1 100 3 http://art-collections.museum.ucsb.edu/files/original/d892d9d6ad7c2846f9d7e625ebf99041.jpg 34c0d154f0166ff20f833184d78c8d0a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.141 Title A name given to the resource RIGGS, Robert Description An account of the resource Pool lithograph sheet: 19 1/2 x 23 in; mat: 22 x 27 in image: 14 1/2 x 19 3/8 in Creator An entity primarily responsible for making the resource RIGGS, Robert b. United States, 1896 - 1966 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1933 American landscape Lithograph men Pool portrait swim Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/53cdc979bc6243b592dcb001ce6607cf.jpg 25db35460d1010ab9880494284a1c88e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.008.006 Creator An entity primarily responsible for making the resource PEREZ, Enoc Puerto Rico, b.1967 Title A name given to the resource PEREZ, Enoc Description An account of the resource SEA: Ponce Inter-Continental Hotel, Ponce, Puerto Rico 2011 Screenprint with acrylic and watercolor on Coventry Rag white, 320 grams hand edition, unique, 35/50 30 X 22" PAPER Screenprint inlcudes the Ponce-Inter-continental Hotel stamped on silver with red and yellow accents; positioned against a pink background work is part of the portfolio SEA, Social Environmental Aesthetics. Gold is brushed towards the bottom. Signature, date and edition statement is located lower right corner. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2011 abstract acrylic Architectural balcony gold hotel pink Pool Screenprint Sea Watercolor Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/310f23cb1f5257fc434ee61a546a2e9b.jpg d2b98809ad5de719d09a72a4b86c6000 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Margaret Mallory Bequest Description An account of the resource The Margaret Mallory Bequest comprises two distinct areas of the AD&A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&A Museum as a vibrant teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1983.12 Creator An entity primarily responsible for making the resource Hockney, David British, b. 1937 Title A name given to the resource HOCKNEY, David Description An account of the resource Pool I-F 1978-1980 lithograph, 17/34 29 1/2 x 36 1/4 in. Source A related resource from which the described resource is derived Gift of Miss Margaret Mallory through UCSB Art Affiliates Date A point or period of time associated with an event in the lifecycle of the resource n.d. Blue Diving-Board landscape Lithograph Pool Works-on-Paper