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                  <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;In 2012, the AD&amp;amp;A Museum at UC Santa Barbara was gifted 8 Portfolios from &lt;b&gt;Exit Art&lt;/b&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Founded in 1982 by Jeanette Ingberman and  Papo Calo, &lt;b&gt;Exit Art&lt;/b&gt; was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;The first location, was on West Broadway, in SoHo.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, &lt;b&gt;Exit Art’s&lt;/b&gt; exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from &lt;i&gt;Newsweek&lt;/i&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;In the late 1990’s, &lt;b&gt;Exit Art&lt;/b&gt; began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and &lt;b&gt;Exit Art&lt;/b&gt; was subsequently closed in 2012 due to concerns over loss of its conceptual oversight.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>&lt;strong&gt;EXIT ART&lt;/strong&gt;</text>
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                <text>&lt;strong&gt;COLO&lt;/strong&gt;, Papo</text>
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                <text>&lt;strong&gt;COLO&lt;/strong&gt;, Papo</text>
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                <text>&lt;em&gt;Expose: Outsourcing&lt;/em&gt;</text>
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                <text>2008</text>
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                <text>10 color screenprint on Coventry Rag 320 gsm paper, 34/50</text>
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                <text>Gift of Exit Art, New York</text>
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                  <text>&lt;strong&gt;The Carolyn and Edwin Gledhill Photography Collection&lt;/strong&gt;</text>
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                  <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;In 1986, Keith Gledhill donated to the AD&amp;amp;A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf.&lt;/span&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business.&lt;/span&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This often resulted in empowered appearing women suggesting an early expression of feminism.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources.&lt;/span&gt;&lt;/p&gt;
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&lt;p class="p1"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;strong&gt;GLEDHILL&lt;/strong&gt;, Carolyn and Edwin</text>
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                <text>&lt;strong&gt;GLEDHILL&lt;/strong&gt;, Carolyn and Edwin</text>
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                <text>&lt;em&gt;Rockerfeller Center Building, 1938&lt;/em&gt;</text>
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                <text>Gift of Mr. Keith Gledhill</text>
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                  <text>The AD&amp;amp;A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members.  Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;UCSB Alumni and Faculty&lt;/strong&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The AD&amp;amp;A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members.  Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Identifier</name>
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                <text>WARSHAW, Howard</text>
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                <text>American, 1920 - 1977</text>
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            <name>Title</name>
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                <text>&lt;strong&gt;WARSHAW&lt;/strong&gt;, Howard</text>
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            <name>Description</name>
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                <text>&lt;em&gt;Hands and Globe&lt;/em&gt;</text>
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                <text>lithograph</text>
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                <text>11 1/4 x 17 1/2"</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="49760">
                <text>Morse Bequest</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1969</text>
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        <name>hands</name>
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        <name>Lithograph</name>
      </tag>
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        <name>Works-on-Paper</name>
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