1 100 27 http://art-collections.museum.ucsb.edu/files/original/0fc5f6d69be6b2d6b16f29f8722e34ab.jpg c2b99e34d99f24a032085e94768f25fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.156 Title A name given to the resource SARACENI, Carlo Creator An entity primarily responsible for making the resource SARACENI, Carlo, b. Italy, 1578/9 - 1620 Description An account of the resource Heavenly Hosts, 16th - 17th c. Pen and brown ink, brown wash, over black chalk on cream paper 5 11/16 x 4" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th - 17th c. Clouds Crowd Figurative Heaven Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/11844ac5893c0558c9231363efebf0df.jpg d2872a382afe26e7f555ada742aaeeb6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.54 Title A name given to the resource BARLOW, Lou Description An account of the resource Gourmet Shop Wood engraving, 14/50 15 1/2 x 11" MATTED Wood engraving of a crowded delicatessan; figures are positioned at an angle while a single female indentifies a selection. Signed, titled with edition statement written below image. Creator An entity primarily responsible for making the resource BARLOW, Lou b. b. United States, 1908-2011 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1980s Crowd engraving Market portrait Wood Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/cd9fdb7118852ec1110ab87fe94d48d5.jpg 11e82dcb611e157f660ea6726388b969 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.90 Title A name given to the resource EICHENBERG, Fritz Description An account of the resource City Lights Wood engraving 11 3/8 x 9" SHEET Wood engraving of a crowded city scene. Creator An entity primarily responsible for making the resource EICHENBERG, Fritz b. United States, 1901 - 1990 Fritz Eichenberg was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice and nonviolence. Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes both wrote and illustrated his own reporting. In 1933, the rise of Adolf Hitler convinced Eichenberg, a public critic of the Nazis, to emigrate with his wife and children to the United States, where he settled in New York City for most of the remainder of his life. He taught art at the New School for Social Research and at Pratt Institute and was part of the Works Progress Administration's Federal Arts Project. In his prolific career as a book illustrator, Eichenberg worked with many forms of literature but specialized in material with elements of extreme spiritual and emotional conflict, fantasy, or social satire, illustrating such authors as include Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day—whom he met at a Quaker conference on religion and publishing in 1949—and frequently contributed illustrations to Day's newspaper the Catholic Worker until he died in 1990. Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1933 cityscape Crowd engraving landscape portrait Wood Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/8d0f9f288bca13151cea94b75dd23d19.jpg 5297d60bf4e0ab48c46d2f9a6b528e3a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.95 Title A name given to the resource FREEMAN, Don Description An account of the resource Box Office Lithograph 16 x 18" MATTED Lithograph of a crowded box office scene with patrons dressed in tuxedos and evening gowns mingling about. Signed and titled below image. Creator An entity primarily responsible for making the resource FREEMAN, Don b. United States, 1908 - 1978 Don Freeman was born in San Diego, California, in 1908. After graduating high school and attending a summer course at San Diego School of Fine Arts, Don moved to New York, where he studied at the Art Students' League and developed a passion for theater. Don spent much of his time on Broadway and could often be found backstage, sketching actors and capturing everything that happened both on and off the stage in his sketchbook. He supported himself by playing his trumpet in a dance band, but after losing his trumpet on the subway Don decided to turn his attention to his sketches. During the 1930s and 40s, he was a brilliant illustrator of New York City life in the best traditions of Social Realism. His subjects were the actors and actresses of Broadway—from the LGBTQI+ icon Orson Welles to Alfred Lunt and Lynn Fontanne to the man in the street or the charwomen who scrubbed the stage after the actors and the audience went home. His cartoons and other illustrations appeared regularly in the New York Herald Tribune, The New York Times, The Christian Science Monitor, and Theater Magazine. Freeman also self-published Don Freeman's Newsstand, a short-lived quarterly magazine, each page of which was an original lithograph. Freeman was also a jazz musician and the brother of hotel entrepreneur Warren Freeman. As Freeman's career progressed, he lightened his palette and depicted more upbeat subjects. In 1951, he began illustrating children's books. He took his first step into children's literature when he was asked to illustrate for William Saroya. He quickly began writing and illustrating his own children's books, including Corduroy, A Pocket for Corduroy, and the Caldecott Honor Book Fly High, Fly Low. Through his writing, he was able to create his own theater. He created many beloved characters in his lifetime, perhaps the most beloved among them the stuffed, overall-wearing bear named Corduroy. He collaborated frequently with his wife, Lydia, a fellow author and artist. Don died in 1978, and his wife went on to establish The Lydia Freeman Charitable Foundation. Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1934 American Crowd Lithograph portrait Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/4010ec1e035bb4f6cbc2592701cd1861.jpg 09f66b74fd197fe89769fa75214e0186 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.100 Title A name given to the resource FRIEDLANDER, Isac Description An account of the resource Revival Woodcut 16 3/4 x 18 3/4" MATTED Woodcut of African Americans populating a revival meeting with single male at center foreground. Creator An entity primarily responsible for making the resource FRIEDLANDER, Isac b. United States, 1890 - 1968 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1934 American Crowd Religion woodcut Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/9a4d92f9ba2dcedc3383693d2991b3f5.jpg 83afe57f66f23eb4077b453913369401 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.114 Title A name given to the resource HOFFMAN, Irwin Description An account of the resource African Golfers etching sheet: 9 1/2 x 12 1/2 in; mat: 14 x 18 in image: 8 x 10 7/8 in Creator An entity primarily responsible for making the resource HOFFMAN, Irwin b. United States, 1901 - 1989 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1939 Crowd etching Figurative golf sport Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/e4e4c8895c6a82d063f36e63a54f3678.jpg 9f7af1747dcc439bb2cbd10b83fe182c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.123 Title A name given to the resource LIMBACH, Russell Description An account of the resource Reviewing Stand lithograph image: 9 7/8 x 14 1/4 in; mat: 16 x 20 1/4 in Creator An entity primarily responsible for making the resource LIMBACH, Russell b. United States, 1904 - Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1934 american flag Crowd Flags Lithograph portrait Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/33b04cd690a81d491881c6bd838dbd37.jpg a633004c9aa0c139c9641cf57a69b727 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.151 Title A name given to the resource SLOAN, John Description An account of the resource Man Monkey Etching 11 1/2 x 13 1/4" MAT Etching of a male figure at center foreground dancing with a drum suspended from his back; multiple onlookers cheer him with figure at left playing an instrument. Creator An entity primarily responsible for making the resource SLOAN, John b. United States, 1871 - 1951 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1905 Crowd dancing etching instrument man portrait Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/6ec4babe2cd04e9147b90f2bf265d2c0.jpg 96692f7c398a671157004ef5853ecf6e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.173 Title A name given to the resource WULF, William Lloyd Description An account of the resource Parade Lithograph 13 1/4 x 18 1/4" MATTED OVERALL Dark colored lithograph of a parade route; most of the on-lookers are in shadow with an exception of a small child tugging an adult female at lower right. Signed and titled below the image. Creator An entity primarily responsible for making the resource WULF, William Lloyd b. United States, 1913 -1965 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1937 Crowd Lithograph parade portrait Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/83a2d8146cf7458995dcaffe7dd5bd7f.jpg 15f71cbb27d16382013e0d07ecfbc995 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1995.45 Title A name given to the resource BELLOWS, George Description An account of the resource Appeal to the People Lithograph 18 x 13 3/4" FRAMED Lithograph of a small crowd gathered around a male figure positioned at center. He is standing behind a fence with a brick building at left and appears to be talking "to the people." Creator An entity primarily responsible for making the resource BELLOWS, George b. United States, 1882 - 1925 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1923-1924 American Crowd Lithograph portrait Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/1611737fadb5d4e5db794b0e5c8edde1.JPG b3d07e2ecdb1c461e023d89dc1fe7998 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2013.003.009 Creator An entity primarily responsible for making the resource MELCHIONE, Joseph S. b. United States, 1948-2012 Title A name given to the resource MELCHIONE, Joseph S. Description An account of the resource Students with barricades to prevent return of Police, First Riot from Year of Rebellion, the 1970 Isla Vista Riots 1970; reprinted 2008 Gelatin silver print 22 1/2 X 24 1/2" FRAME Black and white photograph; image of street scene with sudents and barricades. Source A related resource from which the described resource is derived Gifted from the Estate of Joseph Stewart Melchione Date A point or period of time associated with an event in the lifecycle of the resource 1970; reprinted 2008 black and white Crowd Gelatin Silver Print photograph portrait rebellion http://art-collections.museum.ucsb.edu/files/original/1dc9166af7cffaf21c7f8803bf8ca4b4.JPG 180ba205f58a6869526b68d65afd7a35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2013.003.024 Creator An entity primarily responsible for making the resource MELCHIONE, Joseph S. b. United States, 1948-2012 Title A name given to the resource MELCHIONE, Joseph S. Description An account of the resource Nancy Rubin at rally, Second Riot from Year of Rebellion, the 1970 Isla Vista Riots Gelatin silver print 25 1/2 x 21 1/2" FRAME Black and white photograph; Nancy Rubin with her back toward viewer is speaking to a crowd of students assembled at the University Center. Source A related resource from which the described resource is derived Gifted from the Estate of Joseph Stewart Melchione Date A point or period of time associated with an event in the lifecycle of the resource 1970; reprinted 2008 black and white Crowd Gelatin Silver Print landscape photograph portrait rebellion http://art-collections.museum.ucsb.edu/files/original/7d694eeb7ed95e3b40bd1c6bbe091fcb.JPG a6d4101c2a7884f63be3aa9fd1d7cc25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2013.003.031 Creator An entity primarily responsible for making the resource MELCHIONE, Joseph S. b. United States, 1948-2012 Title A name given to the resource MELCHIONE, Joseph S. Description An account of the resource Students gather to hear Professor Richard Flacks, Second Riot from Year of Rebellion, the 1970 Isla Vista Riots Gelatin silver print 29 1/2 X 32 1/2" FRAME Black and white photograph; students gathered on lawn by lagoon to hear Professor Richard Flacks speak. Source A related resource from which the described resource is derived Gifted from the Estate of Joseph Stewart Melchione Date A point or period of time associated with an event in the lifecycle of the resource 1970; reprinted 2008 black and white Crowd Gelatin Silver Print landscape photograph portrait rebellion http://art-collections.museum.ucsb.edu/files/original/5f06e20b725c29d96b1e4eedb8bad743.JPG 6ad8275257c784bbf7d90277f476604b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2013.003.043 Creator An entity primarily responsible for making the resource MELCHIONE, Joseph S. b. United States, 1948-2012 Title A name given to the resource MELCHIONE, Joseph S. Description An account of the resource Protesters march up State Street, Second Riot from Year of Rebellion, the 1970 Isla Vista Riots Gelatin silver print 22 1/2 x 24 1/2" FRAME Black and white photograph; protesters walking up State Street to Chase Palm Park in protest of the war; two females in foreground, one on the left is carrying a baby. Source A related resource from which the described resource is derived Gifted from the Estate of Joseph Stewart Melchione Date A point or period of time associated with an event in the lifecycle of the resource 1970; reprinted 2008 Crowd Gelatin Silver Print photograph portrait rebellion http://art-collections.museum.ucsb.edu/files/original/cea24416045ccc7e500b49da31b467d8.JPG d0a8d0c35f0509f5606377e8fc15b578 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2013.003.045 Creator An entity primarily responsible for making the resource MELCHIONE, Joseph S. b. United States, 1948-2012 Title A name given to the resource MELCHIONE, Joseph S. Description An account of the resource Protesters carrying placards, Second Riot from Year of Rebellion, the 1970 Isla Vista Riots Gelatin silver print 22 1/2 x 24 1/2" FRAME Black and white photograph; protesters wearing heavy make up and carrying placards one with Spiro Agnew on the cover of Newsweek Source A related resource from which the described resource is derived Gifted from the Estate of Joseph Stewart Melchione Date A point or period of time associated with an event in the lifecycle of the resource 1970; reprinted 2008 Crowd men photograph portrait rebellion http://art-collections.museum.ucsb.edu/files/original/6dd93f0f34bbfd83e3948a1fa135e827.JPG 51b68acacb486552b674fd5e24782c7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2013.003.046 Creator An entity primarily responsible for making the resource MELCHIONE, Joseph S. b. United States, 1948-2012 Title A name given to the resource MELCHIONE, Joseph S. Description An account of the resource Protesters amassed in the gazebo at Chase Palm Park, Second Riot from Year of Rebellion, the 1970 Isla Vista Riots Gelatin silver print 25 1/2 x 21 1/2" FRAME Black and white photograph; protesters amassed in a gazebo at Chase Palm Park; centralized peace sign at center with IS THE MINORITY SPEAKING. Source A related resource from which the described resource is derived Gifted from the Estate of Joseph Stewart Melchione Date A point or period of time associated with an event in the lifecycle of the resource 1970; reprinted 2008 Crowd Gelatin Silver Print photograph portrait rebellion http://art-collections.museum.ucsb.edu/files/original/a306dbcefae38c586e131404ed6a4636.JPG 11c842d15357cf1e49ab102fbc585724 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2013.003.047 Creator An entity primarily responsible for making the resource MELCHIONE, Joseph S. b. United States, 1948-2012 Title A name given to the resource MELCHIONE, Joseph S. Description An account of the resource Protesters amassed in Chase Palm Park, Second Riot from Year of Rebellion, the 1970 Isla Vista Riots Gelatin silver print 22 1/2 X 24 1/2" FRAME Black and white photograph; protesters amassed in Chase Palm Park; many of them have raised arms. Source A related resource from which the described resource is derived Gifted from the Estate of Joseph Stewart Melchione Date A point or period of time associated with an event in the lifecycle of the resource 1970; reprinted 2008 Crowd Gelatin Silver Print photograph portrait rebellion http://art-collections.museum.ucsb.edu/files/original/e76427a6561d8cfcadb00389b9ddecfe.JPG 33d1f4f3e1d5a03edc8e59e745c79add Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2013.003.050 Creator An entity primarily responsible for making the resource MELCHIONE, Joseph S. b. United States, 1948-2012 Title A name given to the resource MELCHIONE, Joseph S. Description An account of the resource Jerry Rubin speaking to crowd, Second Riot from Year of Rebellion, the 1970 Isla Vista Riots Gelatin silver print 33 1/2 X 28 1/2" FRAME Black and white photograph; protesters gathered; Jerry Rubin speaking to crowd pointing his right hand downward, microphone in his left hand. Source A related resource from which the described resource is derived Gifted from the Estate of Joseph Stewart Melchione Date A point or period of time associated with an event in the lifecycle of the resource 1970; reprinted 2008 Crowd Gelatin Silver Print man photograph portrait rebellion http://art-collections.museum.ucsb.edu/files/original/a0788ef9bc6536e5dd94eb0244c2a9ab.JPG b0e5edbb82370fd3d53212b82d783444 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2013.003.052 Creator An entity primarily responsible for making the resource MELCHIONE, Joseph S. b. United States, 1948-2012 Title A name given to the resource MELCHIONE, Joseph S. Description An account of the resource Police vehicles parked with officers standing in line, the Third Riot from Year of Rebellion, the 1970 Isla Vista Riots Gelatin silver print 22 1/2 X 24 1/2" FRAME Black and white photograph; two police vehicles parked at curb with officers standing in line; housing positioned in background. Source A related resource from which the described resource is derived Gifted from the Estate of Joseph Stewart Melchione Date A point or period of time associated with an event in the lifecycle of the resource 1970; reprinted 2008 cars Crowd Gelatin Silver Print landscape photograph http://art-collections.museum.ucsb.edu/files/original/33ba0836d4a91fe5f32d30c2a1181a3d.JPG 7aa122f320c3ec5825f7b1ae7cbb191d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2013.003.053 Creator An entity primarily responsible for making the resource MELCHIONE, Joseph S. b. United States, 1948-2012 Title A name given to the resource MELCHIONE, Joseph S. Description An account of the resource Police arresting protesters while crowd looks on, Third Riot from Year of Rebellion, the 1970 Isla Vista Riots Gelatin silver print 25 1/2 x 21 1/2" FRAME Black and white photograph; vertical image of crowd in foreground looking onto protesters at center being arrested; housing structure in background. Source A related resource from which the described resource is derived Gifted from the Estate of Joseph Stewart Melchione Date A point or period of time associated with an event in the lifecycle of the resource 1970; reprinted 2008 Crowd Gelatin Silver Print photograph portrait rebellion http://art-collections.museum.ucsb.edu/files/original/7dcf71b4adea925e27aaf6998a10e2dc.jpg cb097cd6be333981e422709324303151 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Margaret Mallory Bequest Description An account of the resource The Margaret Mallory Bequest comprises two distinct areas of the AD&A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&A Museum as a vibrant teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.222 Creator An entity primarily responsible for making the resource Gibson, Charles Dana American, 1867 - 1944 Title A name given to the resource GIBSON, Charles Dana Description An account of the resource Hint for a Hostess Bookplate illustration From Life Magazine Source A related resource from which the described resource is derived Margaret Mallory Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1893 Black-and-White Crowd Figurative Hostess Restaurant Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/e6cf34f3c3b39c9f3506bbc8380a7293.jpg 111aa6b74be91088028cd11573cef496 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Margaret Mallory Bequest Description An account of the resource The Margaret Mallory Bequest comprises two distinct areas of the AD&A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&A Museum as a vibrant teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.224 Creator An entity primarily responsible for making the resource Gibson, Charles Dana American, 1867 - 1944 Title A name given to the resource GIBSON, Charles Dana Description An account of the resource Aristide Bruant's Bookplate illustration From Life Magazine Source A related resource from which the described resource is derived Margaret Mallory Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. Black-and-White Crowd Figurative Tophat Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/90ead822b9d7c4e4355c987424cf3acd.jpg cc14218d7ce4904d902eef311b43e196 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Margaret Mallory Bequest Description An account of the resource The Margaret Mallory Bequest comprises two distinct areas of the AD&A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&A Museum as a vibrant teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.226 Creator An entity primarily responsible for making the resource Gibson, Charles Dana American, 1867 - 1944 Title A name given to the resource GIBSON, Charles Dana Description An account of the resource Her Punishment Bookplate illustration From Life Magazine Source A related resource from which the described resource is derived Margaret Mallory Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1894 1900s Child Crowd fashion Figurative Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/d4093e558fdf8f215637f3e1d15ca5fc.jpg 6327318feeca321cfb7dbf630c8e89f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Margaret Mallory Bequest Description An account of the resource The Margaret Mallory Bequest comprises two distinct areas of the AD&A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&A Museum as a vibrant teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.229 Creator An entity primarily responsible for making the resource Gibson, Charles Dana American, 1867 - 1944 Title A name given to the resource GIBSON, Charles Dana Description An account of the resource The Horse Show Bookplate illutration From Life Magazine Source A related resource from which the described resource is derived Margaret Mallory Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1893 1900s Crowd fashion Figurative Life-Magazine Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/7672dc19b67b62101524be0896ba86ab.jpg 6b79861ea44180eceb52e1e00701aefd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Thomas C. Pavia Collection of Daoist Gods Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.004.066 Title A name given to the resource Artist unknown, Chinese Creator An entity primarily responsible for making the resource Artist unknown, Chinese Description An account of the resource A Lively Crowd painting on paper mounted on scroll paper 18 1/4 x 46 3/4" (painting) Source A related resource from which the described resource is derived Thomas C. Pavia Collection of Daoist Gods Date A point or period of time associated with an event in the lifecycle of the resource 19th century or early 20th century Crowd Decorative Border dragon Figurative Gathering Hierarchy Religious Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/fce553e54ae4d067102af24bfd8c0c9d.JPG 2e83f00029c3de8b49dbaebf925365ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photography Description An account of the resource In addition to the Bancroft Collection of Vintage Photographs and the Carolyn and Edwin Gledhill Collection, the AD&A Museum has established a wide and comprehensive selection of photography dating to the late 19th c. thru today. This includes but is not limited to salt paper and albumen prints and contemporary photographers such as Garry Winogrand and Catherine Opie. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2025.012.001.014 Creator An entity primarily responsible for making the resource b. United States, 1941-2023 Title A name given to the resource FINK, LARRY Description An account of the resource The Boxing Portfolio, 1989 to 1996, Philadelphia, PA, January 1991 Gelatin silver print, AP 1/5 20 x 16" SHEET 1989-1996 Juxtaposing athletic skill and the desire for victory against corruption and brutality, Larry Fink has documented the boxing ring from 1989-1996. Located in Philadelphia, PA, the Blue Horizon Arena was known as the best and largest venue by Sports Illustrated and Ring Magazine. However it closed its doors in 2010 due to financial hardships.This images includes an overhead image of a boxing ring with a "ring girl" holding a Round 8 sign. Signed, dated, AP with titled, written on reverse. Source A related resource from which the described resource is derived The Yanover Family Trust in memory of Pauline Milrad Date A point or period of time associated with an event in the lifecycle of the resource 1989-1996 Action Athletics boxing Competition Crowd Lady Philadelphia photography http://art-collections.museum.ucsb.edu/files/original/306438dc4f7b55cfb548e5086c51b18e.jpg 377b77068a2beed1a560ddd5fd77c7b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photography Description An account of the resource In addition to the Bancroft Collection of Vintage Photographs and the Carolyn and Edwin Gledhill Collection, the AD&A Museum has established a wide and comprehensive selection of photography dating to the late 19th c. thru today. This includes but is not limited to salt paper and albumen prints and contemporary photographers such as Garry Winogrand and Catherine Opie. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2025.012.001.024 Creator An entity primarily responsible for making the resource Fink, Larry b. United States, 1941-2023 Title A name given to the resource FINK, LARRY Description An account of the resource The Boxing Portfolio, 1989 - 1996, Blue Horizon, Philadelphia, PA, March 1989 Gelatin silver print, AP 1/5 20 x 16" SHEET 1989-1996 Juxtaposing athletic skill and the desire for victory against corruption and brutality, Larry Fink has documented the boxing ring from 1989-1996. Located in Philadelphia, PA, the Blue Horizon Arena was known as the best and largest venue by Sports Illustrated and Ring Magazine. However, it closed its doors in 2010 due to financial hardships. American boxer in robe standing about to enter the ring. Signed, dated, titled with AP on reverse. Source A related resource from which the described resource is derived The Yanover Family Trust in memory of Pauline Milrad Date A point or period of time associated with an event in the lifecycle of the resource 1989-1996 Action african-american Athletics boxing Crowd Philadelphia photography