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                <text>Gift of Dr. Stephen S. Goodspeed and Mrs. John Ainsworth Goodspeed</text>
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                <text>&lt;strong&gt;Artist unknown, Tibetan&lt;/strong&gt;</text>
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                <text>&lt;em&gt;Tangka&lt;/em&gt;</text>
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                <text>35 x 24 5/8" (scroll)</text>
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        <name>Flame</name>
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        <name>gold</name>
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        <name>Painting</name>
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            <name>Identifier</name>
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                <text>painting on paper mounted on scroll paper</text>
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                <text>44 1/2 x 27" (scroll)</text>
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        <name>Temple</name>
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                <text>Gift of Dr. Stephen S. Goodspeed and Mrs. John Goodspeed Ainsworth</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>1969.33</text>
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          <element elementId="39">
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                <text>&lt;strong&gt;Artist unknown&lt;/strong&gt;</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="91487">
                <text>&lt;strong&gt;Artist unknown&lt;/strong&gt;</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="91488">
                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
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              <elementText elementTextId="91489">
                <text>ca. 1734</text>
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              <elementText elementTextId="91490">
                <text>Oil on canvas</text>
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              <elementText elementTextId="91491">
                <text>30 1/2 x 28 x 1 1/2"</text>
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              <elementText elementTextId="91492">
                <text>Bust portrait of female in colonial dress.</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="91493">
                <text>Bequest of Georgiana S. Kirkbride</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="144719">
                <text>ca. 1734</text>
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        <name>bust</name>
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        <name>colonial</name>
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        <name>Female</name>
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        <name>Painting</name>
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      <tag tagId="34">
        <name>portrait</name>
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      <tag tagId="90">
        <name>woman</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;Paintings&lt;/strong&gt;</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="91446">
                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1969.34</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="91495">
                <text>&lt;strong&gt;Artist unknown&lt;/strong&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="91496">
                <text>&lt;strong&gt;Artist unknown&lt;/strong&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="91497">
                <text>&lt;em&gt;[Untitled]&lt;/em&gt;</text>
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              <elementText elementTextId="91498">
                <text>1830s-1840s</text>
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              <elementText elementTextId="91499">
                <text>oil on canvas</text>
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              <elementText elementTextId="91500">
                <text>frame: 19 1/2 x 16 1/2 x 2 in.</text>
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              <elementText elementTextId="91501">
                <text>Portrait of a young woman.</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="91502">
                <text>Bequest of Georgiana S. Kirkbride</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="144720">
                <text>1830s-1840s</text>
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            </elementTextContainer>
          </element>
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    <tagContainer>
      <tag tagId="646">
        <name>19th century</name>
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      <tag tagId="254">
        <name>Blue</name>
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      <tag tagId="47">
        <name>Painting</name>
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      <tag tagId="34">
        <name>portrait</name>
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      <tag tagId="1059">
        <name>trompe l’oeil</name>
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      <tag tagId="90">
        <name>woman</name>
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  <item itemId="10663" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="51825">
                  <text>&lt;strong&gt;The Arts of Latin America&lt;/strong&gt;</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="51826">
                  <text>The AD&amp;amp;A Museum houses a number of works representing the artistic traditions that developed in Mesoamerica, Central America, and South America after contact with the Spanish and the Portuguese beginning in 1492 and 1500, respectively, and continuing to the present.  These objects include but are not limited to Retablos, Santos, Masks as well as contemporary prints and drawings.</text>
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    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="91503">
                <text>1966.39</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="91504">
                <text>&lt;strong&gt;Artist unknown&lt;/strong&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="91506">
                <text>&lt;strong&gt;Artist unknown&lt;/strong&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="91507">
                <text>&lt;em&gt;St. Thomas Aquinas&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="91508">
                <text>oil on canvas board</text>
              </elementText>
              <elementText elementTextId="91509">
                <text>20 x 15 3/8"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="91510">
                <text>Gift of Dr. Stephen S. Goodspeed and Mrs. John Goodspeed Ainsworth</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="146244">
                <text>n.d.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="686">
        <name>oil</name>
      </tag>
      <tag tagId="47">
        <name>Painting</name>
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      <tag tagId="34">
        <name>portrait</name>
      </tag>
      <tag tagId="50">
        <name>Religion</name>
      </tag>
      <tag tagId="688">
        <name>St Thomas</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="10664" public="1" featured="0">
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      <file fileId="7482">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="93272">
                  <text>&lt;strong&gt;The Arts of Asia&lt;/strong&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="93273">
                  <text>The AD&amp;amp;A Museum houses a small collection of works from Asia including Japanese textiles and a Vietnamese portfolio created using traditional Vietnamese print making techniques.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="91511">
                <text>1963.6</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="91512">
                <text>&lt;strong&gt;Artist unknown&lt;/strong&gt;</text>
              </elementText>
              <elementText elementTextId="91513">
                <text>Indian</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="91514">
                <text>&lt;strong&gt;Artist unknown&lt;/strong&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="91515">
                <text>&lt;em&gt;Tailor&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="91516">
                <text>n.d.</text>
              </elementText>
              <elementText elementTextId="91517">
                <text>Tempera</text>
              </elementText>
              <elementText elementTextId="91518">
                <text>13 1/8 x 8 7/8" SHEET</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="91519">
                <text>Gift of John E. Carr</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="146243">
                <text>n.d.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="945">
        <name>India</name>
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      <tag tagId="47">
        <name>Painting</name>
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      <tag tagId="34">
        <name>portrait</name>
      </tag>
      <tag tagId="990">
        <name>tailor</name>
      </tag>
      <tag tagId="982">
        <name>tempera</name>
      </tag>
    </tagContainer>
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  <item itemId="10666" public="1" featured="0">
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      <file fileId="7481">
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          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="91445">
                  <text>&lt;strong&gt;Paintings&lt;/strong&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="91446">
                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="91530">
                <text>1986.412</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="91531">
                <text>&lt;strong&gt;Artist unknown&lt;/strong&gt;</text>
              </elementText>
              <elementText elementTextId="91532">
                <text>Flemish, 16th C.</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="91533">
                <text>&lt;strong&gt;Artist unknown&lt;/strong&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="91534">
                <text>&lt;em&gt;Adoration of the Kings&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="91535">
                <text>ca. 1525</text>
              </elementText>
              <elementText elementTextId="91536">
                <text>oil on wood panel</text>
              </elementText>
              <elementText elementTextId="91537">
                <text>18 1/2 x 12 1/2 in. frame: 25 1/2 x 19 1/4 x 2 1/2 in.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="91538">
                <text>Gift of Robert K. and Gene O. Woolf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="146242">
                <text>ca. 1525</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="1058">
        <name>16th century</name>
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      <tag tagId="686">
        <name>oil</name>
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      <tag tagId="47">
        <name>Painting</name>
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      <tag tagId="508">
        <name>people</name>
      </tag>
      <tag tagId="125">
        <name>Religious</name>
      </tag>
      <tag tagId="778">
        <name>wood panel</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="10670" public="1" featured="0">
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      <file fileId="7479">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="91445">
                  <text>&lt;strong&gt;Paintings&lt;/strong&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="91446">
                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="91560">
                <text>1966.61</text>
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                <text>&lt;em&gt;Ceremonial Goat&lt;/em&gt;</text>
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        <name>goat</name>
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                <text>&lt;em&gt;Siren in a Landscape (Lorelei in Oregon)&lt;/em&gt;</text>
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                <text>45 x 32 in image; 53 x 39 7/8 x 2 5/16 in framed</text>
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                <text>1941 November</text>
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                <text>&lt;strong&gt;BESEMER&lt;/strong&gt;, Linda</text>
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                <text>b. United States, 1957</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;BESEMER&lt;/strong&gt;, Linda</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Multi Bulge Sheet No. 2&lt;/em&gt;</text>
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                <text>2004</text>
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                <text>Acrylic</text>
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                <text>92 x 72" UNFRAMED</text>
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                <text>Large acrylic painting; multi-colored horizontal and vertical lines set against a black ground. Work is suspended from the reverse by a rod attached at the back.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Laurence Eisenstein and Robin Zimelman</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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        <name>grey</name>
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        <name>illusion</name>
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        <name>lines</name>
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        <name>Painting</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;Paintings&lt;/strong&gt;</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="91446">
                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>1985.88</text>
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                <text>&lt;strong&gt;BEVERLOO&lt;/strong&gt;, Cornelis called &lt;strong&gt;CORNEILLE&lt;/strong&gt;</text>
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                <text>Holland, 1922 -</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;BEVERLOO&lt;/strong&gt;, Cornelis called &lt;strong&gt;CORNEILLE&lt;/strong&gt;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Mediterranee&lt;/em&gt;</text>
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                <text>1956</text>
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                <text>oil on canvas</text>
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                <text>8 3/4 x 6 3/8 in.; frame: 9 3/8 x 7 1/4 x 1 1/4 in.</text>
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                <text>Associated with the CoBrA "School."</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Katharine W. Tremaine</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1956</text>
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        <name>Blue</name>
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        <name>oil</name>
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        <name>orange</name>
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        <name>Painting</name>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>&lt;strong&gt;BILL&lt;/strong&gt;, Max</text>
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                <text>b. Switerland, 1908-94</text>
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                <text>&lt;strong&gt;BILL&lt;/strong&gt;, Max</text>
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                <text>&lt;em&gt;Fable in White (Fabbundel im Weiss)&lt;/em&gt;</text>
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        <name>pink</name>
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        <name>squares</name>
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        <name>stripes</name>
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        <name>White</name>
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                <text>Gift of Lynn K. Altman Family Trust</text>
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        <name>magna</name>
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        <name>nude figure</name>
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        <name>oil</name>
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        <name>Painting</name>
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        <name>red</name>
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      <tag tagId="554">
        <name>Rock</name>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>1996.61</text>
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                <text>&lt;strong&gt;CALDER&lt;/strong&gt;, Alexander</text>
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                <text>b. United States,  1898 - 1976</text>
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            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;CALDER&lt;/strong&gt;, Alexander</text>
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                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
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                <text>1948</text>
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                <text>12 1/2 x 6 1/2 x 1"</text>
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              <elementText elementTextId="91728">
                <text>Gift of Beatrice Farwell Duncan</text>
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                <text>1948</text>
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        <name>oil</name>
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        <name>Painting</name>
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      <tag tagId="28">
        <name>red</name>
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      <tag tagId="110">
        <name>White</name>
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        <name>Yellow</name>
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              <name>Title</name>
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                  <text>&lt;strong&gt;UCSB Alumni and Faculty&lt;/strong&gt;</text>
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              <name>Description</name>
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                  <text>The AD&amp;amp;A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members.  Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra.</text>
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            <name>Identifier</name>
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                <text>2000.41</text>
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                <text>&lt;strong&gt;CALLISTER&lt;/strong&gt;, Jane</text>
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                <text>Irish, b. 1963</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;CALLISTER&lt;/strong&gt;, Jane</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Butter-Cream-Fly&lt;/em&gt;</text>
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                <text>acrylic, spackle, plastic on canvas</text>
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                <text>20 x 16 x 1 1/2 in.</text>
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                <text>large 3-D insect on white, textured ground</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Heidi and Erik Murkoff</text>
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            <name>Date</name>
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                <text>2000</text>
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        <name>acrylic</name>
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        <name>Painting</name>
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        <name>plastic</name>
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        <name>portrait</name>
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      <tag tagId="53">
        <name>Sculpture</name>
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                  <text>&lt;strong&gt;UCSB Alumni and Faculty&lt;/strong&gt;</text>
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              <name>Description</name>
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                  <text>The AD&amp;amp;A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members.  Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2011.004.021</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;CALLISTER&lt;/strong&gt;, Jane</text>
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                <text>United States, b. 1963</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;CALLISTER&lt;/strong&gt;, Jane</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Perch&lt;/em&gt;</text>
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                <text>Acylic on panel</text>
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                <text>28 x 43 1/4"</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Laurence A. Rickels</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2003</text>
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        <name>acrylic</name>
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        <name>color</name>
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        <name>Painting</name>
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        <name>panel</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;The Arts of Latin America&lt;/strong&gt;</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="51826">
                  <text>The AD&amp;amp;A Museum houses a number of works representing the artistic traditions that developed in Mesoamerica, Central America, and South America after contact with the Spanish and the Portuguese beginning in 1492 and 1500, respectively, and continuing to the present.  These objects include but are not limited to Retablos, Santos, Masks as well as contemporary prints and drawings.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Identifier</name>
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                <text>1963.28</text>
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            <name>Creator</name>
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                <text>&lt;strong&gt;CANTU&lt;/strong&gt;, Federico</text>
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                <text>b. Mexico, 1908 -1989</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;CANTU&lt;/strong&gt;, Federico</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;The Return of Achilles&lt;/em&gt;</text>
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              <elementText elementTextId="91734">
                <text>1936</text>
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                <text>Oil monotype and ink</text>
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                <text>24 1/2 x 17" SHEET</text>
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          </element>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Mrs. MacKinley Helm in memory of Dr. MacKinley Helm</text>
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            <name>Date</name>
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                <text>1936</text>
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        <name>Mexican</name>
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        <name>Mythology</name>
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        <name>oil monotype</name>
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      <tag tagId="47">
        <name>Painting</name>
      </tag>
      <tag tagId="112">
        <name>Works-on-Paper</name>
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              <name>Title</name>
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                  <text>&lt;strong&gt;UCSB Alumni and Faculty&lt;/strong&gt;</text>
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              <name>Description</name>
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                  <text>The AD&amp;amp;A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members.  Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra.</text>
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            <name>Identifier</name>
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                <text>2011.002.007</text>
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            <name>Creator</name>
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                <text>&lt;strong&gt;CAVAT&lt;/strong&gt;, Irma</text>
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                <text>b. United States, 1928-2020</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Description</name>
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                <text>&lt;em&gt;Untitled (Tiger)&lt;/em&gt;</text>
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                <text>Gouache</text>
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                <text>Mixed media work; grey gouche brush strokes with chinese red sticker inscribed with "Tiger" at BR area.</text>
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            <name>Source</name>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                  <text>&lt;span&gt;Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&amp;amp;A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&amp;amp;A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum.&lt;/span&gt;</text>
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                <text>Gift of Professor Alfred Moir</text>
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        <name>Japan</name>
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        <name>Painting</name>
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        <name>still life</name>
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            <name>Identifier</name>
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                <text>American, 1925-2009</text>
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            <description>A name given to the resource</description>
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                <text>&lt;em&gt;Heavenly Flotsam&lt;/em&gt;</text>
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                <text>image: 18 1/8 x 32 1/4 inches; framed 19 x 32 3/4</text>
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                <text>Gift of Ann Janss</text>
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        <name>flotsam</name>
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        <name>Painting</name>
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        <name>pink</name>
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        <name>tentacles</name>
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            <description>A name given to the resource</description>
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                <text>b. United States, 1982</text>
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            <name>Description</name>
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                <text>&lt;em&gt;Looser&lt;/em&gt;, 2015</text>
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                <text>53 1/2 x 48" MOUNTED</text>
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                <text>Large pastel painting in pinks and purples with wrench-like forms in red at lower left which appear to be printed.</text>
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                <text>Gift of Philip Martin and Portia Hein</text>
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        <name>Painting</name>
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        <name>pastel</name>
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        <name>pink</name>
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        <name>purple</name>
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              <name>Title</name>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>Belgian, 1919-80</text>
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            <description>A name given to the resource</description>
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            <name>Description</name>
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                <text>&lt;em&gt;Birds&lt;/em&gt;</text>
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                <text>oil on canvas</text>
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                <text>23 1/2 x 11 7/8"</text>
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                <text>Vertical oil painting in greens; black bird forms at center; black cloud-like forms at top.</text>
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                <text>Bea Farwell Bequest</text>
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        <name>Black</name>
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        <name>green</name>
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        <name>Painting</name>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>Hungarian, 1904-1959</text>
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                <text>Gift of Drs. J.W. and Sue Colin</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                  <text>The AD&amp;amp;A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members.  Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra.</text>
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                <text>&lt;strong&gt;DOLE&lt;/strong&gt;, William</text>
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                <text>&lt;strong&gt;DOLE&lt;/strong&gt;, William</text>
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                <text>&lt;em&gt;Kitchen utensils &amp;amp; table&lt;/em&gt;</text>
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                <text>Abstract watercolor drawing of a kitchen table with cooking instruments; included is a cooking whip and various jars situated on a table with a red tablecloth; signed and dated at lower right.</text>
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                <text>Georgia Lee Funsten Bequest</text>
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                <text>&lt;strong&gt;DU CHATTEL&lt;/strong&gt;, Frederikus Jacobus</text>
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                <text>b. The Netherlands, active 1875 - 1889</text>
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                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
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                <text>Oil on canvas painting of a single male figure gliding in a rowboat on a stream; bridge and building in the background.</text>
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                <text>Bequest of Georgiana S. Kirkbride</text>
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                  <text>&lt;strong&gt;The Ruth S. Schaffner Collection&lt;/strong&gt;</text>
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                  <text>&lt;span&gt;Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&amp;amp;A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&amp;amp;A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum.&lt;/span&gt;</text>
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                <text>&lt;strong&gt;DUNLAP&lt;/strong&gt;, Richard</text>
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                <text>American, b. 1939</text>
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                <text>&lt;em&gt;Anacapa B-Y&lt;/em&gt;</text>
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                <text>88 1/2 x 61 1/4" UNFRAMED</text>
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                <text>In this early canvas, Santa Barbara-based Richard Dunlap sets several parameters to make his composition: he limits himself to two primary colors (blue and yellow) and he applies the paint with a roller. The results, however, are far from rigid, because Dunlap also thins the pigments in clear acrylic base and modifies the roller so the paint adheres in slightly irregular patterns. The result is an unexpected wavering field of green tones which moves beyond its compositional limitations to achieve a quality of freedom and expression.</text>
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                <text>1973</text>
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                  <text>&lt;strong&gt;The Margaret Mallory Bequest&lt;/strong&gt;</text>
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                  <text>The Margaret Mallory Bequest comprises two distinct areas of the AD&amp;amp;A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&amp;amp;A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&amp;amp;A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&amp;amp;A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&amp;amp;A Museum as a vibrant teaching museum.</text>
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                <text>image: 16 x 20 in. ; mat: 21 x 25 in.; frame: 28 1/2 in/ x...</text>
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                <text>Portrait of Ala Story with brown hair, wearing blue blouse</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>&lt;em&gt;Bathsheba pleading before the old David to make Solomon his successor&lt;/em&gt;</text>
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                <text>Oil on canvas</text>
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                <text>&lt;p&gt;This rarely depicted Old Testament scene shows the power and perseverance of women. When Bathsheba learned of a preemptive grasp for the throne, she convinces David to name their son Solomon as the future king of Israel, even though he was not the first in line. Known for her beauty, Bathsheba is usually depicted as an object of desire at her bath. The artist upends longstanding stereotypes by presenting the biblical heroine’s intelligence and strength in persuading the king to select the next ruler on the qualities of his character, rather than the traditional order of succession.&lt;/p&gt;
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                <text>Gift of William and Nyna Mahan</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>Gift of Mr. Herbert Orenstein</text>
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                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
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                <text>woodcut and monotype with hand-coloring</text>
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                <text>frame: 39 1/4 x 31 5/16 in.; sheet: 29 1/2 x 24 in.</text>
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                <text>Margaret Mallory Bequest</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>&lt;em&gt;Trip to Topawa&lt;/em&gt;, 2022</text>
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                <text>&lt;p&gt;&lt;em&gt;This painting begins with two portraits of Tohono O'odham basket weavings sitting next to one another. For “Trip to Topawa,” I am considering how each of these baskets are made and the indigenous knowledge and understanding of what is happening all around us, that allows for these creations to come into existence. From my perspective I see an action of spiraling outward, formed at the core of these two original baskets. One basket executed using rebar wire contrasted with the other work rendered from bear grass, devils claw, and yucca. These designs have momentum, seemingly reflecting what is happening in the cosmos above. When uniting each of these works on one canvas I envision a clashing of galaxies, acted out in weavings of wire and desert harvested materials, then, skewed, and explored on this canvas.&lt;/em&gt;&lt;em&gt;&lt;br /&gt;&lt;br /&gt;In my painting process I build up texture and color with oil sticks to create movement from the very beginning. This step may not be visible right away as often the lines are obscured by the oil paint, I then go on to apply. In “Trip to Topawa,” I’ve isolated this line work, allowing the texture and color to expand on desert basketry and culture. The centralized gradient of deep reds and maroons originates from the ceremony of harvesting and processing saguaro cactus fruit and sets the tone for the spectrum of color decisions explored throughout. “Trip to Topawa,” is the story of visiting ancestral pieces at the cultural center on my reservation in Topawa, Arizona. This research allowed me to observe and communicate my intentions to the baskets that I would then go on and investigate through abstraction, taking care to follow the linear exploration that the weavers have created before me. &lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;--Ishi Glinsky &lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</text>
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                <text>&lt;strong&gt;GLINSKY,&lt;/strong&gt; Ishi</text>
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                <text>b. United States, 1982</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Museum purchase with funds provided by Beth Rudin DeWoody and an anonymous donor</text>
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            <name>Identifier</name>
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        <name>Painting</name>
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        <name>red</name>
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        <name>weaving</name>
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        <name>White</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;Outdoor Sculpture&lt;/strong&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In a serene setting alongside the Pacific Ocean, the AD&amp;amp;A Museum is uniquely positioned at the UC Santa Barbara to highlight a small number of stellar sculptures and wall installations on the grounds of the museum and campus. Please take a look at our small but growing collection.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>INCOMING LOAN, 2019</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;GOTTLIEB&lt;/strong&gt;, Penelope</text>
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                <text>b. United States</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;GOTTLIEB&lt;/strong&gt;, Penelope</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Against Forgetting&lt;/em&gt;</text>
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                <text>2019</text>
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                <text>Digital print, aluminum over panel, acrylic and ink</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Courtesy of the artist</text>
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            <name>Date</name>
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        <name>flower</name>
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        <name>Ink</name>
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        <name>Painting</name>
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        <name>print</name>
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              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;The Arts of the Ancient Mediterranean&lt;/strong&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The AD&amp;amp;A Museum was given a small but relevant group of antiquities by Grace H. Dreyfus and Arthur Silver in the early 1970s. This collection has been augmented over the years and includes Roman glass and Greek Lekythos.</text>
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            <name>Identifier</name>
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            <name>Creator</name>
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                <text>Greece, Northern</text>
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            <description>An account of the resource</description>
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                <text>&lt;em&gt;Icon&lt;/em&gt;</text>
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                <text>late 18th C. / silver decoration poss. 19th C.</text>
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                <text>egg tempera, gold leaf, silver, on wood</text>
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                <text>open: 14 1/2 x 21 1/2 in.; closed: 14 1/2 x 11 5/8 in.</text>
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                <text>Center: Virgin Mary and Christ Child enthroned, flanked by St. Nicholas and ?; Left, SS. George and Basil; Right, SS. Demetrius and John the Baptist.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Miss Frances Holden through UCSB Art Affiliates</text>
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                <text>late 18th C. / silver decoration poss. 19th C.</text>
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        <name>Religion</name>
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        <name>Virgin Mary</name>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>2025.007.002</text>
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                <text>b. United States, 1934</text>
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                <text>&lt;em&gt;Challenge,&lt;/em&gt; 2004</text>
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                <text>12 7/8 x 16 7/8" FRAMED</text>
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                <text>Oil on canvas painting positioned within a shadow box frame. Thick brushtrokes of earth tones layered together overlap throughout the image; the top third of the painting includes shades of grey; the signed initials IG are located on the reverse along with ? 2004</text>
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                <text>ca. 2004</text>
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                <text>Gift of the artist</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>&lt;em&gt;Poi&lt;/em&gt;</text>
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                <text>&lt;em&gt;Toast, San Luis Sourdough&lt;/em&gt;</text>
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            <name>Creator</name>
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                <text>&lt;strong&gt;GUILD&lt;/strong&gt;, Lily</text>
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            <description>A name given to the resource</description>
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            <name>Description</name>
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                <text>&lt;em&gt;Tic Tac Dough 4&lt;/em&gt;</text>
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                <text>A small square with abstract patterns and black dots against a white background. Signed,dated, and titled by artists on reverse.</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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            <name>Identifier</name>
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                <text>1986.410</text>
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                <text>&lt;strong&gt;HAINES&lt;/strong&gt;, Richard</text>
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                <text>American, Marion, Iowa 1906 - 1984</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;HAINES&lt;/strong&gt;, Richard</text>
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            </elementTextContainer>
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            <name>Description</name>
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                <text>&lt;em&gt;Initiation&lt;/em&gt;</text>
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                <text>38 x 44 in.</text>
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                <text>Gift of Leonora S. Haines</text>
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                  <text>The Barry Berkus Family Collection contributes to the strength of the Museum's holdings of twentieth century works on paper. Made in 2006, the Berkus gift provided the museum with twenty-one works on paper by artists working primarily in the United States in the 1980s and 1990s, including: Robert Motherwell, William Wegman, Robert Rauschenberg, and Carrie Mae Weems. Berkus, an architect who worked in Southern California, designed the UC Santa Barbara’s Mosher Alumni Building.</text>
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                <text>&lt;strong&gt;HAMBLETON&lt;/strong&gt;, Mary</text>
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                <text>United States, b. 1952</text>
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                <text>Large painting on paper of a sweeping gestrual light area against a dark strumbled ground, with red band at top.</text>
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                <text>Gift of Barry A. Berkus and Family</text>
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        <name>gesture</name>
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        <name>large</name>
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        <name>Painting</name>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>&lt;strong&gt;HARWOOD&lt;/strong&gt;, June</text>
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                <text>June Harwood belongs to a group of California painters from the late-1950s who pursued a hard-edge geometric style of abstraction. Broad areas of unmodulated color interlock to form tense compositions of positive and negative spaces. Harwood's compositions are often marked by a dynamic energy through the use of irregular forms.</text>
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                <text>Gift of Mr. Robert H. Hartman through UCSB Art Affiliates</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>&lt;strong&gt;HASSAN&lt;/strong&gt;, Ali</text>
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            <description>A name given to the resource</description>
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                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
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                <text>1987</text>
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                  <text>&lt;strong&gt;Paintings&lt;/strong&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="91446">
                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>&lt;strong&gt;HAWKINS&lt;/strong&gt;, Richard</text>
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                <text>b. United States, 1961</text>
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            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;HAWKINS&lt;/strong&gt;, Richard</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Salome Painting: Green head&lt;/em&gt;</text>
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                <text>2011</text>
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                <text>Oil on canvas</text>
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                <text>24 x 20"</text>
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                <text>The title of this work alludes to the biblical story of Salome, who infamously appeals for the execution of John the Baptist after dancing for King Herod on his birthday. While the depiction of Salome exhibiting the severed head of John the Baptist has been a popular subject in art through the centuries, Hawkins take is particularly novel. Rather than focusing on the female protagonist, the artist emphasizes the victims ghoulish head, which seems to hover over a smoking barrel. Like many other examples of Hawkins works, this painting references the subjects prevalence in art history and points to the relationship between desire, sex, and violence. Signed LH and dated 11 at lower right.</text>
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                <text>Gift of Marc Selwyn Fine Art, Beverly Hills</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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        <name>rainbow</name>
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                  <text>&lt;strong&gt;Paintings&lt;/strong&gt;</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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            <name>Identifier</name>
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                <text>1996.51</text>
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                <text>&lt;strong&gt;HAYWARD&lt;/strong&gt;, James</text>
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                <text>United States, b. 1943</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;HAYWARD&lt;/strong&gt;, James</text>
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                <text>&lt;em&gt;Automatic Painting Green #1&lt;/em&gt;</text>
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                <text>1977</text>
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                <text>oil on canvas</text>
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                <text>Throughout his career, James Hayward has explored the potential of abstraction through monochromatic painting. These tense and luminous early canvases, which seem to capture and hold light, later give way to textured, physical surfaces which resist illusion. Hayward works with spontaneity and deliberation, as he says, not a mindless intuition, but a fortified one.</text>
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                <text>Gift of Morgan Thomas</text>
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        <name>square</name>
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                  <text>&lt;strong&gt;UCSB Alumni and Faculty&lt;/strong&gt;</text>
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                  <text>The AD&amp;amp;A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members.  Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra.</text>
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                <text>1996.24</text>
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                <text>&lt;strong&gt;HEEBNER&lt;/strong&gt;, Mary</text>
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                <text>American, b.1951</text>
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                <text>&lt;strong&gt;HEEBNER&lt;/strong&gt;, Mary</text>
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                <text>&lt;em&gt;Portal (Standard Series)&lt;/em&gt;</text>
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                <text>mixed media</text>
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                <text>15 x 22 in</text>
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                <text>Gift of Charles Craig</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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