1 100 13 http://art-collections.museum.ucsb.edu/files/original/d0f3ae510de1adc214d607724e957a37.jpg 3ebab3caf053cb557a58e842797ae955 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sculpture and Mixed Media Description An account of the resource In addition to outdoor sculpture, the AD&A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood. The museum also has a smaller number of assemblages and mixed media collages in its collection. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1997.47 Creator An entity primarily responsible for making the resource ZAJAC, Jack b. United States, 1929 Title A name given to the resource ZAJAC, Jack Description An account of the resource Small Skull After Orvieto Bronze with stone base 10 1/2 x 16 x 7" OVERALL Bronze scultpure of a small skull on a stone base. Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1977 1970's 20th century Bronze metal Sculpture Skull http://art-collections.museum.ucsb.edu/files/original/b47e42fcd77cba474335ae9eb89a1cf4.jpg 9d0c7972fd303abb764adb5fb8b19d32 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1993.39 Creator An entity primarily responsible for making the resource WARSHAW, Howard American, 1920 - 1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Skulls and Head 1965 etching 16 1/2 x 20 1/4" (SHEET) Source A related resource from which the described resource is derived Morse Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1965 etching head Skull still life Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/a44ca4358ae6a1398626192b72c80b9c.jpg 5bbe56bbd71e4ccf2103bc89d150c897 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1993.37 Creator An entity primarily responsible for making the resource WARSHAW, Howard American, 1920 - 1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Skull 1964 pencil on paper 11 1/2 x 11 1/2" (SHEET) Source A related resource from which the described resource is derived Morse Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1964 paper Pencil Skull still life Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/8f30944e4a17636b09544685a4846f52.jpg eb90e6982d57d100c8d8fb31becdfdeb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1993.28 Creator An entity primarily responsible for making the resource WARSHAW, Howard American, 1920 - 1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Skull etching 8 1/2 x 11 1/4" (SHEET) Source A related resource from which the described resource is derived Morse Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1950 etching paper Skull still life Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/13f2244312b8e089015b9a56fa9bfe5d.jpg abb0a4c5e1a5cca33f9fd4c2b1c42f6c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1993.24 Creator An entity primarily responsible for making the resource WARSHAW, Howard American, 1920 - 1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Two Skulls 6 x 10 5/8" (SHEET) Source A related resource from which the described resource is derived Morse Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1948 head Sketch Skull still life Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/5500c327293009682931727e50dad14a.jpg 7c01993093b672c259d818388cc602be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1993.23 Creator An entity primarily responsible for making the resource WARSHAW, Howard American, 1920 - 1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Skull 6 1/2 x 8 1/4" (SHEET) Source A related resource from which the described resource is derived Morse Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. head Sketch Skull still life Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/349f8546abc470532d891bed3ae1db98.jpg 3843a22ae4ae94128d50cd12e6e6677a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1993.15.6 Creator An entity primarily responsible for making the resource WARSHAW, Howard American, 1920 - 1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Skull etching 3 1/2 x 3 5/8" (image) Source A related resource from which the described resource is derived Morse Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1971 etching head Skull still life Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/92a2566d25379c71bd47020531ea363f.jpg 8f5e7c35225c0202bf4d53d7f558de7f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1993.15.5 Creator An entity primarily responsible for making the resource WARSHAW, Howard American, 1920 - 1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Skull 1964 etching 3 1/2 x 3 5/8" (image) Source A related resource from which the described resource is derived Morse Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. etching head Skull still life Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/4e94ca6680ec70c37468903b7faafd5f.jpg c44a6796e6c44559795a9fe12ac1af87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1993.15.2 Creator An entity primarily responsible for making the resource WARSHAW, Howard American, 1920 - 1977 Title A name given to the resource WARSHAW, Howard Description An account of the resource Skull etching 3 1/2 x 3 5/8" (image) Source A related resource from which the described resource is derived Morse Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. etching head Skull still life Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/79eaf3d5cf4a76a05268feea1fec02ba.jpg d19fd5e577cdfab62bde7fe33e99266d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.004.006 Creator An entity primarily responsible for making the resource NEWSOM, John United States, b.1970 Title A name given to the resource NEWSOM, John Description An account of the resource TRANCE/BORDERS: Smell the Roses 2006 20 Color silkscreen print on Lenox 100 paper, 35/50 30 x 22" PAPER PAPER of a painted skull in profile on red background; skull is opening its mouth and appears to bite on red roses. Signature and dated at lower right. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2006 abstract Red Background Rose Skull Teeth White Brushstroke Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/d0fb89c6246b713fb9322d7e35e214b9.jpg 45448caaa2e69dc82f6330d8214c3e1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.120 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource 9 Men Holding Bones/Cemetary Bone Pile(Paco Bone Yard) 1898 gelatin silver and albumen 4 1/2 x 7 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1898 Archaeologist Bones Cemetary men Paco Bone Yard photograph portrait Skull http://art-collections.museum.ucsb.edu/files/original/e49547bd102a76e3e571edc1f257dc3e.jpg 9d9f28561fc7ed08b579ab9419b151eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.119 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource No. 12 Palo Boneyard Coombs Photo 1898 gelatin silver and albumen 4 1/2 x 7 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1898 architecture Bone Boneyard Cemetary Palo Boneyard photograph Skull Walls http://art-collections.museum.ucsb.edu/files/original/99963e34f8710b2926e26b7d76d70c47.JPG 5fd97498755524776d2821f17f8251f6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.001.003 Creator An entity primarily responsible for making the resource ALI, Laylah United States, b. 1926 Title A name given to the resource ALI, Laylah Description An account of the resource TWO O O ONE: Untitled 2001 Softground, hardground, aquatint, drypoint, and roulette on Rives BFK paper, 16/50 22 1/2 x 22 1/2" PAPER Print of circular heads with various expressions in green, black and cream positioned within a light blue square. Signature and date on reverse at lower right corner.Laylah Ali’s colorful, cartoon-like print shows several heads sporting skull caps with expressions that range from anger and bewilderment to suspicion and fear. Although the exact subject of her works remain mysterious, Ali often references power relations as an underlying motif. She sees such ideas at work in the school game of dodgeball: “I’ve always been fascinated by dodgeball. I just read in the paper the other day that there was somebody trying to get rid of dodgeball. Finally! I mean, I don’t know how long it’s going to take to wake up to the fact that this is a cruel game where the weakest get targeted. There’s something from my childhood—that dodgeball. Being the only black child in a white elementary school, dodgeball was not enjoyable.” Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2001 abstract Balls Cartoon Circles Faces green Skull Spikes Works-on-Paper