1 100 7 http://art-collections.museum.ucsb.edu/files/original/eef94a98ce7760f05804d7e254c7376c.jpg b9108f8d080feeec794ff70335346de2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.285 Creator An entity primarily responsible for making the resource Artist unknown French Title A name given to the resource Artist unknown Description An account of the resource Post Card of Ship At Sea - Man Overboard black and white photograph 3 1/2" x 5 1/2" Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. black and white landscape Man Overboard Post card Sea ship Storm Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/dccc20149d1dfac33c6d91cad40f7e91.jpg 1a856e54079efb9e9ccdc1205cf34621 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.008.002 Creator An entity primarily responsible for making the resource FORD, Walton United States, b.1960 Title A name given to the resource FORD, Walton Description An account of the resource SEA: It Makes Me Think of that Awful Day on the Island 2011 Lithograph on Somerset soft white, 35/50 22 X 30" PAPER Lithograph of a black and white head and shoulders of a wide mouthed gorilla with tears running down his face. The words "...It makes me think of that...awful day on the island..." are written across the top. Part of SEA, Social Environmental AestheticsSignature, date and edition statement located lower right corner. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2011 Fangs Fear Figurative Gorilla landscape Lithograph sadness Sea Tears http://art-collections.museum.ucsb.edu/files/original/ff1b570f9d8b264df48009268fe0d6e3.jpg 8e5ff161b78258a9729481fa447928e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.008.003 Creator An entity primarily responsible for making the resource JUHASZ-ALVERADO, Charles Puerto Rico, b.1965 Title A name given to the resource JUHASZ-ALVERADO, Charles Description An account of the resource SEA: Mad Era 2011 Offset screenprint and xylograph with Mahogany, on Sihl, 320 grams, 35/50 22 X 30" PAPER Print with off centered, horizontally strip with a mass of flies. One large brown bug is stamped at the center left. The bottom is a strip of mahogony horizontally placed. Title is located bottom center. Part of SEA, Social Environmental Aesthetics; signature, date and edition statement is located at lower right corner. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2011 abstract Abstract Strokes Brown Bug Mahogony Mixed Material Patterned Sea Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/c69146623ef5c9bab9c635392f133562.jpg 27290ea1efe57b406fbd1b24d22bb590 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.008.005 Creator An entity primarily responsible for making the resource KUSHNER, Robert United States, b.1949 Title A name given to the resource KUSHNER, Robert Description An account of the resource SEA: Tuberose and Croton 2011 Softground etching with spitbit aquatint on Somerset Texture White, 35/50 30 X 22" PAPER Print includes black and white alternating diagonal plants of tuberose and croton. Part of the portfolio SEA, Social Environmental Aesthetics. Signature, date and edition statement located on lower right corner. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2011 abstract Blue Croton floral Leaves Patterned Sea Spots Tuberose Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/53cdc979bc6243b592dcb001ce6607cf.jpg 25db35460d1010ab9880494284a1c88e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.008.006 Creator An entity primarily responsible for making the resource PEREZ, Enoc Puerto Rico, b.1967 Title A name given to the resource PEREZ, Enoc Description An account of the resource SEA: Ponce Inter-Continental Hotel, Ponce, Puerto Rico 2011 Screenprint with acrylic and watercolor on Coventry Rag white, 320 grams hand edition, unique, 35/50 30 X 22" PAPER Screenprint inlcudes the Ponce-Inter-continental Hotel stamped on silver with red and yellow accents; positioned against a pink background work is part of the portfolio SEA, Social Environmental Aesthetics. Gold is brushed towards the bottom. Signature, date and edition statement is located lower right corner. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2011 abstract acrylic Architectural balcony gold hotel pink Pool Screenprint Sea Watercolor Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/fd32ba53f7ba0d9ea715f1160e4de77c.jpg 887708ab0729ec722c98af716fcdc1f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Keith Puccinelli Collection of Art and Design Description An account of the resource In 2018, the AD&A Museum was given numerous artworks from the Estate of Frances Garvin and Keith Julius Puccinelli. Included in this gift are Puccinelli's own archive of drawings, sculptures, prints, sketchbooks, and graphic design. As a renowned artist and graphic designer based in Santa Barbara, the collection represents a significant part of the Museum's holdings. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2018.001.652 Title A name given to the resource PUCCINELLI DESIGN STUDIO Creator An entity primarily responsible for making the resource PUCCINELLI DESIGN STUDIO 1983-1996 Description An account of the resource Pacific Corinthian Yachting Cup, 1992 Poster 30 x 20" SHEET Poster depicting a yacht with yellow and red sails on the ocean, with text at lower half: "PACIFIC CORINTHIAN YACHTING CUP: August 1 & 2 1992 Channel Islands Harbor." Maker details at lower right: Puccinelli Design, signed by Puccinelli. Source A related resource from which the described resource is derived Gift of the Estate of Frances Garvin and Keith Julius Puccinelli Date A point or period of time associated with an event in the lifecycle of the resource 1992 Advertising Boat sailing Sea works on paper http://art-collections.museum.ucsb.edu/files/original/f5ea84e5de49f17b72e6ef165aabf9a7.jpg b2d8856f4002c5cef40f6e050f321145 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women Beyond Borders Source A related resource from which the described resource is derived Women Beyond Borders Art Collection founded by Lorraine Serena Description An account of the resource Donated in 2023, Women Beyond Borders showcases the transformative gift of the archives and artworks from the multisite, cross-cultural exhibition project, Women Beyond Borders, founded by UCSB alum, Lorraine Serena (B.A. ’63, M.F.A. ‘75) in 1991. The project started with a small wooden box (measuring 3 1/2 by 2 by 2 1/2 inches) and an enticing invitation to women around the world—to transform this small container to one's liking. More than 900 people across 50 countries accepted it. The exhibition explores how Women Beyond Borders fostered experimental spaces for doing-it-oneself and doing-it-together, highlighted artistic media often dismissed for being in the realm of women, and challenged—through feminist practice and collectivity—hurdles for artistic freedom and expression in a wide array of geopolitical contexts. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2023.005.443 Title A name given to the resource Yhap, Laetitia Description An account of the resource Untitled, 2000 Mixed media 2 3/8 x 3 5/8 x 2 1/4" OVERALL The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Exterior sides of the box highlight colors representing different aspects of nature: sunlight, wind, water, wood and earth. The lid includes a dark, stormy scene with a conch shell and an eyeball appearing in the clouds staring at the viewer. Inside the box is a scroll of painted paper with repeated imagery of the sun and a hand setting/rising from the horizon line between the blue ocean and purple clouds. Across the scroll are words to be read from left to right on the top and bottom of the scroll. Creator An entity primarily responsible for making the resource Yhap, Laetitia Date A point or period of time associated with an event in the lifecycle of the resource 2000 Source A related resource from which the described resource is derived Women Beyond Borders Art Collection founded by Lorraine Serena abstract Sculpture Sea water Writings