1 100 526 http://art-collections.museum.ucsb.edu/files/original/ed37a86ccdaf21680686d7152b6b9cd3.jpg dc78210f3ff63ad45527aab4b73e1bcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <h2>TIEPOLO, Gian Domenico</h2> <h2></h2> Description An account of the resource <h3>Cloud of Angels, 1757</h3> <h3>Pen and black ink, gray wash, on cream paper</h3> <h3>9 9/16 x 6 7/8"</h3> Creator An entity primarily responsible for making the resource <h3>TIEPOLO, Gian Domenico</h3> <h3>b. Italy, 1727 - 1804</h3> Identifier An unambiguous reference to the resource within a given context 1985.165 Source A related resource from which the described resource is derived <h3>The Feitelson Collection of Old Master Drawings</h3> Date A point or period of time associated with an event in the lifecycle of the resource 1757 Angels Clouds Figurative Putti Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/9d2b2afc96c81c70b10507cbb577743d.jpg dd1ca1f1ae38ef02c225b47b440f24f4 http://art-collections.museum.ucsb.edu/files/original/88ac1db5d6da909fb7339adf824cb3b3.jpg 0bc7cc8625e6002319ac36d3ed6cc554 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Margaret Mallory Bequest Description An account of the resource The Margaret Mallory Bequest comprises two distinct areas of the AD&A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&A Museum as a vibrant teaching museum. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <h2>AFRICAN, Belgian Congo, Kuba Peoples</h2> <h2>Peoples of the Congo</h2> <h2>Muyeem mask</h2> Description An account of the resource <h3>Fiber, wood, metal, glass beads cowry shells and leopard skin</h3> <h3>21 h. x 15" dia.</h3> Identifier An unambiguous reference to the resource within a given context <h3>1964.160.318a-c</h3> Creator An entity primarily responsible for making the resource Maker unknown, AFRICAN, Belgian Congo, Kuba Peoples Peoples of the Congo Source A related resource from which the described resource is derived <h3>The Margaret Mallory Bequest</h3> Date A point or period of time associated with an event in the lifecycle of the resource n.d. African cowry shell Fiber Figurative glass beads leopard skin Mask metal Sculpture Wood http://art-collections.museum.ucsb.edu/files/original/733e66d4ab5fd7087e25da160d67393e.jpg 2ac8d1fb8d44493d0e0c81f23067f14f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.128 Title A name given to the resource ALBERTI, Cherubino Resurrection, 16th-17th C. Creator An entity primarily responsible for making the resource ALBERTI, Cherubino, b. Italy, 1553-1615 Description An account of the resource Pen, brown ink, and grey wash on cream paper 6 5/8 x 5 1/2" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th - 17th C. Angels Figurative Resurrection Shadows Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/e37d6a05351ef7dcc141dc1e01a7a23b.jpg ec83dafc6f045a7029b10fcce7e6e3b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.129 Title A name given to the resource ASPERINI, Amico (Imitator of) Creator An entity primarily responsible for making the resource ASPERINI, Amico (Imitator of), b. Italy, ca. 1478-155 Description An account of the resource Hercules and Cerberus, 15th-16th C. Pen and faded brown ink, brown wash on tan paper 9 5/8 x 7" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 15th-16th C. Cerberus Dog Figurative Greek Mythology Hercules man Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/c2091bac515a75f3b08652ad6c9a0d1d.jpg ddfd251ca15d88cd97593c97c6ea9f46 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.130 Title A name given to the resource CESI, Bartolomeo (Attributed to) Creator An entity primarily responsible for making the resource CESI, Bartolomeo (Attributed to), b. Italy, 1556-1629 Description An account of the resource Working Man with Stick or Hoe, 16th - 17th c. Red chalk with white on grey paper 13 5/6 x 5 5/6" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th - 17th C. Figurative Hoe man Stick Working Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/ece6ace3f6cab1b04202027780e3049f.jpg 3d466b8d3c33001a7f0da3eff5b195ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.131a Title A name given to the resource BARTOLOMMEO, Fra (Circle of) Creator An entity primarily responsible for making the resource BARTOLOMMEO, Fra (Circle of) b. Italy, ca. 1474 - 1517 Description An account of the resource Nude Youth (recto), 15th - 16th c. Black chalk on cream paper (recto) 11 1/2 x 6 1/2" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 15th-16th C. Anatomy Figurative Male nude Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/069c8050f1151082f875b0c1a2843c00.jpg fe1e823acd8a522de5b61788bbec52ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.132 Title A name given to the resource CAMBIASO, Luca (Circle of) Creator An entity primarily responsible for making the resource CAMBIASO, Luca (Circle of) b. Italy, 1527-1585 Description An account of the resource Holy Family with Saint John the Baptist, 16th C. Pen and brown ink on off-white paper; laid down 9 3/8 x 10" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th C. Baby Family Figurative Holy Saint John Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/0b934b1bf6fad6d9c4c9222cc253c815.jpg 91550fa10ccaf6f774a6d4e588c993bf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.133 Title A name given to the resource CAMBIASO, Luca Creator An entity primarily responsible for making the resource CAMBIASO, Luca, b. Italy, 1527-1585 Description An account of the resource Holy Family, 16th C. Pen and wash with brown ink, traces of black and red chalk; laid down 9 5/16 x 7 5/6" IMAGE Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th C. Baby Figurative Holy Mother Nursing Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/fd49d6e087cb6f77eb5995dd0448c9fd.jpg f53f7515c6ea125923b22e30e910c889 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.134 Title A name given to the resource CASTELLO, Giovanni Battista (IL BERGAMASCO) Creator An entity primarily responsible for making the resource CASTELLO, Giovanni Battista (IL BERGAMASCO) b. Italy, ca. 1500-1569 or 79 Description An account of the resource The Death of Queen Sophonisba, 16th C. Pen and brown ink and wash 9 7/8 x 15 15/16" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th c. Death Fear Figurative Queen Sophonisba Temple Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/d2118e5d8f0519222065837bd1a1f3a9.jpg d5c10a17a167fda8e272b51d4af807e9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.135 Title A name given to the resource SALVIATI, Francesco Creator An entity primarily responsible for making the resource SALVIATI, Francesco, b. Italy, 1510 - 1563 Description An account of the resource The Deception of Ixion, 16th. C. Black chalk on paper 9 15/16 x 6 13/16" In Greek mythology King Ixion killed his father-in-law rather than honor the debt owed for his bride. To escape punishment for his crime, Ixion begged Zeus for assistance, as pictured in the lower right of the drawing. Zeus granted him refuge on Mt. Olympus but shortly after he arrived, Ixion made sexual advances towards Hera, Zeus’s wife. Incredulous at Ixion’s reported behavior, Zeus asked Hera to fashion a cloud in her image, which the artist depicts in the top right corner of the drawing. Ixion, overcome with passion, and believing the cloud to be Hera, made love to the cloud figure, the central subject of this drawing. A furious Zeus ordered that Ixion be strapped to a winged, burning wheel for eternity, calling out, “Repay your benefactor frequently with gentle favors in return.” Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th c. Cloud Figurative Greek Mythology nude Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/36be17cec4e05f9bc2d59af72f174d9e.jpg 4d7329460ba350f8838acef81b910ab0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.136 Title A name given to the resource NEBBIA, Cesare Creator An entity primarily responsible for making the resource NEBBIA, Cesare, b. Italy, 1536-1614 Description An account of the resource Death of Dido, 16th-17th C. Pen and brown ink, brown wash on cream paper 7 3/8 x 12 15/16" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th - 17th c. Angel Dido Figurative Temple Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/355fe109627dfe8581070e7d8f7e4d2a.jpg 755bff7d861e25342614076ab703c1b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.137 Title A name given to the resource Negretti, Iacopo (called Palma il Giovane) Description An account of the resource Resurrection, ca. 1580-84 Pen and brown ink, brown wash on tan paper 11 3/8 x 7 15/16" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Creator An entity primarily responsible for making the resource Negretti, Iacopo (called Palma il Giovane) b. Italy, d. 1628 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1580-84 Angel Cross Figurative Grave Resurrection Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/8c29c5737acc702e859e07483e1541f3.jpg 1d283ade5c56cdf5c2786c660329d7a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.138 Title A name given to the resource PASSAROTTI, Bartolomeo Creator An entity primarily responsible for making the resource PASSAROTTI, Bartolomeo, b. Italy, 1529 - 1592 Description An account of the resource Two Putti, c. 1550s pen and brown in on tan paper; laid down 14 3/8 x 9 1/16" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th c. Figurative nude Putti Undressing Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/9828d6fe20bb351bc7470c2e59bc8d36.jpg 6c2e3a92cee0eeaaf45b884df996c6dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.139 Title A name given to the resource VOSTERMAN, Lucas the Elder (Attributed to) Creator An entity primarily responsible for making the resource VOSTERMAN, Lucas the Elder (Attributed to), b. Antwerp, 1595-1675 Description An account of the resource Two Studies of Putti Stepping under a Drapery, 17th C. Pen and black and brown ink, wash on brown paper 3 1/4 x 2 1/4" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 17th c. Drapery Figurative Putti Students Warped Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/c50643e938a43399013347f940b9037f.jpg 92e194ef3e9714a5b821b745c3ab29d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.140 Title A name given to the resource ROTTENHAMMER, Hans Creator An entity primarily responsible for making the resource ROTTENHAMMER, Hans, b. Germany, 1564-1625 Description An account of the resource Perseus Rescuing Andromeda, 16th - 17th C. Pen and brown ink, wash over black chalk on paper 8 1/16 x 5 15/16" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th-17th C. Andromeda Figurative nude Perseus Rescue Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/c5574e4e39d5482988815a971e9dcbd3.jpg c37a9ea9431ecfd620da79fe178bd3b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context <h3>1985.141</h3> Title A name given to the resource TIBALDI, Pellegrino Creator An entity primarily responsible for making the resource TIBALDI, Pellegrino, b. Italy, 1527 - 1596 Description An account of the resource Frieze with Men, Putti, Satyr, and a Nymph, 16th C. Pen, brown ink, wash over black chalk, white, on brown paper 5 5/16 x 17 1/16" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th c. Figurative Frieze men Nymph Putti Satyr Sculpture women http://art-collections.museum.ucsb.edu/files/original/8e90a0dd652a92487914450777745576.jpg 6530567a4149317a06bed028f5285b3a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.142 Title A name given to the resource VERDIZOTTI, Giuseppe Maria Creator An entity primarily responsible for making the resource VERDIZOTTI, Giuseppe Maria, b. Italy, 1537/40 - 1604/7 Description An account of the resource Apollo Flaying Marsyas, 16th-17th C. Pen and brown ink on cream colored paper 10 13/16 x 7 1/4" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeburg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th - 17th c. Apollo Capture Figurative Marsyas Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/58638749bc0e4743aa6dfb7ac3f09407.jpg 716ca30c14742749fd2e2216ee6c1eaf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.143 Title A name given to the resource ZUCCARO, Federico, 16th - 17th century Creator An entity primarily responsible for making the resource ZUCCARO, Federico, b. Italy, Sant'Angelo in Vado 1540/41 - 1609 Ancona Description An account of the resource Resurrection of Christ, 16th - 17th century pen and black and brown ink, white, brown wash 13 15/16 x 10 15/16" Source A related resource from which the described resource is derived Gift of Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th - 17th c. Angels Christ Figurative Resurrection Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/9b3f70907af92eb22aabd51d753fabf8.jpg d68bf6b2baaec5e9f2b10cfe79b0b3d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.144 Title A name given to the resource ZUCCARO, Taddeo (Circle of) Creator An entity primarily responsible for making the resource ZUCCARO, Taddeo (Circle of), b. Italy, 1529 - 1566 Description An account of the resource Firing of the Temple in Jerusalem, 16th C. Pen and brown ink and wash, on brown paper 6 5/8 x 8 3/8" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th c. Figurative Fire Jerusalem Temple Unfinished Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/48d1e2f76a233bf79341f62cfd0690d0.jpg 84f4d9896dd12bd94db8aa56cc747358 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.145 Title A name given to the resource BENSO, Giulio Creator An entity primarily responsible for making the resource BENSO, Giulio, b. Italy, 1601-1688 Description An account of the resource Elevation of the Cross, 17th C. Black chalk, brown ink, brown wash, on cream paper 9 1/4 x 7 7/8" 17th c. Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 17th c. Cross Figurative Hammer Work Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/5001d4acae27b2402f497d609ff45a0d.jpg 99ae5d13329eccbeff93e85f08024090 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.147 Title A name given to the resource CAVEDONE, Giacomo Creator An entity primarily responsible for making the resource CAVEDONE, Giacomo b. Italy, 1577-1660 Description An account of the resource Adoration of the Magi, 16th-17th C. Pen, brown ink, brown wash over black chalk on off-white paper 5 3/8 x 7 1/4" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th - 17th c. Figurative Sketch Temple Works-on-Paper Worship http://art-collections.museum.ucsb.edu/files/original/e1151d0f928bcf48c3a3bbaf059a5bff.jpg f0aae99213701d218fd89d3e5bfe5651 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.148 Title A name given to the resource VAN DYCK, Anthony (Circle of) Creator An entity primarily responsible for making the resource VAN DYCK, Anthony (Circle of), b. Antwerp, 1599 - 1641 Description An account of the resource Resurrection of Lazarus Pen and dark brown ink, brown wash, on cream paper 6 1/4 x 4 3/4" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource n.d. brown Figurative Resurrection Sketch Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/f4fa444e8fe19463883a7e9675a72748.jpg 49adfe60d7526e2fd3a87d2dba9ed98b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.149 Title A name given to the resource GIORDANO, Luca Creator An entity primarily responsible for making the resource GIORDANO, Lucas, b. Italy, 1634-1705 Description An account of the resource Christ and Saint Peter: Pasce Oves Mea, ca. 1696 Brush and brown wash over red chalk on cream paper 8 1/4 x 7 7/8" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeburg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 1696 Christ Figurative Religious Saint Peter Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/83889406cdc608ba03ce58068a5f0f86.jpg b797ca4e3a2bd9efff30b0772fda4fa9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.150 Title A name given to the resource LAFAGE, Raymond Creator An entity primarily responsible for making the resource LAFAGE, Raymond, b. France, 1656–1684 Description An account of the resource Battle of Centaurs and Lapiths, 1681-1682 Pen, black ink, grey wash, over black chalk on off-white paper 19 3/4 x 30 5/8" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeburg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 1681-1682 Battle Centaurs Figurative Lapiths Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/80f19354f01f196c2d1cc10a8f15fdfa.jpg f45bb3abdec24b6def7a97b63f7abbc3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.151 Title A name given to the resource DE LEONE, Andrea Creator An entity primarily responsible for making the resource DE LEONE, Andrea, b. Italy, 1610-1685 Description An account of the resource Seated Old Man (recto), Robed Figure in Clouds (verso), 17th C. Red chalk on tan paper; verso: black chalk drawing 5 1/2 x 7" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 17th C. Clouds Figurative man Old Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/5c65e14b357b82091492c08ab89b6676.jpg e5b3e2fbec004a74a3b2ea147ed7deb5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.152 Title A name given to the resource MAZZUCCHELLI, Pier Francesco, called IL MORAZZONE Creator An entity primarily responsible for making the resource MAZZUCCHELLI, Pier Francesco, called IL MORAZZONE, b. Italy, 1571–1626 Description An account of the resource Agony in the Garden, 16th-17th C. Pen, black ink, grey wash, white over black chalk on tan paper 5 3/4 x 8 3/8" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeburg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th-17th C. Cross Figurative Jesus Sketch Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/45b85cbfbb23386d80e0e76e69f57d90.jpg 683cb398ee7d625a562c5aa779a8b7eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.153 Title A name given to the resource FLINCK, Govaert Creator An entity primarily responsible for making the resource FLINCK, Govaert, b. Kleve, 1615-1660 Description An account of the resource Seated Female Nude Extending a Wreath, 1640s Black and white chalk on blue paper 10 1/2 x 8 1/2" SHEET 1640s Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 1640's Figurative nude woman Works-on-Paper Wreath http://art-collections.museum.ucsb.edu/files/original/4e736d272ab8595578b8ce8e80e9006e.jpg f848b26d2f3175de15e799bdcc1171ee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.154 Title A name given to the resource RIMINALDI, Orazio Creator An entity primarily responsible for making the resource RIMINALDI, Orazio, b. Italy, 1593-1630 Description An account of the resource Atalanta and Hippomenes, 17th C. Red chalk on cream-colored paper 9 3/4 x 5 1/2" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 17th C. Figurative Foot Race Greek Mythology Red Chalk Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/498aaa20097f29ff1388dc7b89b35096.jpg 5fae8fc7552500459fdcf4abedc3a0b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.155 Title A name given to the resource RONCALLI, Cristofano, (IL POMARANCIO, After) Creator An entity primarily responsible for making the resource RONCALLI, Cristofano, (IL POMARANCIO, After), b. 1552/3 - 1626 Description An account of the resource Saint Domitilla, 16th-17th C. Pen and brown ink, white, and brown wash on brown prepared paper 15 7/8 x 6 1/2" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th - 17th c. Apse Figurative Religious Saint Domitilla Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/0fc5f6d69be6b2d6b16f29f8722e34ab.jpg c2b99e34d99f24a032085e94768f25fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.156 Title A name given to the resource SARACENI, Carlo Creator An entity primarily responsible for making the resource SARACENI, Carlo, b. Italy, 1578/9 - 1620 Description An account of the resource Heavenly Hosts, 16th - 17th c. Pen and brown ink, brown wash, over black chalk on cream paper 5 11/16 x 4" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th - 17th c. Clouds Crowd Figurative Heaven Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/4d7678209256dadf2c83b5d1a8db088b.jpg 6c51ae43c4c1ea3943ed2f77fcccaa79 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.157 Title A name given to the resource TEMPESTA, Antonio Creator An entity primarily responsible for making the resource TEMPESTA, Antonio, b. Italy, 1555 - 1630 Description An account of the resource Anthony Before Cleopatra, 16th - 17th C. pen and brown ink, brown wash, on tan paper, laid down 11 7/16 x 10 3/4" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Fietelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 16th-17th C. Cleopatra Egyptian Figurative Love Royalty Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/cf57c48438d9715b41397a89e0e2e862.jpg 7ec3b9b4f2a1b05c651c7e2ec87d7e3b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.158 Title A name given to the resource Artist unknown Creator An entity primarily responsible for making the resource Artist Unknown, b. 17th c. Description An account of the resource Fainting Virgin Mary with Two Marys and Joseph of Arimathea, 17th C. Brush and black ink, wash, white over black chalk on brown paper 5 11/16 x 3 9/16" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 17th C. Figurative Halo Religious Virgin Mary Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/0558b8c0a68ccb29c1f5997dc856123b.jpg 6641d44e5f4d0c3334318c08fb482a09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.159b Title A name given to the resource RIBERA, Jose de (Circle of) Creator An entity primarily responsible for making the resource RIBERA, Jose de (Circle of), b. Italy, 17th C. Description An account of the resource Figure Studies, 17th C. Pen and brown ink, grey wash, on tan paper 8 1/16 x 10 5/8" 17th c. Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 17th C. Figurative Loose man Shadows Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/dc3829f36586cd690f42f5dfee1b5ab5.jpg e02d94b1f9478cb42bc457e7d7f979dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.16 Title A name given to the resource Artist unknown Creator An entity primarily responsible for making the resource Spanish, 17th c. Description An account of the resource Pen and black ink, grey wash on cream paper 5 x 6 7/8" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 17th c. Action Battle Commander Figurative Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/79663c3deaaad1ff7585b8b769c8e9e5.jpg b86ca7eac52dcce0a7a6721285ac2290 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.161 Title A name given to the resource GANDOLFI, Mauro (Attributed to) Creator An entity primarily responsible for making the resource GANDOLFI, Mauro (Attributed to), b. Italy, 1764-1834 Description An account of the resource Studies of Six Heads, ca. 1790-1795 Pen with dark brown ink on discolored white paper 5 11/16 x 7 15/16" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource ca. 1790-195 Figurative Perspective Six Heads Sketch Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/7da9546c60f6d0f9893fd97830631fa0.jpg 4887c24e680fc0697c212a150a26e0e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.162 Title A name given to the resource MENESCARDI, Guistino Creator An entity primarily responsible for making the resource MENESCARDI, Guistino, b. Italy, active ca.1740–1765 Description An account of the resource Mary Magdalen Washing the Feet of Christ, 18th C. Brown ink and wash, white and red chalk on tan paper 10 15/16 in. x 14 9/16" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 18th C. Christ Dining Figurative Religious Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/ce9b56a72ad0ba4500b190a32f641ee2.jpg d043a7d0678a4cb656f6da141846e503 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.163b Title A name given to the resource TIEPOLO, Giambattista Creator An entity primarily responsible for making the resource TIEPOLO, Giambattista, b. Italy, 1696 - 1770 Description An account of the resource Angels and Figures, 18th C. Pen and brown ink, brown wash on white paper 5 7/8 x 8 1/16" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 18th-19th C. Angels European Figurative Sketch Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/da3ed79fa0c9d44ca7dea2334a81ba54.jpg 7694fa60a24b010800252141c722fc5b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.164 Title A name given to the resource TIEPOLO, Gian Domenico Creator An entity primarily responsible for making the resource TIEPOLO, Gian Domenico, b. Italy, 1727 - 1804 Description An account of the resource Head of an Old Man, 18th-19th c. Black chalk, white, on grey-blue paper 9 3/4 x 6 15/16" SHEET Old man with beard and turban, facing left. Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 18th-19th C. Figurative man Old Sketch Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/1096913948836bfc6b52a4c5258f18ef.jpg dc78210f3ff63ad45527aab4b73e1bcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.165 Title A name given to the resource TIEPOLO, Gian Domenico Creator An entity primarily responsible for making the resource TIEPOLO, Gian Domenico, b. Italy, 1727 - 1804 Description An account of the resource Cloud of Angels, 1757 Pen and black ink, gray wash, on cream paper 9 9/16 x 6 7/8" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 1757 Angels Cherub Figurative Sky Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/853f6d8a098764d859bdcadbf33e3b91.jpg bc4812c5aefca3245467c66a9941ffdb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.166 Title A name given to the resource VAROTTI, Giuseppe Creator An entity primarily responsible for making the resource VAROTTI, Giuseppe, b. Italy, 1715 - 1780 Description An account of the resource Judgement of Paris, ca. 1730-1740 Brush and brown wash over black crayon on cream paper 8 3/16 x 13 1/2" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeburg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource ca. 1730-1740 Figurative Greek Historical Mythology Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/83600bb9d0a4d6f97ed4a59372f8d7b3.jpg 054ba13d7a8a3b662cce7c658dac6101 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.167.1 Title A name given to the resource PINELLI, Bartolomeo Creator An entity primarily responsible for making the resource PINELLI, Bartolomeo, b. Italy, 1781-1835 Description An account of the resource Battle of Romans and Etruscans, 1823 graphite on white paper 11 15/16 x 16 7/16" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 1823 Action Battle European History Figurative Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/85a03f865cc15c09ff648f17756072e1.jpg 6de622cfde9fafb87de8359f5ebb620a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Feitelson Collection of Old Master Drawings Description An account of the resource The paintings of American artist Lorser Feitelson, along with his wife and fellow artist Helen Lundeberg Feitelson, have been increasingly recognized for their contribution to the development of American abstract painting in the mid-twentieth century. Feitelson, whose own work is now included in the collections of the Los Angeles County Museum of Art, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the Museum of Modern Art, was also an avid collector of more than 190 Old Master drawings that were bequeathed to AD&A Museum. Feitelson’s collection is of value not only as a tool for education and enjoyment; it also serves as a window into Feitelson’s views on old master drawing techniques and media. The mounts, as the late UC Santa Barbara Professor of Art History Alfred Moir wrote, “are covered with Lorser’s notes, speculating, comparing, documenting them, recording other peoples’ comments on them, pursuing recently published discoveries about their authors.” A catalog of selected work from the Collection was published in 1983, the text of which was the result of a graduate seminar at the UC Santa Barbara which focused on attributions and provenance. The Feitelson Collection conveys to all visitors the vital role of drawing and draftsmanship in artistic production prior to the mid-nineteenth century. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.167.2 Title A name given to the resource TIEPOLO, Gian Domenico Creator An entity primarily responsible for making the resource TIEPOLO, Gian Domenico, b. Italy 1727 - 1804 Description An account of the resource Saint Anthony of Padua and the Infant Christ, 18th - 19th c. Pen and grey ink, brown wash over black chalk, on cream paper 9 9/16 x 6 7/8" Source A related resource from which the described resource is derived Gift of the Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation Date A point or period of time associated with an event in the lifecycle of the resource 18th-19th C. abstract Angelic Beige Figurative Religious Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/9a4d92f9ba2dcedc3383693d2991b3f5.jpg 83afe57f66f23eb4077b453913369401 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.114 Title A name given to the resource HOFFMAN, Irwin Description An account of the resource African Golfers etching sheet: 9 1/2 x 12 1/2 in; mat: 14 x 18 in image: 8 x 10 7/8 in Creator An entity primarily responsible for making the resource HOFFMAN, Irwin b. United States, 1901 - 1989 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1939 Crowd etching Figurative golf sport Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/fa9626e504d873bdfd7982a5a4f81bf9.jpg 1e0bfc8fd8486beb6a13a8a0dd5252d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.126 Title A name given to the resource LOZOWICK, Louis Description An account of the resource Loading lithograph sheet: 20 x 14 1/4 in; mat: 22 1/4 x 16 1/8 in image: 10 3/4 x 7 1/2 in Creator An entity primarily responsible for making the resource LOZOWICK, Louis b. United States, 1892 - 1973 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1930 construction Figurative Lithograph workers Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/5cd8883d8626b027d76c71004c7c30b7.jpg 1c1ae7f5edcf63aa2b2bf3147f00bc2c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.131 Title A name given to the resource MAZUR, Michael Burton Description An account of the resource Closed Ward no. 12 etching, aquatint sheet: 27 1/2 x 39 in; framed: 30 x 42 in 2 plates measuring overall 23 1/4 x 33 1/2 inches, on one sheet Creator An entity primarily responsible for making the resource MAZUR, Michael Burton American, 1935 - Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1962 American etching Figurative figures Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/b4cc6571fa2384e7261513efdd9392ca.jpg c85389fb13d49bbd66253cca41a19a30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.133 Title A name given to the resource MESSICK, Ben Description An account of the resource B Girls at Work lithograph sheet: 13 1/2 x 19 3/4 in; mat: 19 1/2 x 24 1/4 in Creator An entity primarily responsible for making the resource MESSICK, Ben b. United States, 1901 - 1981 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource ca. 1940 American bar Figurative Lithograph portrait women Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/5d70a0dde0ca268b1569296e5cef1943.jpg 281af297612d17e85d6aa776ecc5a7d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.138 Title A name given to the resource RICO, DON Description An account of the resource A Box at Minsky's wood engraving sheet: 7 1/4 x 9 1/4 in; mat: 11 x 13 in image: 4 1/2 x 6 1/2 in Creator An entity primarily responsible for making the resource RICO, DON b. United States, 1910 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1937 American engraving Figurative men print Wood Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/6603f1b545b603860818e1c45d00944d.jpg 06ccb8f2ed1b165c60a3d99c2113a4c6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.146 Title A name given to the resource RIGGS, Robert Description An account of the resource Psychopathic Ward lithograph sheet: 17 1/8 x 23 5/8 in; mat: 23 x 27 in Robert Riggs’ was commissioned by one of the largest pharmaceutical companies at the time, Smith, Kline and French, to do a suite of prints surrounding the theme of medical care and the treatment of the insane in the US. The portfolio which resulted was meant to be sold to doctors for display in their offices, a comical notion considering the disturbing and dreary subject matter. Accident Ward depicts the aftermath of a violent domestic dispute in which the participants are patched up by doctors. Psychopathic Ward pictures mentally ill patients wandering about in a confused or tormented state and shoved into a bare room. Rather than showing doctors as heroes, Riggs’ prints focus on the patients being treated and seem to call out for more advanced medical practices to assist with treatment. Creator An entity primarily responsible for making the resource RIGGS, Robert b. United States, 1896 - 1966 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1940 Figurative Lithograph people psychiatric Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/3ddb78a6b440fdbb9b7748667056cf1a.jpg d5d99a8e079c4c574c0e95b82e46b6bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.147 Title A name given to the resource SCHOPPE, Palmer Description An account of the resource Clap yo' Hands Lithograph 20 x 13 1/2" MAT Lithograph of two African Americansmales dancing at center stage. Background includes multiple men playing instruments and clapping hands. Creator An entity primarily responsible for making the resource SCHOPPE, Palmer b. United States, 1912-2001 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1935 American dancing Figurative Lithograph portrait Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/80aedbcc1db32239bc99fc13f51505c4.jpg dd21a72126ca48c878db5ffe719eb697 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.149 Title A name given to the resource SCHOPPE, Palmer Description An account of the resource Speriences Meetin (from Carolina Low Country portfolio) Lithograph 20 x 13 1/2" MAT Lithograph of a lone male at center foreground gesturing with his arm raised and stomping his feet. He is flanked by multiple individuals including two seated females at lower left. Creator An entity primarily responsible for making the resource SCHOPPE, Palmer b. United States, 1912 - Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1935 American Figurative Lithograph man Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/fcc11e90f18fe437d40d5f9e1c6ea4ad.jpg 8fdab43ce0c7ab7cb7570a1607c173cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.162 Title A name given to the resource SPRUANCE, Benton Description An account of the resource Spinner Play Lithograph 21 1/8 x 25 3/4" MAT In the 1930s college football was the national rage, attracting over 70,000 to some games and immortalizing the Notre Dame football team and Knut Rockne. Benton Spruance’s Spinner Play, 1934, depicts college kids from the University of Pennsylvania. Spruance’s print, in its extreme stylization of the figures, aims to reveal the essential power of the game, the brute force of one team pitted against another. The game was brutal too: in 1931 there were 40 college fatalities, a figure which diminished only slightly throughout the decade. Creator An entity primarily responsible for making the resource SPRUANCE, Benton b. United States, 1904-1967 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1934 Figurative football Lithograph men portrait sport Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/ff018da528a734669ad421ba4ff33aa5.jpg d62df393d3aafc512e0fe5463bdca6d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.171 Title A name given to the resource WOOD, Grant Description An account of the resource Shriner's Quartet Lithograph 14 1/2 x 18" MATTED Shriner's Quartet includes a group of Shriners singing in front of pyramid-shaped forms inspired by their early organizational structure of growing out of a Temple of the Ancient Arabic Order Nobles of the Mystic Shrine. In later years, the Shriner's are well known for their charity especially their pediatric hopsitals which covers all costs associated with patient care. Creator An entity primarily responsible for making the resource WOOD, Grant b. United States, 1892 - 1942 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1939 Figurative Lithograph portrait pyramid singing Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/f46a1630b5b84a6c70760a4c4d05065d.jpg a4e28c76fc65d35675d5113639ccd2c3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1995.48 Title A name given to the resource KENT, Rockwell Description An account of the resource Night Watch Wood engraving 5 1/4 x 8" IMAGE Wood engraving of a single figure who appears to be a wooden structure. He is standing and holding onto a pole suggesting pain and agony. Signed at lower right. Creator An entity primarily responsible for making the resource KENT, Rockwell b. United States, 1882 - 1971 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1929 American engraving Figurative portrait Wood Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/43e2effa3a71751afc96c085da7ab6f5.jpg 200090a00e0b41db9f66df6e2250e255 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1995.56 Title A name given to the resource STROMBOTNE, James Description An account of the resource Grand Hotel Lithograph 30 x 22" SHEET Lithograph of formally dressed males wearing hats standing alongside a patterned wall-like structure and are staring at a nude female at center right; all are positioned under a black square populated by multiple figures. Creator An entity primarily responsible for making the resource STROMBOTNE, James b. United States, b. 1934 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1965 Female Figurative Lithograph nude Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/419fc2e87272aac46bfdf947641dc1c7.jpg e6b9730c0a6aa897ee51d39845a0870a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1995.57 Title A name given to the resource TAMAYO, Rufino Description An account of the resource Head Lithograph 15 1/4 x 18 5/8 x 1" FRAMED Image of a head which appears to be mirror images on each side with non-descript and abstracted features. Creator An entity primarily responsible for making the resource TAMAYO, Rufino Mexican, 1899 - 1992 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1975 abstract Figurative head Lithograph Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/49af9e30f951cd7ee8ec1ef460616b8a.jpeg 1a07ebb57a0fbea852beb83ffcd04756 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Barry Berkus Family Collection Description An account of the resource The Barry Berkus Family Collection contributes to the strength of the Museum's holdings of twentieth century works on paper. Made in 2006, the Berkus gift provided the museum with twenty-one works on paper by artists working primarily in the United States in the 1980s and 1990s, including: Robert Motherwell, William Wegman, Robert Rauschenberg, and Carrie Mae Weems. Berkus, an architect who worked in Southern California, designed the UC Santa Barbara’s Mosher Alumni Building. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2004.004.001 Title A name given to the resource LACK, Stephen Creator An entity primarily responsible for making the resource LACK, Stephen United States, b. 1946 Description An account of the resource Party Girl (Little Lulu Slut) 77 x 79" Large brightly painted image of a nude woman's torso and head reclining against the background. Source A related resource from which the described resource is derived Gift of the Berkus Family Date A point or period of time associated with an event in the lifecycle of the resource 1983 1980's 20th century Female Figurative large scale nude Painting reclining woman http://art-collections.museum.ucsb.edu/files/original/ff6586ec84a67f27dfc37472f39013cb.jpeg d937f914efcc920408d9c76fb19d8d89 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Barry Berkus Family Collection Description An account of the resource The Barry Berkus Family Collection contributes to the strength of the Museum's holdings of twentieth century works on paper. Made in 2006, the Berkus gift provided the museum with twenty-one works on paper by artists working primarily in the United States in the 1980s and 1990s, including: Robert Motherwell, William Wegman, Robert Rauschenberg, and Carrie Mae Weems. Berkus, an architect who worked in Southern California, designed the UC Santa Barbara’s Mosher Alumni Building. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2004.004.002 Title A name given to the resource LACK, Stephen Creator An entity primarily responsible for making the resource LACK, Stephen United States, b. 1946 Description An account of the resource Fear of Winter 48 x 64" Brightly painted image of a woman in bed asleep Source A related resource from which the described resource is derived Gift of the Berkus Family Date A point or period of time associated with an event in the lifecycle of the resource 1985-86 1980's 20th century Blue bright Figurative Painting winter woman Yellow http://art-collections.museum.ucsb.edu/files/original/1c6f5f362eb1ca4a186d1342a964bb4f.jpg eab1df56a0b5b883d904f86aade28c7f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Barry Berkus Family Collection Description An account of the resource The Barry Berkus Family Collection contributes to the strength of the Museum's holdings of twentieth century works on paper. Made in 2006, the Berkus gift provided the museum with twenty-one works on paper by artists working primarily in the United States in the 1980s and 1990s, including: Robert Motherwell, William Wegman, Robert Rauschenberg, and Carrie Mae Weems. Berkus, an architect who worked in Southern California, designed the UC Santa Barbara’s Mosher Alumni Building. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2006.002.009 Title A name given to the resource BLAIS, Jean-Charles Creator An entity primarily responsible for making the resource BLAIS, Jean-Charles French, b. 1963 Description An account of the resource Untitled 31 x 25" This print by Jean-Charles Blais wavers between abstract and figurative forms. Blais's work revels in this "in-betweenness," as he describes it, by incorporating the displaced pair of legs caught mid-run. Source A related resource from which the described resource is derived Gift of Barry A. Berkus and Family Date A point or period of time associated with an event in the lifecycle of the resource 1987 1980's 20th century abstract Action Figurative movement orange print Running http://art-collections.museum.ucsb.edu/files/original/daea3ee0564cfb89eef98ba3f1ad10be.jpg 4c044c394a698461150134068015d1ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Barry Berkus Family Collection Description An account of the resource The Barry Berkus Family Collection contributes to the strength of the Museum's holdings of twentieth century works on paper. Made in 2006, the Berkus gift provided the museum with twenty-one works on paper by artists working primarily in the United States in the 1980s and 1990s, including: Robert Motherwell, William Wegman, Robert Rauschenberg, and Carrie Mae Weems. Berkus, an architect who worked in Southern California, designed the UC Santa Barbara’s Mosher Alumni Building. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2006.002.020 Title A name given to the resource WEEMS, Carrie Mae Creator An entity primarily responsible for making the resource WEEMS, Carrie Mae United States, b. 1953 Description An account of the resource Untitled (See no evil, hear no evil, speak no evil) 9 x 20" Triptych color photograph of young man in a white t-shirt in a dimly lit studio, covering his eyes to the left, covering his ears in the center, covering his mouth at the right. Source A related resource from which the described resource is derived Gift of Barry A. Berkus and Family Date A point or period of time associated with an event in the lifecycle of the resource 1982 1980's 20th century african american Figurative Male photograph photography http://art-collections.museum.ucsb.edu/files/original/8cab9ef4132bb641ca1b7824dc09d73a.jpg 7577aebf995e74a04474aca01faf74b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Outdoor Sculpture Description An account of the resource In a serene setting alongside the Pacific Ocean, the AD&A Museum is uniquely positioned at the UC Santa Barbara to highlight a small number of stellar sculptures and wall installations on the grounds of the museum and campus. Please take a look at our small but growing collection. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1969.96 Creator An entity primarily responsible for making the resource PATIGIAN, Haig United States, 1876 -1950, b. Armenia Title A name given to the resource PATIGIAN, Haig Description An account of the resource Industry 1929 terra cotta, gilding height: 12 feet Source A related resource from which the described resource is derived Atlantic Richfield Company Date A point or period of time associated with an event in the lifecycle of the resource 1929 Figurative Figure gilded Sculpture terracotta http://art-collections.museum.ucsb.edu/files/original/b98e8f8d00dc9db08b4cfda0aed17284.jpg 288b222d632806ecb1b391ebbe5ac344 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Outdoor Sculpture Description An account of the resource In a serene setting alongside the Pacific Ocean, the AD&A Museum is uniquely positioned at the UC Santa Barbara to highlight a small number of stellar sculptures and wall installations on the grounds of the museum and campus. Please take a look at our small but growing collection. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1969.97 Creator An entity primarily responsible for making the resource PATIGIAN, Haig United States, 1876 -1950, b. Aremenia Title A name given to the resource PATIGIAN, Haig Description An account of the resource Navigation 1929 terra cotta, gilding height: 12 feet Source A related resource from which the described resource is derived Atlantic Richfield Company Date A point or period of time associated with an event in the lifecycle of the resource 1929 Figurative Figure gilded Sculpture terracotta http://art-collections.museum.ucsb.edu/files/original/a12fdfe0b6d94da604f02c68e156afe6.jpg ea84992b42958682bea08432680424b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Outdoor Sculpture Description An account of the resource In a serene setting alongside the Pacific Ocean, the AD&A Museum is uniquely positioned at the UC Santa Barbara to highlight a small number of stellar sculptures and wall installations on the grounds of the museum and campus. Please take a look at our small but growing collection. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1969.98 Creator An entity primarily responsible for making the resource PATIGIAN, Haig United States, 1876 -1950, b. Aremenia Title A name given to the resource PATIGIAN, Haig Description An account of the resource Aviation 1929 terra cotta, gilding height: 12 feet Source A related resource from which the described resource is derived Atlantic Richfield Company Date A point or period of time associated with an event in the lifecycle of the resource 1929 Figurative figures gilded Sculpture terracotta http://art-collections.museum.ucsb.edu/files/original/7863a414dfb009226c9a4ccba07f22a8.jpg 532e0b10e6203d76587cc4f30afd1568 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.001.008 Creator An entity primarily responsible for making the resource ROVNER, Michal United States Title A name given to the resource ROVNER, Michal Description An account of the resource TWO O O ONE: Untitled 2001 Iris inkjet on Arches hotpress, 16/50 27 1/2 x 22" PAPER Inkjet print of a black and white ambiguous scene divided by three stripes of black lines with figure at lower left. Edition statement, signature, title, date on reverse at lower left. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2001 abstract Ambigious Barren Bigfoot Figurative Ominous Parallel Lines Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/7b861630f21ea17b7aabd184a17d92d0.jpg 976c3b83ebeeef6ee960bbbeacb730a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.003.001 Creator An entity primarily responsible for making the resource COLO, Papo Title A name given to the resource COLO, Papo Description An account of the resource TANTRA: St. Valentine's Heart on the Beach 2005 Digital screen print on Conventry Rag, 40/50 30 x 44" PAPER Portfolio cover print; two black and white photos of the same female sunbathing nude. One is lying on a towel with blue stripes, the other is of her lying on a towel with red stripes. Portfolio cord in red extends from female's buttocks. Signed and date at lower left. Produced by Exit Art and includes title page with Exit Art Logo. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2005 beach Blue Stripes Buttocks Figurative nude Sunbathing Towel woman Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/2768d17e02d914f55b01c764f95d46b5.jpg 04aaf229039171f968fe367207ba4b6f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.003.007 Creator An entity primarily responsible for making the resource WILSON, Fred United States, b.1954 Title A name given to the resource WILSON, Fred Description An account of the resource TANTRA: X 2005 Digital C-print on Duratrans, 40/50 22 x 21" PAPER Black and white negative PAPER of a male in a suit and sunglasses scratching his head; female dressed in a ballgown stands behind him looking right. Signature at lower right. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2005 Ballgown Figurative Formal Dress glasses man Negative photograph suit Tie woman http://art-collections.museum.ucsb.edu/files/original/fb6ac8d9815a1d2246c2e25b8a6e371a.jpg 06dc8dda9b69074faf192bd4772722cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.004.002 Creator An entity primarily responsible for making the resource ABRAMOVIC, Marina Serbian, b.1946 Title A name given to the resource ABRAMOVIC, Marina Description An account of the resource TRANCE/BORDERS: Light Side/Dark Side 2006 Resin coated type laser-exposed print on Ilfospeed resin-coated digital paper, 35/50 22 x 30" PAPER Photograph of a dark haired female covering half her face with the shadow of a hand. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2006 Figurative hand Headshot photograph portrait Shadow woman Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/ac0f381f06c9db7eaf6b31682fff8afd.jpg 59b3e0612267b251be0e4249a2ad7f58 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.004.003 Creator An entity primarily responsible for making the resource CONDO, George United States, b.1957 Title A name given to the resource CONDO, George Description An account of the resource TRANCE/BORDERS: Blue Expanding Figures 2006 6 Color silkscreen on Lenox 100 paper, 35/50 30 x 22" PAPER PAPER of blue figures expanding into one another; signature and date at lower right. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2006 abstract Blue Breast Figurative men nude Penis Sexual women Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/871169be85c635d0831e55ddee1a4e07.jpg 3346c0291cf412eb6375e9dc607b00c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.004.004 Creator An entity primarily responsible for making the resource DE BEER, Sue United States, b.1973 Title A name given to the resource DE BEER, Sue Description An account of the resource TRANCE/BORDERS:German Shephard Sticker 2006 Archival digital pigment print on sticker paper with 4 screen print layers of glossy UV ink with crystaline sparkles, 35/50 21 x 29" PAPER Digital print of a cut out of a German Shephard and two pups. Signature and date on reverse at lower right. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2006 Figurative German Shephard grass landscape Puppy Sticker Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/f7b8b8c75ddf247f4a4393612f312916.jpg bde26954100ba1567073db045d77b7e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.005.001 Creator An entity primarily responsible for making the resource COLO, Papo Title A name given to the resource COLO, Papo Description An account of the resource Expose: Outsourcing 2008 10 color screenprint on Coventry Rag 320 gsm paper, 34/50 30 x 44" PAPER Portfolio cover with duplicate PAPER of a cream and brown figure standing vertically holding a rounded globe-like object above his head. Figure is surrounded by rounded-like images; red cords are attached at center.Signature on reverse at lower left. Produced by Exit Art, and includes a title page with Exit Art logo. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2008 boulder Figurative Globe man Red Cords Strength works on paper http://art-collections.museum.ucsb.edu/files/original/3d09aa032f4c88dd10ace9a762375b77.jpg da0250f6c1a3f82e626835e26ba27b0e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.005.004 Creator An entity primarily responsible for making the resource DUPONT, Richard United States, b.1968 Title A name given to the resource DUPONT, Richard Description An account of the resource Expose: Holos 2008 Serigraph on Arches 8, 350 gsm paper, 32/50 30 x 22" PAPER Print of a bald male neck and face in silver; PAPER is transparent and on blue background. Signature and date at lower right. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2008 bald Blue Background Figurative head Male paper Sketch Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/f54ddf820a545ca3986a1cf788c75417.jpg dd00c63e833091e13f21a99c8895de7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.005.005 Creator An entity primarily responsible for making the resource GANESH, Chitra United States, b.1975 Title A name given to the resource GANESH, Chitra Description An account of the resource Expose: Gravity's Dream 2008 13 color screen print with monotypical background, hand flocking, google eyes, glitter on Coventry Rag, 320 gsm paper, 32/50 22 x 30" PAPER Born in Brooklyn to Indian immigrants, Chitra Ganesh is a photographer and visual artist who studied literature at Brown University, and then completed an MFA in 2002 at Columbia University. Visual art served as an avenue for her views on society and as a child she was much influenced by Bollywood, comics and literature using these elements to illustrate and inform her narrative on Feminism and the Queer community. Expose: Gravity’s Dream is a screen print on Coventry rag completed in 2008. Chitra captures the feminist gender using a headless body of a woman being tortured by razor blades while her head sits on a red base with some of her facial features missing. Eyes floating in the air are presented in an eerily surreal way. The woman’s flesh is green and her eyes are a burning red. Much of her art is executed in screen print but she is also well known for her large installations such as her mixed media wall mural, Eyes of Time, at the Brooklyn Museum, 2014-2015. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2008 abstract Body Parts Eyes Feminine Figurative gender Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/fc3a451676bc4a797b15fbdf9e08c776.jpg cce2dabec020759790a2b47053105aeb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.006.001 Creator An entity primarily responsible for making the resource COLO, Papo Title A name given to the resource COLO, Papo Description An account of the resource America America: America America 2009 Archival pigment print, 28/30 30 x 44" PAPER Portfolio Cover for America America. Duplicate PAPER of male figures dressed in navy blue and white, suffocating with blue fabric. A gold string is tied around the figure's finger, serving as the portfolio's ribbon, image is set against a red background. Produced by Exit Art and includes a title page with Exit Art logo.Signature/date and addition statement on reverse at lower left. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2009 Black Man fabric Figurative Gold-String Suffocating Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/6be78cf29b676ee1744f2416149a26a3.jpg dedee8710e597a53a7adc8339f817631 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.006.003 Creator An entity primarily responsible for making the resource ANTIN, Eleanor United States, b.1935 Title A name given to the resource ANTIN, Eleanor Description An account of the resource America America: Recollections of My Life with Diaghilev: Three Ballerinas in Monte Carlo 2009 Giclee print, 28/30 30 X 22" PAPER Faint sketch of three women standing closely together in formal dresses. Signature and edition statement lower left corner. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2009 Ballerinas Dressed Up Faint Sketch Figurative Formal Dresses Headscarfs Linework Loose Figures women Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/0d0c867a3f075a376a0d4217654c8c9c.jpg 3f4d7c303fc4d1626eb5e73dfa351161 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.006.005 Creator An entity primarily responsible for making the resource FRANK, Natalie United States, b.1980 Title A name given to the resource FRANK, Natalie Description An account of the resource America America: In the Hall 2009 Four color lithograph with hand coloring, 28/30 23 X 30 " PAPER PAPER of a nude female standing against a door frame, looking downward and out of the picture frame. Tan, red, white, and grey. Signature, date and edition statement located at lower right corner. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2009 abstract Breast Doorframe Figurative grey nude Older Woman orange tan White Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/5ac7669bfdf18e9ed25e6cb1db863ec3.jpg 88c09c692a57e3376e63f194fb85dd2d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.007.003 Creator An entity primarily responsible for making the resource COLE, Willie United States, b.1955 Title A name given to the resource COLE, Willie Description An account of the resource Ecstasy: Burning Desire 2010 Lithograph on Reeves BFK, 19/50 30 X 22" PAPER Red and white female lying in bed surrounded by flames on a red background. Signature is located on the lower left corner. The title and edition statement is located at the lower center. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2010 bed Bed-frame Breast Desire Devil Figurative Flames portrait women http://art-collections.museum.ucsb.edu/files/original/dccc20149d1dfac33c6d91cad40f7e91.jpg 1a856e54079efb9e9ccdc1205cf34621 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.008.002 Creator An entity primarily responsible for making the resource FORD, Walton United States, b.1960 Title A name given to the resource FORD, Walton Description An account of the resource SEA: It Makes Me Think of that Awful Day on the Island 2011 Lithograph on Somerset soft white, 35/50 22 X 30" PAPER Lithograph of a black and white head and shoulders of a wide mouthed gorilla with tears running down his face. The words "...It makes me think of that...awful day on the island..." are written across the top. Part of SEA, Social Environmental AestheticsSignature, date and edition statement located lower right corner. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2011 Fangs Fear Figurative Gorilla landscape Lithograph sadness Sea Tears http://art-collections.museum.ucsb.edu/files/original/6ebea7053b653910b58052c1fb193b81.jpg 0a432cd43202a2e7d484d2d6a7b94535 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.008.007 Creator An entity primarily responsible for making the resource ROCKMAN, Alexis United States, b.1962 Title A name given to the resource ROCKMAN, Alexis Description An account of the resource SEA: Iguaca Lithograph on Ragcote, 35/50 30 X 22" PAPER Lithograph includes rust colored bird perched on a branch on a white background; part of SEA, Social Environmental Aesthetics Signature, date and edition statement is located lower right corner. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2011 animal branch Figurative Lithograph orange Parrot Realistic Rust White Background Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/e9cfad1cdd864ee2e752fe122fd4eeb0.jpg fea1d25c6d4ed35d87076395fc07dc77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.81 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource Decorative Detail (NYC?), 1951 1951 photograph 7" x 8 1/2" Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1951 abstract Bronze Decorative Detail Figurative man photograph Sculptural http://art-collections.museum.ucsb.edu/files/original/dae7c84c788b289ea83c558b412ff3ec.jpg fb2ee8b387c2da849e4a3cea037be8ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2015.002.001 Creator An entity primarily responsible for making the resource BELTZ, Eric b. United States, 1975 Title A name given to the resource BELTZ, Eric Description An account of the resource The Mortal Gorgon Medusa Shellac and silver ink on prepared paper 80 x 50" SHEET According to the ancient Roman poet Ovid, Medusa was a beautiful woman raped by Poseidon in a temple dedicated to Athena. Angered by the defilement of her temple, Athena victimized Medusa again by transforming her into a monster. Beltz’s large-scale drawing proposes a contrasting version of this familiar, snake-haired Gorgon. Here, she is reenvisioned as an abstract, ethereal creature made up of the beauteous bounty of nature. Closer inspection reveals she is composed of potent plants used to cure ailments or induce hallucinogenic states in shamanic practice: poison oak, datura, milkweed, castor, morning glory, mint, and poison hemlock. These helpful, once well-used, plants are now frequently overlooked (relegated to the category of weeds), though they grow abundantly in interstitial sites throughout this region. Source A related resource from which the described resource is derived Museum purchase Date A point or period of time associated with an event in the lifecycle of the resource 2015 Figurative Ink Mythology silver Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/65ce76ddfb8c5ac7a01eb77f3a05fec6.jpg 57519adf26e55016d49d8a871a2962a9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ruth S. Schaffner Collection Description An account of the resource Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1969.5 Title A name given to the resource BRENER, Roland Creator An entity primarily responsible for making the resource Brener, Roland South African, 1942-2006 Description An account of the resource Sculpture With Arch 1968 steel, concrete, paint 80 x 163 x 219 in. off white steel arch with concrete blocks Source A related resource from which the described resource is derived Gift of Mrs. Joseph Halle Schaffner through UCSB Art Affiliates Date A point or period of time associated with an event in the lifecycle of the resource 1968 concrete Figurative paint Sculpture steel works on paper http://art-collections.museum.ucsb.edu/files/original/7b1dc599753e3489789ee171e81c2561.JPG 34044be5250dadb0cd0948889ad17f35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ruth S. Schaffner Collection Description An account of the resource Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.573 Title A name given to the resource BORTHWICK, Donald Creator An entity primarily responsible for making the resource Borthwick, Donald American Description An account of the resource Rio Grande oil on two canvas 50 x 56 1/2 in.; frame: 50 1/2 x 57 x 2 in. Source A related resource from which the described resource is derived Ruth S. Schaffner Collection Date A point or period of time associated with an event in the lifecycle of the resource 1965 20th century canvas Figurative oil Painting rio grande http://art-collections.museum.ucsb.edu/files/original/4136d72b940f3e947803dd3bbd61e6b1.jpg b59823e16814f8723af5b3e9acc2ba4d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ruth S. Schaffner Collection Description An account of the resource Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.579 Title A name given to the resource JARVAISE, James Creator An entity primarily responsible for making the resource Jarvaise, James American, b. France 1931 - 2015 Description An account of the resource Hudson River Series No. 59 oil and collage on gesso paper, on plywood panel 60 1/4 x 48 1/4 in.; frame: 60 3/4 x 48 3/4 x 1 3/4 in. Source A related resource from which the described resource is derived Ruth S. Schaffner Collection Date A point or period of time associated with an event in the lifecycle of the resource 1958 20th century collage Figurative gesso paper oil Painting plywood panel http://art-collections.museum.ucsb.edu/files/original/58cc6d959573c30e1448da9df76f38eb.jpg 1cc98be6c17e9184fd39a7363cfe84e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ruth S. Schaffner Collection Description An account of the resource Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1987.10 Title A name given to the resource BECHTOLD, Erwin Creator An entity primarily responsible for making the resource Bechtold, Erwin German, b. 1925 - Description An account of the resource Untitled lithograph, 4/70 27 1/2 x 20 in. Erwin Bechtold’s Untitled lithograph draws attention to the act of making a basic shape and its variations. A shadowy gray capsule set against a grid background is mirrored by a hazily outlined red capsule placed below it. The grid system itself consists of regularly spaced horizontally and vertically crossed lines that provide regularity when laying out forms. In drawing and painting, the grid enables designs to be enlarged or transferred easily. In Bechtold's words, "Our existence is like a ball being batted about by controlled disorder on a playing field of uncontrolled order. My pictures are an attempt to express this complex and unfathomable mystery via the medium of art." Source A related resource from which the described resource is derived Ruth S. Schaffner Collection Date A point or period of time associated with an event in the lifecycle of the resource 1972 Figurative grey Lithograph red White works on paper http://art-collections.museum.ucsb.edu/files/original/a4575cad4337ca0a65bf5874cb5dcd3b.jpg b6df6a6bb9b9288c8c71414bc1737916 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ruth S. Schaffner Collection Description An account of the resource Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1988.15 Title A name given to the resource HERMS, George Creator An entity primarily responsible for making the resource Herms, George American, b. 1935 - Description An account of the resource The Artist's Maturation paint, Polaroid and collage, clock hands, on wood 12 1/2 x 13 3/4 x 2 in. Source A related resource from which the described resource is derived Ruth S. Schaffner Collection Date A point or period of time associated with an event in the lifecycle of the resource 1980 clock hands collage Figurative paint Polaroid Sculpture Wood http://art-collections.museum.ucsb.edu/files/original/1fa74845c7fbd10e0547fe3507822dcf.jpg 7f39a6915d8b5cbcf6f533ef28bb4357 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ruth S. Schaffner Collection Description An account of the resource Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1988.35.a-e Title A name given to the resource ROTHROCK, Jim Creator An entity primarily responsible for making the resource Rothrock, Jim American, b. 1946 Description An account of the resource Flatware Place Setting ceramic see file for dimensions of each piece 5 pieces: plate, mug, knife, fork, spoon Source A related resource from which the described resource is derived Ruth S. Schaffner Collection Date A point or period of time associated with an event in the lifecycle of the resource 1980 ceramic Figurative flatware fork Knife mug plate Sculpture spoon http://art-collections.museum.ucsb.edu/files/original/2b6314b201be75a0dec130cf3c0f35c1.jpg b574927aae96d51a96b07bf8e241a2e9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ruth S. Schaffner Collection Description An account of the resource Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1988.36 Title A name given to the resource ROTHROCK, Jim Creator An entity primarily responsible for making the resource Rothrock, Jim American, 1946 - Description An account of the resource Inverse Mug ceramic 4 x 3 x 3 3/8 in. Source A related resource from which the described resource is derived Ruth S. Schaffner Collection Date A point or period of time associated with an event in the lifecycle of the resource 1983 20th century ceramic Figurative mug Sculpture http://art-collections.museum.ucsb.edu/files/original/3069fa50694041bf66b83a5feb56ffca.JPG 60306864143582ab34d2019a66db02c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ruth S. Schaffner Collection Description An account of the resource Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1988.45 Title A name given to the resource THOMPSON, Robert Louis (Bob) Creator An entity primarily responsible for making the resource Thompson, Robert Louis (Bob) American, 1937 - 1966 Description An account of the resource Zückler gouache on paper 21 3/8 X 18 in. sheet Depicts stylized seated figures with a winged figure above. Source A related resource from which the described resource is derived Ruth S. Schaffner Collection Date A point or period of time associated with an event in the lifecycle of the resource 1962 Figurative gouache Painting paper wings http://art-collections.museum.ucsb.edu/files/original/e3091e7f34c1d8d6b28410c2db8002e9.jpg 8cc7ffb57ffafd679f027a05795de8f6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ruth S. Schaffner Collection Description An account of the resource Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1988.52 Title A name given to the resource PARSONS, Betty Creator An entity primarily responsible for making the resource Parsons, Betty Description An account of the resource Shadow of Greece wood 19 x 13 1/2 x 4 1/2 in. Source A related resource from which the described resource is derived Ruth S. Schaffner Collection Date A point or period of time associated with an event in the lifecycle of the resource 1978 20th century Figurative greece Sculpture Wood http://art-collections.museum.ucsb.edu/files/original/d6af27ae38db72d52c2599e98cc9b2bb.jpg 7092e407842ef762ec4bd19a2023a2ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ruth S. Schaffner Collection Description An account of the resource Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.181 Title A name given to the resource TANNER, Joan Creator An entity primarily responsible for making the resource Tanner, Joan b. United States, 1935 Description An account of the resource #2 Green Cord Oil on canvas 41 3/4 x 49 1/4 x 1 1/2" FRAMED Painting appears to be part of diptych as the left strip of frame is missing and the work's image extend to the side of the frame. Source A related resource from which the described resource is derived Ruth S. Schaffner Collection Date A point or period of time associated with an event in the lifecycle of the resource 1965 canvas diptych Figurative green oil Painting http://art-collections.museum.ucsb.edu/files/original/319b950aac160c499a084103b95fbb6c.jpg 95982e396832458d94ffdf9e38f96716 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Garner Tullis and Atelier Richard Tullis Collection Description An account of the resource In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis). Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work. Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times. This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara. Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1994.42 Creator An entity primarily responsible for making the resource MESSER, Sam American, b. 1955 Title A name given to the resource MESSER, Sam Description An account of the resource Couple diptych; monotype on Rives BFK mat: 40 1/8 x 30 in.; sheet 38 1/2 x 25 1/2 in. Janus Head; these prints by Sam Messer depict a double-faced head in the tradition of the Greek god Janus and an abstract collage of body parts. Messer describes his work as having no logic when it comes to scale or orientation, but instead of having an "internal narrative…that dictates where things are and how things relate." At the time, Messer was working at the Santa Barbara studio on a series about "good fences making better neighbors." Source A related resource from which the described resource is derived Gift of Richard and Karen Tullis and Richard Tullis Workshop Date A point or period of time associated with an event in the lifecycle of the resource 1989 abstract Body Parts collage diptych Figurative Hair Humanistic Janus Head Mesh Nose Twins Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/afccb72049d3c251435ebf83906a073b.jpg ff8dea65c51b49b493faaf3c404b26a6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2011.001.009 Creator An entity primarily responsible for making the resource WARSHAW, Howard United States, 1920-1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Untitled (NY, NC, 85709510) etching 13 1/8" x 10 4/8" (support) Source A related resource from which the described resource is derived Found in the collection Date A point or period of time associated with an event in the lifecycle of the resource n.d. abstract etching Figurative Figure Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/ed01b5fc1da696deba5b3d21ce2740f7.jpg 59b10144f4bb86d1525023970bd485da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2011.001.012 Creator An entity primarily responsible for making the resource WARSHAW, Howard United States, 1920-1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Untitled (A1, 1CA, Side profile of head) etching 13 1/8" x 10 7/8" (support) Source A related resource from which the described resource is derived Found in the collection Date A point or period of time associated with an event in the lifecycle of the resource n.d. abstract etching Figurative head portrait Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/059c4de10b21e537511101a062c5bd05.jpg 57094990daf8d960d22a08ed4273f2fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1993.32 Creator An entity primarily responsible for making the resource WARSHAW, Howard American, 1920 - 1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Head of an Old Man 1962 oil on paper 18 3/4 x 12 1/4" (SHEET) Source A related resource from which the described resource is derived Morse Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1962 abstract Figurative head man oil portrait Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/bf8fa6fdbb45642a286b8b934918281c.jpg e27cf4839ca68ae9525e391d642e8ec1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1993.36 Creator An entity primarily responsible for making the resource WARSHAW, Howard American, 1920 - 1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Hand 1964 pencil on paper 9 3/4 x 13 1/4" (SHEET) Source A related resource from which the described resource is derived Morse Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1964 Figurative hand paper Pencil Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/7b89db22ae9879dab06c1550d5a7a311.jpg 217346b9b3c4030b873730d21e9a604f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1993.52 Creator An entity primarily responsible for making the resource WARSHAW, Howard American, 1920 - 1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Hand 1952 etching 5 5/8 x 4" (image) Source A related resource from which the described resource is derived Morse Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1952 abstract etching Figurative hand Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/ff661b0e89b5cd01bc612d56bdf1ed19.jpg 0979eddf08822c10b41cc4036c48b9fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1993.53 Creator An entity primarily responsible for making the resource WARSHAW, Howard American, 1920 - 1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Hand 1953 etching 7 3/4 x 6" (sheet) Source A related resource from which the described resource is derived Morse Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1953 abstract etching Figurative hand Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/475075fc645dadfde0ed10e89ec4e908.jpg baa170b9de4dd5c3313227653a21ebc0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.106 Creator An entity primarily responsible for making the resource WARSHAW, Howard American, 1920 - 1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Seated Figure 20th C pastel, ink, gouache 12 x 3/8 in. abstracted line drawing of seated figure Source A related resource from which the described resource is derived Gift of Phyllis Plous Date A point or period of time associated with an event in the lifecycle of the resource 20th C abstract Figurative Ink pastel portrait Seated Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/9243f5b1a0100bd79b862015c931b7a7.jpg 7d5b3dc28af3a77c0711b2373095ee4c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2015.004.001 Creator An entity primarily responsible for making the resource WARSHAW, Howard b. United States, 1920-1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Untitled Oil on canvas 23 x 26" Source A related resource from which the described resource is derived Found in the Collection Date A point or period of time associated with an event in the lifecycle of the resource n.d. color Figurative Figure oil Painting http://art-collections.museum.ucsb.edu/files/original/c1a9c5ab96913108e5abc3f46fd723ae.jpg 4db8723104ec74c419ee0dd878163aed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Margaret Mallory Bequest Description An account of the resource The Margaret Mallory Bequest comprises two distinct areas of the AD&A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&A Museum as a vibrant teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1982.11 Creator An entity primarily responsible for making the resource Ray, Man American, 1890 - 1976 Title A name given to the resource RAY, Man Description An account of the resource Hand of the Artist etching and aquatint 11 1/8 x 8 7/8 in. #2/150 Source A related resource from which the described resource is derived Gift of M. Sternberg Galleries in honor of Miss Margaret Mallory Date A point or period of time associated with an event in the lifecycle of the resource mid 20th c. Figurative hand nude woman Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/6ccc0ee05cc9673234bb624ae3050492.jpg 4d5cb53f786bab5cc7a1cf6f1d624eed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Margaret Mallory Bequest Description An account of the resource The Margaret Mallory Bequest comprises two distinct areas of the AD&A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&A Museum as a vibrant teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1984.5 Creator An entity primarily responsible for making the resource Peake, Channing American, Marshall, CO 1910 - 1989 Santa Barbara Title A name given to the resource PEAKE, Channing Description An account of the resource Cowboy graphite on paper sheet: 13 7/8 x 10 7/8 in. Young man in cowboy hat and boots, with right foot raised, resting on support. Subject is artist's son, Michael (per Cherie Peake). Source A related resource from which the described resource is derived Gift of Miss Margaret Mallory to the Ala Story Print Collection Date A point or period of time associated with an event in the lifecycle of the resource 1957 Cowboy Cowboy-Boots Figurative Knife man Works-on-Paper Young