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                  <text>&lt;strong&gt;American and European Prints and Drawings post 1900&lt;/strong&gt;</text>
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                  <text>In addition to the American and European works on paper (prints and drawings) created before 1900, the AD&amp;amp;A Museum includes a strong collection of post 20th century works.  This includes but is not limited to Rudolph Schindler, Salvador Dali and Andy Warhol.</text>
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                <text>&lt;strong&gt;BAYER&lt;/strong&gt;, Herbert</text>
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                <text>&lt;em&gt;SBMA, A Year of Celebration&lt;/em&gt;, 1985</text>
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                <text>&lt;strong&gt;BAYER&lt;/strong&gt;, Herbert</text>
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                <text>1986.498</text>
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        <name>purple</name>
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        <name>Santa Barbara Museum of Art</name>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>&lt;strong&gt;BEVERLOO&lt;/strong&gt;, Cornelis called &lt;strong&gt;CORNEILLE&lt;/strong&gt;</text>
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                <text>&lt;em&gt;Mediterranee&lt;/em&gt;</text>
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                <text>8 3/4 x 6 3/8 in.; frame: 9 3/8 x 7 1/4 x 1 1/4 in.</text>
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                <text>Associated with the CoBrA "School."</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Katharine W. Tremaine</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>1980.13</text>
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                <text>&lt;strong&gt;BILL&lt;/strong&gt;, Max</text>
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                <text>b. Switerland, 1908-94</text>
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            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;BILL&lt;/strong&gt;, Max</text>
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                <text>&lt;em&gt;Fable in White (Fabbundel im Weiss)&lt;/em&gt;</text>
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                <text>Gift of Anonymous Donor</text>
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                  <text>The Barry Berkus Family Collection contributes to the strength of the Museum's holdings of twentieth century works on paper. Made in 2006, the Berkus gift provided the museum with twenty-one works on paper by artists working primarily in the United States in the 1980s and 1990s, including: Robert Motherwell, William Wegman, Robert Rauschenberg, and Carrie Mae Weems. Berkus, an architect who worked in Southern California, designed the UC Santa Barbara’s Mosher Alumni Building.</text>
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                <text>&lt;strong&gt;BLAIS&lt;/strong&gt;, Jean-Charles</text>
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                <text>&lt;strong&gt;BLAIS&lt;/strong&gt;, Jean-Charles</text>
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                <text>French, b. 1963</text>
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                <text>31 x 25"</text>
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                <text>This print by Jean-Charles Blais wavers between abstract and figurative forms. Blais's work revels in this "in-betweenness," as he describes it, by incorporating the displaced pair of legs caught mid-run.</text>
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                <text>Gift of Barry A. Berkus and Family</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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                  <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;In 2012, the AD&amp;amp;A Museum at UC Santa Barbara was gifted 8 Portfolios from &lt;b&gt;Exit Art&lt;/b&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Founded in 1982 by Jeanette Ingberman and  Papo Calo, &lt;b&gt;Exit Art&lt;/b&gt; was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;The first location, was on West Broadway, in SoHo.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, &lt;b&gt;Exit Art’s&lt;/b&gt; exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from &lt;i&gt;Newsweek&lt;/i&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;In the late 1990’s, &lt;b&gt;Exit Art&lt;/b&gt; began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and &lt;b&gt;Exit Art&lt;/b&gt; was subsequently closed in 2012 due to concerns over loss of its conceptual oversight.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;In 2012, the AD&amp;amp;A Museum at UC Santa Barbara was gifted 8 Portfolios from &lt;b&gt;Exit Art&lt;/b&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Founded in 1982 by Jeanette Ingberman and  Papo Calo, &lt;b&gt;Exit Art&lt;/b&gt; was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;The first location, was on West Broadway, in SoHo.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, &lt;b&gt;Exit Art’s&lt;/b&gt; exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from &lt;i&gt;Newsweek&lt;/i&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;In the late 1990’s, &lt;b&gt;Exit Art&lt;/b&gt; began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and &lt;b&gt;Exit Art&lt;/b&gt; was subsequently closed in 2012 due to concerns over loss of its conceptual oversight.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>&lt;strong&gt;EXIT ART&lt;/strong&gt;</text>
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                <text>&lt;strong&gt;KREMER&lt;/strong&gt;, Naomie</text>
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                <text>United States, b.Tel Aviv</text>
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                <text>&lt;strong&gt;KREMER&lt;/strong&gt;, Naomie</text>
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                <text>&lt;em&gt;TANTRA: Rudimentary Elements&lt;/em&gt;</text>
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                <text>2005</text>
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                <text>20 Color screen print on Braille Varnish on Conventry Rag, 40/50</text>
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                <text>25 1/2 x 22" PAPER</text>
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                <text>Screen print with mixed colored shapes and particles dispersed throughout the space positioned against a white ground. Signature and date at lower left; title on reverse at lower right.</text>
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                <text>Gift of Exit Art, New York</text>
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            <name>Date</name>
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        <name>Blue</name>
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        <name>collage</name>
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        <name>orange</name>
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        <name>red</name>
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      <tag tagId="1833">
        <name>Scattered</name>
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      <tag tagId="1834">
        <name>Torn</name>
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        <name>Works-on-Paper</name>
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        <name>Yellow</name>
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              <name>Title</name>
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                  <text>&lt;strong&gt;Paintings&lt;/strong&gt;</text>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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            <name>Identifier</name>
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                <text>1983.25</text>
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                <text>&lt;strong&gt;LENT&lt;/strong&gt;, Donald</text>
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                <text>American, 1933 -</text>
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            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;LENT&lt;/strong&gt;, Donald</text>
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                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
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                <text>1963</text>
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              <elementText elementTextId="92399">
                <text>oil on canvas</text>
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              <elementText elementTextId="92400">
                <text>38 x 48 1/8 in.; frame: 38 3/4 x 49 x 1 5/8 in.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="92401">
                <text>Gift of Audrey Soderburg</text>
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            <name>Date</name>
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                <text>1963</text>
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        <name>abstract</name>
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        <name>green</name>
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      <tag tagId="686">
        <name>oil</name>
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        <name>orange</name>
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        <name>Painting</name>
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                  <text>&lt;strong&gt;Paintings&lt;/strong&gt;</text>
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                <elementText elementTextId="91446">
                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                <text>2010.003.012</text>
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                <text>&lt;strong&gt;LOCHEAD&lt;/strong&gt;, Kenneth Campbell</text>
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                <text>Canadian, 1926-2006</text>
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            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;LOCHEAD&lt;/strong&gt;, Kenneth Campbell</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Yellow Means&lt;/em&gt;</text>
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                <text>ca. 1960</text>
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                <text>oil on canvas</text>
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                <text>25 x 14"</text>
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                <text>Vertical oil painting with orange, red and yellow blocks at center.</text>
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            <name>Source</name>
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                <text>Bea Farwell Bequest</text>
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                <text>ca. 1960</text>
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                  <text>&lt;strong&gt;The Garcia-Correa Collection of Mexican Prints&lt;/strong&gt;</text>
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                  <text>&lt;span&gt;Focusing on prints from the 1920s to the 1980s, the Garcia-Correa Collection of Mexican Prints highlights the importance of the graphic arts in Mexico. Gifted in 2025, this collection includes a selection of prints by renowned artists such as Emilio Amero, Leopoldo Méndez, José Clemente Orozco, David Alfaro Siqueiros, and Alfredo Zalce. Thematic focus includes labor, gender, and domesticity—key aspects of campesino culture and its farming community that have informed the lives of the collectors.&lt;br /&gt;&lt;/span&gt;</text>
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            <name>Title</name>
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                <text>&lt;strong&gt;LOZANO&lt;/strong&gt;, Agueda</text>
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                <text>&lt;em&gt;Untitled &lt;/em&gt;(Mountain with red background)</text>
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                <text>Lithograph, 82/100</text>
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                <text>27 x 20 5/8" SHEET</text>
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                <text>Abstracted mountain against a red background. Signature at lower right with date; edition statement at lower left.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1996</text>
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                <text>&lt;strong&gt;LOZANO&lt;/strong&gt;, Agueda</text>
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                <text>b.Mexico, 1944</text>
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                <text>Gift of Gilbert Garcia and Martha Correa in honor of the Garcia-Correa family</text>
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            <name>Identifier</name>
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                <text>2025.002.019</text>
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        <name>Mountain</name>
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        <name>orange</name>
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        <name>works on paper</name>
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                  <text>&lt;strong&gt;The Fernand Lungren Bequest&lt;/strong&gt;</text>
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                  <text>&lt;span&gt;In 1959, The Fernand Lungren Bequest became the first group of paintings acquired by the AD&amp;amp;A Museum for its permanent collection. Fernand Harvey Lungren (1857-1932) was among Santa Barbara’s most distinguished artists of the early twentieth century. Although he began his career as part of the circle of the American artist William Merritt Chase and spent an extended period in Paris where he was influenced by the work of James McNeill Whistler, it was Lungren’s journey to the American Southwest that most profoundly affected him. Sponsored by the Santa Fe Railroad which wished to commission images of the Southwest to entice eastern tourists, Lungren made his first excursions west in the early 1890s. By the 1920s, Lungren’s Santa Barbara studio became a center for the local arts scene where the artist displayed his Native American artifacts alongside canvases depicting the glowing, solitary beauty of the American desert. The Fernand Lungren Collection belongs to the art historical heritage of Santa Barbara and has particular meaning for the AD&amp;amp;A Museum which functions as a hands-on, teaching museum. It was Lundgren’s intent that his collections be given to “people of the City of Santa Barbara” for public enjoyment and edification. In his will, the artist bequeathed his painting collection, a body of 188 paintings and 131 drawings, to the Santa Barbara Teachers’ College, the forerunner to the UC Santa Barbara, and his collection of Native American artifacts to the Santa Barbara Museum of Natural History. It was Lungren’s wish that the gift of his collection “will result in as much pleasure to the community as I have in making it.” In the early 1960s, the collection was physically transferred to UC Santa Barbara and, in line with the artist’s pedagogical intent of exhibition and teaching, works from the Fernand Lungren Collection are experienced by students, faculty and community members at AD&amp;amp;A Museum today.&lt;/span&gt;</text>
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            <name>Identifier</name>
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                <text>b. United States, 1857-1932</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;LUNGREN&lt;/strong&gt;, Fernand</text>
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            <description>An account of the resource</description>
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                <text>&lt;em&gt;Aspens: Arizona&lt;/em&gt;</text>
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                <text>40 1/2 x 30 in.; framed: 44 5/8 x 34 3/4 x 2 5/8 in.</text>
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            <name>Source</name>
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                <text>Fernand Lungren Bequest</text>
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        <name>20th century</name>
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        <name>Arizona</name>
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        <name>landscape</name>
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        <name>oil</name>
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        <name>orange</name>
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        <name>Painting</name>
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        <name>trees</name>
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        <name>Yellow</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;MACH&lt;/strong&gt;, David</text>
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                <text>Scottish, b. 1956</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;MACH&lt;/strong&gt;, David</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;African Match Head&lt;/em&gt;</text>
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                <text>1994-95</text>
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                <text>matches</text>
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                <text>overall: 9 x 6 1/2 x 6 in.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1994-1995</text>
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        <name>1990's</name>
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        <name>20th century</name>
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        <name>matches</name>
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        <name>orange</name>
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        <name>portrait</name>
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        <name>Sculpture</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;The Arts of Ancient Mesoamerica&lt;/strong&gt;</text>
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                  <text>The AD&amp;amp;A Museum houses a large collection of Ancient Mesoamerican Art.  Included in this group are numerous works from Mexico including spindle whorls and ceramic figurines.</text>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Whistle Figure Seated&lt;/em&gt;</text>
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                <text>ca. 500 - 900 CE</text>
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                <text>buff clay, vestiges of paint, blue, orange, white</text>
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                <text>7 1/2 x 3 1/4 x 2 1/2 inches</text>
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                <text>ruler on throne. Jaina style. 1/2 mold made: front side</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Incoming Loan, Los Angeles County Museum of Art Gift of Constance McCormick Fearing</text>
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        <name>Royalty</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>The AD&amp;amp;A Museum houses a large collection of Ancient Mesoamerican Art.  Included in this group are numerous works from Mexico including spindle whorls and ceramic figurines.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>L2010.001.095</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;Mexcio, Teotihuacan&lt;/strong&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;Mexcio, Teotihuacan&lt;/strong&gt;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Triangular Vessel&lt;/em&gt;</text>
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                <text>ca. 200 - 700 CE</text>
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                <text>thin orange ware</text>
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                <text>2 x 2 7/8 x 3 inches</text>
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                <text>in form of swimming creature/animal</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Incoming Loan, Los Angeles County Museum of Art Gift of Constance McCormick Fearing</text>
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        <name>small</name>
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                <text>L2010.001.164</text>
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            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;Mexico, Teotihuacan&lt;/strong&gt;</text>
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            <name>Creator</name>
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            <description>An account of the resource</description>
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                <text>&lt;em&gt;Tripod Vessel&lt;/em&gt;</text>
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                <text>thin orangeware</text>
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          <element elementId="48">
            <name>Source</name>
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                <text>Incoming Loan, Los Angeles County Museum of Art Gift of Constance McCormick Fearing</text>
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                <text>ca. 250 - 900 CE</text>
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        <name>orange</name>
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        <name>Pre-Columbian</name>
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        <name>Sculpture</name>
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        <name>vessel</name>
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              <name>Title</name>
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                  <text>&lt;strong&gt;The Arts of Ancient Mesoamerica&lt;/strong&gt;</text>
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                  <text>The AD&amp;amp;A Museum houses a large collection of Ancient Mesoamerican Art.  Included in this group are numerous works from Mexico including spindle whorls and ceramic figurines.</text>
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            <name>Identifier</name>
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                <text>L2010.001.055</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;Mexico, Tlatilco&lt;/strong&gt;</text>
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            <name>Creator</name>
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                <text>&lt;strong&gt;Mexico, Tlatilco&lt;/strong&gt;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Standing Female Figure&lt;/em&gt;</text>
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                <text>ca. 900 - 500 BCE</text>
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                <text>clay, traces of red pigment</text>
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                <text>3 7/8 x 1 1/2 x 1 inches</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Incoming Loan, Los Angeles County Museum of Art Gift of Constance McCormick Fearing</text>
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                <text>ca. 900 - 500 BCE</text>
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        <name>Figurative</name>
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        <name>orange</name>
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      <tag tagId="479">
        <name>Pre-Columbian</name>
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        <name>red</name>
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      <tag tagId="53">
        <name>Sculpture</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;Paintings&lt;/strong&gt;</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="91446">
                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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            <name>Identifier</name>
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                <text>1973.27</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;MULLICAN&lt;/strong&gt;, Lee</text>
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                <text>American, 1919 -</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;MULLICAN&lt;/strong&gt;, Lee</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="92594">
                <text>&lt;em&gt;Tribal Dances&lt;/em&gt;</text>
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              <elementText elementTextId="92595">
                <text>1970</text>
              </elementText>
              <elementText elementTextId="92596">
                <text>oil on canvas</text>
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                <text>30 x 50 in.; frame: 30 1/2 x 50 1/2 x 1 1/4 in.</text>
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                <text>Lee Mullican's highly individual style of striated paint, haloed forms, and tapestry-like patterns reflects his varied interests in Native American art, Surrealism, Byzantine icons, Paleolithic figures, Zen Buddhism, and Hinduism. Moving away from the expressive impulse of earlier work and avoiding the austerity of Minimalism, Mullican pursued a more spiritual endeavor and sought to conjure invented worlds through his art. For forty years he made California his home, teaching at UCLA for the majority of the time.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Gift of Miss Alice Erving through UCSB Art Affiliates</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1970</text>
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        <name>canvas</name>
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        <name>oil</name>
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        <name>orange</name>
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        <name>Painting</name>
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              <name>Title</name>
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                <elementText elementTextId="91446">
                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2022.003.001</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;NISENBAUM&lt;/strong&gt;, Aliza</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;NISENBAU&lt;/strong&gt;M, Aliza</text>
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                <text>b. Mexico, 1977</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;em&gt;Ozelot, &lt;/em&gt;2012</text>
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                <text>Oil on canvas</text>
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                <text>20 x 16" UNFRAMED</text>
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                <text>Oil on canvas painting; portrait of a man wearing a stripped t-shirt gazing down; signed and dated on reverse at upper left.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Anonymous</text>
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        <name>portrait</name>
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        <name>striped shirt</name>
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        <name>stripes</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;Sculpture and Mixed Media&lt;/strong&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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            <name>Identifier</name>
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                <text>&lt;strong&gt;ODUNDO&lt;/strong&gt;, Magdalene</text>
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                <text>b. Kenya, 1950</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;ODUNDO&lt;/strong&gt;, Magdalene</text>
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            <name>Description</name>
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                <text>&lt;em&gt;Untitled #6&lt;/em&gt;</text>
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                <text>1995</text>
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                <text>ceramic</text>
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                <text>Ceramic vessel in the shape of an elongated gourd with a very smooth surface.</text>
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          <element elementId="48">
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Barry A. Kitnick and Jill Alexander Kitnick, Anthony Slayter-Ralph and the artist</text>
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            <name>Date</name>
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        <name>kenyan</name>
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        <name>orange</name>
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        <name>Sculpture</name>
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        <name>vessel</name>
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              <description>A name given to the resource</description>
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                  <text>&lt;strong&gt;The Keith Puccinelli Collection of Art and Design&lt;/strong&gt;</text>
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                  <text>In 2018, the AD&amp;amp;A Museum was given numerous artworks from the Estate of Frances Garvin and Keith Julius Puccinelli. Included in this gift are Puccinelli's own archive of drawings, sculptures, prints, sketchbooks, and graphic design. As a renowned artist and graphic designer based in Santa Barbara, the collection represents a significant part of the Museum's holdings.</text>
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                <text>2018.001.654.004a,b</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;PUCCINELLI DESIGN STUDIO&lt;/strong&gt;</text>
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            <name>Creator</name>
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                <text>&lt;strong&gt;PUCCINELLI DESIGN STUDIO&lt;/strong&gt;</text>
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                <text>1983-1996</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="153517">
                <text>&lt;em&gt;Black and Orange Bash (The BOB) saturday October 26th, 8:30pm - ? Upstairs at the Paseo Nuevo Arts Terrace. A benefit for the Santa Barbara Contemporary Arts Forum&lt;/em&gt;</text>
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                <text>Newsprint and ink</text>
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                <text>2 1/2 X 13 3/4" UNFOLDED</text>
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                <text>1995</text>
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              <elementText elementTextId="153521">
                <text>A mailer with a poster advertising the Black and Orange Bash benefitting the Santa Barbara Contemporary Art Forum. A geometric figure in orange and black occupies the page contained in an orange rectangle. The title of the event is written at the top of the image in black and orange, and the other event details are lsited below the figure. Reverse includes mailer information.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of the Estate of Frances Garvin and Keith Julius Puccinelli</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1983-1996</text>
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        <name>advertisement</name>
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        <name>Night</name>
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        <name>orange</name>
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        <name>party</name>
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        <name>works on paper</name>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="10251">
                  <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;In 2012, the AD&amp;amp;A Museum at UC Santa Barbara was gifted 8 Portfolios from &lt;b&gt;Exit Art&lt;/b&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s2"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="s1"&gt;Founded in 1982 by Jeanette Ingberman and  Papo Calo, &lt;b&gt;Exit Art&lt;/b&gt; was in operation until mid—2012 and served as an alternative exhibition space for artists working outside the mainstream.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;The first location, was on West Broadway, in SoHo.&lt;span class="Apple-converted-space"&gt;  &lt;/span&gt;In 2002, the gallery moved to its last and final location in Hell's Kitchen where is stayed until mid 2012. Having been identified as an ideal space for artists, &lt;b&gt;Exit Art’s&lt;/b&gt; exhibition “Fever” in 1992 was declared one of the ten most important exhibitions of the decade by Peter Plagens from &lt;i&gt;Newsweek&lt;/i&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;In the late 1990’s, &lt;b&gt;Exit Art&lt;/b&gt; began a portfolio series that was a mix of then emerging artists with some of the masters of contemporary art, including Leon Golub, Ann Hamilton, Sanford Biggers, and Alfredo Jaar. These portfolios became a record of Exit Art’s accomplishments for over a decade. &lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;Currently housed at the Museum, the following portfolios are now part of the Museum’s collection— 2001, TWO OO ONE; 2004—SIX X FOUR’; 2005—Tantra; 2006—Trance Borders; 2008—Expose; 2009 America America; 2010 Ecstasy 2 and 2011 SEA.&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s1"&gt;&lt;span class="Apple-tab-span"&gt; &lt;/span&gt;Unfortunately, founding co-founder, Jeanette Ingberman passed away in mid 2011 and &lt;b&gt;Exit Art&lt;/b&gt; was subsequently closed in 2012 due to concerns over loss of its conceptual oversight.&lt;/span&gt;&lt;/p&gt;</text>
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              <name>Title</name>
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                  <text>&lt;strong&gt;EXIT ART&lt;/strong&gt;</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="28449">
                <text>2012.009.008.007</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="28450">
                <text>&lt;strong&gt;ROCKMAN&lt;/strong&gt;, Alexis</text>
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                <text>United States, b.1962</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;ROCKMAN&lt;/strong&gt;, Alexis</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28453">
                <text>&lt;em&gt;SEA: Iguaca&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="28454">
                <text>Lithograph on Ragcote, 35/50</text>
              </elementText>
              <elementText elementTextId="28455">
                <text>30 X 22" PAPER</text>
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              <elementText elementTextId="28456">
                <text>Lithograph includes rust colored bird perched on a branch on a white background; part of SEA, Social Environmental Aesthetics Signature, date and edition statement is located lower right corner.</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="28458">
                <text>Gift of Exit Art, New York</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="142437">
                <text>2011</text>
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        <name>animal</name>
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        <name>branch</name>
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      <tag tagId="19">
        <name>Figurative</name>
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      <tag tagId="121">
        <name>Lithograph</name>
      </tag>
      <tag tagId="314">
        <name>orange</name>
      </tag>
      <tag tagId="1715">
        <name>Parrot</name>
      </tag>
      <tag tagId="1718">
        <name>Realistic</name>
      </tag>
      <tag tagId="1716">
        <name>Rust</name>
      </tag>
      <tag tagId="1717">
        <name>White Background</name>
      </tag>
      <tag tagId="112">
        <name>Works-on-Paper</name>
      </tag>
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  <item itemId="10802" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="91445">
                  <text>&lt;strong&gt;Paintings&lt;/strong&gt;</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="91446">
                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="92754">
                <text>2016.003.006</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="92755">
                <text>&lt;strong&gt;ROJAS&lt;/strong&gt;, Clare</text>
              </elementText>
              <elementText elementTextId="92756">
                <text>b. United States, 1976</text>
              </elementText>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;ROJAS&lt;/strong&gt;, Clare</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="92758">
                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
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              <elementText elementTextId="92759">
                <text>2007</text>
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              <elementText elementTextId="92760">
                <text>Gouache and latex on wood panel</text>
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              <elementText elementTextId="92761">
                <text>12 X 14" PANEL</text>
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              <elementText elementTextId="92762">
                <text>Small gouache and latex painting on wood panel; centralized female figure on orange ground with numerous texturedlike surfaces.</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="92763">
                <text>Gift of Stanley and Gail Hollander</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="146166">
                <text>2007</text>
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        <name>latex</name>
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        <name>orange</name>
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        <name>Painting</name>
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      <tag tagId="34">
        <name>portrait</name>
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      <tag tagId="90">
        <name>woman</name>
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      <tag tagId="227">
        <name>Wood</name>
      </tag>
    </tagContainer>
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  <item itemId="7706" public="1" featured="0">
    <collection collectionId="75">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="64478">
                  <text>&lt;strong&gt;Sculpture and Mixed Media&lt;/strong&gt;</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="64479">
                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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    </collection>
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="66357">
                <text>2018.017.016</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="66358">
                <text>&lt;strong&gt;SCOTT&lt;/strong&gt;, Charles</text>
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              <elementText elementTextId="66359">
                <text>b. United Kingdom, 1974</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>&lt;strong&gt;SCOTT&lt;/strong&gt;, Charles</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="66361">
                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="66362">
                <text>2006</text>
              </elementText>
              <elementText elementTextId="66363">
                <text>Washcloth, cotton and ink</text>
              </elementText>
              <elementText elementTextId="66364">
                <text>8 1/4 x 12" OVERALL</text>
              </elementText>
              <elementText elementTextId="66365">
                <text>Greyish washcloth folded along top covering 1/2 of an orange spherical.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="66366">
                <text>Gift of Marc Selwyn Fine Art, Beverly Hills</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="144638">
                <text>2006</text>
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        <name>Cloth</name>
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      <tag tagId="539">
        <name>Mixed Media</name>
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      <tag tagId="314">
        <name>orange</name>
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      <tag tagId="53">
        <name>Sculpture</name>
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>&lt;strong&gt;Women Beyond Borders&lt;/strong&gt;</text>
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            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                <elementText elementTextId="152830">
                  <text>Women Beyond Borders Art Collection founded by Lorraine Serena</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="152831">
                  <text>Donated in 2023, Women Beyond Borders showcases the transformative gift of the archives and artworks from the multisite, cross-cultural exhibition project, Women Beyond Borders, founded by UCSB alum, Lorraine Serena (B.A. ’63, M.F.A. ‘75) in 1991. The project started with a small wooden box (measuring 3 1/2 by 2 by 2 1/2 inches) and an enticing invitation to women around the world—to transform this small container to one's liking. More than 900 people across 50 countries accepted it. The exhibition explores how Women Beyond Borders fostered experimental spaces for doing-it-oneself and doing-it-together, highlighted artistic media often dismissed for being in the realm of women, and challenged—through feminist practice and collectivity—hurdles for artistic freedom and expression in a wide array of geopolitical contexts.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="155968">
                <text>2023.005.050</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;strong&gt;SHERIDAN&lt;/strong&gt;, Ann</text>
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                <text>b. Australia</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="155971">
                <text>&lt;em&gt;Pandora's Box&lt;/em&gt;, 1995</text>
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                <text>Mixed media</text>
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              <elementText elementTextId="155974">
                <text>3 X 4 X 2 1/2" OVERALL</text>
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              <elementText elementTextId="155976">
                <text>The Women Beyond Borders Art Collection includes over 900 self styled wooden boxes reflecting on a specific woman's self-identity using a variety of multi-media processes. This artist has painted her box in bright yellows and oranges with a woman's full silhouette on the interior with a torso image on the underside of the lid. The box, reminiscent of a hope chest, is a powerful symbol--- resonating, archetypal symbol of woman herself. The boxes express the hopes dreams, and conception of women and their quest for freedom of expression thoughout the world. WBB honors their vitality, wisdom, sensitivity and collective power -- Lorraine Serena, Founder/Director.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                  <text>In addition to the Sedgwick Collection of Old Master Paintings and The Fernand Lungren Bequest, the AD&amp;amp;A Museum has steadilycollected paintings including works complimenting the Sedgwick Collection as well as large scale works by Matt Mullican and Adam Ross.</text>
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                  <text>&lt;strong&gt;Sculpture and Mixed Media&lt;/strong&gt;</text>
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                  <text>In addition to outdoor sculpture, the AD&amp;amp;A Museum's collection includes numerous smaller works by artists such as Mark Di Suvero, UCSB Alum, and Beatrice Wood.&lt;br /&gt;&lt;br /&gt;The museum also has a smaller number of assemblages and mixed media collages in its collection.</text>
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                <text>&lt;strong&gt;ZAMMITT&lt;/strong&gt;, Norman</text>
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                <text>b. Canada, 1931</text>
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            <description>An account of the resource</description>
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                <text>&lt;em&gt;Honeycomb&lt;/em&gt;</text>
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                <text>ca. 1960-60</text>
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                <text>molded plastic</text>
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                <text>50 3/4 x 23 x 5"</text>
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                <text>Orange molded plastic square-like form ontop of a custom-made brass stand.</text>
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          <element elementId="48">
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of Judith T. and Milton R. Stark</text>
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                  <text>&lt;strong&gt;The Margaret Mallory Bequest&lt;/strong&gt;</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Margaret Mallory Bequest comprises two distinct areas of the AD&amp;amp;A Museum holdings. In 1961, Margaret Mallory donated a group of twentieth century and Old Master prints to the museum. In 1964, Mallory made another donation of over 300 African objects to the museum. Thirty-five years later, and one year after Mallory’s death in 1998, the Margaret Mallory Bequest brought additional works on paper from the twentieth century to AD&amp;amp;A Museum. Together with the Ruth S. Schaffner Collection, the Mallory Bequest added to AD&amp;amp;A Museum’s strong collection of contemporary works on paper. Besides her passionate art collecting, Mallory was a filmmaker and founded Falcon Films in 1947 (together with former Santa Barbara Museum of Art director Ala Story) to produce documentary films on art and artists. Mallory was an early supporter of AD&amp;amp;A Museum, active in the tasks of fundraising, acquisitions and public relations which established the AD&amp;amp;A Museum as a vibrant teaching museum.</text>
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            <name>Identifier</name>
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                <text>1999.4</text>
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                <text>Mullican, Lee</text>
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                <text>American, 1919 -</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;strong&gt;MULLICAN&lt;/strong&gt;, Lee</text>
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                <text>&lt;em&gt;A Day of Change&lt;/em&gt;</text>
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                <text>Graphite and pastel on paper</text>
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                <text>sheet: 29 x 23 in.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Margaret Mallory Bequest</text>
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                <text>1965</text>
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                  <text>&lt;strong&gt;The Ruth S. Schaffner Collection&lt;/strong&gt;</text>
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              <name>Description</name>
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                  <text>&lt;span&gt;Ruth S. Schaffner (1914-1996) was a photojournalist and filmmaker, collector and patron, and art dealer whose galleries in Santa Barbara and Los Angeles introduced many vanguard contemporary artists to southern California, including Robert Therrien, John McCracken, and Larry Bell. Due to Schaffner’s generous gifts of more than one-hundred works of art, the AD&amp;amp;A Museum makes available to its visitors a significant holding of contemporary art with a strong nucleus in works from the mid-1960s and 1970s when Minimalism, Pop, and Conceptual artists effected a rupture in traditional forms. The Schaffner Collection includes works from Judy Chicago, Larry Rivers, Joan Mitchell, and Joseph Beuys. Ruth Schaffner’s gifts exemplify the legacy of support the AD&amp;amp;A Museum has received from the Santa Barbara arts establishment and stand as an example of the community’s vibrant contribution in enriching and enlivening our teaching museum.&lt;/span&gt;</text>
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                <text>Rainer, Arnulf</text>
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                <text>Austrian, b. 1929 -</text>
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                <text>&lt;em&gt;Untitled&lt;/em&gt;</text>
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                <text>etching</text>
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                <text>13 1/2 x 9 7/8 in.</text>
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