1 100 23 http://art-collections.museum.ucsb.edu/files/original/52f8e2b4e853d767f83d1c2beb365f0c.jpg 52421f375c8533c2a57786f6d339acc2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.105 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Old Woman Spinning with Three Children latter half 19th c. Albumen print, hand colored 3 5/8 x 5 3/8 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource latter half 19th c. children old woman photograph portrait Red Cloth Spinning Straw House http://art-collections.museum.ucsb.edu/files/original/11f449ff73b7acb4b4de3d3bf43e8c9f.jpg fc9258ce99e4aede96ae5d4e6356a0b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.22 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Portrait of Filipino Women photo lithograph 4 1/4 x 4 1/4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. children Filipino Group photo photograph portrait Wagon women http://art-collections.museum.ucsb.edu/files/original/0ea47787c79e2b49e1b16b71d9d05aeb.jpg e2b748c51732208c8724275920057489 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.249 Creator An entity primarily responsible for making the resource Artist unknown American Title A name given to the resource Artist unknown Description An account of the resource Portrait of 2 Young Boys In Interior with Piller and Balustrade Albumen print 3 3/4 x 2 1/2 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print Balustrade black and white boys children Dress Up photograph Pillar portrait Young http://art-collections.museum.ucsb.edu/files/original/5de7fb6fc7e0bc99756bdeffebf2a4db.jpg f783ffc9b9c303232f48959afbabc640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.253 Creator An entity primarily responsible for making the resource Artist unknown American Title A name given to the resource Artist unknown Description An account of the resource Portrait of Five Children Albumen print 2 1/2 x 4 1/8 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. Albumen Print black and white boy children Family Portrait formal Girls photograph portrait http://art-collections.museum.ucsb.edu/files/original/48011a7f110968258ab002d2f8480aab.jpg d22bcbc34846279f893eaa690d3030b4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.48 Title A name given to the resource BACON, Peggy Description An account of the resource Teasing the Cat Drypoint 12 x 13" MATTED Drypoint print of a group of children gathered around the base of a tree taunting a black cat perched on a limb; title, date and signated below image. Creator An entity primarily responsible for making the resource BACON, Peggy b. United States, 1895 - 1987 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1919 Cat children landscape portrait Tree Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/d40ceae4b9c924d73161bfbde4c83078.JPG f389f375e5a2dedade13a07795d6d641 http://art-collections.museum.ucsb.edu/files/original/9f9069444c9b16f0fb8cec096c2692c5.JPG 02f6d010dc2d66e84a509e8b7a259f41 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arts of Africa Description An account of the resource In addition to the Margaret Mallory Bequest, the AD&A Museum includes significant holdings of art from Africa. This includes but is not limited to a Bambaran Headress with a chi wara antelope and a Egungun masquerade costume. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2020.003.065 Title A name given to the resource Cameroon, Bamun people Creator An entity primarily responsible for making the resource Cameroon, Bamun people Description An account of the resource Royal woman sculpture with woman holding twins n.d. Bronze 18 h. x 13 1/2" dia. OVERALL Bronze sculpture of woman holding twins at sides. Date A point or period of time associated with an event in the lifecycle of the resource n.d. Source A related resource from which the described resource is derived Gift of Dr. Fima and Jere Lifshitz Bronze children Figurative Sculpture woman http://art-collections.museum.ucsb.edu/files/original/6f84696b8120ccbfcc41a795419148bd.jpg 8cf2663edc80974667f5ac3c39784149 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Garcia-Correa Collection of Mexican Prints Description An account of the resource Focusing on prints from the 1920s to the 1980s, the Garcia-Correa Collection of Mexican Prints highlights the importance of the graphic arts in Mexico. Gifted in 2025, this collection includes a selection of prints by renowned artists such as Emilio Amero, Leopoldo Méndez, José Clemente Orozco, David Alfaro Siqueiros, and Alfredo Zalce. Thematic focus includes labor, gender, and domesticity—key aspects of campesino culture and its farming community that have informed the lives of the collectors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CHARLOT, Jean Description An account of the resource Procession at Chalma Lithograph 15 3/8 x 11 6/8" SHEET Black and white lithograph with a church and nun in upper foreground while children's faces occupy the lower half flanked by two vertical beams; the children appear to be looking out. Artist signature at lower right corner. Creator An entity primarily responsible for making the resource CHARLOT, Jean b. France, 1898-1979 Source A related resource from which the described resource is derived Gift of Gilbert Garcia and Martha Correa in honor of the Garcia-Correa family Identifier An unambiguous reference to the resource within a given context 2025.002.009 Date A point or period of time associated with an event in the lifecycle of the resource n.d. children Group portrait still life works on paper http://art-collections.museum.ucsb.edu/files/original/b6e5ce813f0f11ac080fd149bd65140a.jpg 19e4a8f4fe56c449e6df1fcde06f9994 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.87 Title A name given to the resource DWIGHT, Mabel Description An account of the resource Children's Clinic Lithograph 15 1/4 x 17 1/2" MATTED Lithograph of a crowded clinic scene; centralized image of a mother holding a crying infant while a doctor looks on from right. Upright nurse standing at right. Creator An entity primarily responsible for making the resource DWIGHT, Mabel b. United States, 1876 - 1955 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1936 Baby children Doctor Lithograph medical portrait Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/f1b8a66de7ee69f25128c09eed013eee.jpg 8eb0f66325590d14f9e82ad9f25fdd0a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.66 Creator An entity primarily responsible for making the resource GLEDHILL, Carolyn and Edwin American, 1871 - 1935 and American, Toronto 1888 - 1976 Title A name given to the resource GLEDHILL, Carolyn and Edwin Description An account of the resource Two Children 1913, printed in 1976 from original negative chromogenic color photograph 10 x 8 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 1913, printed in 1976 from original negative Blue Dress children Flower Hat magazine photograph Pink Dress Pink Hat portrait Toddlers http://art-collections.museum.ucsb.edu/files/original/6959d301b2bffb4b8cd0d2f33b6eead3.jpg d194c3dd2b289ec9293228817f6308b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Garcia-Correa Collection of Mexican Prints Description An account of the resource Focusing on prints from the 1920s to the 1980s, the Garcia-Correa Collection of Mexican Prints highlights the importance of the graphic arts in Mexico. Gifted in 2025, this collection includes a selection of prints by renowned artists such as Emilio Amero, Leopoldo Méndez, José Clemente Orozco, David Alfaro Siqueiros, and Alfredo Zalce. Thematic focus includes labor, gender, and domesticity—key aspects of campesino culture and its farming community that have informed the lives of the collectors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource JIMENEZ, Sarah Description An account of the resource Ninos del Mezquital Linocut 24 1/2 x 18 6/8" SHEET Linocut of two children, one postioned behind the other wearing traditional dress; signed at lower right. Creator An entity primarily responsible for making the resource JIMENEZ, Sarah b. Mexico, 1927-2017 Source A related resource from which the described resource is derived Gift of Gilbert Garcia and Martha Correa in honor of the Garcia-Correa family Identifier An unambiguous reference to the resource within a given context 2025.002.050 Date A point or period of time associated with an event in the lifecycle of the resource n.d. children Monochrome portrait still life works on paper http://art-collections.museum.ucsb.edu/files/original/2ec2c2a84fb83d616a397f274f194dee.jpg dffc784865f13600adab5d191575fdbf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.121 Title A name given to the resource LEWIS, Martin Description An account of the resource Ice Cream Cones drypoint image: 9 1/4 x 15 in; mat: 20 x 24 in Creator An entity primarily responsible for making the resource LEWIS, Martin Australian/b. United States, 1881 - 1962 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1928 beach children drypoint seascape water Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/fd1aa53e2c2bef61d889b94eb8a4d1d0.jpg 7c7e0624ae70b9ca8a2cb8540f781b92 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sculpture and Mixed Media Description An account of the resource In addition to outdoor sculpture, the AD&A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood. The museum also has a smaller number of assemblages and mixed media collages in its collection. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2021.006.018 Creator An entity primarily responsible for making the resource LOWRY, Janice b. United States, 1946-2009 Title A name given to the resource LOWRY, Janice Description An account of the resource Journal #93 (Living A New Normal) Collage 15 x 20" MATTED This journal page was completed one month after the attacks of 9/11. In it, Lowry uses 1950's advertising images of children in contrast to the horrors of that current moment. A boy and a girl reading is contrasted with four figures in hazmat suits on the left, and on the right a child's "toy" called a potato gun that shoots harmless potato pellets, collaged with renderings of explosions, and a clipped headline that reads "How Scared Should You Be?" Signed and dated below collage on mat. Date A point or period of time associated with an event in the lifecycle of the resource 2001 Source A related resource from which the described resource is derived Gift of John Gothold and the Kohler Foundation, Inc. American children collage Mixed Media portrait Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/c73cee749456b91312ede40272733495.jpg 7249a913e72f54a446a7722ed68b99dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2013.003.055 Creator An entity primarily responsible for making the resource MELCHIONE, Joseph S. b. United States, 1948-2012 Title A name given to the resource MELCHIONE, Joseph S. Description An account of the resource Two children in car; one making Peace Sign with fingers, from Year of Rebellion, the 1970 Isla Vista Riots Gelatin silver print 25 1/2 21 1/2" FRAME Black and white photograph; two children in a bus with letters TA and U; child on right is holding up two fingers to form Peace Sign. Source A related resource from which the described resource is derived Gifted from the Estate of Joseph Stewart Melchione Date A point or period of time associated with an event in the lifecycle of the resource 1970; reprinted 2008 children Gelatin Silver Print hands photograph portrait http://art-collections.museum.ucsb.edu/files/original/5178ac8f3f114f51240103b880b6ae47.jpg 97b4e73e47a900dfab281f081a2e8394 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Garcia-Correa Collection of Mexican Prints Description An account of the resource Focusing on prints from the 1920s to the 1980s, the Garcia-Correa Collection of Mexican Prints highlights the importance of the graphic arts in Mexico. Gifted in 2025, this collection includes a selection of prints by renowned artists such as Emilio Amero, Leopoldo Méndez, José Clemente Orozco, David Alfaro Siqueiros, and Alfredo Zalce. Thematic focus includes labor, gender, and domesticity—key aspects of campesino culture and its farming community that have informed the lives of the collectors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MONTOYA, Gustavo Description An account of the resource La Gallinita Ciega Lithograph, ed. 10 22 1/4 x 29 5/8" SHEET Hand-colored lithograph of seven children playing in a courtyard; bell on building and blue sky in the background. Edition number, artist signature, and date at lower right. Creator An entity primarily responsible for making the resource MONTOYA, Gustavo b. Mexico, 1905-2003 Source A related resource from which the described resource is derived Gift of Gilbert Garcia and Martha Correa in honor of the Garcia-Correa family Identifier An unambiguous reference to the resource within a given context 2025.002.022 children color Playing still life works on paper http://art-collections.museum.ucsb.edu/files/original/57f2cdb422290e3e362c376787c861f1.jpg 71ba7ecc5b35556c7594d7d9f47ed26c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arts of Africa Description An account of the resource In addition to the Margaret Mallory Bequest, the AD&A Museum includes significant holdings of art from Africa. This includes but is not limited to a Bambaran Headress with a chi wara antelope and a Egungun masquerade costume. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2020.003.050 Title A name given to the resource Nigeria, Yoruba people Creator An entity primarily responsible for making the resource Nigeria, Yoruba people Description An account of the resource Epa mask of female figure with Ibeji twins n.d. Wood with paint 45" h. x 21" dia. OVERALL Carved wood Epa mask of female figure flanked with Ibeji twins. The multicolored mask includes a base with cut out facial features allowing access when worn as a mask. Date A point or period of time associated with an event in the lifecycle of the resource n.d. Source A related resource from which the described resource is derived Gift of Dr. Fima and Jere Lifshitz children Female Figurative paint Sculpture Wood http://art-collections.museum.ucsb.edu/files/original/881a559fd7a690a256195781028047de.jpg fe2f8d4275fb2c1890c9fc132fab96f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Garcia-Correa Collection of Mexican Prints Description An account of the resource Focusing on prints from the 1920s to the 1980s, the Garcia-Correa Collection of Mexican Prints highlights the importance of the graphic arts in Mexico. Gifted in 2025, this collection includes a selection of prints by renowned artists such as Emilio Amero, Leopoldo Méndez, José Clemente Orozco, David Alfaro Siqueiros, and Alfredo Zalce. Thematic focus includes labor, gender, and domesticity—key aspects of campesino culture and its farming community that have informed the lives of the collectors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource RABEL, Fanny Description An account of the resource Miseria Linocut 16 x 20 1/8" SHEET Black and white linocut. Two children at center right with an adult figure to the left. Arms and elbows of the children rest of the table. Head of the adult is burried in their arms which also lean on table. Artist name on reverse in right bottom corner. Creator An entity primarily responsible for making the resource RABEL, Fanny b. Poland, 1922-2008 Source A related resource from which the described resource is derived Gift of Gilbert Garcia and Martha Correa in honor of the Garcia-Correa family Identifier An unambiguous reference to the resource within a given context 2025.002.059 Date A point or period of time associated with an event in the lifecycle of the resource n.d. children Monochrome Nature table works on paper http://art-collections.museum.ucsb.edu/files/original/258cd54389c3f937613f3b06153b7f64.jpg 0bbd43beb847b94c20143cf8b7b560d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.143 Title A name given to the resource RIGGS, Robert Description An account of the resource Children's Ward lithograph sheet: 17 x 23 in; mat: 23 x 27 in Robert Riggs’ was commissioned by one of the largest pharmaceutical companies at the time, Smith, Kline and French, to do a suite of prints surrounding the theme of medical care and the treatment of the insane in the US. The portfolio which resulted was meant to be sold to doctors for display in their offices, a comical notion considering the disturbing and dreary subject matter. Accident Ward depicts the aftermath of a violent domestic dispute in which the participants are patched up by doctors. Psychopathic Ward pictures mentally ill patients wandering about in a confused or tormented state and shoved into a bare room. Rather than showing doctors as heroes, Riggs’ prints focus on the patients being treated and seem to call out for more advanced medical practices to assist with treatment. Creator An entity primarily responsible for making the resource RIGGS, Robert b. United States, 1896 - 1966 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource ca. 1940 American children Lithograph medical portrait Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/fa60cb201c05ecd3e1f02fd3f430e4a2.jpg 7a46604ad6a874f5453e294830680eae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.45 Creator An entity primarily responsible for making the resource SEGHERS Title A name given to the resource SEGHERS Description An account of the resource Youngsters Frolic, Lakeland, Georgia, 1955 1955, printed 1985 Gelatin silver print 11 x 14" sheet; 16 1/8 x 20" mat Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource 1955, printed 1985 20th century black and white children photograph still life http://art-collections.museum.ucsb.edu/files/original/f8b508323f22a8a962f98ddc347accad.jpg 6b43b27a377e073e168007a0fced33b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Highway as Habitat Description An account of the resource In 1986, Ulrich Keller, Professor of Photography, the History of Art and Architecture, UCSB, brought the exhibition "Highway as Habitat" to the AD&A Museum. Compiled by Roy Stryker, a sociologist, this series reflects a bygone era from 1943-1955 when Americans had fun on the road. The approximately 140 black and white photographs from the Standard Oil of New Jersey documentary project are broken into genres: Public Transit, Rest Stops, Signage and Truckers Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1985.462 Creator An entity primarily responsible for making the resource SEGHERS Title A name given to the resource SEGHERS Description An account of the resource Children wait in car while parents shop, Albany, Georgia, 1955 1955, printed 1985 Gelatin silver print 14 x 11" sheet; 20 x 16 1/8" mat Source A related resource from which the described resource is derived Purchase, Standard Oil of New Jersey Photographic Archives, Ekstrom Library University of Louisville Date A point or period of time associated with an event in the lifecycle of the resource 1955, printed 1985 20th century black and white children Dog photograph still life http://art-collections.museum.ucsb.edu/files/original/c9fed0dd8e8e8a8376c8cf5413647821.jpg 2afb868c951caeefe80fa5accd0c787c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ken Trevey Collection of American Realist Prints Description An account of the resource The AD&A Museum is indebted to UC Santa Barbara alumnus Ken Trevey for this significant contribution to the Museum’s holdings in graphic arts. The Ken Trevey Collection tells the stories of Americans across a broad socio-economic spectrum during the 1930s and 1940s. In addition, the Trevey Collection provides the vehicle for an in-depth investigation into the history of printmaking during the Great Depression in the United States. As a body of prints created during the first period of significant government support for the arts, the Trevey Collection is of value to students and scholars across numerous disciplines, including art history, American history, race and gender studies, and economic history. In its inaugural exhibition at the Museum, works from the Trevey Collection were grouped around several themes: realistic urban dramas countered by idealized country settings, women in the world, men in industry, couples and lovers, old boys’ clubs, and the preoccupation with body image as rendered in scenes of sports and medicine. At the center of these thematic groupings, one finds in the Trevey Collection numerous images of African-American life. In their treatment of the African-American experience, the prints vacillate between a growing yet complicated acknowledgment of the hardships of racism and stereotyped imagery reflective of the limited white perceptions of black realities. “Prints…are the most democratic form of pictorial art,” wrote the organizers of the print section at the New York World’s Fair in 1939. The Trevey Collection of American realist prints exemplifies this statement through its diverse depictions of rural and urban, black and white, male and female, empowered and impoverished. Ken Trevey was a television screenwriter and his interest in stories is felt clearly in these prints. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1992.169 Title A name given to the resource WOLFSON, William Description An account of the resource Saturday Afternoon Lithograph 16 1/4 x 19" MAT Lively image of a group of children playing in a park; many are running and they appear to be playing tag. A group of individuals are seated at upper right while a woman pushing a baby carriage is located at upper left background. Signed at lower left. Creator An entity primarily responsible for making the resource WOLFSON, William b. United States, 1894 - 1966 Source A related resource from which the described resource is derived Gift of Don Trevey to the Ken Trevey Collection of American Realist Prints Date A point or period of time associated with an event in the lifecycle of the resource 1928 children landscape Lithograph park portrait Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/dd317ae671f28113f513809eb14444da.jpg 1a053a87322a7faf4e98050206bbd920 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.103 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Women and Children in Line 20th C. albumen with hand coloring 3 5/8 x 5 3/8 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource 20th C. children line Outdoor Path photograph portrait Red Cloth women http://art-collections.museum.ucsb.edu/files/original/475704059ab27be596fb583c43c84ae5.jpg c10c4b4b9660e358ae6c34b06e8ed226 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Margaret Mallory Bequest Description An account of the resource The Margaret Mallory Bequest comprises two distinct areas of the AD&A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&A Museum as a vibrant teaching museum. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1984.43 Creator An entity primarily responsible for making the resource Hine, Lewis W. American, 1874 - 1940 Title A name given to the resource HINE, Lewis W. Description An account of the resource Shrimp Pickers, Mississippi, 1911 Gelatin silver print 4 5/8 x 6 5/8 in. Source A related resource from which the described resource is derived Gift of Miss Margaret Mallory, Dean's Office Purchase Fund Date A point or period of time associated with an event in the lifecycle of the resource 1911 children Mississippi photograph shrimp still life wood-pile http://art-collections.museum.ucsb.edu/files/original/7f4c93cb595741ea40bd7cf2dccc85a9.jpg 25e563d211246b98678433191aa64a1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UCSB Alumni and Faculty Description An account of the resource The AD&A Museum has a strong collection of artwork from MFA students as well as a smaller group of faculty and former faculty members. Many well known artists are included in this group including Mark di Suvero, Jud Fine and Richard Serra. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context IL2014.001.034 Creator An entity primarily responsible for making the resource Meller, Peter Title A name given to the resource MELLER, Peter Description An account of the resource Numera amd Camoena ca. 1970-80s 9 1/2 x 5 " SHEET Sketching in pencil on tracing paper of two female figures teaching a young child different lessons. Source A related resource from which the described resource is derived Incoming loan, courtesy John Moore Date A point or period of time associated with an event in the lifecycle of the resource ca. 1970-80s children Pencil portrait Sketch women Works-on-Paper