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                  <text>&lt;strong&gt;The Feitelson Collection of Old Master Drawings&lt;/strong&gt;</text>
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                  <text>&lt;span&gt;The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&amp;amp;A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.”  A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century.&lt;/span&gt;</text>
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                <text>&lt;p&gt;&lt;em&gt;Christ and Saint Peter: Pasce Oves Mea&lt;/em&gt;, ca. 1696&lt;/p&gt;</text>
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                <text>&lt;p&gt;Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;ZUCCARO&lt;/strong&gt;, Federico, b. Italy, Sant'Angelo in Vado 1540/41 - 1609 Ancona&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;em&gt;Resurrection of Christ&lt;/em&gt;, 16th - 17th century&lt;/p&gt;</text>
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                <text>&lt;p&gt;Gift of Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation&lt;/p&gt;</text>
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                  <text>&lt;strong&gt;The Sigmund Morgenroth Collection of Renaissance Medals and Plaquettes&lt;/strong&gt;</text>
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                  <text>&lt;span&gt;Intricately carved reliefs cast in metal or carved in wood, the Morgenroth Collection of medals and plaquettes rivals major collections of similar materials in the National Gallery in Washington DC or the Metropolitan Museum of Art in New York. The medals commemorate important personages and events, an ancient custom which was revived during the Renaissance. Displayed at AD&amp;amp;A Museum in a &lt;/span&gt;&lt;em&gt;Wunderkammer&lt;/em&gt;&lt;span&gt; or “cabinet of curiosities,” the medals are viewed by visitors as Italian collectors in fifteenth and sixteenth centuries experienced them. The plaquettes, both round and rectangular in format, are just inches in size, featuring delicate bas-relief portraits and scenes of mythological and Christian subject matter. The Morgenroth collection is among the founding collections of the museum and belongs to the art historical heritage of Santa Barbara. These extraordinary medals and plaquettes, amassed by Mr. Morgenroth primarily between 1927 and 1939, received their inaugural exhibition at the Santa Barbara Museum of Art from January to March 1943.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Christ Carrying the Cross&lt;/em&gt;</text>
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                <text>&lt;em&gt;Christ in Limbo&lt;/em&gt;</text>
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        <name>Jesus</name>
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                  <text>&lt;span&gt;Intricately carved reliefs cast in metal or carved in wood, the Morgenroth Collection of medals and plaquettes rivals major collections of similar materials in the National Gallery in Washington DC or the Metropolitan Museum of Art in New York. The medals commemorate important personages and events, an ancient custom which was revived during the Renaissance. Displayed at AD&amp;amp;A Museum in a &lt;/span&gt;&lt;em&gt;Wunderkammer&lt;/em&gt;&lt;span&gt; or “cabinet of curiosities,” the medals are viewed by visitors as Italian collectors in fifteenth and sixteenth centuries experienced them. The plaquettes, both round and rectangular in format, are just inches in size, featuring delicate bas-relief portraits and scenes of mythological and Christian subject matter. The Morgenroth collection is among the founding collections of the museum and belongs to the art historical heritage of Santa Barbara. These extraordinary medals and plaquettes, amassed by Mr. Morgenroth primarily between 1927 and 1939, received their inaugural exhibition at the Santa Barbara Museum of Art from January to March 1943.&lt;/span&gt;</text>
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                <text>&lt;strong&gt;Artist unknown&lt;/strong&gt;</text>
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                <text>German (Augsburger), late 17th century</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;Artist unknown&lt;/strong&gt;</text>
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                <text>&lt;em&gt;Resurrection of Christ&lt;/em&gt;</text>
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                <text>late 17th century</text>
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                <text>silver, embossed</text>
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                <text>158 mm</text>
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                <text>late 17th century</text>
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        <name>Christ</name>
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        <name>embossed</name>
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        <name>Religious</name>
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        <name>silver</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;Sculpture and Mixed Media&lt;/strong&gt;</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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            <name>Identifier</name>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;GERMAN&lt;/strong&gt;</text>
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            <name>Description</name>
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                <text>&lt;em&gt;Crucified Christ&lt;/em&gt;</text>
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                <text>19th C.</text>
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                <text>carved tusk</text>
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                <text>5 1/2 x 1 1/2 x 1/2 in.</text>
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                <text>Corpus of Christ without crucifix.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Julia Emerson</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>19th C.</text>
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        <name>german</name>
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                <text>&lt;em&gt;Christ Carrying the Cross&lt;/em&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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                <text>&lt;strong&gt;LOWRY&lt;/strong&gt;, Janice</text>
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                <text>b. United States, 1946-2009</text>
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            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;LOWRY&lt;/strong&gt;, Janice</text>
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                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
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                <text>Lowry uses the cover of a Life Magazine as the backdrop for the collage superimposing a sea map, and a large black crow over the body of Christ after he has been removed from his crucifixion. The wounds are visibile on his body but his face is obscured by the crow. Signed and dated on the lower right.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2008</text>
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                <text>Gift of John Gothold and the Kohler Foundation, Inc.</text>
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        <name>Drawing</name>
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        <name>Figurative</name>
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        <name>Religion</name>
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                  <text>&lt;strong&gt;Paintings&lt;/strong&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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            <name>Identifier</name>
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                <text>2018.001.085</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;SAINTE JAMES&lt;/strong&gt;, Alan</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;SAINTE&lt;/strong&gt; &lt;strong&gt;JAMES&lt;/strong&gt;, Alan</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Boot&lt;/em&gt;</text>
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                <text>1990</text>
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                <text>Painting on plywood panel</text>
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                <text>20 x 42 x 1/4"</text>
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              <elementText elementTextId="92801">
                <text>Large painted plywood panel with a bus driven by a Christ-like figure; the sides of the bus are filled with an obituary to Mr. Davis; along the top are angels carrying crosses.</text>
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          </element>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Estate of Frances Garvin and Keith Julius Puccinelli</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1990</text>
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        <name>plywood</name>
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        <name>Religious</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;The Sigmund Morgenroth Collection of Renaissance Medals and Plaquettes&lt;/strong&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="9487">
                  <text>&lt;span&gt;Intricately carved reliefs cast in metal or carved in wood, the Morgenroth Collection of medals and plaquettes rivals major collections of similar materials in the National Gallery in Washington DC or the Metropolitan Museum of Art in New York. The medals commemorate important personages and events, an ancient custom which was revived during the Renaissance. Displayed at AD&amp;amp;A Museum in a &lt;/span&gt;&lt;em&gt;Wunderkammer&lt;/em&gt;&lt;span&gt; or “cabinet of curiosities,” the medals are viewed by visitors as Italian collectors in fifteenth and sixteenth centuries experienced them. The plaquettes, both round and rectangular in format, are just inches in size, featuring delicate bas-relief portraits and scenes of mythological and Christian subject matter. The Morgenroth collection is among the founding collections of the museum and belongs to the art historical heritage of Santa Barbara. These extraordinary medals and plaquettes, amassed by Mr. Morgenroth primarily between 1927 and 1939, received their inaugural exhibition at the Santa Barbara Museum of Art from January to March 1943.&lt;/span&gt;</text>
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                <text>&lt;strong&gt;WALLBAUM&lt;/strong&gt;, Matthaeus</text>
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                <text>German, Augsburg 1554 - 1630 or 1632</text>
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                <text>&lt;em&gt;Mocking of Christ&lt;/em&gt;</text>
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                <text>bronze</text>
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                <text>98 x 76 mm</text>
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                  <text>&lt;span&gt;Intricately carved reliefs cast in metal or carved in wood, the Morgenroth Collection of medals and plaquettes rivals major collections of similar materials in the National Gallery in Washington DC or the Metropolitan Museum of Art in New York. The medals commemorate important personages and events, an ancient custom which was revived during the Renaissance. Displayed at AD&amp;amp;A Museum in a &lt;/span&gt;&lt;em&gt;Wunderkammer&lt;/em&gt;&lt;span&gt; or “cabinet of curiosities,” the medals are viewed by visitors as Italian collectors in fifteenth and sixteenth centuries experienced them. The plaquettes, both round and rectangular in format, are just inches in size, featuring delicate bas-relief portraits and scenes of mythological and Christian subject matter. The Morgenroth collection is among the founding collections of the museum and belongs to the art historical heritage of Santa Barbara. These extraordinary medals and plaquettes, amassed by Mr. Morgenroth primarily between 1927 and 1939, received their inaugural exhibition at the Santa Barbara Museum of Art from January to March 1943.&lt;/span&gt;</text>
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            <name>Description</name>
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                <text>&lt;em&gt;Resurrection of Christ&lt;/em&gt;</text>
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                <text>bronze</text>
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                <text>94 x 69 mm</text>
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            <name>Source</name>
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        <name>Bronze</name>
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        <name>Christ</name>
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        <name>german</name>
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        <name>Religious</name>
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        <name>Sculpture</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;The Arts of Latin America&lt;/strong&gt;</text>
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              <description>An account of the resource</description>
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                  <text>The AD&amp;amp;A Museum houses a number of works representing the artistic traditions that developed in Mesoamerica, Central America, and South America after contact with the Spanish and the Portuguese beginning in 1492 and 1500, respectively, and continuing to the present.  These objects include but are not limited to Retablos, Santos, Masks as well as contemporary prints and drawings.</text>
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            <name>Identifier</name>
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            <name>Creator</name>
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                <text>&lt;em&gt;Archbishop with Christ Child&lt;/em&gt;</text>
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                <text>oil on canvas on composition board</text>
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                <text>31 x 22 1/2 in.</text>
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                <text>Spanish Colonial. Kneeling saint in ecclesiastical costume with child</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Dr. Stephen S. Goodspeed and Mrs. John Goodspeed Ainsworth</text>
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            <name>Date</name>
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                <text>n.d.</text>
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        <name>colonial</name>
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        <name>Mexican</name>
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        <name>oil</name>
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        <name>Painting</name>
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        <name>Saint</name>
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        <name>Spanish</name>
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                  <text>&lt;strong&gt;The Arts of the Ancient Mediterranean&lt;/strong&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The AD&amp;amp;A Museum was given a small but relevant group of antiquities by Grace H. Dreyfus and Arthur Silver in the early 1970s. This collection has been augmented over the years and includes Roman glass and Greek Lekythos.</text>
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                <text>&lt;strong&gt;Greek&lt;/strong&gt;</text>
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            <name>Creator</name>
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                <text>Greece, Northern</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Icon&lt;/em&gt;</text>
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                <text>late 18th C. / silver decoration poss. 19th C.</text>
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                <text>egg tempera, gold leaf, silver, on wood</text>
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                <text>open: 14 1/2 x 21 1/2 in.; closed: 14 1/2 x 11 5/8 in.</text>
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                <text>Center: Virgin Mary and Christ Child enthroned, flanked by St. Nicholas and ?; Left, SS. George and Basil; Right, SS. Demetrius and John the Baptist.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Miss Frances Holden through UCSB Art Affiliates</text>
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            <name>Date</name>
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        <name>Virgin Mary</name>
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        <name>Wood</name>
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