1 100 2 http://art-collections.museum.ucsb.edu/files/original/f88c898cce6a559d16c44813e9ee360c.jpg 124fa81a7f7c660af56679275463129c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Carolyn and Edwin Gledhill Photography Collection Description An account of the resource In 1986, Keith Gledhill donated to the AD&A Museum a collection of over 100 photographic materials by his mother and father, Carolyn and Edwin Gledhill. Arriving in 1917, the recently married couple, opened their portrait studio on Chapala Street, one block from the infamous oceanfront Potter Hotel which is now Ambassador Park near Stearns Wharf. Although industrial growth was progressing rapidly throughout the United States, Santa Barbara remained focused on architecture, civic value and pageantry focusing on the city’s cultural elite. This made it a haven for a diverse and growing community of artists and professionals allowing the Gledhills easy access to subjects for their portraiture business. Carolyn and Edwin lived an unconditional lifestyle which was deemed scandalous by early 20th Century standards: at the time of their marriage, Edwin was 19 and Carolyn in her 30s. This unorthodox lifestyle mirrored itself in real life while Edwin was often viewed as the primary photographer of the studio, it was really Carolyn who was the professional. Edwin would pose the subjects but it was only when Carolyn found the pose to her liking that she would pull the shutter. This often resulted in empowered appearing women suggesting an early expression of feminism. But Carolyn had an untimely death in the 1930s while Edwin continued with the photography studio preserving in print Santa Barbara’s historic resources. The Gledhill collection is augmented with additional photographs by Henry Ravell, a colleague and fellow photographer who arrived in Southern California from New York in 1914. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 1986.214 Creator An entity primarily responsible for making the resource Artist unknown Title A name given to the resource Artist unknown Description An account of the resource Phillipino Prisoners photo lithograph 4 1/4 x 4 1/4 in Source A related resource from which the described resource is derived Gift of Mr. Keith Gledhill Date A point or period of time associated with an event in the lifecycle of the resource n.d. concrete landscape Phillipino photograph prison uniform White T-Shirt http://art-collections.museum.ucsb.edu/files/original/847943772bb4ad11cb01fbca267418b9.jpg 02f6ac10d732d3fac910e89ce3b0cdda Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arts of Latin America Description An account of the resource The AD&A Museum houses a number of works representing the artistic traditions that developed in Mesoamerica, Central America, and South America after contact with the Spanish and the Portuguese beginning in 1492 and 1500, respectively, and continuing to the present. These objects include but are not limited to Retablos, Santos, Masks as well as contemporary prints and drawings. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context 2018.001.008 Title A name given to the resource BIRK, Sandow Creator An entity primarily responsible for making the resource Birk, Sandow Description An account of the resource Old Folsom State Prison - Represa, CA Etching with drypoint 21 x 17" FRAMED Etching of a prison building with foliage at upper left. At lower right, signed. Source A related resource from which the described resource is derived Estate of Frances Garvin and Keith Julius Puccinelli Date A point or period of time associated with an event in the lifecycle of the resource ca. 2000 California etching landscape prison Works-on-Paper