1 100 128 http://art-collections.museum.ucsb.edu/files/original/14c89957770da0e0c3eda3e7791c941b.jpg 127a000e6b63e9db90f18b99a975720e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.197 Creator An entity primarily responsible for making the resource ADAMS Title A name given to the resource ADAMS Description An account of the resource Kenilworth Castle in the Reign of Queen Elizabeth Albumen print 2 1/2 x 4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print architecture Defensive Kenilworth Castle photograph Post card Queen Elizabeth http://art-collections.museum.ucsb.edu/files/original/b6b826632bc8478b5b32fd306e338f04.jpg bf070bcbb7aea96c862de06decf2ad97 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.198 Creator An entity primarily responsible for making the resource ADAMS Title A name given to the resource ADAMS Description An account of the resource Leycester's Buildings, Kenilworth Castle Albumen print 2 1/2 x 4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print architecture Castle Hillside Kenilworth Castle Letcester's Buildings photograph Ruins http://art-collections.museum.ucsb.edu/files/original/7c5ec42b9b325ac7438b731a5d335c32.jpg 49c319e60097b87318310f66e317c27b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.201 Creator An entity primarily responsible for making the resource ADAMS Title A name given to the resource ADAMS Description An account of the resource Kenilworth Castle in Reign of Queen Elizabeth Albumen print 2 1/2 x 4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. architecture Ballroom Castle chandelier Ladies photograph Soldiers http://art-collections.museum.ucsb.edu/files/original/f31bce9edccd6bf7d53078633e980a8a.jpg 1f8b96825494b1c4a0298814b4648b38 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Thomas C. Pavia Collection of Daoist Gods Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.004.019 Title A name given to the resource Artist unknown, Chinese Creator An entity primarily responsible for making the resource Artist unknown, Chinese Description An account of the resource The Court of Cranes painting on paper mounted on scroll paper 48 3/4 X 22 1/8 " (scroll) Source A related resource from which the described resource is derived Thomas C. Pavia Collection of Daoist Gods Date A point or period of time associated with an event in the lifecycle of the resource 19th - 20th century architecture Chinese Court Hanging Scroll Hierarchy of Size Officials Painting Religious Slanted Roof http://art-collections.museum.ucsb.edu/files/original/fcb3f0deb12d741b58189c5cf80fca90.jpg ff120bc3891aa8ddfeeee053c1338a9a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Thomas C. Pavia Collection of Daoist Gods Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.004.030 Title A name given to the resource Artist unknown, Chinese Creator An entity primarily responsible for making the resource Artist unknown, Chinese Description An account of the resource A Match Made in Heaven painting on paper mounted on scroll paper 59 1/2 X 41 1/2" (scroll) Source A related resource from which the described resource is derived Thomas C. Pavia Collection of Daoist Gods Date A point or period of time associated with an event in the lifecycle of the resource 19th century or early 20th century architecture Balance Beige Chinese Family Hanging Scroll Hierarchy Painting royal blue symmetrical http://art-collections.museum.ucsb.edu/files/original/81baf1685947c51378a8fff1301de7a2.jpg aa14de3a99390c68a10685201d8db562 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Thomas C. Pavia Collection of Daoist Gods Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.004.077 Title A name given to the resource Artist unknown, Chinese Creator An entity primarily responsible for making the resource Artist unknown, Chinese Description An account of the resource Life on a Chinese River painting on paper mounted on scroll paper 12 1/4" x 20 ft Source A related resource from which the described resource is derived Thomas C. Pavia Collection of Daoist Gods Date A point or period of time associated with an event in the lifecycle of the resource 19th century or early 20th century architecture Busy Calligraphy Chinese City Life City Scape Crowded Painting river http://art-collections.museum.ucsb.edu/files/original/f96348eff1984bc7298e2ba6d6c75e7c.jpg 453c115ce430ef55f6ee67d982010b6c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1995.635 Title A name given to the resource Artist unknown Description An account of the resource Balmoral Castle from Northwest card: 3 1/4 x 6 7/8 in. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half 19th C. 19th century 20th century architecture balmoral black and white Castle landscape photograph vintage http://art-collections.museum.ucsb.edu/files/original/4f45f0e9754c755b458a8f32f82e7d3a.jpg 92a2374d7d9ff00e57fd62aee9d11af8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1995.637 Title A name given to the resource Artist unknown Description An account of the resource L'arc de Triumphe, Paris card: 3 1/4 x 6 7/8 in. Source A related resource from which the described resource is derived Gift of Peter and Virginia Bancroft Collection of Vintage Photographs Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource latter half 19th C. 19th century 20th century architecture black and white Paris photograph vintage http://art-collections.museum.ucsb.edu/files/original/956eacf20a849b3ad49579ca01350e48.jpg 4bcb7ed2c856cf6cccd49cdbc904f574 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1996.7 Title A name given to the resource Artist unknown Description An account of the resource Collar box Collar boxes were made for holding men’s collars, although one could also store jewelry, hankies, or the like inside. This one is constructed from wood with a thermoplastic cover. Celluloid, the first thermoplastic, was developed in the mid 1800’s and was relatively fragile. The lid itself has an agrarian composition in low relief enclosed by an oval. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half 19th C. 19th century 20th century architecture black and white Sculpture vintage http://art-collections.museum.ucsb.edu/files/original/bb26f9f3bdd3213f3811d1aff66af16d.jpg 6765abaead85ec77f68549a1bd272b7a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.94 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Four Women (3 with Umbrelllas) 20th C. albumen with handcoloring 8 1/2 x 11 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 20th C. architecture Garden Japan landscape photograph portrait Rock Path Shrubbery Traditional Dress Umbrella women http://art-collections.museum.ucsb.edu/files/original/1e801da1b8db1919c7ddb11b39e432e2.jpg eacc584b7372ea4344b2e564a6c002ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.96 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Main Street,Yokohama latter half 19th c. Albumen print, hand colored 8 1/2 x 11 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource latter half 19th c. architecture Bell Tower buggy building Fence Japan Main Street Pedestrian photograph road street Yokohama http://art-collections.museum.ucsb.edu/files/original/2f1180d3dbfdf7200e28f6ed2a692f71.jpg 1e6a7a5caee45a1c738b86f3358757eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.99 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource View of Yokahama latter half 19th c. Albumen print, hand colored 8 1/2 x 11 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource latter half 19th c. architecture Birdseye View Buildings cityscape Layout Pedestrian photograph road street Yokahama http://art-collections.museum.ucsb.edu/files/original/5c405b01f60f2e19b2927f9f11cf0079.jpg cd67126fa561341e3d4dd45dcd30c763 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.116 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Street Scene Horses and Carriage 1898 gelatin silver and albumen 4 1/4 x 6 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1898 architecture buggy Carriage horses photograph Storefront street http://art-collections.museum.ucsb.edu/files/original/ec45f34d95c00681a5f91d6438fe7ba7.jpg 9986a67dc76c84bd6b705d5d9e7abca1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.117 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource American Flags and Grave Sites 1898 gelatin silver and albumen 4 1/8 x 7 5/8 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1898 American american flag architecture Bouquet Flowers Graveyard landscape photograph Tombstone http://art-collections.museum.ucsb.edu/files/original/21053b4e0e4e4f96a2857c831902045f.jpg ef4c08f2d22d110298d264951f8f3306 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.118 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Ship at Dock 1898 gelatin silver and albumen 4 1/2 x 7 5/8 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1898 abandoned architecture Barren Cement concrete photograph road street Tree Walls http://art-collections.museum.ucsb.edu/files/original/e49547bd102a76e3e571edc1f257dc3e.jpg 9d9f28561fc7ed08b579ab9419b151eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.119 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource No. 12 Palo Boneyard Coombs Photo 1898 gelatin silver and albumen 4 1/2 x 7 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1898 architecture Bone Boneyard Cemetary Palo Boneyard photograph Skull Walls http://art-collections.museum.ucsb.edu/files/original/10f13de644fe962ce6cf60effd196996.jpg 8921efdf27060e8694762de77358e4b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.121 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource No. 13 Fort Matae After Battle 1898 gelatin silver and albumen 4 1/2 x 7 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1898 architecture Battle field Fort Matae photograph Ruins http://art-collections.museum.ucsb.edu/files/original/a3d67a07410f66284ea5ffd50ccfeb0a.jpg f684ac216b0fb8b3b70f852e3a3c8861 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.130 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource (No.22) Mego Building (on fire) Coombs Photo 1898 gelatin silver and albumen Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1898 architecture Ash building Burning Fire photograph Ruins smoke http://art-collections.museum.ucsb.edu/files/original/63405baec875b8ca04dc534ae6eae03e.jpg 72b78cbb5708431dadcef5291b6bdd35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.131 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource (No.36) Gen. King's Address Pasio City 1898 gelatin silver and albumen 4 1/4 x 7 3/4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1898 Address architecture Gathering military photograph Speech http://art-collections.museum.ucsb.edu/files/original/ab4aaf587c3d6188d41a0fe8d50928a0.jpg 6330362dbaa68c51c7231874869716b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.170 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Shakespeare's Birthplace Albumen print 2 1/2 x 4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print architecture photograph road Shakespeare's Birthplace Stratford-On-A-Von. Two-Story House http://art-collections.museum.ucsb.edu/files/original/cc4ef3e6961f902eaa0e10e0b142405d.jpg 6dffa837bb8aa094118f17756d059afd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.172 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Manin W. Clark Albumen print 1/2 x 3 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1890 Albumen Print architecture Bell Tower Blurry Church Manin W. Clark Path photograph http://art-collections.museum.ucsb.edu/files/original/38e0f3b8651e86fc5c2845e46b604a06.jpg 5810ccbac6ec1ae01e7a1ad06e4e49ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.174 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource New Place - Stratford Residence of Shakespeare Albumen print 2 1/2 x 4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. 2272 Albumen Print architecture New Place photograph Residence of Shakspeare Stratford Two Stories Urban http://art-collections.museum.ucsb.edu/files/original/5e658304f121e55955de89aa85fea5d0.jpg 9069781d914a60cb8f223a69477efec6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.176 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Anne Hathaway's Cottage Shottery Albumen print 3 1/4 x 2 1/4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Anne Hathaway's Cottage Shottery architecture black and white Chimney house photograph Shrubbery Thatch http://art-collections.museum.ucsb.edu/files/original/5fd69f604fa1973ac0e60504942612c3.jpg b5e1c3b5c337077830d011e7bcd8aba6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.193 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Kenilworth Castle From The Old Road Albumen print 2 1/2 x 4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. architecture Castle Hillside Kenilworth Castle photograph road Ruins http://art-collections.museum.ucsb.edu/files/original/ed3cdc6de045338887624ccc784b5ad0.jpg 89558b3c288e01c871427e0a0ebe431e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.194 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Wordsworth and Coleridges' Tomb, Grasmere Albumen print 2 1/2 x 4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print architecture Fence Graveyard photograph Tombstone Wordsworth and Coleridges' Tomb http://art-collections.museum.ucsb.edu/files/original/f889f52cab258f3945bd055412230ef1.jpg 132ea45d36a947c7258900c6107ce6fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.195 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Interior of Melrose Abbey Albumen print 2 1/2 x 4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print architecture Archways Church Gothic Interior Melrose Abbey photograph Ruins http://art-collections.museum.ucsb.edu/files/original/68828c2716f01b57c9058c859c94ec5c.jpg 227625a7d16b4c13734feab5409ef296 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.205 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Fort Malate after Bombardment photo lithograph 4 1/4 x 4 1/4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. american flag architecture Armed Bombardment Defense Fort Malate Guns landscape photograph Soldiers http://art-collections.museum.ucsb.edu/files/original/83fdc569a9146a58722bbbc29087c9ed.jpg 536e43008653f3696e60ad81e0798a0e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.206 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Fort Malate photo lithograph 4 1/4 x 4 1/4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. architecture Brick Walls Defense Fort Malate landscape Lithograph photograph Soldiers http://art-collections.museum.ucsb.edu/files/original/1dca5166b3aa76deeec3a15239493ac6.jpg d2fc3df5b25862373c62527643572227 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.209 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource "Luneta" photo lithograph 4 1/4 x 4 1/4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. architecture buggy horse Light Posts Pavillion photograph road Sidewalk http://art-collections.museum.ucsb.edu/files/original/925c4ccc79342140e129712200ab00b4.jpg a073a1b5cb96e43508302efb632386ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.21 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Bridge of Spain photo lithograph 4 1/4 x 4 1/4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. architecture bridge Flags Lithograph Marching photograph river Soldiers http://art-collections.museum.ucsb.edu/files/original/c6055936622b1cdf8a31c87853cfbc02.jpg a2695b8f284b243a2c8c086978f3bfba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.211 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Manila Arsenal photo lithograph 4 1/4 x 4 1/4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. architecture Fires Manila Arsenal photograph Soldiers Wood http://art-collections.museum.ucsb.edu/files/original/0829f74aa387dcf7401db285debfbba8.jpg 4199ec443aa3df049306a868c7e74c2a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.215 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Cigar Factory on Singalon Road photo lithograph 4 1/4 x 4 1/4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. architecture boys Cigar Factory Lithograph photograph portrait Singalon Road Thatch House http://art-collections.museum.ucsb.edu/files/original/67d31eb82af520d888e5b006ce7cd410.jpg 4a7956c9ac2298a3cd80a6f2ddd3aaa9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.246 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Large White House black and white photograph 3 3/4 x 6 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. architecture black and white Buggy Car Large House photograph White House http://art-collections.museum.ucsb.edu/files/original/ec9f5fe43a8910120126b03633e680ae.jpg 272b623155556bd71c300e10b69f6909 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.257.1 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Geneva picture book: Musee Rath lithograph 3 x 4 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. architecture black and white French Geneva Picture Book Lithograph Musee Rath Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/ff5a3d83a1be929312b3e7e6c2379e87.jpg 50a857b28519f05ac0889a763435c6db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.257.2 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Geneva picture book: Le Theatre lithograph 3 x 4 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. architecture French Gargoyle Geneva Picture Book Lithograph Theater Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/3f0616fb7cbcd8f244257fc75f932858.jpg 98b5c694841be6e498fdf55ffae4ac28 http://art-collections.museum.ucsb.edu/files/original/4fbb34db3d015d54e0f9b2b08d9cb3aa.jpg f27c3fe860d2c00f4d7327cb46ed7fa6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.262 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Fold out: L'Universite lithograph 3 x 4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. architecture L' Universite Lithograph monument National Post card statue Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/b651a136a38f113e949cad982b7929c0.jpg ab4ea2bc790281e934e7bf5771483bc8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Keith Puccinelli Collection of Art and Design Description An account of the resource In 2018, the AD&A Museum was given numerous artworks from the Estate of Frances Garvin and Keith Julius Puccinelli. Included in this gift are Puccinelli's own archive of drawings, sculptures, prints, sketchbooks, and graphic design. As a renowned artist and graphic designer based in Santa Barbara, the collection represents a significant part of the Museum's holdings. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BROUWS, Jeff Description An account of the resource Tickets, 1987 Archival pigment print, 24 1/2 x 20 1/4" FRAMED Color photograph of a carnival ticket office; enlarged spinning top with colorful bands is placed throughout top half of photo. Date A point or period of time associated with an event in the lifecycle of the resource 1987 Creator An entity primarily responsible for making the resource BROUWS, Jeff Source A related resource from which the described resource is derived Estate of Frances Garvin and Keith Julius Puccinelli Identifier An unambiguous reference to the resource within a given context 2018.001.012 architecture circus fair photography Spinning http://art-collections.museum.ucsb.edu/files/original/e031fef3ef41400a87def5d085e4f9f2.jpg 95e2ff77ab2db6a40d9e35233e185835 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.343 Creator An entity primarily responsible for making the resource BUBLEY, Esther 1921-1998 Title A name given to the resource BUBLEY, Esther Description An account of the resource Dairy near Beaumont, Texas Gelatin silver print Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource 1940-1949; reprint 1985 20th century architecture black and white buggy dairy horse photograph http://art-collections.museum.ucsb.edu/files/original/b4829687c40e936d66b3497487d38ee4.jpg 446137ee075727baa341e51937cf7fe0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.365 Creator An entity primarily responsible for making the resource BUBLEY, Esther United States, 1921-1998 Title A name given to the resource BUBLEY, Esther Description An account of the resource Greyhound Bus Terminal, New York City, May, 1947 Gelatin silver print 14 x 11" sheet; 20 x 16 1/8" mat Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource ca. 1940-49; reprint 1985 20th century architecture black and white bus station city greyhound New York City photograph http://art-collections.museum.ucsb.edu/files/original/173e6e5cc9037a215ce4421fa4ce4ffc.jpg 5410627e11344b47b1e12001f6559b67 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.418 Creator An entity primarily responsible for making the resource BUBLEY, Esther b. United States, 1921-1998 Title A name given to the resource BUBLEY, Esther Description An account of the resource Longley's Barber Shop, Andrews, Texas, July 1945 Gelatin silver print Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource 1945; reprint 1985 20th century architecture barber black and white photograph shop http://art-collections.museum.ucsb.edu/files/original/602cca8d18cbb568a877dddb2e93ff22.jpg a3b7681308339f602b765fcfb287f82e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.46 Creator An entity primarily responsible for making the resource BUBLEY, Esther United States, 1921-1998 Title A name given to the resource BUBLEY, Esther Description An account of the resource Motel in Houston, Texas, September, 1945 1945, printed 1985 Gelatin silver print 11 x 14" sheet; 16 1/8 x 20" mat Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource 1945, printed 1985 architecture black and white building landscape photograph sign http://art-collections.museum.ucsb.edu/files/original/a4e01495cea06eb78d301e3c98c28b32.jpg f71c8af0867131062d4702ba55d232f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.47 Creator An entity primarily responsible for making the resource BUBLEY, Esther 1921-1998 Title A name given to the resource BUBLEY, Esther Description An account of the resource Sign at San Angelo, West Texas, Oct. 1945 1985 Gelatin silver print Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource 1945, printed 1985 20th century architecture black and white neon photograph sign http://art-collections.museum.ucsb.edu/files/original/e64e5073e1b0ddddede780cef4cde02c.jpg 04f260df64b75f4fcb161e7b27df8b96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.471 Creator An entity primarily responsible for making the resource BUBLEY, Esther United States, 1921-1998 Title A name given to the resource BUBLEY, Esther Description An account of the resource Tourist Camp Sign in Odessa, Texas, September, 1945 1945, printed 1985 Gelatin silver print 11 x 14" sheet; 16 1/8 x 20" mat Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource 1945, printed 1985 20th century architecture black and white neon photograph sign http://art-collections.museum.ucsb.edu/files/original/6495f9d5f31cb6715c4969ce7855994f.jpg f71c8af0867131062d4702ba55d232f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BUBLEY, Esther Description An account of the resource Sign at San Angelo, West Texas, Oct. 1945 Gelatin silver print 11 x14" SHEET Date A point or period of time associated with an event in the lifecycle of the resource ca. 1940-49; reprint 1985 Creator An entity primarily responsible for making the resource BUBLEY, Esther Source A related resource from which the described resource is derived b. United States, 1921-1980 Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Identifier An unambiguous reference to the resource within a given context 1985.470 architecture Cowboy-Boots evening neon photograph http://art-collections.museum.ucsb.edu/files/original/f5c198dc551f7c4cb36bfc7a8c57121d.jpg a3b7681308339f602b765fcfb287f82e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BUBLEY, Esther Description An account of the resource Motel in Houston, Texas, September, 1945 Gelatin silver print 11 x 14" SHEET Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource ca. 1940-49; reprint 1985 Creator An entity primarily responsible for making the resource BUBLEY, Esther Identifier An unambiguous reference to the resource within a given context 1985.460 architecture Clouds Inn photograph roadside http://art-collections.museum.ucsb.edu/files/original/aa558afcff6e86b8d659f94f1864d2b3.jpg d6aad3cd348bc1be156705a94fcc9b6c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BUBLEY, Esther Description An account of the resource Main Street Scene, Andrews County, Texas, 1945 Gelatin silver print Date A point or period of time associated with an event in the lifecycle of the resource ca. 1940-49; reprint 1985 Creator An entity primarily responsible for making the resource BUBLEY, Esther Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Identifier An unambiguous reference to the resource within a given context 1985.417 architecture Auto Drugstore people photography http://art-collections.museum.ucsb.edu/files/original/4290e7734cf94567a3eabc7036ab0060.jpg 679fe13118ba6c6141a817726a5e0442 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.192 Creator An entity primarily responsible for making the resource BURNS, A. Title A name given to the resource BURNS, A. Description An account of the resource Edinburgh From The Calton Hill Albumen print 2 1/2 x 4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print architecture Birdseye View Calton Hill cityscape Edinburgh photograph river http://art-collections.museum.ucsb.edu/files/original/200003256230ececa7423b338e76d9a4.jpg 07cf206223780308321569b6961475f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Thomas C. Pavia Collection of Daoist Gods Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.004.027 Title A name given to the resource Chinese, Hill Tribe, probably Yao Creator An entity primarily responsible for making the resource Chinese, Hill Tribe, probably Yao Description An account of the resource Keeper of the Gate painting on paper mounted on scroll paper 47 X 18 5/8" (painting) Source A related resource from which the described resource is derived Thomas C. Pavia Collection of Daoist Gods Date A point or period of time associated with an event in the lifecycle of the resource 19th century architecture bridge Chinese Demonic Demonic Figures Divine Figures Gate Hellish Hierarchy Monster Painting Tower http://art-collections.museum.ucsb.edu/files/original/f6c55d985a52a3a64ac768e5755308d9.jpg 37f9f37ebc951bbd96399a6f40b4c9c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource American and European Prints and Drawings post 1900 Description An account of the resource In addition to the American and European works on paper (prints and drawings) created before 1900, the AD&A Museum includes a strong collection of post 20th century works. This includes but is not limited to Rudolph Schindler, Salvador Dali and Andy Warhol. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1970.42 Creator An entity primarily responsible for making the resource CLICK, Bob American Title A name given to the resource CLICK, Bob Description An account of the resource Circled Square Encircled 1968 serigraph, color 9 x 9 in Source A related resource from which the described resource is derived UCSB Art Affiliates Date A point or period of time associated with an event in the lifecycle of the resource 1968 abstract architecture color line red http://art-collections.museum.ucsb.edu/files/original/7313b073d7a8e7e4829302bd1b7a5c46.jpg 742a42c785d24a58c27b795378ec3cfa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.404 Creator An entity primarily responsible for making the resource COLLIER, John United States, 1913-1992 Title A name given to the resource COLLIER, John Description An account of the resource Trailer Camp in Borger, Texas Gelatin silver print Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource ca. 1940-49; reprint 1985 20th century architecture black and white landscape photograph trailer park vehicle http://art-collections.museum.ucsb.edu/files/original/29d46fb9ae5cce2ad1052b0c40ad9b48.jpg b1fbc755d4e7000a472d9d9c93f78a17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.398 Creator An entity primarily responsible for making the resource CORSINI, Harold United States, 1919-2008 Title A name given to the resource CORSINI, Harold Description An account of the resource A Tourist Bar in Jackson, Wyoming, June, 1949 Gelatin silver print 14 x 11" sheet; 20 x 16 1/8" mat Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource ca. 1940-49; reprint 1985 20th century American architecture bar black and white Cowboy photograph street vehicle http://art-collections.museum.ucsb.edu/files/original/60e38cbc4ef70f5b6064582f94a86a7d.jpg bc840149ef99ac9cefd737d4741018e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.408 Creator An entity primarily responsible for making the resource CORSINI, Harold United States, 1919-2008 Title A name given to the resource CORSINI, Harold Description An account of the resource Tower of George Washington Bridge, New York - New Jersey, 1946 1946, printed 1985 Gelatin silver print 14 x 11" sheet; 20 x 16 1/8" mat Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource 1946; reprint 1985 20th century architecture black and white bridge New York photography http://art-collections.museum.ucsb.edu/files/original/d10821f5d6774e631674ff96ed561eeb.jpg c3620f6b46403703ebb24ec556e40b40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource American and European Prints and Drawings post 1900 Description An account of the resource In addition to the American and European works on paper (prints and drawings) created before 1900, the AD&A Museum includes a strong collection of post 20th century works. This includes but is not limited to Rudolph Schindler, Salvador Dali and Andy Warhol. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DILL, Guy Description An account of the resource Guy Dill Sculpture, 1981 Lithographic poster 20 x 15 7/8" Creator An entity primarily responsible for making the resource DILL, Guy b. United States 1946 Source A related resource from which the described resource is derived Permanent Collection Identifier An unambiguous reference to the resource within a given context 1986.482 Date A point or period of time associated with an event in the lifecycle of the resource 1981 advertisement architecture Black and white photograph Guy Dill Guy Dill Sculpture Lithographic Poster Promotional Sculptural Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/07463f282ef3b8a9aa9ce5fa3dbc54c3.jpg 9228c70346db60396ac9a6aa8426e6d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource American and European Prints and Drawings post 1900 Description An account of the resource In addition to the American and European works on paper (prints and drawings) created before 1900, the AD&A Museum includes a strong collection of post 20th century works. This includes but is not limited to Rudolph Schindler, Salvador Dali and Andy Warhol. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource FALKENSTEIN, Claire Description An account of the resource The Forum A Tribute to A. Quincy Jones Lithographic poster 28 x 22" Creator An entity primarily responsible for making the resource FALKENSTEIN, Claire b. United States, 1908 - 1997 Source A related resource from which the described resource is derived Permanent Collection Identifier An unambiguous reference to the resource within a given context 1986.489 Date A point or period of time associated with an event in the lifecycle of the resource 20th C. architecture black and white Collapse installation Lithographic Poster Promotional red The Forum works on paper http://art-collections.museum.ucsb.edu/files/original/59c67f25aaa9520ec72acae86b9df585.jpg 9364177a39ec8ad378b83460108d200a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.30 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource Child at Water Faucet, 1910 1910 platinum print 6 x 7 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1910 architecture Child Faucet laundry Mother and Child photograph portrait Store-Front Wash Bin http://art-collections.museum.ucsb.edu/files/original/c70c12a8324c5debfd6be238e3d5fb7d.jpg 6dffa837bb8aa094118f17756d059afd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.72 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource Santa Barbara Mission, 1910 20th C. platinum 8 x 6 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 20th C. architecture Church Mission Path photograph Santa Barbara http://art-collections.museum.ucsb.edu/files/original/ec3268236bceba7505f89e9e43b52bf2.jpg 5b17f61724a0504b3f2441cc8c627f27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.73 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource Santa Barbara Mission, 1910 20th C. Gelatin silver print 11 x 8 in. Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 20th C. architecture Archway cloudy Hillside Mission photograph Religious Santa Barbara http://art-collections.museum.ucsb.edu/files/original/45a3848323a137c003a5e62d506184e8.jpg 128e9582912d4a18cb9eec8d5becbd77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.76 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource Pan-Pacific Exhibition #1, 1915 20th C. photograph 9" x 12" Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 20th C. architecture Marble Pan-Pacific Exhibition Pathways photograph Pillars Vines http://art-collections.museum.ucsb.edu/files/original/ae300763b570f736687d6dada008b4b7.jpg 961683eb122d6dfed859c45f87f39900 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.77 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource Pan Pacific Exhibition #2, 1915 20th C. photograph 10 1/2" x 13" Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 20th C. architecture Archway Marble Pan-Pacific Exhibition Pavilion photograph Pond Swan http://art-collections.museum.ucsb.edu/files/original/8898faaf99621a17ecfe963c82655a2f.jpg ece123bc664283f3b243d2a0c8c5c123 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.78 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource Pan-Pacific Exhibition #3 1915 Gelatin silver print 9 1/2 x 13 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915 architecture Marble Pan-Pacific Exhibition photograph Pillars Pots Reflection water http://art-collections.museum.ucsb.edu/files/original/7c4c6237da7680e1dd0af9416d5e9868.jpg fc8059b22dd06d7bdc24d08b44ae1f8a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.79 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource Pan-Pacific Exhibition #4, 1915 20th C. photograph 10" x 13" Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 20th C. architecture Marble Open-Layout Pan-Pacific Exhibition photograph Pillars Shrubbery http://art-collections.museum.ucsb.edu/files/original/234c1e2bc53801078214aa844c7529ab.jpg 6938db9894332440c441a79e9420a94d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.80 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource Pan-Pacific Exhibition #5, 1915 1915 C. Gelatin silver print 10 1/2 x 13 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915 architecture Blurry cloudy fountain Light Orbs Night Pan-Pacific Exhibition photograph Tower http://art-collections.museum.ucsb.edu/files/original/5eda6d0ccae13a4bbb2a091e583c6f51.jpg 68f583d2af330676f4dabfad83cda4cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.82 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource N.Y.C. Bridge #1, 1938 20th C. Gelatin silver print 9 x 9 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 20th C. architecture bridge New York City photograph river trees Tugboat http://art-collections.museum.ucsb.edu/files/original/4983102cb8ba3720ab550ca8e0d2cddb.jpg 8ecd48ac0de89ee8bb3d9c1c6c69ea90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.83 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource N.Y.C. Bridge, 1938 20th C. Gelatin silver print 10 1/2 x 13 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 20th C. architecture bridge Clouds New York City photograph Suspension http://art-collections.museum.ucsb.edu/files/original/4eae96a35d2cf76c322f2b924ada9104.jpg 9f13da1b11871019c121ec2dd639a687 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.85 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935; American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource N.Y.C. Street (Library) 1938 Gelatin silver print 8 x 13 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1938 architecture city Downtown Library New York City photograph Skyscraper street http://art-collections.museum.ucsb.edu/files/original/5dbaca2fa1093c2eacd9fdff7c76ebcb.jpg 478d9ff541ebd73fc836050aad638c76 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.86 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource Rockerfeller Center Building, 1938 20th C. Gelatin silver print 12 x 10 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 20th C. architecture Bronze Statue Globe man monument New York City photograph Rockerfeller Center Building Skyscraper statue http://art-collections.museum.ucsb.edu/files/original/66a36ee697b07de730e57164d2df8efa.JPG ab3dcdf8301a396f3420cf677ea4a8e1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2014.026.001 Creator An entity primarily responsible for making the resource GOTTLIEB, Penelope b. United States, 1952 Title A name given to the resource GOTTLIEB, Penelope Description An account of the resource Entertainer's Dream Pencil on paper 25 x 30 1/2" FRAME In her exploration of “homes”, from bungalows to mansions, Penelope Gottlieb presents the various ways in which humans live, noting idiosyncratic and expressive details of architecture. In her exploration of “homes”, from bungalows to mansions, Penelope Gottlieb presents the various ways in which humans live, noting idiosyncratic and expressive details of architecture. Source A related resource from which the described resource is derived Gift of Joan and Paul Selwyn Date A point or period of time associated with an event in the lifecycle of the resource 2002 architecture frame house Pencil Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/bfdc31033c0d234bd66c702e62d7cf20.jpg 2a3ecefe0da99bab266974962764e748 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2016.004.001 Creator An entity primarily responsible for making the resource GOTTLIEB, Penelope b. United States, 1952 Title A name given to the resource GOTTLIEB, Penelope Description An account of the resource A Jewel In The Rough Graphite on paper with artist's hand—painted frame 22 1/4 x 28 1/4" FRAMED This drawing is part of a series exploring the theme of "homes” from bungalows to mansions. Framed in black, this graphite image of a house in three quarter view with a flag references one of many types of real estate listings the artist encountered in Santa Barbara. When installed together these houses create a unique neighborhood, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right; titled and initialed on reverse. Source A related resource from which the described resource is derived Gift of the artist Date A point or period of time associated with an event in the lifecycle of the resource ca. 2001–2009 architecture frame house Pencil Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/c14f6f59840f16538f21619bb6900de8.jpg b33045317bb4273bc4d5e8679db6fb7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2016.004.003 Creator An entity primarily responsible for making the resource GOTTLIEB, Penelope b. United States, 1952 Title A name given to the resource GOTTLIEB, Penelope Description An account of the resource What A Work of Art! Colored pencil on paper with artist's hand—painted frame 7 x 13" FRAMED This reddish—purple colored pencil drawing is part of a series exploring the themes of “homes” from bungalows to mansions. Framed in a hand painted dark red, this drawing of a large home with barrel roof tiles flanked by two stone pillars references one of many types of real estate listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood’, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; initialed at lower right; signature and title on reverse. Source A related resource from which the described resource is derived Gift of the artist Date A point or period of time associated with an event in the lifecycle of the resource 2003 architecture frame house Pencil Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/566d9258df829b32f85d89b196017131.jpg 1a6bbbacb6d3da7b2dc33c7e01cdebe1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2016.004.004 Creator An entity primarily responsible for making the resource GOTTLIEB, Penelope b. United States, 1952 Title A name given to the resource GOTTLIEB, Penelope Description An account of the resource Big House—Lit $$ Colored pencil on paper with artist's hand—painted frame 13 3/8 x 13 3/8" FRAMED This lime green colored pencil drawing is part of a series exploring the theme of “homes” from bungalows to mansions. Octagonally framed in lime green, this image includes a centralized two story house with telephone poles in the background and references one of many types of real estate listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood’, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; signed and gallery label on reverse. Source A related resource from which the described resource is derived Gift of the artist Date A point or period of time associated with an event in the lifecycle of the resource 2003 architecture frame house Pencil Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/6da3abcddf3c892825a12c0817811b39.JPG 2eefdf1610434fd9a0ca6d7e663de645 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2016.004.005 Creator An entity primarily responsible for making the resource GOTTLIEB, Penelope b. United States, 1952 Title A name given to the resource GOTTLIEB, Penelope Description An account of the resource Handyman's Heaven Graphite on paper with artist's hand—painted frame 12 5/8 X 10 7/8" FRAMED This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in black, this graphite image of the front of a house with pointed roofs references one of many types of real estate listings encountered in Santa Barbara. When installed together these houses create a unique neighborhood resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; titled at center below image; HANDYMAN'S HEAVEN; artist's initials at lower right; signed, titled and gallery label on reverse. Source A related resource from which the described resource is derived Gift of the artist Date A point or period of time associated with an event in the lifecycle of the resource 2005 architecture frame house Pencil Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/c47aa1aeaad0b32f44706f40463e8e7f.JPG b0f734be674c5436430c7c3fa4bbe390 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2016.004.006 Creator An entity primarily responsible for making the resource GOTTLIEB, Penelope b. United States, 1952 Title A name given to the resource GOTTLIEB, Penelope Description An account of the resource Untitled (Blue Shopping Cart) Colored pencil on paper with artist's hand—painted frame 14 x 11" FRAMED This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in royal blue, this colored pencil image of a shopping cart filled with bags and a hanging spatula references homelessness in Santa Barbara. When installed together, these drawings create a unique neighborhood, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right; gallery label, signature and title on reverse. Source A related resource from which the described resource is derived Gift of the artist Date A point or period of time associated with an event in the lifecycle of the resource 2008 architecture frame house Pencil Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/5e7892db8cfef85e4bd5c34782db2b7d.JPG cc5599308401d9f77ab7ec2016035307 http://art-collections.museum.ucsb.edu/files/original/70208f44d60d97bebcfb826468033497.JPG 0c230c585b2d42b4dd9ccb93232efe18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2016.004.011 Creator An entity primarily responsible for making the resource GOTTLIEB, Penelope b. United States, 1952 Title A name given to the resource GOTTLIEB, Penelope Description An account of the resource Mini Ranch For The Weekend Farmer Colored pencil on paper with artist's hand—painted frame 30 x 26" This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in royal blue, this image of a house in three quarter view with a wheel barrow references one of many types of real estate listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood’, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right; titled and signed on reverse. Source A related resource from which the described resource is derived Gift of the artist Date A point or period of time associated with an event in the lifecycle of the resource 2009 architecture frame house Pencil Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/d74f0d2d2e047a1b750796a0610cf30a.jpg 47b5bb257843b371ebb1950942da03ed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2016.004.013 Creator An entity primarily responsible for making the resource GOTTLIEB, Penelope b. United States, 1952 Title A name given to the resource GOTTLIEB, Penelope Description An account of the resource Beat the Banks! Colored pencil on paper with artist's hand—painted frame 4 X 4" This reddish brown colored pencil drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in deep red, this drawing of a boarded house references one of many types of real estate listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right; titled, signed and dated on reverse. Source A related resource from which the described resource is derived Gift of the artist Date A point or period of time associated with an event in the lifecycle of the resource 2009 architecture frame house Pencil Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/23f6a76051d9f07ba6d7215c6e63df6b.jpg f33b7d77e2e99aef042633882d78af6f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2016.004.014 Creator An entity primarily responsible for making the resource GOTTLIEB, Penelope b. United States, 1952 Title A name given to the resource GOTTLIEB, Penelope Description An account of the resource Remodeled to the 9's! Colored pencil on paper with artist's hand—painted frame 2 x 2" This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in orange, this colored pencil image of a house's garage flanked by trees flag references one of many types of real estate listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower front; titled, with signature on reverse. Source A related resource from which the described resource is derived Gift of the artist Date A point or period of time associated with an event in the lifecycle of the resource 2009 architecture frame house Pencil Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/821c7ad9e62dd9e6c4cfb86a90159cf9.jpg b57b05a85816c3cad5173a1cc614edc0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2016.004.015 Creator An entity primarily responsible for making the resource GOTTLIEB, Penelope b. United States, 1952 Title A name given to the resource GOTTLIEB, Penelope Description An account of the resource Location! Location! Location! Colored pencil on paper with artist's hand—painted frame 11 1/2" dia. This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in a yellow circular frame, this colored pencil image of the front entrance of a large house with a chimney references one of the many real estate listing the artist encountered in Santa Barbara. Installed together these houses create a unique neighborhood, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; Location! Location! Location! below image, initialed at lower right; signed and titled on reverse. Source A related resource from which the described resource is derived Gift of the artist Date A point or period of time associated with an event in the lifecycle of the resource 2009 architecture frame house Pencil Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/86c0dfab5805128b047c702cb0333bf8.JPG 8d6acaf0194771c12ddd9b44ace326a7 http://art-collections.museum.ucsb.edu/files/original/859c076eb3c85dc0aacfc6c2e308f0df.JPG 195510b0e552493037930c34f268f644 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2016.004.016 Creator An entity primarily responsible for making the resource GOTTLIEB, Penelope b. United States, 1952 Title A name given to the resource GOTTLIEB, Penelope Description An account of the resource Own A Piece Of History Colored pencil on paper with artist's hand—painted frame 6 1/4" dia. This drawing is part of a series of the artist's exploration of “homes” from bungalows to mansions. Framed in an oval winter green frame, this colored image of a house with a long walkway references one of many types of real estate listings the artist has encountered in Santa Barbara. When installed together these houses create a unique neighborhood’, resulting in a surreal real estate complex comprised of the dreams and aspirations of current owners or potential buyers; artist's initials at lower right; signed, titled and dated on reverse. Source A related resource from which the described resource is derived Gift of the artist Date A point or period of time associated with an event in the lifecycle of the resource 2009 architecture house Pencil still life Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/d92b13aeaaef30e0eeed66bf8442ede0.jpg bd761adadc339f43688170435da2b28c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.457a Creator An entity primarily responsible for making the resource LEE, Russell United States, 1903-1986 Title A name given to the resource LEE, Russell Description An account of the resource Part of one of the, Springfield Missouri 1985 Gelatin silver print Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource 1985 architecture black and white fountain landscape photograph http://art-collections.museum.ucsb.edu/files/original/b2844554d1d2beef26c9abdf7d870dec.jpg cfdfe9b1a00b504513bf260816f47029 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.458 Creator An entity primarily responsible for making the resource LEE, Russell United States, 1903-1986 Title A name given to the resource LEE, Russell Description An account of the resource Tourist Court, Springfield, Missouri, Aug.'48 printed 1948, reprinted 1985 Gelatin silver print Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource printed 1948, reprinted 1985 20th century architecture black and white landscape neighborhood photograph http://art-collections.museum.ucsb.edu/files/original/91df963512533b76459fd813a119f503.jpg 2c24b56c8b58e2446337b37c9bde3047 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.358 Creator An entity primarily responsible for making the resource LIBSOHN, Sol United States 1914-2001 Title A name given to the resource LIBSOHN, Sol Description An account of the resource Viaduct construction, New Jersey Turnpike '51 1985 Gelatin silver print Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource 1951; reprint 1985 20th century architecture black and white construction photograph viaduct http://art-collections.museum.ucsb.edu/files/original/327091ccaa2b912b7b8f94a4518c9e91.jpg c11ee3c31662794d8395e240de8c9e8f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.439 Creator An entity primarily responsible for making the resource LIBSOHN, Sol United States 1914-2001 Title A name given to the resource LIBSOHN, Sol Description An account of the resource Sunset Diner Sign on Route 22, N.J., 1945 Gelatin silver print Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource 1945; reprint 1985 20th century American architecture black and white photograph sign http://art-collections.museum.ucsb.edu/files/original/672beaeba25b518331e083bd82be565f.jpg a9dfbfd4d9ced90c59de1ec2fda09ef6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sculpture and Mixed Media Description An account of the resource In addition to outdoor sculpture, the AD&A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood. The museum also has a smaller number of assemblages and mixed media collages in its collection. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2021.006.012 Creator An entity primarily responsible for making the resource LOWRY, Janice b. United States, 1946-2009 Title A name given to the resource LOWRY, Janice Description An account of the resource Untitled Collage 10 x 8 1/2" UNFRAMED Lowry combines three black and white images; the dimly visible side of a cathedral and a massive well-lit skyscraper. The two images are intersected by an orb. Signed and dated on reverse. Date A point or period of time associated with an event in the lifecycle of the resource 2005 Source A related resource from which the described resource is derived Gift of John Gothold and the Kohler Foundation, Inc. architecture Black-and-White collage photography Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/d45a45ecbdfb6ac994e28f8a65e17a18.jpg 9af9d311aa1659d196bcdaa18f02d0d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.926 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource Small Street Near Citadel, Cairo, from the Egyptian Series 1901 graphite on paper sheet: 12 1/2 x 9 3/4 inches; mat: 19 1/2 x 14 1/2 inches Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1901 20th century architecture Drawing egypt Graphite paper http://art-collections.museum.ucsb.edu/files/original/380f9ebecfc0d6d7f43b39f851fd2b27.jpg c2073de4d5bfeb3323da8ab19288aa64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arts of Ancient Mesoamerica Description An account of the resource The AD&A Museum houses a large collection of Ancient Mesoamerican Art. Included in this group are numerous works from Mexico including spindle whorls and ceramic figurines. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2013.012.003 Title A name given to the resource Mexico, Guerrero, Mezcala Creator An entity primarily responsible for making the resource Mexico, Guerrero, Mezcala Description An account of the resource Temple ca. 250-650 CE Stone 3 3/4 x 2 3/8 x 3/4" OVERALL Small vertical stone temple-like object; opening at center with raised and incised bands at top and bottom. Source A related resource from which the described resource is derived Caroline Tarbell Tupper Collection of Pre-Columbian Art Date A point or period of time associated with an event in the lifecycle of the resource ca. 250-650 CE architecture Pre-Columbian relief Sculpture stone Temple http://art-collections.museum.ucsb.edu/files/original/2a445fe0f2bf33b1d3bef22ccd272ff6.jpg 4b0127e89e68d711d9ea5d8eb022b979 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arts of Ancient Mesoamerica Description An account of the resource The AD&A Museum houses a large collection of Ancient Mesoamerican Art. Included in this group are numerous works from Mexico including spindle whorls and ceramic figurines. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2019.010.001 Title A name given to the resource Mexico, Mezcala Creator An entity primarily responsible for making the resource Mexico, Mezcala Description An account of the resource Temple with standing figure 700 BCE-650 CE Stone 8 1/2 x 6 1/2 x 7/8" OVERALL Flattened stone; carved temple on front side with figure standing at top of stairs between pillars; given its reduced size, temple was used for either symbolic purposes or utilitarian functions. Source A related resource from which the described resource is derived Caroline Tarbell Tupper Collection of Pre-Columbian Art Date A point or period of time associated with an event in the lifecycle of the resource 700 BCE-650 CE architecture Pre-Columbian relief Sculpture stone Temple http://art-collections.museum.ucsb.edu/files/original/ca0edc42e6a03a54f3e01fde9be96d50.jpg c77d1233f07b8f8c1ff9932e7803f42b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2000.64 Creator An entity primarily responsible for making the resource MISS, Mary Title A name given to the resource MISS, Mary Description An account of the resource Untitled #18 Photograph collage 15 x 13 3/4 Two photographs of a coffered dome set one on top of the other in center of mat; bottom photo flanked by cutouts of similar photos of same dome. Source A related resource from which the described resource is derived Gift of Phyllis Plous Date A point or period of time associated with an event in the lifecycle of the resource 1990 architecture collage dome photograph still life http://art-collections.museum.ucsb.edu/files/original/f7f212e768d7c95a56cf213294d02ca8.jpg 19ac30f3c7fbe35181d619c0f7e65e8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.463 Creator An entity primarily responsible for making the resource PARKS, Gordon United States, 1912-2006 Title A name given to the resource PARKS, Gordon Description An account of the resource Highway Direction Signs, Utica, New York,August, 1946 1946, printed 1985 Gelatin silver print 14 x 11" sheet; 20 x 16 1/8" mat Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource 1946, printed 1985 20th century architecture black and white photograph sign http://art-collections.museum.ucsb.edu/files/original/80c6e6e2944bc9e21c30f5a265f779de.jpg ffcde6ecf77610965119ca5279a04478 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.1 Creator An entity primarily responsible for making the resource RAVELL, Henry b. United States, 1860-1930 Title A name given to the resource RAVELL, Henry Description An account of the resource Mexican Cathedral 1915-1920 gum dichromate; some hand-colored or hand intensified 13 x 16 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture building Cathedral Church Cross dome Religious http://art-collections.museum.ucsb.edu/files/original/35dd26205fbbbca923f04ce6170010d9.jpg cb3923e460c2eff3f49a5c8e43b65676 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.2 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Praying Corn Sellers 1915-1920 gum bichromate; some hand-colored or hand intensified 9 1/2 x 7 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture brick Church Corn Sellers Doorway Entrance Gathering photograph Pillars Praying Religious Sombrero Steps http://art-collections.museum.ucsb.edu/files/original/1e56ab8d213d46364574b5e0410a5075.jpg 18a29395086222229d322f83a11e6e68 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.3 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Narrow walkway 1915-1920 gum bichromate; some hand-colored or hand intensified 10 x 12 1/2" Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture Narrow people photograph Sombrero stone Walkway http://art-collections.museum.ucsb.edu/files/original/d27e74a78afc1646d39f6de756ee8a2b.jpg 3485809a6830213a84580079f3ae12cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.5 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource A Church Doorway 1915-1920 gum dichromate; some hand-colored or hand intensified 5 1/2 x 8 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture Church Doorway Entrance man photograph Pillars Religious Sombrero http://art-collections.museum.ucsb.edu/files/original/5a7d6f1862467eaa0b31894a58c0f28c.jpg 9b2f5d5509a4bfa2a66b8f2c1f103fcc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.6 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Street Scene in Mexico 1915-1920 gum dichromate; some hand-colored or hand intensified 10 1/2 x 14 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture Bag brick Burlap Sack Gathering Lightpost photograph Sombrero stone Street Scene Walkway http://art-collections.museum.ucsb.edu/files/original/f5e2a03012244b803ffb4b09f7e8fab4.jpg ffdf3b7f4808b98e82927854a8bc0f5e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.7 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Two Figures and Doorway 1915-1920 gum bichromate; some hand-colored or hand intensified 10 1/2 x 11 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture Archway Courtyard Doorway Entrance photograph Pillars stone Two Figures http://art-collections.museum.ucsb.edu/files/original/b51d2a173e5d93a15a3db2b115af284f.jpg cab4384ad8fa6c47c8a8360045e7da4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.8 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Two Figures on Walkway 1915-1920 gum dichromate; some hand-colored or hand intensified 10 1/2 x 13 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture cityscape Cobblestone Cross dome photograph Two Figures Walkway http://art-collections.museum.ucsb.edu/files/original/43a3db6e0e20bfc3d620e4c363b0edba.jpg f377aaff0e2e1e6761d3d724ffb49921 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.9 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Mexican Building 1915-1920 gum dichromate; some hand-colored or hand intensified 10 1/2 x 13 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 Adobe architecture clay Fence Mexico photograph red Shrubbery Yellow http://art-collections.museum.ucsb.edu/files/original/19292dcece35b27987bcec4bef7bb3e4.jpg ffcde6ecf77610965119ca5279a04478 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.1 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Church in Mexico 1915-1920 gum bichromate; some hand-colored or hand intensified 13 x 16 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture Church Cross dome Mexico photograph Religious http://art-collections.museum.ucsb.edu/files/original/1999b892f9a150c6d4606e8256d99da4.jpg c5d03fcb63ab1c16f1203b901d95517f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.11 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Entrance and Balcony 1915-1920 gum dichromate; some hand-colored or hand intensified 9 1/2 x 13 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture Archway balcony Courtyard Entrance photograph Shrubbery Stairway http://art-collections.museum.ucsb.edu/files/original/88c618244919e2b236818b8f82b24c17.jpg 237c7fa647b5d67516298e6dc9223ddc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.14 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Doorway and Man 1915-1920 gum dichromate; some hand-colored or hand intensified 6 1/2 x 9 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 Architectural Detail architecture Briefcase Courtyard Doorway engraving Entryway man photograph Pillars http://art-collections.museum.ucsb.edu/files/original/aa6f34db038a7f46adeb119c111f5fe5.JPG d355317f43e44657ee6a6353de77a500 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.15 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Patio and Stairs 1915-1920 gum dichromate; some hand-colored or hand intensified 12 x 16 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture black and white Courtyard Masonry Patio photograph Potted Plants stairs stone http://art-collections.museum.ucsb.edu/files/original/eb12d27588877bdb2e4e0223c68982f1.jpg 62daead03efd0300a99676d072f83e9e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.17 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Church and Burros 1915-1920 gum dichromate; some hand-colored or hand intensified 13 x 10 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture Burros Church Detail donkey Entrance photograph Religious Staircase