1 100 4 http://art-collections.museum.ucsb.edu/files/original/d0451a8394353b154bf8e688b2b272e7.jpg 17e3baf5bebfdd8cb9a541c1ec0bca55 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arts of the Ancient Mediterranean Description An account of the resource The AD&A Museum was given a small but relevant group of antiquities by Grace H. Dreyfus and Arthur Silver in the early 1970s. This collection has been augmented over the years and includes Roman glass and Greek Lekythos. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Egyptian Identifier An unambiguous reference to the resource within a given context 1981.18 Description An account of the resource Mummified cat ca. 950-332 BCE case: 20 7/8 x 5 3/4 x 8"; mummy: 17 1/2 x 2 1/2 x 3" Source A related resource from which the described resource is derived Gift of Dr. and Mrs. Arnold Gordon Description Date A point or period of time associated with an event in the lifecycle of the resource ca. 950-332 BCE Cat Egyptian Mummification Mummy Religion Sculpture http://art-collections.museum.ucsb.edu/files/original/040f97d1ee51b321ad56a8d446b24f24.jpg f55ca347b5b6abb044615e2d418deae3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.003.006 Creator An entity primarily responsible for making the resource PENSATO, Joyce United States, b.1941 Title A name given to the resource PENSATO, Joyce Description An account of the resource TANTRA: Psycho-Killer Felix 2005 Lithograph with charcoal, pastel, fixative and distressed handworking on Somerset, 40/50 30 x 22" PAPER Lithograph of a black and white one legged figure with large eyes and mouth; signature and date at lower right. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2005 abstract Blue Cartoonish Cat Felix Works-on-Paper zoomorphic http://art-collections.museum.ucsb.edu/files/original/7a44c86108c6ce463dfbbe1d593041dd.jpg 1ebd37ed3ee4beae6b27727ac568cfd3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.152 Title A name given to the resource SLOAN, John Description An account of the resource Sunbathers on the Roof Etching 11 1/2 x 12 1/2" MAT Etching of a sunbathing couple postioned atop a roof with a black cat standing between them. Cityscape in background. Signed at lower right with title and date at lower left. Creator An entity primarily responsible for making the resource SLOAN, John b. United States, 1871 - 1951 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1941 American Cat cityscape Couple etching portrait sun Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/48011a7f110968258ab002d2f8480aab.jpg d22bcbc34846279f893eaa690d3030b4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.48 Title A name given to the resource BACON, Peggy Description An account of the resource Teasing the Cat Drypoint 12 x 13" MATTED Drypoint print of a group of children gathered around the base of a tree taunting a black cat perched on a limb; title, date and signated below image. Creator An entity primarily responsible for making the resource BACON, Peggy b. United States, 1895 - 1987 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1919 Cat children landscape portrait Tree Works-on-Paper