1 100 3 http://art-collections.museum.ucsb.edu/files/original/8212d1a88fe2c0407d8c7ce295c7f31d.jpg 5f5c4e23dc148639e080fe5b66141219 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Garner Tullis and Atelier Richard Tullis Collection Description An account of the resource In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis). Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work. Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times. This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara. Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2001.18 Creator An entity primarily responsible for making the resource WILEY, William American, b. 1937 Title A name given to the resource WILEY, William Description An account of the resource Muddy Waters 1983 Woodcut on Reeves BFK 53 3/4 x 41 1/4 (sheet) Black & Red Guitar on White paper Source A related resource from which the described resource is derived Museum Purchase with Funds provided by the Wallis Foundation Date A point or period of time associated with an event in the lifecycle of the resource 1983 abstract Eyebrows Eyes guitar heart Humanistic Moon Mouth pain Personified Stars Strings sun Teeth violin Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/319b950aac160c499a084103b95fbb6c.jpg 95982e396832458d94ffdf9e38f96716 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Garner Tullis and Atelier Richard Tullis Collection Description An account of the resource In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis). Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work. Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times. This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara. Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1994.42 Creator An entity primarily responsible for making the resource MESSER, Sam American, b. 1955 Title A name given to the resource MESSER, Sam Description An account of the resource Couple diptych; monotype on Rives BFK mat: 40 1/8 x 30 in.; sheet 38 1/2 x 25 1/2 in. Janus Head; these prints by Sam Messer depict a double-faced head in the tradition of the Greek god Janus and an abstract collage of body parts. Messer describes his work as having no logic when it comes to scale or orientation, but instead of having an "internal narrative…that dictates where things are and how things relate." At the time, Messer was working at the Santa Barbara studio on a series about "good fences making better neighbors." Source A related resource from which the described resource is derived Gift of Richard and Karen Tullis and Richard Tullis Workshop Date A point or period of time associated with an event in the lifecycle of the resource 1989 abstract Body Parts collage diptych Figurative Hair Humanistic Janus Head Mesh Nose Twins Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/b0b6f0271b8dfd9824455708038ea5ae.jpg 7b9330d12a04725e1ac1bbe9886510fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.002.007 Creator An entity primarily responsible for making the resource SUH, Do-Ho Korean, b. 1962 Title A name given to the resource SUH, Do-Ho Description An account of the resource SIX x FOUR: Karma Juggler 2004 Archival pigment inkjet print on enhanced Somerset satin, 23/50 22 x 30" PAPER Image of red spirals creating a male figure; extending into a bean shape. Signature at front center. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2004 abstract Humanistic red Stamped Strong Man Swirls Works-on-Paper