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              <name>Title</name>
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                  <text>&lt;strong&gt;The Garner Tullis&lt;/strong&gt; and &lt;strong&gt;Atelier Richard Tullis Collection&lt;/strong&gt;</text>
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                  <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;In the late 1990’s and early 2000’s, the AD&amp;amp;A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis).&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&amp;amp;A Museum. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. &lt;/span&gt;&lt;/p&gt;</text>
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                <text>1996.65</text>
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                <text>&lt;strong&gt;ZURIER&lt;/strong&gt;, John</text>
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                <text>American, b.1965</text>
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            <description>A name given to the resource</description>
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                <text>ZURIER, John</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
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                <text>unique work on Awagami Washi</text>
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                <text>sheet: 26 x 20 1/4 in.; image: 14 x 11 in.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Richard and Karen Tullis</text>
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            <name>Date</name>
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                <text>1990</text>
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        <name>Black</name>
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        <name>green</name>
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        <name>squares</name>
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        <name>Watercolor</name>
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        <name>Works-on-Paper</name>
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        <name>Yellow</name>
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              <name>Title</name>
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                  <text>&lt;strong&gt;The Ruth S. Schaffner Collection&lt;/strong&gt;</text>
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                  <text>&lt;span&gt;Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&amp;amp;A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&amp;amp;A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum.&lt;/span&gt;</text>
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                <text>1988.49</text>
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                <text>&lt;strong&gt;WUDL&lt;/strong&gt;, Tom</text>
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                <text>Wudl, Tom</text>
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                <text>United States, Cochabamba, Bolivia 1948 - Lives in Los Angeles</text>
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            <description>An account of the resource</description>
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                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
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                <text>watercolor</text>
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                <text>9 7/8 x 7 in.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Ruth S. Schaffner</text>
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            <name>Date</name>
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                <text>1981</text>
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        <name>20th century</name>
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        <name>Blue</name>
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        <name>Painting</name>
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        <name>Watercolor</name>
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        <name>White</name>
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                  <text>&lt;strong&gt;The Margaret Mallory Bequest&lt;/strong&gt;</text>
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                  <text>The Margaret Mallory Bequest comprises two distinct areas of the AD&amp;amp;A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&amp;amp;A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&amp;amp;A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&amp;amp;A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&amp;amp;A Museum as a vibrant teaching museum.</text>
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            <name>Identifier</name>
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                <text>1999.34</text>
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                <text>Wodynski, J.</text>
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                <text>&lt;strong&gt;WODYNSKI&lt;/strong&gt;, J.</text>
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            <name>Description</name>
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                <text>&lt;em&gt;Costume Study&lt;/em&gt;</text>
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                <text>graphite, watercolor</text>
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                <text>sheet: 14 x 9 3/4 in.</text>
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                <text>Recto: costume study for two males Verso: costume study for a water nymph</text>
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                <text>Margaret Mallory Bequest</text>
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                <text>20th c.</text>
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        <name>men</name>
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              <name>Title</name>
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                  <text>&lt;strong&gt;American and European Prints and Drawings post 1900&lt;/strong&gt;</text>
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                  <text>In addition to the American and European works on paper (prints and drawings) created before 1900, the AD&amp;amp;A Museum includes a strong collection of post 20th century works.  This includes but is not limited to Rudolph Schindler, Salvador Dali and Andy Warhol.</text>
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            <name>Identifier</name>
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                <text>2022.013.002</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;WILKE&lt;/strong&gt;, Hannah</text>
              </elementText>
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                <text>b. United States, 1940-1993</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Self Portrait, &lt;/em&gt;ca. early 1987</text>
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                <text>Watercolor on Arches paper</text>
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                <text>30 x 22 1/2" SHEET</text>
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                <text>This watercolor self portrait is part of the Wilkes B.C. Series (Before Caner) as the artist was diagnosed with lymphoma in 1987. The multiple brush strokes in greens, blues and purple vary in size while suggesting facial features.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Watercolor, Painting, Works-on-Paper, Abstract, Tricolored</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="151983">
                <text>Gift of Marsie, Emanuelle, Damon &amp;amp; Andrew Scharlatt, Hannah Wilke Collection &amp;amp; Archive, Los Angeles in honor of Marc Selwyn</text>
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            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;WILKE&lt;/strong&gt;, Hannah</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="151985">
                <text>(c) Marsie, Emanuelle, Damon, and Andrew Scharlett; licensed by VAGA at Artists Rights Society (ARS) New York, NY</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="151986">
                <text>ca. early 1987</text>
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        <name>Tricolored</name>
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        <name>Watercolor</name>
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        <name>Works-on-Paper</name>
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                <text>Gift of Marsie, Emanuelle, Damon &amp;amp; Andrew Scharlatt, Hannah Wilke Collection &amp;amp; Archive, Los Angeles in honor of Marc Selwyn</text>
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                  <text>The AD&amp;amp;A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members.  Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra.</text>
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                <text>image: 14 1/8 x 31 in.</text>
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            <name>Source</name>
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        <name>Painting</name>
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                <text>&lt;em&gt;Carp&lt;/em&gt;</text>
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                  <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;In 2012, the AD&amp;amp;A Museum at UC Santa Barbara was gifted 8 Portfolios from &lt;b&gt;Exit Art&lt;/b&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Founded in 1982 by Jeanette Ingberman and  Papo Calo, &lt;b&gt;Exit Art&lt;/b&gt; was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;The first location, was on West Broadway, in SoHo.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, &lt;b&gt;Exit Art’s&lt;/b&gt; exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from &lt;i&gt;Newsweek&lt;/i&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;In the late 1990’s, &lt;b&gt;Exit Art&lt;/b&gt; began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and &lt;b&gt;Exit Art&lt;/b&gt; was subsequently closed in 2012 due to concerns over loss of its conceptual oversight.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>&lt;span&gt;In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&amp;amp;A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&amp;amp;A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&amp;amp;A Museum today.&lt;/span&gt;</text>
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                <text>11 3/4 X 17 3/4"</text>
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                <text>&lt;em&gt;Above the Inner Gorge&lt;/em&gt;</text>
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                  <text>&lt;span&gt;In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&amp;amp;A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&amp;amp;A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&amp;amp;A Museum today.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Through the Lava&lt;/em&gt;</text>
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                  <text>In a serene setting alongside the Pacific Ocean, the AD&amp;amp;A Museum is uniquely positioned at the UC Santa Barbara to highlight a small number of stellar sculptures and wall installations on the grounds of the museum and campus. Please take a look at our small but growing collection.</text>
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                <text>&lt;em&gt;Red and Blue Crayons: a wind sculpture&lt;/em&gt; &lt;br /&gt;&lt;br /&gt; watercolor, ink &lt;br /&gt;&lt;br /&gt;10 x 7 1/8 in &lt;br /&gt;&lt;br /&gt;Presentation drawing for "Flying Pencils"</text>
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                <text>Gift of the David W. Bermant Revocable Trust</text>
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                  <text>&lt;strong&gt;The Arts of Asia&lt;/strong&gt;</text>
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                  <text>The AD&amp;amp;A Museum houses a small collection of works from Asia including Japanese textiles and a Vietnamese portfolio created using traditional Vietnamese print making techniques.</text>
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                <text>&lt;strong&gt;KONEN, Japanese&lt;/strong&gt;</text>
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                <text>&lt;em&gt;Carp and Waterplant&lt;/em&gt;, ca. 1912</text>
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                <text>&lt;strong&gt;Kiowa Six&lt;/strong&gt;</text>
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                <text>&lt;strong&gt;Kiowa Six:&lt;span&gt; Spencer Asah, James Auchiah, Jack Hokeah, Stephen Mopope, Lois Smoky, and Monroe Tsatoke. &lt;/span&gt;&lt;/strong&gt;</text>
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                <text>16 Watercolor prints with pow wow celebrations from a portfolio of 30 by five Kiowa artists &lt;span&gt;known as the Kiowa Six, a group of early 20th-century artists. They were Spencer Asah, James Auchiah, Jack Hokeah (1901–1969), Stephen Mopope (1898–1974), Lois Smoky, and Monroe Tsatoke. &lt;/span&gt;published by C. Szwedzicki, Nice, France; introduction by Oscar Brousse Jacobson, Director Art School, University of Oklahoma; edition 459/750; includes cover and title pages and 6 sheets of double-sided text.</text>
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                  <text>The Margaret Mallory Bequest comprises two distinct areas of the AD&amp;amp;A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&amp;amp;A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&amp;amp;A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&amp;amp;A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&amp;amp;A Museum as a vibrant teaching museum.</text>
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                  <text>&lt;span&gt;Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&amp;amp;A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&amp;amp;A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum.&lt;/span&gt;</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>&lt;em&gt;Tic Tac Dough 4&lt;/em&gt;</text>
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                <text>Estate of Frances Garvin and Keith Julius Puccinelli</text>
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                  <text>&lt;span&gt;Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&amp;amp;A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&amp;amp;A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum.&lt;/span&gt;</text>
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                <text>From its playful title, You Are Going on a Trip, to its subject matter Charles Garabedian’s print portfolio takes viewers on a tour of this artists’ psyche, showing snippets of personal reveries, fanciful biographical events and even expressions of his abiding interests in Asian art and ancient Greek statuary.</text>
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                  <text>The AD&amp;amp;A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members.  Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra.</text>
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                <text>&lt;em&gt;Kitchen utensils &amp;amp; table&lt;/em&gt;</text>
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                <text>Abstract watercolor drawing of a kitchen table with cooking instruments; included is a cooking whip and various jars situated on a table with a red tablecloth; signed and dated at lower right.</text>
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                  <text>The AD&amp;amp;A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members.  Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra.</text>
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                <text>United States, 1917 - 1983</text>
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                <text>&lt;em&gt;Palazzo&lt;/em&gt;</text>
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                <text>William Dole was a beloved Professor of Art at UC Santa Barbara from 1949 until his death in 1983. Though Dole achieved an international reputation for his collages, he was initially trained as a painter. From 195557, while on sabbatical in Italy, Dole purchased a trove of nineteenth-century Italian ephemera that included letters, marbleized paper, and maps. These materials along with a stash of Japanese papers he received earlier, all came togetherI had all of [this] marvelous material out which I could make images. These early collages, such as Palazzo, often mimic landscapes or architecture, both of which were prime subject matter for Dole the painter. Over time, Dole moved away from producing these interpretable images and instead made more purposefully enigmatic compositions, such as Speak Memory that focused on the purely formal, visual elements.</text>
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                <text>Gift of Mr. and Mrs. Howard Fenton</text>
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                <text>watercolor</text>
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                <text>image: 16 x 22 in. sheet: 18 x 24 in. mat: 24 x 29 1/2 in.</text>
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                <text>Gift of Mr. and Mrs. Richard McC. Ames</text>
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                  <text>The AD&amp;amp;A Museum houses a small collection of works from Asia including Japanese textiles and a Vietnamese portfolio created using traditional Vietnamese print making techniques.</text>
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                <text>&lt;em&gt;Kingfisher&lt;/em&gt;, ca. 1912</text>
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                <text>Gift of Mrs. William T. Campbell</text>
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                <text>Gift of Mrs. William T. Campbell</text>
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                <text>Chinese genre painting of a large bisson being subdued by a shirtless male while a warrior -like male looks on from front; inscription at upper fight.</text>
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                <text>Gift of Mrs. William T. Campbell</text>
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                  <text>&lt;strong&gt;The Ruth S. Schaffner Collection&lt;/strong&gt;</text>
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                  <text>&lt;span&gt;Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&amp;amp;A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&amp;amp;A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum.&lt;/span&gt;</text>
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            <name>Identifier</name>
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                <text>&lt;strong&gt;ALEXANDER&lt;/strong&gt;, Clytie</text>
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                <text>Alexander, Clytie</text>
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                <text>American, b. 1941 -</text>
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                <text>&lt;em&gt;Wind&lt;/em&gt;</text>
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                <text>10 x 14 in.</text>
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