1 100 19 http://art-collections.museum.ucsb.edu/files/original/069c8050f1151082f875b0c1a2843c00.jpg fe1e823acd8a522de5b61788bbec52ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.132 Title A name given to the resource CAMBIASO, Luca (Circle of) Creator An entity primarily responsible for making the resource CAMBIASO, Luca (Circle of) b. Italy, 1527-1585 Description An account of the resource Holy Family with Saint John the Baptist, 16th C. Pen and brown ink on off-white paper; laid down 9 3/8 x 10" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th C. Baby Family Figurative Holy Saint John Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/fcb3f0deb12d741b58189c5cf80fca90.jpg ff120bc3891aa8ddfeeee053c1338a9a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Thomas C. Pavia Collection of Daoist Gods Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.004.030 Title A name given to the resource Artist unknown, Chinese Creator An entity primarily responsible for making the resource Artist unknown, Chinese Description An account of the resource A Match Made in Heaven painting on paper mounted on scroll paper 59 1/2 X 41 1/2" (scroll) Source A related resource from which the described resource is derived Thomas C. Pavia Collection of Daoist Gods Date A point or period of time associated with an event in the lifecycle of the resource 19th century or early 20th century architecture Balance Beige Chinese Family Hanging Scroll Hierarchy Painting royal blue symmetrical http://art-collections.museum.ucsb.edu/files/original/df8f4a26a3d31d9f9bb65bad3a092bfc.jpg 3b794795ffd43a4f2f705859e58019bf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Thomas C. Pavia Collection of Daoist Gods Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.004.031 Title A name given to the resource Artist unknown, Chinese Creator An entity primarily responsible for making the resource Artist unknown, Chinese Description An account of the resource Communing with the Ancestors painting on paper mounted on scroll paper 64 1/2 X 34 1/4" (scroll) Source A related resource from which the described resource is derived Thomas C. Pavia Collection of Daoist Gods Date A point or period of time associated with an event in the lifecycle of the resource 19th century or early 20th century Architectural Chinese Communion Family Hanging Scroll Hierarchy Painting Pastel Colors http://art-collections.museum.ucsb.edu/files/original/bbaf22d9a437a41cff3ee13d219046b8.jpg 70d72b1068b79140cb53ad04bf660d76 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Thomas C. Pavia Collection of Daoist Gods Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.004.036 Title A name given to the resource Artist unknown, Chinese Creator An entity primarily responsible for making the resource Artist unknown, Chinese Description An account of the resource A Family of Means painting on paper mounted on scroll paper 38 1/4 x 90 7/8" (scroll) Source A related resource from which the described resource is derived Thomas C. Pavia Collection of Daoist Gods Date A point or period of time associated with an event in the lifecycle of the resource 19th century or early 20th century Blue Chinese Family Hanging Scroll hats Painting portrait red uniform Yellow http://art-collections.museum.ucsb.edu/files/original/99bf4b277ce9e3ca1522020a0a534228.jpg f153bda6d524316c4d556f430dfcd927 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.1114 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource The Lungrens in a rowboat c. 1920-29 Gelatin silver print 4 3/4 x 6 3/4" Gelatin silver print of the Lungrens in a rowboat on the Colorado River. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1920-1929 Colorado Family Gelatin Silver Print landscape photograph river http://art-collections.museum.ucsb.edu/files/original/c3e5e266f7977dbe71fc8a4b76dd145e.jpg b20da22125ea63a105136a077f21bd68 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.269 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Portrait of Six Women, One Man, and Two Dogs Albumen print 3 1/2 x 4 1/2 in. Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print dogs Family formal man photograph Porch portrait rocking chair women http://art-collections.museum.ucsb.edu/files/original/d2e57b880f2d3a7604deb80864296366.jpg 6fbc92e878b6fc8a9661e47c72af0cfa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.007.002 Creator An entity primarily responsible for making the resource BANERJEE, Rina Indian, b.1963 Title A name given to the resource BANERJEE, Rina Description An account of the resource Ecstasy: Dangerous world 2010 Archival digital print on sunset cotton etch 285 gsm with two screen printed spot colors, hand-coloring and collage, 19/50 30 X 22" PAPER Print of family including a mother, child, father, and unborn child standing on lava, surrounded by blue creatures.Gold droplets fall out of child's mouth. The mother blows out a long net in the shape of a feather. Signature and edition statement located on the lower right corner. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2010 abstract Blue Child Creatures Family Father feather Gold Droplets Humans Lava Mother Net Spirits Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/c57d7dd5561509e9dfe0548884fbcae6.jpg 81173716b0aa8da357173d11574a3446 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Garcia-Correa Collection of Mexican Prints Description An account of the resource Focusing on prints from the 1920s to the 1980s, the Garcia-Correa Collection of Mexican Prints highlights the importance of the graphic arts in Mexico. Gifted in 2025, this collection includes a selection of prints by renowned artists such as Emilio Amero, Leopoldo Méndez, José Clemente Orozco, David Alfaro Siqueiros, and Alfredo Zalce. Thematic focus includes labor, gender, and domesticity—key aspects of campesino culture and its farming community that have informed the lives of the collectors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource COOK, Howard Norton Description An account of the resource Family Lithograph 17 1/2 x 20" SHEET Black and white lithograph of a centrally placed family including a father, mother and infant flanked by two philodendron-like plants. Figures are wearing Central American dress including a serape and a sombrero hat. Arist signature at lower right. Date A point or period of time associated with an event in the lifecycle of the resource 1939 Creator An entity primarily responsible for making the resource COOK, Howard Norton b. United States, 1901-1980 Source A related resource from which the described resource is derived Gift of Gilbert Garcia and Martha Correa in honor of the Garcia-Correa family Identifier An unambiguous reference to the resource within a given context 2025.002.060 Family Monochrome Nature portrait works on paper http://art-collections.museum.ucsb.edu/files/original/c465f0cde342e00b91af764c2ee4234e.jpg eddcc962d2f1270bf9b0df756e20711d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1991.24 Creator An entity primarily responsible for making the resource EVERTON, Macduff American, 1947- Title A name given to the resource EVERTON, Macduff Description An account of the resource Veva and Cornelio, Chichimila from The Modern Maya: A Culture in Transition Gelatin silver print framed: 20 x 24 in. Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques. Source A related resource from which the described resource is derived MUSEUM PURCHASE FUND Date A point or period of time associated with an event in the lifecycle of the resource 1974 Family Gelatin Silver Print indigenous photograph portrait http://art-collections.museum.ucsb.edu/files/original/f604532efdb8579f247e3281e35796ba.jpg 108af48550547a903cf59455e6e8f819 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1991.25 Creator An entity primarily responsible for making the resource EVERTON, Macduff American, 1947- Title A name given to the resource EVERTON, Macduff Description An account of the resource Marcelino and Isabelina, X-Cacal Guardia from The Modern Maya: A Culture in Transition Gelatin silver print framed: 20 x 24 in. Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques. Source A related resource from which the described resource is derived MUSEUM PURCHASE FUND Date A point or period of time associated with an event in the lifecycle of the resource 1988 Family Gelatin Silver Print indigenous photograph portrait http://art-collections.museum.ucsb.edu/files/original/8c0c4c4443d76454f345a1297c1d8b07.jpg b7e778f13341cc0b6ef170cfb77acc3e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1991.26 Creator An entity primarily responsible for making the resource EVERTON, Macduff American, 1947- Title A name given to the resource EVERTON, Macduff Description An account of the resource Diego, Margarita and Veva, Campamento Antonio Ay from The Modern Maya: A Culture in Transition Gelatin silver print framed: 20 x 24 in. Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques. Source A related resource from which the described resource is derived MUSEUM PURCHASE FUND Date A point or period of time associated with an event in the lifecycle of the resource 1971 Family Gelatin Silver Print house indigenous photograph portrait http://art-collections.museum.ucsb.edu/files/original/529237b09bd20de980f7431d41628cbf.jpg c9f43b1a7afcd731222c71bda64b044b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1991.27 Creator An entity primarily responsible for making the resource EVERTON, Macduff American, 1947- Title A name given to the resource EVERTON, Macduff Description An account of the resource Elut and Juliana, Rancho San Manual from The Modern Maya: A Culture in Transition Gelatin silver print framed: 20 x 24 in. Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques. Source A related resource from which the described resource is derived MUSEUM PURCHASE FUND Date A point or period of time associated with an event in the lifecycle of the resource 1976 Family Gelatin Silver Print horse house indigenous photograph portrait http://art-collections.museum.ucsb.edu/files/original/7921037fc16dd1d042b28374f5e3e418.jpg a6a65b006b41bcb8886e457d61745043 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1991.29 Creator An entity primarily responsible for making the resource EVERTON, Macduff American, 1947- Title A name given to the resource EVERTON, Macduff Description An account of the resource Pablo and Ophelia, Tulum from The Modern Maya: A Culture in Transition Gelatin silver print framed: 20 x 24 in. Macduff Everton’s photographs are part of his ongoing series called The Modern Maya which documents the descendants of the Maya as a culture in flux. Throughout Everton’s photographic essay, as in this small selection of his works, evidence of globalization’s reach (TVs, mass-produced clothing and industrialization) comingle with images of traditional homes made from guano palms as well as age-old farming techniques. Source A related resource from which the described resource is derived MUSEUM PURCHASE FUND Date A point or period of time associated with an event in the lifecycle of the resource 1971 Family Gelatin Silver Print house indigenous photograph portrait http://art-collections.museum.ucsb.edu/files/original/243af9a1fbfd7b1921a0a8760ff3e191.jpg a0b73bc37b2b747839903c6e21eb2f94 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sigmund Morgenroth Collection of Renaissance Medals and Plaquettes Description An account of the resource Intricately carved reliefs cast in metal or carved in wood, the Morgenroth Collection of medals and plaquettes rivals major collections of similar materials in the National Gallery in Washington DC or the Metropolitan Museum of Art in New York. The medals commemorate important personages and events, an ancient custom which was revived during the Renaissance. Displayed at AD&A Museum in a Wunderkammer or “cabinet of curiosities,” the medals are viewed by visitors as Italian collectors in fifteenth and sixteenth centuries experienced them. The plaquettes, both round and rectangular in format, are just inches in size, featuring delicate bas-relief portraits and scenes of mythological and Christian subject matter. The Morgenroth collection is among the founding collections of the museum and belongs to the art historical heritage of Santa Barbara. These extraordinary medals and plaquettes, amassed by Mr. Morgenroth primarily between 1927 and 1939, received their inaugural exhibition at the Santa Barbara Museum of Art from January to March 1943. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.584 Creator An entity primarily responsible for making the resource KOCH, Jacob II German, master 1583; died 1619 Title A name given to the resource KOCH, Jacob II Description An account of the resource Lot and his Daughters bronze 114 mm Just before God destroyed Sodom for its wickedness, two angels alerted Lot to the forthcoming danger. Lot, his wife, and their two daughters were the only people to escape. Lot’s wife, curious to see the destruction, turned to look and was transformed into a pillar of salt. Believing they were the last people on earth, Lot’s oldest daughter formulated a plan, “…let us make our father drink wine, and we will lie with him, that we may preserve seed of our father.” (Book of Genesis, 19:31) In this medal Lot is being served wine by his daughters. Both sisters become pregnant and conceive sons who form nations that will eventually war against the Israelites. Source A related resource from which the described resource is derived Sigmund Morgenroth Collection of Renaissance Medals and Plaquettes Date A point or period of time associated with an event in the lifecycle of the resource before 1608 17th century Bronze Family german Religious Sculpture http://art-collections.museum.ucsb.edu/files/original/220a6b0c8bf853c7a2d6c0f2dbbcff15.jpg 52c841ea3c01c58e2dbe4818e927dd50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women Beyond Borders Source A related resource from which the described resource is derived Women Beyond Borders Art Collection founded by Lorraine Serena Description An account of the resource Donated in 2023, Women Beyond Borders showcases the transformative gift of the archives and artworks from the multisite, cross-cultural exhibition project, Women Beyond Borders, founded by UCSB alum, Lorraine Serena (B.A. ’63, M.F.A. ‘75) in 1991. The project started with a small wooden box (measuring 3 1/2 by 2 by 2 1/2 inches) and an enticing invitation to women around the world—to transform this small container to one's liking. More than 900 people across 50 countries accepted it. The exhibition explores how Women Beyond Borders fostered experimental spaces for doing-it-oneself and doing-it-together, highlighted artistic media often dismissed for being in the realm of women, and challenged—through feminist practice and collectivity—hurdles for artistic freedom and expression in a wide array of geopolitical contexts. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource PARAS, Anunciación Y. Description An account of the resource Singapore Sling, 2001 Wood box, wood, colored pencil, wire mesh "My box sculpture represents my past and my hopes and dreams for the future. Now I am caught in the middle as I work in Singapore as a domestic help. It is the thought of my children back home in the Philippines (that's why their picture is here) and my dream of having my own restaurant in Manila that keeps me going." - Anunciación Y. Paras Created in Singapore Date A point or period of time associated with an event in the lifecycle of the resource 2001 Creator An entity primarily responsible for making the resource PARAS, Anunciación Y. b. Philippines Source A related resource from which the described resource is derived Women Beyond Borders Art Collection founded by Lorraine Serena Identifier An unambiguous reference to the resource within a given context 2023.005.360 Family Philippines portrait Restaurant Sculpture Singapore http://art-collections.museum.ucsb.edu/files/original/a5fc5c0a5d8ac0fd80ee171d71a632ee.jpg 8f31559c898493f33c2a455f43444d1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.411 Creator An entity primarily responsible for making the resource ROSSKAM, Edwin and Louise Title A name given to the resource ROSSKAM, Edwin and Louise Description An account of the resource Evening in the Residential Section, August 1944 Gelatin silver print Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource 1940-1949; reprint 1985 20th century black and white Family landscape photography http://art-collections.museum.ucsb.edu/files/original/daa392fd6c76e5f48cb8635e208dcf80.jpg 5279ee467b5f0d70b4161eeebe63a2f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.451 Creator An entity primarily responsible for making the resource SEGHERS Title A name given to the resource SEGHERS Description An account of the resource A Flat tire halts the Pecora Family, Orlando, Florida, 1955 Gelatin silver print 11 x 14" sheet; 16 1/8 x 20" mat Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource 1955; reprint 1985 20th century black and white Family photography road still life vehicle http://art-collections.museum.ucsb.edu/files/original/4b7999f3b259d4a8735af8e74602aee1.jpg 3ce8ca9d850079e7ace8dede9f0c01eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.39 Creator An entity primarily responsible for making the resource VACHON, John United States, 1914-1975 Title A name given to the resource VACHON, John Description An account of the resource Families on Picnic, New Jersey '47 Gelatin silver print Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource ca. 1940-49; reprint 1985 20th century black and white car Family photography picnic still life http://art-collections.museum.ucsb.edu/files/original/0f645fe0e5a0508388b5d28d70a44b01.jpg 1b1037639efa8c73ab8351070becb7ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.79 Title A name given to the resource CURRY, John Steuart Description An account of the resource Mississippi Noah Lithograph 18 x 21" MATTED Lithograph of an African American family perched atop a house which is being submerged and swallowed by a rising tide of water. Male figure at right has his arms raised in prayer while children and female figure tries to climb to the top. Creator An entity primarily responsible for making the resource CURRY, John Steuart b. United States, 1897 - 1946 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1935 Family landscape Lithograph portrait Works-on-Paper