1 100 11 http://art-collections.museum.ucsb.edu/files/original/355fe109627dfe8581070e7d8f7e4d2a.jpg 755bff7d861e25342614076ab703c1b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.137 Title A name given to the resource Negretti, Iacopo (called Palma il Giovane) Description An account of the resource Resurrection, ca. 1580-84 Pen and brown ink, brown wash on tan paper 11 3/8 x 7 15/16" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Creator An entity primarily responsible for making the resource Negretti, Iacopo (called Palma il Giovane) b. Italy, d. 1628 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1580-84 Angel Cross Figurative Grave Resurrection Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/48d1e2f76a233bf79341f62cfd0690d0.jpg 84f4d9896dd12bd94db8aa56cc747358 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.145 Title A name given to the resource BENSO, Giulio Creator An entity primarily responsible for making the resource BENSO, Giulio, b. Italy, 1601-1688 Description An account of the resource Elevation of the Cross, 17th C. Black chalk, brown ink, brown wash, on cream paper 9 1/4 x 7 7/8" 17th c. Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 17th c. Cross Figurative Hammer Work Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/5c65e14b357b82091492c08ab89b6676.jpg e5b3e2fbec004a74a3b2ea147ed7deb5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.152 Title A name given to the resource MAZZUCCHELLI, Pier Francesco, called IL MORAZZONE Creator An entity primarily responsible for making the resource MAZZUCCHELLI, Pier Francesco, called IL MORAZZONE, b. Italy, 1571–1626 Description An account of the resource Agony in the Garden, 16th-17th C. Pen, black ink, grey wash, white over black chalk on tan paper 5 3/4 x 8 3/8" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeburg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th-17th C. Cross Figurative Jesus Sketch Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/450188601ca7f956fac748e988c4cb6a.jpg 7d962be00d5139b4010b069e2131c0f6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sigmund Morgenroth Collection of Renaissance Medals and Plaquettes Description An account of the resource Intricately carved reliefs cast in metal or carved in wood, the Morgenroth Collection of medals and plaquettes rivals major collections of similar materials in the National Gallery in Washington DC or the Metropolitan Museum of Art in New York. The medals commemorate important personages and events, an ancient custom which was revived during the Renaissance. Displayed at AD&A Museum in a Wunderkammer or “cabinet of curiosities,” the medals are viewed by visitors as Italian collectors in fifteenth and sixteenth centuries experienced them. The plaquettes, both round and rectangular in format, are just inches in size, featuring delicate bas-relief portraits and scenes of mythological and Christian subject matter. The Morgenroth collection is among the founding collections of the museum and belongs to the art historical heritage of Santa Barbara. These extraordinary medals and plaquettes, amassed by Mr. Morgenroth primarily between 1927 and 1939, received their inaugural exhibition at the Santa Barbara Museum of Art from January to March 1943. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.574 Creator An entity primarily responsible for making the resource Artist unknown German, last half 16th century Title A name given to the resource Artist unknown Description An account of the resource Christ Carrying the Cross bronze 159 x 123.5 mm Source A related resource from which the described resource is derived Sigmund Morgenroth Collection of Renaissance Medals and Plaquettes Date A point or period of time associated with an event in the lifecycle of the resource last half 16th century 16th century Bronze Christ Cross Religious Sculpture http://art-collections.museum.ucsb.edu/files/original/4c0e11df3de4a00dfd8c6918392334fc.jpg fdbf68f59f494f9d87aca6bb5115ec75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sigmund Morgenroth Collection of Renaissance Medals and Plaquettes Description An account of the resource Intricately carved reliefs cast in metal or carved in wood, the Morgenroth Collection of medals and plaquettes rivals major collections of similar materials in the National Gallery in Washington DC or the Metropolitan Museum of Art in New York. The medals commemorate important personages and events, an ancient custom which was revived during the Renaissance. Displayed at AD&A Museum in a Wunderkammer or “cabinet of curiosities,” the medals are viewed by visitors as Italian collectors in fifteenth and sixteenth centuries experienced them. The plaquettes, both round and rectangular in format, are just inches in size, featuring delicate bas-relief portraits and scenes of mythological and Christian subject matter. The Morgenroth collection is among the founding collections of the museum and belongs to the art historical heritage of Santa Barbara. These extraordinary medals and plaquettes, amassed by Mr. Morgenroth primarily between 1927 and 1939, received their inaugural exhibition at the Santa Barbara Museum of Art from January to March 1943. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.578 Creator An entity primarily responsible for making the resource JAMNITZER, Christoph? German, Nuremberg 1563 - 1618 Title A name given to the resource JAMNITZER, Christoph? Description An account of the resource Christ Carrying the Cross bronze 166 x 242 mm Source A related resource from which the described resource is derived Sigmund Morgenroth Collection of Renaissance Medals and Plaquettes Date A point or period of time associated with an event in the lifecycle of the resource n.d. 16th century Bronze Christ Cross german Religious Sculpture http://art-collections.museum.ucsb.edu/files/original/80c6e6e2944bc9e21c30f5a265f779de.jpg ffcde6ecf77610965119ca5279a04478 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.1 Creator An entity primarily responsible for making the resource RAVELL, Henry b. United States, 1860-1930 Title A name given to the resource RAVELL, Henry Description An account of the resource Mexican Cathedral 1915-1920 gum dichromate; some hand-colored or hand intensified 13 x 16 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture building Cathedral Church Cross dome Religious http://art-collections.museum.ucsb.edu/files/original/b51d2a173e5d93a15a3db2b115af284f.jpg cab4384ad8fa6c47c8a8360045e7da4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.8 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Two Figures on Walkway 1915-1920 gum dichromate; some hand-colored or hand intensified 10 1/2 x 13 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture cityscape Cobblestone Cross dome photograph Two Figures Walkway http://art-collections.museum.ucsb.edu/files/original/19292dcece35b27987bcec4bef7bb3e4.jpg ffcde6ecf77610965119ca5279a04478 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.1 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Church in Mexico 1915-1920 gum bichromate; some hand-colored or hand intensified 13 x 16 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture Church Cross dome Mexico photograph Religious http://art-collections.museum.ucsb.edu/files/original/fc7cbbae34d0c86a818143ae28df0356.jpg ec60ff9640a02e07a8cea882898c081b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.179 Creator An entity primarily responsible for making the resource Artist unknown French Title A name given to the resource Artist unknown Description An account of the resource Portrait of Religious Man Holding a Crucifix Albumen print 2 1/2 x 4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print Cross man photograph portrait Religious Side Table vase http://art-collections.museum.ucsb.edu/files/original/5e75917a75b5dd9d2aac97ebab554169.jpg c3a64bd09d4fcc8bef56f71e172eea49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2014.024.001 Creator An entity primarily responsible for making the resource DI SUVERO, Mark b. 1933, Shanghai, China Title A name given to the resource DI SUVERO, Mark Description An account of the resource Future Shadow B Lithograph, 4/5 30 x 21" SHEET Red lithograph with green cross-like image at center; signed at lower right with edition 4/5. II at lower left. Mark di Suvero took sculpture classes in the Department of Art while attending UCSB as a Philosophy major. Unlike his family friend Richard Serra, whose work is also on view in this exhibition, he was abruptly kicked out of the University. According to the artist it was a result of a technicality—he had yet to take a required drawing class before enrolling in advanced sculpture classes. (He also alludes to his sharp tongue in regards to his expulsion.) Di Suvero went on to study at UC Berkeley where he graduated with a degree in Philosophy. Shortly thereafter he moved to New York City where he became internationally known for his monumental, outdoor sculptures. His sculptural compositions emphasize the balance and intersection of competing linear forms—sharp angular lines, curving cores, and teetering elements that sometimes allow for rotating or swinging movements. The series of lithographs and sculpture on display here recall beam-like constructions and the anticipatory momentum found in his large-scale sculptural projects. Source A related resource from which the described resource is derived Gift of the artist in memory of Henrietta di Suvero Date A point or period of time associated with an event in the lifecycle of the resource 2001 abstract Cross Lithograph red Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/416c5b4c293f29f25121cf9c239f948a.jpg d7bbfb67241ec27b442f9bf80e51c427 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paintings Description An account of the resource In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1966.101 Creator An entity primarily responsible for making the resource Artist unknown, South/Central America Artist unknown, South/Central America Title A name given to the resource Artist unknown, South/Central America Description An account of the resource Santo, St. Francis oil on wood panel 8 3/4 x 6 x 1/2 in. Original wood panel Source A related resource from which the described resource is derived Gift of Dr. Stephen S. Goodspeed and Mrs. John Goodspeed Ainsworth Date A point or period of time associated with an event in the lifecycle of the resource n.d. Cross man oil Painting portrait Religious wood panel