1 100 5 http://art-collections.museum.ucsb.edu/files/original/e9cfad1cdd864ee2e752fe122fd4eeb0.jpg fea1d25c6d4ed35d87076395fc07dc77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.81 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource Decorative Detail (NYC?), 1951 1951 photograph 7" x 8 1/2" Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1951 abstract Bronze Decorative Detail Figurative man photograph Sculptural http://art-collections.museum.ucsb.edu/files/original/5772e93e6b0b289ee6fc61ea580e6f1a.jpg 3604bc4f959c3e0bf8aa63db667071e1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sculpture and Mixed Media Description An account of the resource In addition to outdoor sculpture, the AD&A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood. The museum also has a smaller number of assemblages and mixed media collages in its collection. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2013.004.001 Creator An entity primarily responsible for making the resource FRIEDMAN, Tom b. United States, 1965 Title A name given to the resource FRIEDMAN, Tom Description An account of the resource Unfound Object 2008 Mixed media on board 48 x 69 x 3 1/4" "Art, for me, is a context to slow the viewer's experience from their everyday life in order to think about things they haven't thought about. Or to think in a new way." Tom Friedmans approach to understanding the world and its logic has long been expressed through the laborious, painstakingly precise and unexpected materials that he uses. His work is often autobiographical, recreating random elements from his own life and surroundings. To create these sculptures and objects, he uses everyday materials including Styrofoam, paint, paper, spaghetti, drinking straws, cards, clay, wire, plastic, hair and fuzz. Unfound Object with its random assortment of materials and objects suggests all the detritus that, having no value, remains unfound and unwanted. Source A related resource from which the described resource is derived Gift of Joe Barron Date A point or period of time associated with an event in the lifecycle of the resource 2008 autobiographical collage Mixed Media organic Sculptural Sculpture http://art-collections.museum.ucsb.edu/files/original/e380a3867e24ce44d262ef73d0a0b8a8.jpg ea0a24c2e2356fd7c898798015a6b44d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sculpture and Mixed Media Description An account of the resource In addition to outdoor sculpture, the AD&A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood. The museum also has a smaller number of assemblages and mixed media collages in its collection. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2015.017.001 Creator An entity primarily responsible for making the resource YOUNGBLOOD, Brenna b. United States, 1979 Title A name given to the resource YOUNGBLOOD, Brenna Description An account of the resource Risen 2007 Paint, spray paint and collage on canvas 49 x 36 1/2" FRAMED An ambiguous formal study, Brenna Youngbloods Risen approaches pure abstraction. The lower half of this composition is grounded by thin sheets of paper that have been molded and layered, providing the canvas with pockets of tension. A common feature of Youngbloods collage work, this wrinkly texture alludes to her hands-on approach to making art, as well as the tactile quality of her work which borders on sculpture. Source A related resource from which the described resource is derived Gift of Joan and Stuart Levin Date A point or period of time associated with an event in the lifecycle of the resource 2007 abstract canvas collage ochre paint Sculptural spray paint textured Yellow http://art-collections.museum.ucsb.edu/files/original/777a4ad855de3365d064742d44229c8c.jpg 3ad34b5028cb56939c9a444ffe435c45 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sculpture and Mixed Media Description An account of the resource In addition to outdoor sculpture, the AD&A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood. The museum also has a smaller number of assemblages and mixed media collages in its collection. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2017.006.001a,b Creator An entity primarily responsible for making the resource OCHOA, Ruben b. United States, 1974 Title A name given to the resource OCHOA, Ruben Description An account of the resource Steel Life Porcelana 2014 Porcelain, steel wire with concrete base, 11/12 5 1/2 x 22 1/8 x 7 3/4" OVERALL Los Angeles-based artist Ruben Ochoa draws from the realm of construction and infrastructure, sourcing mass-produced products from home improvement stores or salvaging them from urban spaces. His sculptures, assembled from rebar, metal plates, wooden pallets, concrete blocks, road barriers, dirt, and other utilitarian components, range from room-filling structures to two-dimensional works, while others rest airily upon their pedestals. In Steel Life Porcelana, a bundle of white rebar, bound together by thin wire, rests diagonally across a cement block. Their color is peculiar: a stark, matte white. In every other respect, they seem ordinary. Such materials could be found on a construction site, or amid the debris of a home renovation. Surprisingly, however, the rebar’s pristine white is not painted on but inherent to the material itself. Its texture and form are replicated with uncanny accuracy in porcelain—a far more fragile and fine substrate. Here, the hard and unyielding meets the brittle and light, as Ochoa prompts us to reflect on the constituent materials of our built environment and the ways they are employed to shape society. Source A related resource from which the described resource is derived Museum purchase Date A point or period of time associated with an event in the lifecycle of the resource 2014 concrete Mixed Media non-objective Porcelain Sculptural Sculpture steel White wire http://art-collections.museum.ucsb.edu/files/original/d10821f5d6774e631674ff96ed561eeb.jpg c3620f6b46403703ebb24ec556e40b40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource American and European Prints and Drawings post 1900 Description An account of the resource In addition to the American and European works on paper (prints and drawings) created before 1900, the AD&A Museum includes a strong collection of post 20th century works. This includes but is not limited to Rudolph Schindler, Salvador Dali and Andy Warhol. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DILL, Guy Description An account of the resource Guy Dill Sculpture, 1981 Lithographic poster 20 x 15 7/8" Creator An entity primarily responsible for making the resource DILL, Guy b. United States 1946 Source A related resource from which the described resource is derived Permanent Collection Identifier An unambiguous reference to the resource within a given context 1986.482 Date A point or period of time associated with an event in the lifecycle of the resource 1981 advertisement architecture Black and white photograph Guy Dill Guy Dill Sculpture Lithographic Poster Promotional Sculptural Works-on-Paper