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              <name>Title</name>
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                  <text>&lt;strong&gt;Paintings&lt;/strong&gt;</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>1996.51</text>
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                <text>&lt;strong&gt;HAYWARD&lt;/strong&gt;, James</text>
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                <text>United States, b. 1943</text>
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                <text>&lt;strong&gt;HAYWARD&lt;/strong&gt;, James</text>
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                <text>&lt;em&gt;Automatic Painting Green #1&lt;/em&gt;</text>
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                <text>1977</text>
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                <text>oil on canvas</text>
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                <text>22 x 22 x 1 3/4</text>
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                <text>Throughout his career, James Hayward has explored the potential of abstraction through monochromatic painting. These tense and luminous early canvases, which seem to capture and hold light, later give way to textured, physical surfaces which resist illusion. Hayward works with spontaneity and deliberation, as he says, not a mindless intuition, but a fortified one.</text>
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                <text>Gift of Morgan Thomas</text>
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                <text>1977</text>
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        <name>Monochrome</name>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>1983.63</text>
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                <text>&lt;strong&gt;MANGOLD&lt;/strong&gt;, Robert</text>
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                <text>b. United States, 1937</text>
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                <text>&lt;strong&gt;MANGOLD&lt;/strong&gt;, Robert</text>
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                <text>&lt;em&gt;Lavender Grey Area&lt;/em&gt;</text>
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                <text>1966</text>
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                <text>24 x 24" FRAME</text>
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                <text>Robert Mangold's monochromatic canvases are often discussed as a product of Minimalism, an artistic movement which favored pure geometry and materials over narrative and emotional content. However, his use of irregular geometry, warm, muted colors, and the interchange between line and edge suggests a greater interest in illusion and an internal formal order.</text>
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                <text>Gift of Julia Emerson</text>
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                <text>1966</text>
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