3 100 455 http://art-collections.museum.ucsb.edu/files/original/e7b60274508c1ac923be8b82ec941703.jpg af85a28d9f2106865701ded9169e0614 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.282 Creator An entity primarily responsible for making the resource Artist unknown American Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Man in Uniform Holding a Sword #11799 Albumen print 3 5/8 x 2 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print black and white photograph portrait Professional soldier Sword uniform http://art-collections.museum.ucsb.edu/files/original/0ca2c809abd7d3c0e60879113b243e0d.jpg dccae48226a6601cff8e48a87be04641 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.258 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Quai Du Mont Blanc 5 Fold Out photos lithograph 3 x 4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. black and white Boat French Harbor landscape Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/ec9f5fe43a8910120126b03633e680ae.jpg 272b623155556bd71c300e10b69f6909 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.257.1 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Geneva picture book: Musee Rath lithograph 3 x 4 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. architecture black and white French Geneva Picture Book Lithograph Musee Rath Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/1522ff54383c40d64b758b6491a0ab49.jpg a213f0773d819f5aae1d016f2bf22af0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.256 Creator An entity primarily responsible for making the resource Artist unknown American Title A name given to the resource Artist unknown Description An account of the resource Portrait of Man Seated with Book In Lap Albumen print 4 x 2 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print black and white book Bowtie formal man Older photograph portrait Seated suit http://art-collections.museum.ucsb.edu/files/original/eb693db8f1cba76c97727680e6a51e66.jpg e5ab79ab04cb6cac240873984fc9a14a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.255 Creator An entity primarily responsible for making the resource Artist unknown American Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Man Standing Albumen print 4 x 2 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print black and white Bodyshot Bowtie formal Leaning man Older Pedestal photograph portrait standing suit http://art-collections.museum.ucsb.edu/files/original/c231fe1c1753b349494b7d1a0efe902e.jpg 1d2b4a78fc2b437f9b2307980044d1e1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.254 Creator An entity primarily responsible for making the resource Artist unknown American Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Small Boy Seated on a Purple Chair #8082 hand colored albumen 3 3/8 x 2 3/8 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print black and white formal Hand Colored Albumen photograph portrait purple chair Seated Small boy Well Dressed http://art-collections.museum.ucsb.edu/files/original/5de7fb6fc7e0bc99756bdeffebf2a4db.jpg f783ffc9b9c303232f48959afbabc640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.253 Creator An entity primarily responsible for making the resource Artist unknown American Title A name given to the resource Artist unknown Description An account of the resource Portrait of Five Children Albumen print 2 1/2 x 4 1/8 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print black and white boy children Family Portrait formal Girls photograph portrait http://art-collections.museum.ucsb.edu/files/original/cb819a8f87c29ac1d1996e30437f8cf2.jpg f5783517e1fc6ff7b535271c89d33161 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.252 Creator An entity primarily responsible for making the resource Artist unknown American Title A name given to the resource Artist unknown Description An account of the resource Portrait of A Woman #1085 Albumen print 3 5/8 x 2 3/8 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print Barrette black and white Curls flower formal Hairdo photograph portrait woman http://art-collections.museum.ucsb.edu/files/original/a739bbc2db81e36cb37383805483b18d.jpg 93c4104dd56b42ac5a5e3e638553ca09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.251 Creator An entity primarily responsible for making the resource Artist unknown American Title A name given to the resource Artist unknown Description An account of the resource Portrait of Carrie Summers #22823 Albumen print 3 3/4 x 2 3/8 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print black and white Blush Carrie Summers Earrings formal Hairdo photograph portrait young woman http://art-collections.museum.ucsb.edu/files/original/24275f6e6920c418983c309921b95a3e.jpg 82bd1322e526949c4fcd4544bf8756a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.250 Creator An entity primarily responsible for making the resource Artist unknown American Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Woman with Rosy Cheeks Albumen print 3 1/2 x 2 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print Barrette black and white Blush Curls Earrings Flower Clip formal Hairdo photograph portrait Rosy Cheeks woman http://art-collections.museum.ucsb.edu/files/original/0ea47787c79e2b49e1b16b71d9d05aeb.jpg e2b748c51732208c8724275920057489 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.249 Creator An entity primarily responsible for making the resource Artist unknown American Title A name given to the resource Artist unknown Description An account of the resource Portrait of 2 Young Boys In Interior with Piller and Balustrade Albumen print 3 3/4 x 2 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print Balustrade black and white boys children Dress Up photograph Pillar portrait Young http://art-collections.museum.ucsb.edu/files/original/9e2bbbf6a48686abe98f63b010477dd6.jpg 8ac647ad48212df68f8576b67b6e1b63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.248 Creator An entity primarily responsible for making the resource Artist unknown American Title A name given to the resource Artist unknown Description An account of the resource Portrait of Man With White Hair & Long Sideburns Albumen print 4 1/4 x 2 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print black and white man Mustache Old photograph portrait Sideburns Signature White Hair http://art-collections.museum.ucsb.edu/files/original/67d31eb82af520d888e5b006ce7cd410.jpg 4a7956c9ac2298a3cd80a6f2ddd3aaa9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.246 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Large White House black and white photograph 3 3/4 x 6 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. architecture black and white Buggy Car Large House photograph White House http://art-collections.museum.ucsb.edu/files/original/b896666cf2929cda45a184891dddabf6.jpg 837586068221ff3785b825d21b5c5e77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.245 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Arizona VI Gelatin silver print 5 1/2 x 3 3/8 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Arizona black and white Desert Gelatin Silver Print Grand Canyon landscape Nature outdoors photograph http://art-collections.museum.ucsb.edu/files/original/309345f58bd1da13b82ef485fb68709e.jpg faf442bff76348b1849b94fcca4f6815 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.244 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Arizona V Gelatin silver print 3 3/8 x 5 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Arizona black and white Desert Gelatin Silver Print Grand Canyon landscape Nature outdoors photograph http://art-collections.museum.ucsb.edu/files/original/8532c01885a942ed9901220e9d670884.jpg 374ba87209d1b69614349905cf5a68d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.243 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Arizona IV Gelatin silver print 3 1/4 x 5 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Arizona black and white Desert Gelatin Silver Print Grand Canyon landscape Nature outdoors photograph http://art-collections.museum.ucsb.edu/files/original/0c0c3a27339b86aa3d9f887cd2670b82.jpg 4f20bb57aaa59e02c40656e6d6629389 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.242 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Arizona III Gelatin silver print 3 3/8 x 5 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Arizona black and white Desert Gelatin Silver Print Grand Canyon landscape Nature outdoors photograph river http://art-collections.museum.ucsb.edu/files/original/9cf8e7f3606ba2f7354219f69cd03804.jpg 3edc9af28f577c8c934ddd929c293aad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.241 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Arizona II Gelatin silver print 3 3/8 x 5 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Arizona black and white Desert Gelatin Silver Print Grand Canyon landscape Nature outdoors photograph Ravine http://art-collections.museum.ucsb.edu/files/original/5c9b1778f5df7827c99dcab32e377679.jpg 886f082b19e7e145eeb054bf9ccbc9f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.24 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Arizona I Gelatin silver print 3 3/8 x 5 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Arizona black and white Desert Gelatin Silver Print Grand Canyon landscape Nature outdoors photograph Ravine http://art-collections.museum.ucsb.edu/files/original/0873159e66b418cb022491e1d4ae76fe.jpg 8a0faae6b77c5984c8adfcdcb335bd0a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.239 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Trees, Grass, Cattle, 1937 gelatin sliver 3 1/4 x 5 3/4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource July 2, 1937 black and white Cattle Gelatin Silver Print grass landscape photograph trees http://art-collections.museum.ucsb.edu/files/original/e0876297c780bf588b182ff360a03687.jpg c333bcceacb805610b4e14a96ac07396 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.233 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Man in Hospital Bed, Standing Nurse, Man Seated in a Chair gelatin sliver 4" x 3" Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. bed black and white Chart Doctor Hospital Nurse Patient photograph portrait http://art-collections.museum.ucsb.edu/files/original/a6bb923699b9794437e2da2db7359af0.jpg 2bce297eed91e1302ec6ac441e213bf8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.191 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Old Yew. Patterdale Church Yard Albumen print 2 1/2 x 4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print black and white Churchyard Eerie landscape Patterdale Church photograph Tree http://art-collections.museum.ucsb.edu/files/original/5e658304f121e55955de89aa85fea5d0.jpg 9069781d914a60cb8f223a69477efec6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.176 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Anne Hathaway's Cottage Shottery Albumen print 3 1/4 x 2 1/4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Anne Hathaway's Cottage Shottery architecture black and white Chimney house photograph Shrubbery Thatch http://art-collections.museum.ucsb.edu/files/original/befe64a7c20577279acfde7c345e2f9c.jpg 912674fe22f2fb175ab0879c378474b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.134 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource American Men in Camp,1 Standing, Others Sitting 1898 gelatin silver and albumen 4 1/2 x 7 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1898 Albumen Print American army black and white Camp Gelatin Silver Print landscape outdoors photograph http://art-collections.museum.ucsb.edu/files/original/1dbcd9856428df8cf81d38e973924350.jpg 7b5defdb619687627317bd8a7086a611 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.133 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource American Men in Camp 1898 gelatin silver and albumen 4 1/2 x 7 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1898 Albumen Print American army black and white Camp Gelatin Silver Print landscape outdoors photograph http://art-collections.museum.ucsb.edu/files/original/c62446ca0c3ff5d4a75f67cf79208d71.jpg 41cd11e1d514d65d3f3f8a49f3f0a86c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.129 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource (No.37) C.E. Treuches Coombs Photo 1898/99 gelatin silver and albumen 4 x 7 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1898/99 Albumen Print American army black and white Camp Gelatin Silver Print landscape outdoors photograph http://art-collections.museum.ucsb.edu/files/original/e90c018f419f2bfc47a3b97c37cd6cba.jpg 9a56155257834d0e7ea60b0ac9fd5bd6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.122 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Crater with Receeding Water 1898 gelatin silver and albumen 4 1/2 x 7 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1898 black and white Crater landscape Mountain Outdoor photograph water http://art-collections.museum.ucsb.edu/files/original/7de1400395143a2e34d54be83274a274.jpg c1c68e4e0bd95274693c20ded89b8de0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.28 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource Keith 1916 gum dichromate (?) 8 x 11 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1916 black and white boy Messy Hair photograph portrait Tie Young http://art-collections.museum.ucsb.edu/files/original/e4d667f6cb1c7713087cfcdfec1e7320.jpg a0da0d521631997bcfc4cbb942473d60 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.19 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Santa Barbara Mission 1915-1920 gum dichromate; some hand-colored or hand intensified 10 1/2 x 13 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 black and white Horizon landscape Mission outdoors Path photograph Santa Barbara Tree http://art-collections.museum.ucsb.edu/files/original/3b56004f864232bf711a53e6772d2acc.jpg 1ad00f54f07ac1dd4b1310c695749e29 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.16 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Water Carrier 1915-1920 gum dichromate; some hand-colored or hand intensified 10 x 12 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 Backpack black and white hat man Old man Pack photograph portrait Water Carrier worker http://art-collections.museum.ucsb.edu/files/original/aa6f34db038a7f46adeb119c111f5fe5.JPG d355317f43e44657ee6a6353de77a500 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.15 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Patio and Stairs 1915-1920 gum dichromate; some hand-colored or hand intensified 12 x 16 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture black and white Courtyard Masonry Patio photograph Potted Plants stairs stone http://art-collections.museum.ucsb.edu/files/original/5dda394aac41933bc4af725100e81fab.jpg 53f086a596fd3619de997f6b11276787 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.007.006 Creator An entity primarily responsible for making the resource SMITH, Shinique United States, b.1971 Title A name given to the resource SMITH, Shinique Description An account of the resource Ecstasy: Salt & Pepper 2010 Screenprint with collage and hand edition, 19/50 30 X 22" PAPER Mixed medium of black paint swirls, pencil signatures, and a collage of black and white PAPERs on a white background. Signature, date and edition statement located on lower right corner. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2010 abstract black and white Brushstroke collage Mixed-Medium oil Swirls Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/1267d0732c72ab6e30ffb99f2dfa07d0.jpg 9e672d42156474c8c27cefb118574125 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.003.003 Creator An entity primarily responsible for making the resource KAMI, YZ Iran, b.1965 Title A name given to the resource KAMI, YZ Description An account of the resource TANTRA: Untitled 2005 Iris inkjet on Somerset Velvet, 40/50 12 x 16" PAPER Inkjet print; black and white PAPER of a male head; signature and date at lower right. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2005 bald black and white ID Photo Male photograph portrait Young Man http://art-collections.museum.ucsb.edu/files/original/b28e407700ee93b1fea9245244112eb8.JPG 8d8ef59c7d17bc7b31c3572bca82f580 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.1119 Creator An entity primarily responsible for making the resource Obert's Photo Studio Title A name given to the resource Obert's Photo Studio Description An account of the resource Room interior with Native American artifacts c. 1920-1929 Gelatin silver print 9 3/4 x 7 7/8" Gelatin silver print of a room interior with Native American rugs on floor; baskets and spears on walls. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1920-1929 20th century artifacts black and white Gelatin Silver Print Native American photograph still life http://art-collections.museum.ucsb.edu/files/original/4c867c13e9d23554fafcb6fec4e97e20.jpg bf5647b9298155e599c98a172f60b224 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.1118 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Bust image of a female facing right c. 1920-1929 Gelatin silver print 9 1/2 x 7" Gelatin silver print of a female; torso image of her facing right Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1920-1929 black and white bust Gelatin Silver Print photograph portrait woman http://art-collections.museum.ucsb.edu/files/original/c79d6a27fbad5171ac0a4f51052462a3.JPG 6bcc5910e3d96d0b74bd0a4581e528bf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.1117 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Fernand Lungren in coat and tie c. 1920-1929 Gelatin silver print 9 3/8 x 7 3/8" Gelatin silver print of an elderly Fernand Lungren; he is dressed in a coat with tie and is positioned against what appears to be one of his paintings. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1920-1929 black and white Gelatin Silver Print photograph portrait self-portrait http://art-collections.museum.ucsb.edu/files/original/678a5320882c0a9fe6a9ce62fc4bb0b1.jpg 9200b8bb8d61c600f3ab6f9089dffb7d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.1113 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource A Surveyor's Landmark, Grand Canyon c. 1920-29 Gelatin silver print 4 7/8 x 6 7/8" Gelatin silver print of a figure standing atop a rock formation at the Grand Canyon. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1920-1929 20th century black and white Gelatin Silver Print Grand Canyon landscape photograph http://art-collections.museum.ucsb.edu/files/original/8e779e0195cd37a454b599e0e1a877cc.jpg c5d19ac32e50118fadda4343a9448893 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.1112 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Mr. and Mrs. Fernand Lungren on Bass Trail c. 1920-29 Gelatin silver print 3 1/4 x 4 1/4" Gelatin silver print of Mr. and Mrs. Fernand Lungren walking down Bass Trail. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1920-1929 20th century black and white Couple Gelatin Silver Print landscape photograph http://art-collections.museum.ucsb.edu/files/original/011490fd04ca0e0bdb444c0df001a2e0.jpg aa9ee4759c749e412eeb9fc2ed2cecb9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.1111 Creator An entity primarily responsible for making the resource CORE, E.B. United States Title A name given to the resource CORE, E.B. Description An account of the resource Calling card: Fernand Lungren ca. 1891 Gelatin silver print 5 1/2 x 3 7/8" Gelatin silver print on a stationery card of Fernand Lungren standing facing left; along the bottom is name of photographer in embossed gold. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1891 19th century black and white calling card photograph portrait self-portrait http://art-collections.museum.ucsb.edu/files/original/02999596e04206630d357f68dc82e594.jpg eeef0ed53da6a88af1c98cdccdda8224 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.1109 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Fernand Lungren seated in a chair, smoking c. 1920-29 Gelatin silver print 9 7/8 x 8" Gelatin silver print of Fernand Lungren; side view of him seated in a rattan chair smoking a cigarette; full view of a painting behind him. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1920-29 20th century black and white Gelatin Silver Print photograph portrait smoking http://art-collections.museum.ucsb.edu/files/original/f05893216a8a8a2e13b12b70b642185e.jpg aacffd55a4e2b80ba36973fd5c493e96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.1107 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Fernand Lungren seated smoking a cigarette c. 1920-29 Gelatin silver print 9 2/4 X 7 1/2" Gelatin silver print of Fernand Lungren seated in a rattan chair smoking a cigarette; his hand is somewhat blurred; full image of a painting in the background. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1920-29 20th century black and white Gelatin Silver Print photograph portrait http://art-collections.museum.ucsb.edu/files/original/10a17b70bdb4d6f5b8d59e8abddce595.jpg afc9ce0fd1b6f375cb06d02b833798c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.1106 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Fernand Lungren seated smoking a cigarette c. 1920-29 Gelatin silver print 9 1/2 x 7 1/2" Gelatin silver print of Fernand Lungren seated in a rattan chair smoking a cigarette. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1920-29 20th century black and white Gelatin Silver Print photograph portrait http://art-collections.museum.ucsb.edu/files/original/0dcb03e24d770509ae70e6a7651fd1bc.jpg 7e5e754246d2872d68db3d84dd7cd7c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.1105 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Fernand Lungren at the Grand Canyon c. 1920-29 Gelatin silver print 6 3/8 x 8 1/8" Gelatin silver print of Fernand Lungren at the Grand Canyon; Lungren positioned in a boat at right. Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1920-29 20th century black and white Gelatin Silver Print landscape Nature photograph http://art-collections.museum.ucsb.edu/files/original/726e69c89ff91f68dc61ab24c74f31c0.jpg a0eb04ece5313861a1bfe68c972c8386 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.1104 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Portrait of Fernand Lungren c. 1920-29 Gelatin silver print 5 1/4 x 3 7/8" Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1920-29 20th century black and white Gelatin Silver Print photograph portrait http://art-collections.museum.ucsb.edu/files/original/2ba873f4c3ca7b9b864fa20135364d20.jpg bcea75f68eb645162d501e9020d92016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.1098 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Fernand Lungren in London with Arm of the Law c. 1899 Gelatin silver print 6 1/8 x 7 1/2" man with palette and brush in front of carriage painting Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1899 19th century artist black and white Painter photograph portrait http://art-collections.museum.ucsb.edu/files/original/8797ab1507ae9c01d20edbae8cba3cac.jpg ccfc8e727a72d114b64c1ce2d4ce6d77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.1097 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Henrietta Lungren on Bass Trail, Grand Canyon c. 1903 Gelatin silver print 4 7/8 x 6 13/16 woman in hat on dokey coming down a hill Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1903 20th century black and white donkey Grand Canyon landscape photograph woman http://art-collections.museum.ucsb.edu/files/original/97fc49470fa810c7f770cc5344b3801d.JPG edcc29271b1b49cf06909cf2f7a3cbfb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.940 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Henrietta Lungren at the Grand Canyon c. 1903 Gelatin silver print 6 13/16 x 4 7/8 woman in hat sitting in a tree Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource 1903 20th century black and white Gelatin Silver Print hat Nature photograph portrait woman http://art-collections.museum.ucsb.edu/files/original/eda5f927db52eb6ac6fed2593c6309ba.jpg fc979616e7332bfd09ec34d0584ba1cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fernand Lungren Bequest Description An account of the resource In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&A Museum today. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1964.818 Creator An entity primarily responsible for making the resource LUNGREN, Fernand b. United States, 1857-1932 Title A name given to the resource LUNGREN, Fernand Description An account of the resource The "Bell-Mare" oil on canvas 24 x 16 x 1 in. completed black and white oil illustration Source A related resource from which the described resource is derived Fernand Lungren Bequest Date A point or period of time associated with an event in the lifecycle of the resource n.d. black and white canvas horses mares oil Painting still life http://art-collections.museum.ucsb.edu/files/original/b44af4ca1bc2f17f8f4ddaadf40427f4.jpg 8d48273d1a30c4bb4dda53f5cf5a48c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Barry Berkus Family Collection Description An account of the resource The Barry Berkus Family Collection contributes to the strength of the Museum's holdings of twentieth century works on paper. Made in 2006, the Berkus gift provided the museum with twenty-one works on paper by artists working primarily in the United States in the 1980s and 1990s, including: Robert Motherwell, William Wegman, Robert Rauschenberg, and Carrie Mae Weems. Berkus, an architect who worked in Southern California, designed the UC Santa Barbara’s Mosher Alumni Building. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2006.002.019 Title A name given to the resource SPENCE, Andrew Creator An entity primarily responsible for making the resource SPENCE, Andrew United States, b. 1947 Description An account of the resource Untitled 30 x 22" Monotype publsihed by Tullis Workshop, Santa Barbara. White square and white box superimposed on black ground. Source A related resource from which the described resource is derived Gift of Barry A. Berkus and Family Date A point or period of time associated with an event in the lifecycle of the resource 1989 1980's 20th century abstract black and white monotype Santa Barbara square works on paper http://art-collections.museum.ucsb.edu/files/original/31222eedb3041337148063d4ab87fd77.jpg a382adc6228c40de25ed116812e66137 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Barry Berkus Family Collection Description An account of the resource The Barry Berkus Family Collection contributes to the strength of the Museum's holdings of twentieth century works on paper. Made in 2006, the Berkus gift provided the museum with twenty-one works on paper by artists working primarily in the United States in the 1980s and 1990s, including: Robert Motherwell, William Wegman, Robert Rauschenberg, and Carrie Mae Weems. Berkus, an architect who worked in Southern California, designed the UC Santa Barbara’s Mosher Alumni Building. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2006.002.005 Title A name given to the resource BECK, Martin Creator An entity primarily responsible for making the resource BECK, Martin United States, b. 1963 Description An account of the resource Untitled 8 x 11" Source A related resource from which the described resource is derived Gift of Barry A. Berkus and Family Date A point or period of time associated with an event in the lifecycle of the resource 1989 1980's 20th century black and white grid Pattern square works on paper http://art-collections.museum.ucsb.edu/files/original/0c713a47cd3a14c101345cbc26f82ab7.jpg cd4ff5b144aff5ca1e29d4e0e5733ce8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Barry Berkus Family Collection Description An account of the resource The Barry Berkus Family Collection contributes to the strength of the Museum's holdings of twentieth century works on paper. Made in 2006, the Berkus gift provided the museum with twenty-one works on paper by artists working primarily in the United States in the 1980s and 1990s, including: Robert Motherwell, William Wegman, Robert Rauschenberg, and Carrie Mae Weems. Berkus, an architect who worked in Southern California, designed the UC Santa Barbara’s Mosher Alumni Building. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2006.002.004 Title A name given to the resource BECK, Martin Creator An entity primarily responsible for making the resource BECK, Martin United States, b. 1963 Description An account of the resource Untitled 8 x 11" Source A related resource from which the described resource is derived Gift of Barry A. Berkus and Family Date A point or period of time associated with an event in the lifecycle of the resource 1989 1980's 20th century black and white line Pattern triangular works on paper http://art-collections.museum.ucsb.edu/files/original/2852257709e56316869d93f6a5c8993a.jpg 60b1194666fd342f4876f39c83b53d0d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2010.005.003 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Woman 4 1/8 x 3 1/4" Daguerrotype of seated female; figure is leaning against a table with bent left arm on table. Source A related resource from which the described resource is derived The Peter and Virginia Bancroft Collection of Vintage Photographs Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/3e179a2113b390d81633dc13de31c23e.jpg a93a4586f661f380fb8d2b46ac9bd41c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2010.005.002 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Lady 4 3/8 x 3 3/8" Hand-colored daugerrotype of a female wearing maroon bodice with white color and cap; woman is facing right; oval frame set in sqaure frame decorated. Source A related resource from which the described resource is derived The Peter and Virginia Bancroft Collection of Vintage Photographs Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/8df3e2cb0bea1d65d1720b4dd8ed0c9f.jpg 96bac142a45f959df3f847fb7c3d621c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2010.005.001 Title A name given to the resource Artist unknown Description An account of the resource Man with Pocketwatch 4 1/8 x 3 1/4" Source A related resource from which the described resource is derived The Peter and Virginia Bancroft Collection of Vintage Photographs Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/d710f3452995f16a7373cbf4d2139838.jpg cd6077e04d1e4dc9eb37868f1da196ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2001.8 Title A name given to the resource Artist unknown Creator An entity primarily responsible for making the resource Artist unknown French, 19th Century Description An account of the resource Portrait of Mademoiselle Marie Montcalm plate 3 x 2 1/2 inches; frame 8 x 7 inches Seated dark-haired woman holding rolled scroll in her left hand. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Date A point or period of time associated with an event in the lifecycle of the resource 1859 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/acbce92ed8b79ea7c2f31d1d674ea2ce.jpg 80832a8905abfde6687b360b9f547fce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.77 Title A name given to the resource Artist unknown Description An account of the resource Image Book case: 3 x 2 3/4 in.; photo: 2 1/2 x 2 in. Mother with son seated across her lap Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource ca. 1869 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/65ed569904d02aabf4641403451d7a9d.jpg c33fead6c1ac28aa3e6686d8701622e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.76 Title A name given to the resource Artist unknown Description An account of the resource Lincoln Family Carte de Visite overall: 4 x 2 5/8 in. Abraham Lincoln surrounded by his family Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/c5cc3c96eee559de2f6bf5cf28cb2501.jpg df533d66b388355fc70fe997912a1f15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.75 Title A name given to the resource Artist unknown Description An account of the resource Sara Washington, Liberated Black Woman, Beaufort, NC, 1866 case: 3 x 2 1/2 in.; photo: 2 1/2 x 2 in. Frontal portrait of young woman wearing hat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource 1866 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/cf71d663c910a8f19aae33e05340b653.jpg 03510730f13fc8e0e0420b57ebc5d7d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.74 Title A name given to the resource Artist unknown Description An account of the resource Two Young Women, One Holds Fishing Pole case: 3 3/4 x 3 1/2 in.; photo: 3 1/4 x 2 5/8 in. Two young women, one seated, one standing holds a fishing pole Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/f31e3b69df41990a5bcae0a626048db1.jpg b22ed5cd83c1560e9c11cfa2a4006832 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.73 Title A name given to the resource Artist unknown Description An account of the resource Portrait of Young woman with Hand on Shoulder case: 2 x 2 in.; photo: 1 1/2 x 1 1/4 in. Portrait of a young woman with hand on shoulder Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/273ef82b4431d699fa883d59cb2ae0c8.jpg 7db632ef5b752c87bce9740065e0356d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.72 Title A name given to the resource Artist unknown Description An account of the resource Train Conductor case: 3 3/4 x 3 1/4 in. photo: 3 x 2 1/2 in. Train conductor in uniform with proper left hand resting on studio prop Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/26ef31e30c5cc423a4ac200e2d49bd4c.jpg 255445a330dc92e33c8a42c7a5710e39 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1999.71 Title A name given to the resource Artist unknown Description An account of the resource Post Mortem of Baby Girl in White Dress case: 3 3/4 x 3 1/4 in., photo: 3 x 2 1/2 in. Post mortem of baby girl in white dress Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/bbf3a9c04f4f9641c76d08fab0c82c78.jpg 80505abae068b226fa2f08f614067727 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.36 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Young Child Photo: 8 1/2 in. x 6 1/2 in. Portrait of a young child, seated, wearing plaid clothing with lace collar and cuffs Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/6ada16f5b3102340a960935a411c2271.jpg 1c96e99cce5ab6ff13f048bdb649150d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.35 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Man in Profile Photo: 8 1/2 in. x 6 3/8 in. Portrait of a man in profile, mustache and side burns, plate fully painted Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/b32564a36a8f9ac950fc8f34e293a3e7.jpg 9cc19512660647d20cd3e4d3f09e5444 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.34 Title A name given to the resource Artist unknown Description An account of the resource John Smith Davis Photo: 8 1/2 x 6 3/8 in. Mat: 10 x 8 in. Portrait of John Smith Davis, dark beard, entire image is painted Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/3a7954a92c33a971ce67323825592f0a.jpg c3ee8f3b4663f4fd6a19a2ee919eccd3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.33 Title A name given to the resource Artist unknown Description An account of the resource Portrait of Seated Male with Side Burns Photo: 7 x 4 7/8 in Portrait of a seated male with side burns, proper left arm resting on a book. Paper mat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/9c7c50c0134fc55571adb170a4644645.jpg 713879fa02b9f007596e4af3878e37eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.32 Title A name given to the resource Artist unknown Description An account of the resource Group Portrait of Male, Female Adults with Two Girls and One Boy Photo: 5 1/8 in. x 3 1/4 in. Group portrait of seated male and female adults with 2 girls and 1 boy. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/9700f34fbf193ab82195cd4f741ea447.jpg c06bd7ee77e9930f8fc653231779e3e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.31 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Man with Beard and Heavily Tinted Cheeks Case: 6 x 4 3/4 in. Photo: 5 1/4 x 4 in. Portrait of a young man with beard and heavily tinted cheeks Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/21e65232f7d40aa4f9f8e6e05360252a.jpg 74c1172be204cd585511d3a59ca66956 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.30 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Woman Wearing a Veil Case: 4 3/4 x 3 3/4 in. Photo: 4 3/8 x 3 5/8 in. Portrait of a woman wearing a veil Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/cb219a7ba772fbe658f6b244caf0d46a.jpg 526db6d67850caafc99aebee337c8f8c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.29 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Baby Wearing a Dress with Decorative Black Trim Case: 2 7/8 x 2 3/8 in. Photo: 2 3/8 x 1 7/8 in. Portrait of a baby wearing dress with decorative black trim, scalloped mat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/188cf29b7f4fd1331b26f1d8a01c1cd5.jpg f5e58f3bad46358ee45025c98542745e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.28 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a 40 Year Old Male with Fuzzy Beard Case: 3 x 2 1/2 in. Photo: 2 1/2 x 2 in. Portrait of a 40 year old man with fuzzy beard wearing a sweater under his coat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/b17ef06c0f19acc938bc054e66346ea2.jpg 38b25e8fbffe42c8d68b67083a320dff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.27 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Young Female Child With Tinted Cheeks Case: 3 x 2 1/2 in. Photo: 2 1/2 x 2 in. Portrait of a young female child with tinted cheeks, wearing a dress with decorative stripes Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/8ac9900a37c64fac870071749a5ce58b.jpg 18e04c10d7fa0623b66a56d9d9532e37 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.26 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Middle Aged Man Wearing Coat with Velvet Collar Case: 3 3/4" x 3 1/4" Photo: 3" x 2 1/4" (1/6 plate) Portrait of a middle aged man wearing a dark coat with velvet collar, scalloped mat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/893fa135f28d995d9e561778a698530b.jpg ef2600e4617e1a4ea13a2a882d3ced64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.25 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Young Man with Thin Mustache and Beard Case: 3 5/8 x 3 1/4 in. Photo: 3 x 2 1/2 in. Portrait of a young man with thin mustache and beard wearing white jacket, oval mat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/58cae48f35846966b78f3275bd18ba2d.jpg fe0afcc4a06372513fbbe3e7ed3d9f16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.24 Title A name given to the resource <div style="text-align:left;">Artist unknown</div> Description An account of the resource Portrait of Woman with Feathered Bow at Neck Case: 3 3/4 in. x 3 1/4 in. Photo: 3 x 2 3/4 in. Portrait of a woman wearing a feathered bow at her neck. Oval mat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/c44e61462f1a438f4b8e9bb59f7196dd.jpg aa164a52aa7ac85e0d1ab349884cd4d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.23 Title A name given to the resource Artist unknown Description An account of the resource Dwarf Wearing Bowler Hat Case: 3 3/4 x 3 1/4 in. Photo: 3 x 2 3/4 in. Full view of male dwarf standing, wearing a bowler hat, oval mat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/0c379bc6910de5e5b751e568ea8d474f.jpg b1e6feebafd6e7caa8a0454050bb1e86 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.22 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Young Man with Thin Mustache Case: 3 x 2 1/2 in. Photo: 2 5/8 x 2 in. Portrait of a young man with thin mustache, proper left arm resting on a support. Case interior decorated with a tortise shell insert. Mirrored background Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/cc7bdcbe88ddd34182e4df67ce745010.jpg 12cfcf3b2aabd6d31aec52e6f5ca26d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.21 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Baby Wearing Hat Case: 3 x 2 1/2 in. Photo: 2 5/8 x 2 in. Portrait of a baby wearing a hat, baby is tilted on image. Mirrored background Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/88c81bfadf7385709b4f93524a6326dd.jpg 06e98809b0c29bb56e54ea62e6f3251d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.20 Title A name given to the resource Artist unknown Description An account of the resource Portrait of Man Wearing High Collar Case: 4 x 3 1/2 in. Photo: 3 1/8 x 2 1/2 in. Frontal portrait of a man wearing high collar shirt, rectangular mat, mirrored background Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/b13d1dca694dbb5213f7f458096b02d4.jpg 51ad8b1d4f6c8b6cd3b2ffc09ee18034 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.19 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Man with Wide Brimmed Hat Case: 3 3/4 in. x 3 1/4 in. Photo: 3 x 2 3/4 in. Portrait of a man with mustache, wearing wide brimmed hat, tinted cheeks, oval mat Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/451193cc346e50929f86ce760196327a.jpg 1813587c2f25e9dd41a224b7293abae9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.18 Title A name given to the resource Artist unknown Description An account of the resource Portrait of Woman with Hands Folded Case: 3 3/4 x 3 1/4 in. Photo: 3 x 2 3/4 in. Portrait of a seated woman with hands folded in lap. Mirror image. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/79d35c3379d4e1077b9138e5c29c40c2.jpg 2ff1263871b39acb04b3177c5fc13c93 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.17 Title A name given to the resource Artist unknown Description An account of the resource Angel in Chariot Case: 4 x 3 1/4 in. Photo: 3 3/4 x 3 in. Family portrait from L to R, male, child, female, seated with hands folded Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/c9118415af05c294d63e986147f6bce2.jpg 8b39695415f699957ce022190dac1caa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.16 Title A name given to the resource Artist unknown Description An account of the resource Portrait of a Young Man 3 x 2 1/2 in. Frontal portrait of a young man wearing coat and tie Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/31579c83137e5ccd3eb0963f7da5d8b8.jpg 9311533d0fb30f2acac5405c2e60bf49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.15 Title A name given to the resource Artist unknown Description An account of the resource Young Boy With Cane Frame: 14 x 15 in. Portrait of a 3 year old boy holding a cane. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/ffec4ac60b7ca6603203566c1199c696.jpg 5b7648f8f743bfa010cfd5960f2e8418 http://art-collections.museum.ucsb.edu/files/original/4f63706fa768d0083ad0cca94f344229.jpg 19592f84805dcb3c7e01e59066912cb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1998.14 Title A name given to the resource Artist unknown Description An account of the resource Young Boy With Parted Hair Case: 6 1/4 x 5 in. photo: 5 1/8 x 4 in. Portrait of a boy with parted hair. Vision of Ezechiel motif on case. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/d928377f3f655916c023de6f2ede948c.jpg 9239de63cf55e8eefa6691f6fe0325e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1997.13 Title A name given to the resource Artist unknown Description An account of the resource Seated Man and Woman 1/4 plate: 3 1/4 x 2 3/4 Horse race depicted on case Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half of 19th C. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/d36e6ced95e5424456077d85ec9d9c89.jpg 1cc7324d57708bcab1ab05e578fcef77 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1997.12 Title A name given to the resource Artist unknown Description An account of the resource Emma and Charles Steele 1/6 plate: 2 1/2 x 2 in. Frances Steele 1855-1905 (Mrs. Duncan McNaughton). Charles H.? Steele 1851-1903 Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half of 19th C. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/956eacf20a849b3ad49579ca01350e48.jpg 4bcb7ed2c856cf6cccd49cdbc904f574 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1996.7 Title A name given to the resource Artist unknown Description An account of the resource Collar box Collar boxes were made for holding men’s collars, although one could also store jewelry, hankies, or the like inside. This one is constructed from wood with a thermoplastic cover. Celluloid, the first thermoplastic, was developed in the mid 1800’s and was relatively fragile. The lid itself has an agrarian composition in low relief enclosed by an oval. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half 19th C. 19th century 20th century architecture black and white Sculpture vintage http://art-collections.museum.ucsb.edu/files/original/8ed0bd209ffcaca0c46aaabbbab592ff.jpg 23d0acb5267f215357cdc0f1d1dc3a1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1996.6 Title A name given to the resource Artist unknown Description An account of the resource Man and woman with white scarf with tassels 1/2 plate: 4 1/2 x 5 1/2 in Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half 19th C. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/e108146ebdcd074a0feecd98dc2622f3.jpg d31ea11339ceb27bb4d8a428f87184f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1996.5 Title A name given to the resource Artist unknown Description An account of the resource Family: husband, wife, girl, boy and baby 1/2 plate: 4 1/2 x 5 1/2 in. tinted jewelry and dress; Holy Family case Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half 19th C. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/8cf39a02ddc2123ad9e7108b79ea1fcc.jpg 7dd2817390944c5744d841435e198ded Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1996.4 Title A name given to the resource Artist unknown Description An account of the resource Young woman with small cross at neck in plaid dress 4 1/4 x 3 1/4 in. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half 19th C. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/126ae8b8023836e521511cdea63dfd9c.jpg 2f696a13cfa83b8a7d2a5092f3b8907d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1996.3 Title A name given to the resource Artist unknown Description An account of the resource Young girl with straight hair 4 1/4 x 3 1/4 in. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half 19th C. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/170bf67df241e6f27fc24b06a2d79291.jpg 553a8b2722155836953f1f2a8ca921a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1996.2 Title A name given to the resource Artist unknown Description An account of the resource Young girl with bow below white collar 1/5 plate: Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half 19th C. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/4721c57dc2f4a017ca0d09573d5767af.jpg 2163be26ca1279a42c58e739abe5f7f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1996.1 Title A name given to the resource Artist unknown Description An account of the resource Plump baby looking away 1/9 plate: 1 1/2 x 1 3/4 in. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half 19th C. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/61fe00ca019887e128560b6f327d857a.jpg c2a230f8ff4b8d3b67326eb3f572c91b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1996.00 Title A name given to the resource Artist unknown Description An account of the resource Man with grey beard and hair 1/4 plate: 3 1/4 x 2 3/4 in. tinted cheeks Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half 19th C. 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/611514c89928a0616665de90751402d3.jpg 56c3a800ddb39f1f371de91f47112a39 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1995.648 Title A name given to the resource Artist unknown Description An account of the resource Horse Auction, Hillsboro, Ohio Frame: 8 3/4 x 11 in. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource 1876 19th century 20th century black and white photograph portrait vintage http://art-collections.museum.ucsb.edu/files/original/a21f2fabf8201f106392ee21db955d54.jpg 7d8fa70ea9bed8b7f3410003d92436cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1995.647 Title A name given to the resource Artist unknown Description An account of the resource Calico City, California #54 card: 4 x 7 in. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half 19th C. 19th century 20th century black and white landscape photograph vintage http://art-collections.museum.ucsb.edu/files/original/772d4ada1cdd1edff315593078d07cde.jpg f457d2d09a12659d427ddb32b21193ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1995.646 Title A name given to the resource Artist unknown Description An account of the resource Bound for the Klondike Gold Fields, Chilkoot Pass, Alaska card: 3 1/2 x 7 in. travel account on back of card Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource ca. 1898 19th century 20th century black and white landscape photograph vintage http://art-collections.museum.ucsb.edu/files/original/c1d1e28e9303fd84e214df3b512d3437.jpg c4ac55015c1bab4eb75615e4c6fbdf9c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1995.645 Title A name given to the resource Artist unknown Description An account of the resource Bisbee, Arizona card: 3 1/2 x 7 in. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half 19th C. 19th century 20th century black and white landscape photograph vintage http://art-collections.museum.ucsb.edu/files/original/21415372ee731424fe76ec896f797920.jpg 8f82a176718b0a854de39adfde4b4847 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Peter and Virginia Bancroft Collection of Vintage Photographs Description An account of the resource A collection of 580 daguerreotype, ambrotype, and tintype images taken between 1840-1880, the Peter and Virginia Bancroft Collection has as its emphasis the American experience during the Civil War. Images of both Confederate and Union soldiers, as well as men, women and children, are rare examples which date from the earliest years of photography. Many of the images are housed in extraordinary cases made of paper, leather, metal, mother of pearl, and other materials. The presentation of the images in their cases makes the collection a unique resource for the study of the history of photography. In addition, America’s journey westward in the mid-nineteenth century is chronicled in images of Western locations such as Bisbee and Tombstone (Arizona), Calico City (California), and the Chilkoot Pass in Alaska where the burgeoning mining industry is chronicled. Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1995.644 Title A name given to the resource Artist unknown Description An account of the resource Brewery Gulch, Bisbee Arizona card: 3 1/2 x 7 in. Source A related resource from which the described resource is derived Gift of Dr. Bancroft Creator An entity primarily responsible for making the resource Artist unknown Date A point or period of time associated with an event in the lifecycle of the resource last half 19th C. 19th century 20th century black and white landscape photograph vintage