1 100 10 http://art-collections.museum.ucsb.edu/files/original/3ea21258305e94a119933586abf544ba.jpg abccc3b10cb6fdeda86bd876ec609cb5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women Beyond Borders Source A related resource from which the described resource is derived Women Beyond Borders Art Collection founded by Lorraine Serena Description An account of the resource Donated in 2023, Women Beyond Borders showcases the transformative gift of the archives and artworks from the multisite, cross-cultural exhibition project, Women Beyond Borders, founded by UCSB alum, Lorraine Serena (B.A. ’63, M.F.A. ‘75) in 1991. The project started with a small wooden box (measuring 3 1/2 by 2 by 2 1/2 inches) and an enticing invitation to women around the world—to transform this small container to one's liking. More than 900 people across 50 countries accepted it. The exhibition explores how Women Beyond Borders fostered experimental spaces for doing-it-oneself and doing-it-together, highlighted artistic media often dismissed for being in the realm of women, and challenged—through feminist practice and collectivity—hurdles for artistic freedom and expression in a wide array of geopolitical contexts. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2023.005.116 Creator An entity primarily responsible for making the resource BALLADARES, Marcia b. Ecuador Description An account of the resource Eu Busca de la Cruz del Sur, 1996 Mixed media 3 X 4 X 2 1/2" OVERALL The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. Balladares has styled her box with a circular grid which spears her box and forms a cross in the interior suggested by the title Eu Busca de la Cruz del Sur. Title A name given to the resource BALLADARES, Marcia Date A point or period of time associated with an event in the lifecycle of the resource 1996 Source A related resource from which the described resource is derived Women Beyond Borders Art Collection founded by Lorraine Serena abstract Crucifixion grid Mixed Media Religion http://art-collections.museum.ucsb.edu/files/original/a15ad606966c34db83a5cd12ceac8348.jpg 1c46759fb6653b3ceab9d3318813ea26 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paintings Description An account of the resource In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2014.020.001 Creator An entity primarily responsible for making the resource WESTFALL, Stephen b. United States, 1953 Title A name given to the resource WESTFALL, Stephen Description An account of the resource Sandalwood cc Oil and alkyd on canvas 30 X 24" CANVAS Stephen Westfall continues to hone his very recognizable, hard-edge painting technique. Creating complex grid-like patternsa seamlessly endless organizational deviceWestfalls artistic process can be viewed as a unique extension of geometric abstraction. Indeed Westfalls repetition of certain forms is made special by his application of color. This application reveals the individual hand of the artist as well as subtle underpaintingslight distinctions to be seen between each prismatic color plane. Westfall has commented on his fascination with the spatial dynamics of this grid system, stating: I like that it flickers back and forth between whole and fragment. Theres this back and forth between seeing the whole and then only being aware of fragments and being aware that the whole is made up of fragments. In all his works one notes Westfalls devotion to solid, bold colors that are arranged and layered with greater intricacy. These works highlight Westfalls practice of color placement and arrangement of patterns which produce dazzling, yet balanced works. Source A related resource from which the described resource is derived Gift of the artist Date A point or period of time associated with an event in the lifecycle of the resource 2013 abstract grid multi-colored Painting Pattern http://art-collections.museum.ucsb.edu/files/original/f2f931b76e3b36d580a3fc1a2c63a6d0.jpg e66143a783ebe4e55363f26bc1240900 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arts of the Middle East Description An account of the resource The AD&A Museum houses a small but significant collection of Islamic materials given in large part by Grace H. Dreyfus in 1971. These works include glass and ceramic containers as well as folio pages from a large manuscript of the Qur’an dating to the 13th—14th centuries. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2017.007.010 Creator An entity primarily responsible for making the resource LASSAW, Ibram b. Egypt, 1913-2003 Title A name given to the resource LASSAW, Ibram Description An account of the resource Untitled 1950 Ink on linen 6 1/4 x 17" IMAGE Ink on linen drawing with linear forms creating a grid-like design on burlap. Signed and dated, Ibram Lassaw 1950, in black at lower left. Source A related resource from which the described resource is derived Gift of Lynn K. Altman Family Trust Date A point or period of time associated with an event in the lifecycle of the resource 1950 Black brown burlap grid Ink Linear linen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource American and European Prints and Drawings post 1900 Description An account of the resource In addition to the American and European works on paper (prints and drawings) created before 1900, the AD&A Museum includes a strong collection of post 20th century works. This includes but is not limited to Rudolph Schindler, Salvador Dali and Andy Warhol. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2000.68 Creator An entity primarily responsible for making the resource TANNER, Joan b. United States, 1935 Title A name given to the resource TANNER, Joan Description An account of the resource Untitled Collage on paper 22 x 28" Three larger abstracted shapes at TL, TR, and BL over a grid design. Source A related resource from which the described resource is derived Gift of Phyllis Plous Date A point or period of time associated with an event in the lifecycle of the resource n.d. 20th century abstract collage grid works on paper http://art-collections.museum.ucsb.edu/files/original/c5abb0322c4f0fa0a4f20eba0b6a4102.jpg b0abf0bb63156f49dc0d502fb0d78bb2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sculpture and Mixed Media Description An account of the resource In addition to outdoor sculpture, the AD&A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood. The museum also has a smaller number of assemblages and mixed media collages in its collection. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1997.74 Creator An entity primarily responsible for making the resource DWYEr, Nancy United Statesb. 1954 Title A name given to the resource DWYER, Nancy Description An account of the resource Diet Life Force 1985 enamel on Plexiglas with sheetmetal 36in. x 45in. x 5in. Images of arrows and a grid system painted on clear Plexiglas.Nancy Dwyer likens her work to pictograms or signs that comment on the ways and means by which the media, especially advertising, infiltrates and seduces the public. She attempts to undermine advertising by using the language and graphic design inherent to it. In Diet Life Force, Dwyer shows brightly colored arrows that zoom toward the center of a mirrored expanse, perfectly framing the viewer. Like a lot of marketing related to diets, the work both distorts ones body image and also seems to proffer a fast, easy solution easy. Source A related resource from which the described resource is derived Gift of Ruth and Jake Bloom Date A point or period of time associated with an event in the lifecycle of the resource 1985 1980's 20th century Arrows grid metal Mixed Media plexiglass http://art-collections.museum.ucsb.edu/files/original/4f7fd63aedce7b36599cea15769f2345.JPG 2b105f97d728fd96eeec4edbde8b79e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Garner Tullis and Atelier Richard Tullis Collection Description An account of the resource In the late 1990’s and early 2000’s, the AD&A Museum received by donation and purchase a collection of monotypes and unique prints produced at the Garner Tullis Workshop subsequently known as ART 9 (Atelier Richard Tullis). Garner Tullis, b. United States, 1939 -2019, was one of the most prolific printers of the 20th century and was specifically known for his ability to collaborate and bring artists together to create a single work. Beginning in 1962, Tullis began working with artists sometimes only once but often multiple times. This included but was not limited to Sam Francis, Helen Frankenthaler as well as Sean Scully. In 1972, Tullis established the The International Institute of Experimental Printmakers and subsequently opened his second printer’s workshop in 1984 located on White Street in Santa Barbara. Employing a large scale lithographic printer, Tullis formed various collaborations resulting in unique, one of kind large scale prints on hand made paper some of which are now housed at the AD&A Museum. Garner eventually gave the studio to his Son, Richard, who named it ART 9 (Atelier Richard Tullis) in 1992. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1996.65 Creator An entity primarily responsible for making the resource ZURIER, John American, b.1965 Title A name given to the resource ZURIER, John Description An account of the resource Untitled unique work on Awagami Washi sheet: 26 x 20 1/4 in.; image: 14 x 11 in. Source A related resource from which the described resource is derived Gift of Richard and Karen Tullis Date A point or period of time associated with an event in the lifecycle of the resource 1990 abstract Black green grid Muted Colors squares Watercolor Works-on-Paper Yellow http://art-collections.museum.ucsb.edu/files/original/e7f482d6f4f6935c8988c80faaca9c2e.jpg 61f48959826d165d611bb3d343e980ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.006.007 Creator An entity primarily responsible for making the resource QUINLAN, Eileen United States, b.1972 Title A name given to the resource QUINLAN, Eileen Description An account of the resource America America: Smoke & Mirrors #68 2009 C-print, 28/30 20 X 24" PAPER Photograph of mirrors converging in the center. Reflective shades of purple, blue, and white. Signature, date and edition statement is located on reverse bottom right corner. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2009 abstract Blue grid Mirror pink purple squares Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/3e11a1cdf04fb48b656e05a1208c6823.jpg 5a886b5c6a1a387383abe168610de9a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.006.004 Creator An entity primarily responsible for making the resource BIRCH, Willie United States, b.1942 Title A name given to the resource BIRCH, Willie Description An account of the resource America America: Yard Show 2009 16 color screen print on Coventry Rag, 28/30 30 X 22" PAPER Four black and white snapshots of plants and cement blocks in a yard. One color picture of the yard and one pink of plantains. Title located bottom center. Signature/ date and edition statement located at lower right corner. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2009 abstract Bananas Cement Blocks grid mixed-media Plantains Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/4c4143b0f9f2036ee13093d135ce66ec.jpg bd4b037eaf070fd03d570f10f57c974a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource In 2012, the AD&A Museum at UC Santa Barbara was gifted 8 Portfolios from Exit Art. Founded in 1982 by Jeanette Ingberman and Papo Calo, Exit Art was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream. The first location, was on West Broadway, in SoHo. In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, Exit Art’s exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from Newsweek. In the late 1990’s, Exit Art began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA. Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and Exit Art was subsequently closed in 2012 due to concerns over loss of its conceptual oversight. Title A name given to the resource EXIT ART Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2012.009.005.007 Creator An entity primarily responsible for making the resource SMITH, Allison United States, b.1972 Title A name given to the resource SMITH, Allison Description An account of the resource Expose: The Compass Rose 2008 13 color screen print on linen, 32/50 30 x 22" PAPER Image includes thirteen varying colors creating a compass on a geometric framed linen background. Signature and edition at lower right. Source A related resource from which the described resource is derived Gift of Exit Art, New York Date A point or period of time associated with an event in the lifecycle of the resource 2008 abstract colorful Compass geometric grid square Works-on-Paper http://art-collections.museum.ucsb.edu/files/original/31222eedb3041337148063d4ab87fd77.jpg a382adc6228c40de25ed116812e66137 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Barry Berkus Family Collection Description An account of the resource The Barry Berkus Family Collection contributes to the strength of the Museum's holdings of twentieth century works on paper. Made in 2006, the Berkus gift provided the museum with twenty-one works on paper by artists working primarily in the United States in the 1980s and 1990s, including: Robert Motherwell, William Wegman, Robert Rauschenberg, and Carrie Mae Weems. Berkus, an architect who worked in Southern California, designed the UC Santa Barbara’s Mosher Alumni Building. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2006.002.005 Title A name given to the resource BECK, Martin Creator An entity primarily responsible for making the resource BECK, Martin United States, b. 1963 Description An account of the resource Untitled 8 x 11" Source A related resource from which the described resource is derived Gift of Barry A. Berkus and Family Date A point or period of time associated with an event in the lifecycle of the resource 1989 1980's 20th century black and white grid Pattern square works on paper