell</text>
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                <text>20th C.</text>
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                <text>&lt;em&gt;Basket&lt;/em&gt;</text>
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                <text>3 1/2 x 6 dia. inches</text>
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                <text>Gift of Mr. and Mrs. John A. Dedola</text>
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                <text>mid 20th c.</text>
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                <text>12 1/4h. x 10 dia. inches</text>
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                <text>Coiled Maker unknown storage basket with wide rim and bulbous gody; exterior and interior patterning.</text>
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                <text>F. May Young Collection, given by Luella D. Saxby</text>
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                <text>mid 20th C.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;Maker unknown, S. Arizona, Papago&lt;/strong&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;Maker unknown, S. Arizona, Papago&lt;/strong&gt;</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>&lt;em&gt;Basket&lt;/em&gt;</text>
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                <text>20th C.</text>
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                <text>3 1/2 h. x 7 1/2" dia.</text>
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                <text>Yucca leaf basket with geometric design on exterior.</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>F. May Young Collection, given by Luella D. Saxby</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>20th C.</text>
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        <name>geometric</name>
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        <name>leaf</name>
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        <name>still life</name>
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        <name>Textile</name>
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      <tag tagId="258">
        <name>Woven</name>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1969.250.f</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;Maker unknown, Pueblo&lt;/strong&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;Maker unknown, Pueblo&lt;/strong&gt;</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Clay Basket&lt;/em&gt;</text>
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              <elementText elementTextId="55301">
                <text>5 1/4 x 4 dia. inches</text>
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              <elementText elementTextId="55302">
                <text>twisted clay handle</text>
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          <element elementId="48">
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Mrs. William T. Campbell</text>
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            <name>Date</name>
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              <elementText elementTextId="143813">
                <text>20th C.</text>
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        <name>Pueblo</name>
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        <name>Sculpture</name>
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        <name>still life</name>
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            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;Maker unknown, Pacific Northwest, Tlingit&lt;/strong&gt;</text>
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                <text>&lt;strong&gt;Maker unknown, Pacific Northwest, Tlingit&lt;/strong&gt;</text>
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            <name>Description</name>
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                <text>Gift of Mr. and Mrs. John A. Dedola</text>
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        <name>Woven</name>
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            <description>A name given to the resource</description>
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            <name>Title</name>
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                <text>&lt;strong&gt;Maker unknown, N. California, Klamath-Modoc&lt;/strong&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;Maker unknown, N. California, Klamath-Modoc&lt;/strong&gt;</text>
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          <element elementId="41">
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                <text>&lt;em&gt;Basket&lt;/em&gt;</text>
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          <element elementId="48">
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                <text>F. May Young Collection, given by Luella D. Saxby</text>
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        <name>Basket</name>
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        <name>root</name>
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                <text>5 1/2 h. x 4" dia. BASKET WITH COVER</text>
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                <text>Hupa basket made from bear grass, maiden hair fern stame and hazel shoots with conifer root. Cover is concave in shape resembling that of a hat.</text>
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                <text>mid 20th C.</text>
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                <text>6 h. x 6 5/8" dia.</text>
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              <elementText elementTextId="55170">
                <text>Maker unknown basket with repeated exterior design and lid with large handle for grasping.</text>
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              <elementText elementTextId="55171">
                <text>F. May Young Collection, given by Luella D. Saxby</text>
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            <name>Creator</name>
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                <text>20th C.</text>
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                <text>Hupa coiled basket with geometric exterior pattern.</text>
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                <text>F. May Young Collection, given by Luella D. Saxby</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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        <name>Woven</name>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1965.30</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;Maker unknown, N. California, Hupa&lt;/strong&gt;</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="54712">
                <text>&lt;strong&gt;Maker unknown, N. California, Hupa&lt;/strong&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Basket with lid&lt;/em&gt;</text>
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              <elementText elementTextId="54714">
                <text>mid 20th C.</text>
              </elementText>
              <elementText elementTextId="54715">
                <text>5 h. x 6 1/4" dia. inches</text>
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              <elementText elementTextId="54716">
                <text>Bear grass, maiden hair fern stem and hazel shoot basket with exterior geometric design; lid includes upright handle.</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="54717">
                <text>F. May Young Collection, given by Luella D. Saxby</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="145363">
                <text>mid 20th C.</text>
              </elementText>
            </elementTextContainer>
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        <name>Basket</name>
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      <tag tagId="425">
        <name>geometric</name>
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      <tag tagId="54">
        <name>still life</name>
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      <tag tagId="250">
        <name>Textile</name>
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      <tag tagId="258">
        <name>Woven</name>
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  <item itemId="6413" public="1" featured="0">
    <fileContainer>
      <file fileId="5770">
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1981.59</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;Maker unknown, GREAT BASIN, TAHOE AREA, WASHOE&lt;/strong&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;Maker unknown, GREAT BASIN, TAHOE AREA, WASHOE&lt;/strong&gt;</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
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                <text>&lt;em&gt;Basket&lt;/em&gt;</text>
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                <text>20th C.</text>
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                <text>5 x 11 1/2 dia. inches</text>
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                <text>Gift of Mr. and Mrs. John A. Dedola</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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        <name>Woven</name>
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            <description>A name given to the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;Maker unknown, Great Basin, Paiute&lt;/strong&gt;</text>
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                <text>&lt;em&gt;Water Bottle Basket&lt;/em&gt;</text>
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                <text>5 1/2 h. x 5 1/4" dia.</text>
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              <elementText elementTextId="54835">
                <text>Maker unknown water bottle basket made from willow and resign; upright container with spout.</text>
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                <text>F. May Young Collection, given by Luella D. Saxby</text>
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                <text>20th C.</text>
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        <name>Basket</name>
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        <name>bottle</name>
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        <name>Sculpture</name>
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        <name>water</name>
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        <name>Woven</name>
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                <text>&lt;strong&gt;Maker unknown, Arizona, White Mountain Apache&lt;/strong&gt;</text>
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                <text>&lt;strong&gt;Maker unknown, Arizona, White Mountain Apa&lt;/strong&gt;che</text>
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                <text>&lt;em&gt;Storage Basket&lt;/em&gt;</text>
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                <text>11 h. x 9 1/4" dia. inches</text>
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                <text>F. May Young Collection, given by Luella D. Saxby</text>
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                <text>3 h.x 5 1/2" dia.</text>
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                <text>Gift of Mrs. William T. Campbell</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>20th C.</text>
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                <text>&lt;strong&gt;Maker unknown, Arizona, Hopi&lt;/strong&gt;</text>
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            <name>Creator</name>
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                <text>&lt;strong&gt;Maker unknown, Arizona, Hopi&lt;/strong&gt;</text>
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                <text>&lt;em&gt;Meal Tray&lt;/em&gt;</text>
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                <text>1 h. x 13 1/2" dia.</text>
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                <text>Hopi coiled grass tray with woven circular pattern.</text>
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                <text>F. May Young Collection, given by Luella D. Saxby</text>
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                <text>20th C.</text>
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                <text>&lt;em&gt;Basket with Lid&lt;/em&gt;</text>
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                <text>20th C.</text>
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                <text>basket: 8 3/4 x 11 dia. inches; lid: 2 3/4 x 6 dia. inches</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Mr. and Mrs. John A. Dedola</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2oth C.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;Maker unknown, Alaska, Inuit&lt;/strong&gt;</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;Maker unknown, Alaska, Inuit&lt;/strong&gt;</text>
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            <name>Description</name>
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                <text>&lt;em&gt;Openwork Basket&lt;/em&gt;</text>
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                <text>20th C.</text>
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                <text>6 x 13 1/2 dia. inches</text>
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                <text>Gift of Mr. and Mrs. John A. Dedola</text>
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                <text>20th C.</text>
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              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;The Garcia-Correa Collection of Mexican Prints&lt;/strong&gt;</text>
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                  <text>&lt;span&gt;Focusing on prints from the 1920s to the 1980s, the Garcia-Correa Collection of Mexican Prints highlights the importance of the graphic arts in Mexico. Gifted in 2025, this collection includes a selection of prints by renowned artists such as Emilio Amero, Leopoldo Méndez, José Clemente Orozco, David Alfaro Siqueiros, and Alfredo Zalce. Thematic focus includes labor, gender, and domesticity—key aspects of campesino culture and its farming community that have informed the lives of the collectors.&lt;br /&gt;&lt;/span&gt;</text>
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                <text>&lt;em&gt;Tehuantepec River&lt;/em&gt;</text>
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                <text>Lithograph, 8/15</text>
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                <text>Black and white lithograph of the Tehuantepec River with a centrally placed female figure wearing a long skirt and serape around her head. She carries a basket on her head and balances it with her left arm; nude females bathe in the river. Signed at lower right; edition statement at lower left</text>
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                <text>&lt;strong&gt;COVARRUBIAS&lt;/strong&gt;, Miguel</text>
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                <text>b. Mexico, 1904-1957</text>
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                <text>Gift of Gilbert Garcia and Martha Correa in honor of the Garcia-Correa family</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2025.002.010</text>
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                  <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;In 1986, Keith Gledhill donated to the AD&amp;amp;A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.&lt;/span&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.&lt;/span&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This often resulted in empowered appearing women suggesting an early expression of feminism.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;In 1986, Keith Gledhill donated to the AD&amp;amp;A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.&lt;/span&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.&lt;/span&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This often resulted in empowered appearing women suggesting an early expression of feminism.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Creator</name>
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                <text>&lt;strong&gt;AMERO&lt;/strong&gt;, Emillio</text>
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                <text>b. Mexico, 1901-1976</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Gilbert Garcia and Martha Correa in honor of the Garcia-Correa family</text>
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            <name>Identifier</name>
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        <name>portrait</name>
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        <name>works on paper</name>
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              <name>Title</name>
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                  <text>In addition to the Margaret Mallory Bequest, the AD&amp;amp;A Museum includes significant holdings of art from Africa. This includes but is not limited to a Bambaran Headress with a chi wara antelope and a Egungun masquerade costume.</text>
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            <name>Identifier</name>
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            <description>A name given to the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Woven Straw Basket w/ Lid w/ Loop Handle&lt;/em&gt;</text>
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                <text>straw w/ purple, green, hot pink diamonds</text>
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                <text>3" x 3 3/4"</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>n.d.</text>
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        <name>Textile</name>
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        <name>Woven</name>
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