1 100 5 http://art-collections.museum.ucsb.edu/files/original/8212d1a88fe2c0407d8c7ce295c7f31d.jpg 5f5c4e23dc148639e080fe5b66141219 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Garner Tullis and Atelier Richard Tullis Collection Description An account of the resource In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis). Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work. Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times. This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara. Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2001.18 Creator An entity primarily responsible for making the resource WILEY, William American, b. 1937 Title A name given to the resource WILEY, William Description An account of the resource Muddy Waters 1983 Woodcut on Reeves BFK 53 3/4 x 41 1/4 (sheet) Black & Red Guitar on White paper Source A related resource from which the described resource is derived Museum Purchase with Funds provided by the Wallis Foundation Date A point or period of time associated with an event in the lifecycle of the resource 1983 abstract Eyebrows Eyes guitar heart Humanistic Moon Mouth pain Personified Stars Strings sun Teeth violin Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/eb8b948b316b7c6666176240f35f6767.JPG c49cadab59fdfb714ce233fc218bda4c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.003.005 Creator An entity primarily responsible for making the resource PARKER, Erik German, b.1968 Title A name given to the resource PARKER, Erik Description An account of the resource TANTRA: Mind Revolution 2005 20 Color screen print with glow-in-the-dark pigment, paint pen, spray paint, gouache and pencil on Coventry Rag, 40/50 30 x 22" PAPER Screen print; mixed medium constructed face with MIND REVOLUTION written above head; MADE OUT OF GOLD AND CAN'T BE SOLD printed across forehead. Stars explode from the face's tongue and a rainbow shoots across the mouth. Signature and date on reverse at lower left. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2005 abstract Distorted. Rainbow Drippy Human Face Mind Revolution Psychedelic Stars Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/6648ba93570b96fd240e1140295f64f4.jpg a15ed7ee3af96d9bd2eee3eb710f1f2d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sculpture and Mixed Media Description An account of the resource In addition to outdoor sculpture, the AD&A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood. The museum also has a smaller number of assemblages and mixed media collages in its collection. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2018.001.053 Creator An entity primarily responsible for making the resource JENNINGS, James Harold b. United States, 1931-1999 Title A name given to the resource JENNINGS, James Harold Description An account of the resource Untitled 1987 Paint, mixed media, and wood 27 1/2 x 32 1/2" Wooden patterned sculpture with colorful flowers, birds, and stars. Source A related resource from which the described resource is derived Estate of Frances Garvin and Keith Julius Puccinelli Date A point or period of time associated with an event in the lifecycle of the resource 1987 birds Flowers Mixed Media paint Patterned Sculpture Stars Wood http://art-collections.museum.ucsb.edu/files/original/d98107f5007553d66e330b764b7d7b1d.jpg a90d5a5eabc0843c63056c141746da04 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.007.001 Creator An entity primarily responsible for making the resource COLO, Papo Title A name given to the resource COLO, Papo Description An account of the resource Ecstasy: Ecstasy 2010 Archival pigment print, 19/50 30 X 44" PAPER Portfolio cover for Ecstasy. Depicting duplicate PAPERs of a circular mass of clouds and a circular mass of stars, ribbon extends from center of each. Produced by Exit Art and lncludes a title page with Exit Art logo. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2010 Clouds Hurricane landscape Sky Space Spiral Stars Swirl Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/473e76bf60fe172713d6a8d60d9e77fb.JPG f74436f4db976eba26a421a66bbacb38 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women Beyond Borders Source A related resource from which the described resource is derived Women Beyond Borders Art Collection founded by Lorraine Serena Description An account of the resource Donated in 2023, Women Beyond Borders showcases the transformative gift of the archives and artworks from the multisite, cross-cultural exhibition project, Women Beyond Borders, founded by UCSB alum, Lorraine Serena (B.A. ’63, M.F.A. ‘75) in 1991. The project started with a small wooden box (measuring 3 1/2 by 2 by 2 1/2 inches) and an enticing invitation to women around the world—to transform this small container to one's liking. More than 900 people across 50 countries accepted it. The exhibition explores how Women Beyond Borders fostered experimental spaces for doing-it-oneself and doing-it-together, highlighted artistic media often dismissed for being in the realm of women, and challenged—through feminist practice and collectivity—hurdles for artistic freedom and expression in a wide array of geopolitical contexts. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2023.005.038 Creator An entity primarily responsible for making the resource BARRY, GENEVIEVE b. Australia Description An account of the resource Untitled, 1999 Mixed media 3 X 4 X 2 1/2" OVERALL The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Box with various painted symbols of the Australian flag. Title A name given to the resource BARRY, GENEVIEVE Date A point or period of time associated with an event in the lifecycle of the resource 1999 Source A related resource from which the described resource is derived Women Beyond Borders Art Collection founded by Lorraine Serena abstract Flags Sculpture Stars stripes