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                  <text>&lt;strong&gt;The Peter and Virginia Bancroft Collection of Vintage Photographs&lt;/strong&gt;</text>
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                  <text>&lt;p&gt;A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled.&lt;/p&gt;</text>
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                <text>&lt;strong&gt;Artist unknown&lt;/strong&gt;</text>
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                <text>L'arc de Triumphe, Paris</text>
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                <text>card: 3 1/4 x 6 7/8 in.</text>
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                <text>Gift of Peter and Virginia Bancroft Collection of Vintage Photographs</text>
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                <text>&lt;strong&gt;Artist unknown&lt;/strong&gt;</text>
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                <text>latter half 19th C.</text>
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                  <text>&lt;strong&gt;The Margaret Mallory Bequest&lt;/strong&gt;</text>
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                  <text>The Margaret Mallory Bequest comprises two distinct areas of the AD&amp;amp;A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&amp;amp;A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&amp;amp;A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&amp;amp;A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&amp;amp;A Museum as a vibrant teaching museum.</text>
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                <text>&lt;em&gt;In Paris. At the Jardin de Paris.&lt;/em&gt;</text>
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                <text>&lt;em&gt;In Paris. A Cafe Artist.&lt;/em&gt;</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>&lt;strong&gt;STRASBURG&lt;/strong&gt;, Nicole</text>
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                <text>Estate of Frances Garvin and Keith Julius Puccinelli</text>
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