1 100 6 http://art-collections.museum.ucsb.edu/files/original/5a7d6f1862467eaa0b31894a58c0f28c.jpg 9b2f5d5509a4bfa2a66b8f2c1f103fcc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.6 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Street Scene in Mexico 1915-1920 gum dichromate; some hand-colored or hand intensified 10 1/2 x 14 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture Bag brick Burlap Sack Gathering Lightpost photograph Sombrero stone Street Scene Walkway http://art-collections.museum.ucsb.edu/files/original/35dd26205fbbbca923f04ce6170010d9.jpg cb3923e460c2eff3f49a5c8e43b65676 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.2 Creator An entity primarily responsible for making the resource RAVELL, Henry American Title A name given to the resource RAVELL, Henry Description An account of the resource Praying Corn Sellers 1915-1920 gum bichromate; some hand-colored or hand intensified 9 1/2 x 7 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1915-1920 architecture brick Church Corn Sellers Doorway Entrance Gathering photograph Pillars Praying Religious Sombrero Steps http://art-collections.museum.ucsb.edu/files/original/4f820d66236bed9d9561913050080e0e.jpg 359be4999c222151bb3b2b610d2182c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women Beyond Borders Source A related resource from which the described resource is derived Women Beyond Borders Art Collection founded by Lorraine Serena Description An account of the resource Donated in 2023, Women Beyond Borders showcases the transformative gift of the archives and artworks from the multisite, cross-cultural exhibition project, Women Beyond Borders, founded by UCSB alum, Lorraine Serena (B.A. ’63, M.F.A. ‘75) in 1991. The project started with a small wooden box (measuring 3 1/2 by 2 by 2 1/2 inches) and an enticing invitation to women around the world—to transform this small container to one's liking. More than 900 people across 50 countries accepted it. The exhibition explores how Women Beyond Borders fostered experimental spaces for doing-it-oneself and doing-it-together, highlighted artistic media often dismissed for being in the realm of women, and challenged—through feminist practice and collectivity—hurdles for artistic freedom and expression in a wide array of geopolitical contexts. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2023.005.041 Creator An entity primarily responsible for making the resource Huynh, Nghi San b. Australia Description An account of the resource Welcome, 1995 Mixed media 3 X 4 X 2 1/2" OVERALL The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. The artist has positioned her box on its side creating a welcome mat and a faux fireplace facade with hair representing flames. Title A name given to the resource Huynh, Nghi San Date A point or period of time associated with an event in the lifecycle of the resource 1995 Source A related resource from which the described resource is derived Women Beyond Borders Art Collection founded by Lorraine Serena abstract brick Fire Flame Sculpture http://art-collections.museum.ucsb.edu/files/original/15ba36810c83167f58c2fa43acaa3d5a.jpg 482384d996ae13077ecfc45fc55ad394 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arts of Asia Description An account of the resource The AD&A Museum houses a small collection of works from Asia including Japanese textiles and a Vietnamese portfolio created using traditional Vietnamese print making techniques. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1963.12 Title A name given to the resource Artist unknown, Indian Creator An entity primarily responsible for making the resource Artist unknown, INDIAN Description An account of the resource Bricklayer, ca. early 20th C. Tempera 13 7/8 x 9 7/8" SHEET Source A related resource from which the described resource is derived Gift of John E. Carr Date A point or period of time associated with an event in the lifecycle of the resource ca. early 20th C. brick folk India Painting portrait tempera http://art-collections.museum.ucsb.edu/files/original/09c48bfe770a7a075af169e157c4f26e.JPG 1d8d594f3df7a22a2f6d114a410f45f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ruth S. Schaffner Collection Description An account of the resource Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1988.3.a-b Title A name given to the resource ARNESON, Robert Creator An entity primarily responsible for making the resource Arneson, Robert American, 1930 - 1992 Description An account of the resource Bricks for Ruth Schaffner unglazed ceramic 2 3/4 x 8 3/4 x 4 1/4 in. Two bricks: (a) Ruth (b) Schaffner Source A related resource from which the described resource is derived Ruth S. Schaffner Collection Date A point or period of time associated with an event in the lifecycle of the resource ca. 1968 brick bricks ceramic red Sculpture still life http://art-collections.museum.ucsb.edu/files/original/5b75d698c5fe4cc877a71e5630891128.jpg 9c88e28fd57d63644d4a544ab4025c96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ruth S. Schaffner Collection Description An account of the resource Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ARNESON, Robert <h2></h2> Ear Brick ca. 1968 Description An account of the resource ceramic with partial glaze 4 3/4 x 14 1/2 x 3 1/4" Ceramic brick with ears extending from left and right. Brick is partially glazed with the word BRICK inscribed at center with W and Z. Creator An entity primarily responsible for making the resource <h3>Arneson, Robert </h3> <h3>b. United States, 1930 - 2019</h3> Identifier An unambiguous reference to the resource within a given context <h3>1988.4</h3> Source A related resource from which the described resource is derived <h3>The Ruth Schaffner Collection</h3> Date A point or period of time associated with an event in the lifecycle of the resource ca. 1968 20th century abstract brick ears Sculpture