1 100 4 http://art-collections.museum.ucsb.edu/files/original/671cdbaef463f3569f4412685ef50b7f.jpg 098dd5b0e797fa17c38c156edf01f030 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.175 Creator An entity primarily responsible for making the resource Artist unknown American Title A name given to the resource Artist unknown Description An account of the resource Albert Prince Regent Albumen print 3 3/4 x 2 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albert Prince Regent Beard Bowtie Gloves man Mustache photograph portrait Seated Side Profile suit http://art-collections.museum.ucsb.edu/files/original/33d525b5a8a24ecc2af1ce45bdc5c846.jpg fa4ef8afaa4956688f06edad438bd9a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.266 Creator An entity primarily responsible for making the resource Artist unknown American Title A name given to the resource Artist unknown Description An account of the resource Portrait of Minnie Gray Bower? Albumen print 5 1/2 x 3 1/2 Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print Black Dress formal Gloves hat Minnie Gray Bower photograph portrait Well Dressed young woman http://art-collections.museum.ucsb.edu/files/original/4a86f12af7af8809c7143dab96542931.jpg f45c351b774585542dc804b0f1cc3031 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sculpture and Mixed Media Description An account of the resource In addition to outdoor sculpture, the AD&A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood. The museum also has a smaller number of assemblages and mixed media collages in its collection. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2017.011.001a-c Creator An entity primarily responsible for making the resource LIPSKI, Donald b. United States, 1947 Title A name given to the resource LIPSKI, Donald Description An account of the resource Building Stream #1 1982 Mixed media 20 7/8 x 4 x 6" OVERALL Mixed media sculpture in three parts; glass tube with rubber glove suspended from a disc-like lid with crystal beads. Sculpture sits atop a black base with manufacturing information including the name of the equipment THREE PHASE TRANSFORMER. Source A related resource from which the described resource is derived Gift of the Margo Leavin Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1982 Beads crystal glass Gloves metal Mixed Media paint Rubber Sculpture http://art-collections.museum.ucsb.edu/files/original/86e53b64e36e5ed630d0eef6d113ef49.jpg 4935f691df6165b72f0aaf97ca139236 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photography Description An account of the resource In addition to the Bancroft Collection of Vintage Photographs and the Carolyn and Edwin Gledhill Collection, the AD&A Museum has established a wide and comprehensive selection of photography dating to the late 19th c. thru today. This includes but is not limited to salt paper and albumen prints and contemporary photographers such as Garry Winogrand and Catherine Opie. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2025.012.001.023 Creator An entity primarily responsible for making the resource FINK, LARRY b. United States, 1941-2023 Title A name given to the resource FINK, LARRY Description An account of the resource The Boxing Portfolio, 1989 - 1996, Champs Gym, Philadelphia, PA, January 1993 Gelatin silver print, AP 1/5 20 x 16" SHEET Juxtaposing athletic skill and the desire for victory against corruption and brutality, Larry Fink has documented the boxing ring from 1989-1996. Image includes a lone boxer huddling into himself against the ring; his hands are wrapped in Ace bandages. Source A related resource from which the described resource is derived The Yanover Family Trust in memory of Pauline Milrad Date A point or period of time associated with an event in the lifecycle of the resource 1889-1996 Action african-american Athletics boxing Gloves Philadelphia photography